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Inspired
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1,772
Piano & keyboards
Piano solo
2,117
Piano, Voice
172
Easy Piano
158
Piano, Vocal and Guitar
118
Organ
114
C Instruments
57
1 Piano, 4 hands
38
Piano Trio: piano, violin, cello
31
2 Pianos, 4 hands
17
Accordion
15
Harpsichord
10
Piano Accompaniment
8
Organ, Piano (duet)
7
Keyboard
5
Organ, Trumpet (duet)
4
Piano Quartet: piano, violin, viola, cello
3
Piano Quintet: piano, 2 violins, viola, cello
2
2 Pianos, 8 hands
1
Piano (band part)
1
Accordion, Piano
1
Piano Quartet: piano, 2 violins, cello
1
+ 16 instrumentations
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Retract
Guitars
Guitar
219
Guitar notes and tablatures
86
2 Guitars (duet)
20
Melody line, (Lyrics) and Chords
17
Ukulele
13
Bass guitar
7
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7
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4
Mandolin
3
Dulcimer
3
Guitar (band part)
2
Lyrics and Chords
2
Mandolin, Guitar (duet)
2
Guitar, Orchestra
1
+ 9 instrumentations
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Retract
Voice
Choral SATB
592
Choral 3-part
173
Choral 2-part
104
Choral TTBB
97
Choral SSAA
73
Alto voice, Piano
42
Choral Unison
39
Soprano voice, Piano
39
Baritone voice, Piano
32
Choral Instrumental Pak
31
Tenor voice, Piano
29
Vocal duet, Piano
23
Vocal duet
17
High voice
5
Voice solo
4
Choral SSAATTBB
4
Choral SATBB
4
Medium voice, Piano
2
Low voice, Piano
2
Mezzo-Soprano voice, Piano
2
Choral
2
Choral SSATTB
1
Soprano voice
1
Choral SSAB, Piano
1
Choral SSATB
1
+ 20 instrumentations
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Retract
Woodwind
Flute
159
Flute and Piano
140
2 Saxophones (duet)
113
Saxophone Quartet: 4 saxophones
103
Clarinet and Piano
94
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
86
Alto Saxophone and Piano
76
Oboe, Piano (duet)
72
Clarinet Quartet: 4 clarinets
65
2 Flutes (duet)
64
Clarinet
57
Flute, Oboe, Clarinet, Bassoon
55
2 Clarinets (duet)
52
Tenor Saxophone and Piano
48
Saxophone, Clarinet (duet)
43
Alto Saxophone
41
Soprano Saxophone and Piano
37
Flute, Violin, Piano
34
Saxophone (band part)
34
Flute and Guitar
33
Flute Quartet: 4 flutes
32
Clarinet, Violin (duet)
32
Oboe (band part)
32
Clarinet, Trumpet (duet)
30
Tenor Saxophone
28
Baritone Saxophone, Piano
26
2 Oboes (duet)
26
Flute, Clarinet (duet)
24
Saxophone Quintet: 5 Saxophones
24
Clarinet, Guitar (duet)
20
Flute, Violin
19
Oboe, Clarinet (duet)
19
Clarinet Ensemble
19
Oboe, Bassoon (duet)
18
Oboe, Flute
17
Flute, Saxophone (duet)
17
Clarinet and Viola
15
English horn, Piano
15
Flute, Trumpet (duet)
14
Treble (Alto) Recorder, Piano
13
Flute ensemble
13
3 Saxophones (trio)
12
Clarinet Quintet: 5 clarinets
11
Bass Clarinet, Piano
11
Flute, Viola (duet)
11
Recorder, Piano
10
Piccolo, Piano
10
Tenor Recorder
10
Soprano Saxophone
10
Saxophone ensemble
10
2 Recorders (duet)
9
Saxophone and Guitar
9
Flute Trio: 3 flutes
9
English Horn, Guitar (duet)
8
Oboe
8
Clarinet, Bassoon (duet)
7
3 Clarinets (trio)
7
Descent (Soprano) Recorder, Piano
6
Recorder Quartet
6
Descant (Soprano) Recorder
5
Flute (band part)
5
Baritone Saxophone
5
Piccolo
5
Flute, Cello, Piano (trio)
4
Recorder Ensemble
4
Flute Quintet : 5 flutes
4
English Horn
4
Flute, Oboe (duet)
3
2 Flutes, Piano
3
Flute, Oboe, Bassoon
3
Clarinet, Cello (duet)
3
Flute, Violoncello
3
Flute, Oboe, Clarinet (trio)
3
Clarinet (band part)
3
Flute, Bassoon, and Piano
2
Clarinet, Cello, Piano (trio)
2
Flute, Oboe, Piano (trio)
2
Oboe, Guitar (duet)
2
Saxophone
2
Flute, Harp and Cello
2
Flute, harp and violin
2
Oboe, Bassoon and Piano
1
Saxophone and Organ
1
Oboe, Clarinet, Bassoon (trio)
1
Wind ensemble
1
4 Oboes
1
Flute, Clarinet, Piano (trio)
1
Flute, Violin and Violoncello
1
Clarinet, Bassoon, Piano (trio)
1
Recorder, Guitar (duet)
1
Flute, Violin, Violoncello and Piano
1
Oboe, Violin (duet)
1
5 Recorders
1
Oboe, Organ
1
Clarinet, Harp (duet)
1
Flute, Clarinet and Bassoon.
