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S.Richard
PDF
High voice
Sheetmusic to print
7 sheet music found
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1
We Are Climbing Jacob's Ladder (arr. Richard Walters) (High Voice)
High voice
Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1477609 Arranged by Bryan…
(+)
Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1477609 Arranged by Bryan Stanley and Richard Walters. This edition: scorch. Folk,Sacred. Score. 9 pages. Hal Leonard - Digital #28884. Published by Hal Leonard - Digital (HX.1477609).
$4.99
4.5 €
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High voice
#
We Are Climbing Jacob's Ladder
#
Hal Leonard - Digital
#
SheetMusicPlus
Jesu, Joy Of Man's Desiring (arr. Richard Walters) (High Voice)
High voice
Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1477595 Arranged by Richa…
(+)
Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1477595 Arranged by Richard Walters. This edition: scorch. Baroque,Christmas,Classical,Wedding. Score. 5 pages. Hal Leonard - Digital #421800. Published by Hal Leonard - Digital (HX.1477595).
$4.99
4.5 €
#
High voice
#
Jesu, Joy Of Man's Desiring
#
Hal Leonard - Digital
#
SheetMusicPlus
This Is My Father's World
High voice
Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1490697 Edited by Richard…
(+)
Piano,Vocal,Voice (High Voice) - Digital Download SKU: HX.1490697 Edited by Richard Walters. This edition: scorch. Christian,Sacred. Score. 5 pages. Hal Leonard - Digital #835500. Published by Hal Leonard - Digital (HX.1490697).
$4.99
4.5 €
#
High voice
#
This Is My Father's World
#
Hal Leonard - Digital
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
6.3 €
#
High voice
#
Richard Strauss
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
High voice
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Rich…
(+)
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
6.26 €
#
High voice
#
Richard Strauss
#
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
This Nearly Was Mine from South Pacific
High voice
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richa…
(+)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.790001 Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. 15 pages. Diamond S Music #3533727. Published by Diamond S Music (A0.790001). THIS NEARLY WAS MINE from South Pacific. For SOLO VOICE (Tenor or Soprano) AND PIANO ACCOMPANIMENT (with optional Double Bass). KEY of Eb. This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949 Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$8.99
8.1 €
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High voice
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Richard Rodgers
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This Nearly Was Mine from South Pacific
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Diamond S Music
#
SheetMusicPlus
Somewhere Only We Know
High voice
High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Rich…
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High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/TV. 7 pages. Teresa O'Connell (BMI) #6235521. Published by Teresa O'Connell (BMI) (A0.956050). Somewhere Only We Know is a beautiful ballad by the band, Keane. Arranged for voice (soprano or tenor) with early intermediate piano accompaniment, it is the perfect recital piece for singers. The singer's melody is built in to the piano accompaniment, which instilsl confidence in the singer. Lyrics are appropriate and easy to learn. Teachers, your students will love to sing this emotional, melodic, haunting piece. This is a great arrangement to encourage young pianists to play and sing at the same time! Highly recommended!
$4.99
4.5 €
#
High voice
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Keane
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Somewhere Only We Know
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Teresa O'Connell
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SheetMusicPlus
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