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1
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1
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1
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152
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115
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60
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42
Trumpet, Piano
38
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35
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34
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33
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24
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23
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17
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16
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15
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14
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12
Tuba
12
French horn
11
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10
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9
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8
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7
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5
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4
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4
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3
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3
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3
3 Trumpets (trio)
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2
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9
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8 sheet music found
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1
What Are You Doing The Rest Of Your Life? (High Voice) (from The Happy Ending)
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High voice
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What Are You Doing The Rest Of
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - Digital Download SKU: HX.470807 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470807)....
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(High Voice) - Digital Download SKU: HX.470807 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470807).
$1.99
Arise, my love (Downloadable)
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High voice
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Wedding/Ballad
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Julian Wachner
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Song of Solomon 2
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Arise, my love
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice, piano - Moderately Difficult - Digital Download SKU: MQ.6181-E Composed by Julian Wachner. Wedding. 5 pages. E. C. Schirmer Music Company - D...
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High voice, piano - Moderately Difficult - Digital Download SKU: MQ.6181-E Composed by Julian Wachner. Wedding. 5 pages. E. C. Schirmer Music Company - Digital #6181-E. Published by E. C. Schirmer Music Company - Digital (MQ.6181-E). English. Song of Songs 2; Song of Solomon 2.The text is from The Song of Solomon, King James Version of the Bible. The setting uses ascending lines to accentuate bold phrases, and the piano either plays a triplet figure or sustained notes often in blocked chords. Additionally, the ending leaves the audience wondering if the lover ever did arise, as there are four repeated descending figures in the piano followed by the lowest notes in the piece ending the song. It's exciting writing that allows for multiple interpretations.
$7.75
Does It Matter?
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High voice
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ADVANCED
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #2384...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
This Nearly Was Mine from South Pacific
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High voice
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INTERMEDIATE/ADVANCED
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Broadway
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Richard Rodgers
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W
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This Nearly Was Mine from Sout
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Diamond S Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pag...
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
Ice! from Songs from the High Sierra
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High voice
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Comp...
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High voice and piano - Medium - Digital Download SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
Serenade - Ständchen - Schwanengesang, D. 957 No. 4 (Duet for Voice and Piano)
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High voice
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INTERMEDIATE
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Classical
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Franz Schubert
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Flavio Regis Cunha
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Serenade - Ständchen - Schwan
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Flavio Regis Cunha
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. ...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio Regis Cunha #5725037. Published by Flavio Regis Cunha (A0.597338). Schwanengesang (swan song), D 957, is a collection of songs written by Franz Schubert towards the end of his life and published posthumously.The collection was named by its first editor, Tobias Haslinger, probably intending to present it as Schubert's final musical testament to the world. Unlike earlier Die schöne Müllerin and Winterreise, it contains settings by three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.Advanced Intermediate.Format: Concert, 9 x 12.8 pages.
$5.99
GOD SO LOVED (Solo for High Voice, optional flute)
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High voice
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EASY
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Richard Donn
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GOD SO LOVED
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Cartecay River Music Publishing
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay Riv...
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.891175 Composed by Richard Donn. Contemporary,Easter,Sacred,Traditional. 8 pages. Cartecay River Music Publishing #3260171. Published by Cartecay River Music Publishing (A0.891175). GOD SO LOVED is a new rendering of John 3:16 from composer Richard Donn. It features a lovely ascending melody with a descending bass line facilitating the harmonic structure. The solo is very accessible with homophonic and gentle contrapuntal interplay in the instrumental parts. An optional flute part adds just the right touch, making this a piece that you will return to time and again. It is rated medium-easy. Also available: SATB (soprano solo, opt. flute, piano), Medium voice solo (opt. flute), and Low voice solo (opt. flute).
$4.95
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