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You've selected:
Sonata No. 2 C major
PDF
Flute and Piano
Sheetmusic to print
6 sheet music found
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Bach - Flute Sonata No.2 in A major BWV 1015 for Flute and Harpsichord (or Piano)
Flute and Piano
Small Ensemble Flute,Harpsichord,Piano - Level 4 - Digital Download SKU: A0.517295 …
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Small Ensemble Flute,Harpsichord,Piano - Level 4 - Digital Download SKU: A0.517295 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score and parts. 22 pages. Santino Cara #4319847. Published by Santino Cara (A0.517295). Complete score and part of the Flute Sonata No.2 in A major BWV 1015 for Flute and Harpsichord or Piano. Transcribed by Santino Cara from the Six Violin Sonatas BWV 1014/19 composed in Cöthen by Johann Sebastian Bach between 1717 and 1723.
$18.40
16.89 €
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Flute and Piano
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Bach Johann Sebastian
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Bach - Flute Sonata No.2 in A major BWV 1015 for Flute and Harpsichord
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Santino Cara
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SheetMusicPlus
Corelli - Gavotte (from Violin Sonata) in C major - Easy
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1100081 Composed by Arcangelo Core…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1100081 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 6 pages. Piacere Music Sheets #703947. Published by Piacere Music Sheets (A0.1100081). Opus/Catalog Number: Op.5 No.10 - movement 4 Key/Tone: C Major Movements/Sections: Allegro Year/Date of Composition: 1700 Difficulty:Â Grade 3/12 (Easy) Obs.: This piece is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and It is part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were This Gavotta is the fourth movement of the Sonata Op. 5, No. 10 in F Major by Arcangelo Corelli, and it's part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. Performance suggestions for the ornaments in accordance with the performance practice of the Baroque period were included in the flute part. Included: Full score and separated parts for each instrument.
$2.95
2.71 €
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Flute and Piano
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Arcangelo Corelli
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Corelli - Gavotte
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Piacere Music Sheets
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SheetMusicPlus
Corelli - Allemande (from Violin Sonata) in C Major - Intermediate
Flute and Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.1099720 Composed by Arcangelo Core…
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Flute,Piano - Level 2 - Digital Download SKU: A0.1099720 Composed by Arcangelo Corelli. Arranged by Piacere Music Sheets. Baroque,Instructional,Standards. Score and part. 9 pages. Piacere Music Sheets #703592. Published by Piacere Music Sheets (A0.1099720). Opus/Catalog Number: Op.5 No.10, movement 2 Key/Tone: F Major Movements/Sections: Allegro Year/Date of Composition: 1700 Difficulty:Â Grade 4/12 (Intermediate) Obs.: This piece is the second of five movement of the Sonata Op. 5, No. 10. It is part of the 12 Sonatas for Violin and Continuo, Op. 5, published in Rome in 1700. This is an arrangement for Flute with piano accompaniment. Flute part includes performance suggestions for the ornaments in accordance with the practice of the Baroque period. Included: Full score and separated parts for each instrument.
$4.95
4.54 €
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Flute and Piano
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Arcangelo Corelli
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Corelli - Allemande
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Piacere Music Sheets
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
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Flute and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549464 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499727. Published by jmsgu3 (A0.549464). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.31 €
#
Flute and Piano
#
Alexander Scriabin
#
Scriabin: Prelude Op. 11 No. 2 for Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Sonata D major
Flute and Piano
Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53375 Op.…
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Flute and piano - intermediate to advanced - Digital Download SKU: S9.Q53375 Op. 138/2. Composed by Gottlieb Heinrich Kohler. Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Volume op. 138/2. 20 pages. Schott Music - Digital #Q53375. Published by Schott Music - Digital (S9.Q53375). Key: D major. English • German.Gottlieb Heinrich Köhler was born in Dresden. Following an apprenticeship with the town musician in Bautzen, he taught flute and piano in his home town before obtaining a post as a ‘skilled violinist’ in the city of Leipzig. In the same period he played flute (and later on violin and timpani) in the Gewandhaus orchestra. As a composer, Köhler left a wealth of flute pieces that reflect classical forms and the virtuoso performance fashions of his time. This sonata is the second of Trois Sonates/ pour/ Piano-Forte et Flûte obligé/ par/ HENRY KOEHLER/ Oeuvre 138. Livre 2. Plate no. 1774 / published in 1822.
$4.99
4.58 €
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Flute and Piano
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Gottlieb Heinrich Kohler
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Sonata D major
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Schott Music - Digital
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SheetMusicPlus
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