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Alto Saxophone and Piano
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1
Life On Mars
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.548339 By David Bowie. By…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.548339 By David Bowie. By David Bowie. Arranged by James M. Guthrie, ASCAP. A Cappella,Pop,Rock. Score and part. 12 pages. Jmsgu3 #3238309. Published by jmsgu3 (A0.548339). Duration: 3:23, Score: 7 pages, 61 measures, solo part: 2 pages, piano part: 3 pages. Meter: common time, Tempo: quarter note = 124. Excellent choice for recitals, church or combo performance.
$49.95
45.69 €
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Alto Saxophone and Piano
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David Bowie
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Life On Mars
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jmsgu3
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SheetMusicPlus
Schumann: Abendlied for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549035 Composed by Robert…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549035 Composed by Robert Schumann. Arranged by James M. Guthrie, ASCAP. Concert,Holiday,Romantic Period,Sacred,Standards. Score and part. 6 pages. Jmsgu3 #3448143. Published by jmsgu3 (A0.549035). Op. 85/12 Alto Sax: Abendlied (Evening Song) by Robert Schumann Op. 85, No. 12. Duration: 3:10 Score: 3 pg. 29 ms. common time. Lento – quarter note = 40. Piano part: 2 pg. solo part 1 pg.
$26.95
24.65 €
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Alto Saxophone and Piano
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Robert Schumann
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Schumann: Abendlied for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Dust In The Wind
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548838 By Kansas. By Kerr…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548838 By Kansas. By Kerry Livgren. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3425629. Published by jmsgu3 (A0.548838). Duration: 3:14, Score: 43 measures in common time, quarter note = 76 Solo part: 1 pg, Piano part: 3 pg.
$29.95
27.4 €
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Alto Saxophone and Piano
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Kansas
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Dust In The Wind
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jmsgu3
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SheetMusicPlus
(Everything I Do) I Do It For You
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.548297 By Bryan Adams. By…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.548297 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by James M. Guthrie, ASCAP. Contemporary,Pop. Score and part. 13 pages. Jmsgu3 #3233893. Published by jmsgu3 (A0.548297). Duration: 4:28, Score: 8 pages, solo part: 2 pages, piano part: 3 pages. Tempo: quarter = 60, Meter: common time, measures: 51. Suitable for recital, church or combo performance.
$57.95
53.01 €
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Alto Saxophone and Piano
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Bryan Adams
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(Everything I Do) I Do It For You
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jmsgu3
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SheetMusicPlus
Halo
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.548276 By Beyonce. By Bey…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.548276 By Beyonce. By Beyonce Knowles, Evan Bogart, and Ryan Tedder. Arranged by James M. Guthrie, ASCAP. Hip-Hop,Pop,R & B. Score and part. 20 pages. Jmsgu3 #3228745. Published by jmsgu3 (A0.548276). Duration: 4:15, Score: 12 pages, solo part: 4 pages, piano part: 4 pages. meter: common time, tempo: quarter = 84, Measures: 73. Suitable for recital, church, or combo performance.
$62.95
57.58 €
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Alto Saxophone and Piano
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Beyonce
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Halo
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jmsgu3
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SheetMusicPlus
Away In A Manger: for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548472 Composed by Muelle…
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548472 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386519. Published by jmsgu3 (A0.548472). Traditional Christmas song arranged for alto sax & piano. Final verse features an alternate harmonization.Score: 2 pages. Part: 1 page.Away in a Manger – Alto Sax Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
22.82 €
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Alto Saxophone and Piano
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the 1880’s the cradle song was being performed in church
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Mueller
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piano
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Away In A Manger: for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
O Come All Ye Faithful for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.
$24.95
22.82 €
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Alto Saxophone and Piano
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Wade
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O Come All Ye Faithful for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Alto Sax & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549892 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603399. Published by jmsgu3 (A0.549892). Score: 12 pages, piano part: 6 pages, alto sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos.
$32.95
30.14 €
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Alto Saxophone and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
LE PETIT NEGRE – ALTO SAXOPHONE & PIANO
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.834103 Composed by Claude…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.834103 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and part. 8 pages. EMK Music #6559971. Published by EMK Music (A0.834103). Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen. Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist. In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.
$9.95
9.1 €
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Alto Saxophone and Piano
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Claude Debussy
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LE PETIT NEGRE – ALTO SAXOPHONE & PIANO
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EMK Music
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SheetMusicPlus
Joyful, Joyful, We Adore Thee (for Alto Saxophone and Piano)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627094 Composed by Ludwig…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.627094 Composed by Ludwig van Beethoven. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #5896761. Published by Exultet Music (A0.627094). The poem that was set to Beethoven's final movement of Symphony #9 which speaks of simple expressions of common Christian feelings and desires, a hymn of trust and joy and hope has been freshly arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.56 €
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Alto Saxophone and Piano
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Ludwig van Beethoven
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Joyful, Joyful, We Adore Thee
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Exultet Music
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SheetMusicPlus
For Elise (Beethoven) + FREE Mp3 Playback + PDF Solo and Piano Parts
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1266139 By Fabio Eduardo …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1266139 By Fabio Eduardo de Oliveira. By L.V. Beethoven. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Score and part. 5 pages. Fabio Eduardo #858883. Published by Fabio Eduardo (A0.1266139). Free Download PlaybackBagatelle No. 25  for solo piano, commonly known as Für Elise, is one of Ludwig van Beethoven's most popular compositions. It was not published during his lifetime, only being discovered (by Ludwig Nohl) 40 years after his death, and may be termed either a Bagatelle or an Albumblatt. The identity of Elise is unknown; researchers have suggested Therese Malfatti, Elisabeth Röckel, or Elise Barensfeld.
$1.99
1.82 €
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Alto Saxophone and Piano
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Fabio Eduardo de Oliveira
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For Elise
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Fabio Eduardo
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SheetMusicPlus
Adagio from "Sonata Pathetique" for Alto Saxophone & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.731609 Composed by L. v. …
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.731609 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 8 pages. Diego Marani #339866. Published by Diego Marani (A0.731609). Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement (in original key) for alto sax with piano accompaniment is suitable for classroom, repertoire and recital.
$9.99
9.14 €
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Alto Saxophone and Piano
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Adagio from "Sonata Pathetique" for Alto Saxophone & Piano
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Diego Marani
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SheetMusicPlus
Here I Am To Worship (light Of The World)
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.518992 By Phillips, Craig…
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.518992 By Phillips, Craig & Dean. By Tim Hughes. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and part. 11 pages. Exultet Music #129660. Published by Exultet Music (A0.518992). The popular Praise and Worship ballad that is commonly sung at Christian churches, festivals and youth gatherings has now been freshly arranged for an Alto Saxophone with an uplifting Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year.
$4.99
4.56 €
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Alto Saxophone and Piano
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Phillips, Craig & Dean
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Here I Am To Worship
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Exultet Music
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SheetMusicPlus
Con-Tse-To
Alto Saxophone and Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, …
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To – a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements – 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.<br> <br> The first movement – Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe “Trio” section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buñol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient’s wife. Kenneth Tse’s wife’s name is Melanie so this movement is dedicated to her.<br> <br> The second movement – Lamento was adapted from a melody of mine “El año del Trumpetista” originally composed in 2010. I thought the beautiful sound of Dr. Tse’s saxophone playing would be very complimentary for this melody.<br> <br> The third movement – Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.<br> <br> Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.<br> <br> The piano transcription was done by Derek Remeš.
$20.00
18.29 €
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Alto Saxophone and Piano
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Gregory Fritze
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Con-Tse-To
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Musica Nova USA
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SheetMusicPlus
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