1
2 Saxophones, Piano
1
+ 92 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
124
Trumpet
70
Trombone and Piano
65
Trumpet, Piano
51
French Horn and Piano
43
Tuba and Piano
36
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36
Trombone
31
Trumpet, Saxophone (duet)
30
French horn
29
2 Trumpets (duet)
25
2 Trombones (duet)
25
Euphonium, Piano (duet)
23
Brass Quartet: 2 trumpets, horn, trombone
22
Brass Quartet: 4 trombones
22
Tuba
20
Trumpet, Trombone (duet)
18
Trombone ensemble
16
English horn, Piano
15
Trumpet (band part)
14
Brass Quartet
13
Bass Trombone and Piano
11
Trombone (band part)
10
2 French horns (duet)
9
Brass Quartet: 4 horns
9
English Horn, Guitar (duet)
8
4 Tubas
7
Trumpet ensemble
6
Brass Quartet: 4 trumpets
6
Bass Trombone
5
Trumpet, Horn (duert)
4
2 Tubas (duet)
4
English Horn
4
3 Trumpets (trio)
3
Horn, Tuba (duet)
2
Trombone, Horn (duet)
2
Trumpet and Guitar
2
French horn (band part)
2
2 Euphoniums and 2 Tubas
2
Tuba and Organ
2
Euphonium
2
3 Trombones (trio)
2
2 Trumpets, Keyboard (piano or organ)
1
Tuba (band part)
1
Euphonium, Tuba (duet)
1
Horn Ensemble
1
3 Euphoniums
1
French Horn and Harp
1
+ 43 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
234
Violin and Piano
168
Violin
113
Cello, Piano
100
Cello
72
Viola, Piano
66
Viola
60
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59
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41
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36
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31
Viola (band part)
29
2 Violas (duet)
28
String Trio: violin, viola, cello
26
Violin, Viola (duet)
25
Double Bass
24
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22
String Trio: 2 violins, cello
20
4 Cellos
15
String Quintet: 2 violins, viola, cello, bass
15
Violin, Guitar (duet)
13
Viola, Guitar (duet)
11
Harp, Flute (duet)
9
String Trio: 3 violas
7
Harp, Voice
7
Cello, Guitar (duet)
7
Violin (band part)
5
Doublebass (band part)
5
String Quartet : 4 violas
4
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4
String quartet: 4 violins
4
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4
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3
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2
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2
2 Harps (duet)
2
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2
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2
2 Double basses (duet)
2
Violin ensemble
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Cello (band part)
2
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1
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1
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1
String Trio: 2 violins, viola
1
Harp and Piano
1
Viola, Organ
1
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1
Cello Ensemble
1
+ 49 instrumentations
-
Retract
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1,441
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207
String Orchestra
139
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107
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75
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74
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22
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12
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7
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5
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4
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4
Xylophone
2
Brass Quintet: other combinaisons
1
Bongos
1
Voice Mezzo-Soprano, Orchestra
1
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1
Drum (band part)
1
Xylophone, Piano
1
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Retract
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Inspired
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High voice
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5 sheet music found
<
1
Even So, Lord Jesus, Come - High edition
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High voice
#
INTERMEDIATE
#
Sacred music
#
Daniel Barta
#
Even So, Lord Jesus, Come - Hi
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Shaw Music
#
SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1489624 Composed by Daniel Barta. Sacred. 8 pages. Shaw Music #1066493. Published by Shaw Musi...
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1489624 Composed by Daniel Barta. Sacred. 8 pages. Shaw Music #1066493. Published by Shaw Music (A0.1489624). Inspired by Revelation 22:20, Even So, Lord Jesus, Come contrasts the humility of Jesus’ first coming with the majesty of his second. The music underscores this contrast with colorful harmonies and elegant key changes. The piano accompaniment, with its lyrical countermelodies and triumphant chordal passages, provides strong support to the vocal line. Available for solo voice (high and medium-low editions) and SATB choir.
$5.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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High voice
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ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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High voice
#
ADVANCED
#
Classical
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
I See You
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High voice
#
INTERMEDIATE
#
Chas Hathaway
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I See You
#
Chas Hathaway
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742248 Composed by Chas Hathaway. Christian,Sacred,Spiritual. 5 pages. Chas Hathaway #4765101....
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742248 Composed by Chas Hathaway. Christian,Sacred,Spiritual. 5 pages. Chas Hathaway #4765101. Published by Chas Hathaway (A0.742248). Christian vocal/piano ballad, I See You, by Chas Hathaway. Inspired by Sharon Milliman's near-death experience, as shared in her book, A Song in the Wind. .
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. ...
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
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