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Nocturne A minor
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You've selected:
Nocturne A minor
PDF
Alto Saxophone and Piano
Sheetmusic to print
5 sheet music found
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Nocturne No.20 in C-Sharp minor - Alto Sax and Piano (Full Score and Parts)
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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César Madeira
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Nocturne No.20 in C-Sharp mino
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1319738 Composed by Frederic Chopin. Arranged by César Madeira. Classical,Film/TV,Lent,Roman...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1319738 Composed by Frederic Chopin. Arranged by César Madeira. Classical,Film/TV,Lent,Romantic Period,Wedding. Score and part. 13 pages. Sheet Music To Play Editions #908293. Published by Sheet Music To Play Editions (A0.1319738). Nocturne No.20 in C-Sharp minor, Op. posth. B.49. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
Romantic Nocturne - Alto Sax and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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Romantic Nocturne - Alto Sax a
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James M Stevens Music ASCAP
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572649 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easte...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.572649 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #3866917. Published by James M Stevens Music ASCAP (A0.572649). This is an original composition for alto sax and piano in a romantic style in the concert key of E minor. There is a separate alto saxophone part in the score and the piano can serve as a stand alone solo. The track as heard is available under Romantic Nocturne Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. https://www.youtube.com/watch?v=aS7QocaGCco
$6.99
Nocturne No. 20 for Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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Diego Marani
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Nocturne No. 20 for Alto Saxop
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,R...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.528551 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6202163. Published by Diego Marani (A0.528551). The Nocturne No. 20 in C-sharp minor, Op. posth., Lento con gran espressione, is a solo piano piece composed by Frédéric Chopin in 1830 and published in 1870. This was also the piece played by Holocaust survivor and famed Polish pianist Władysław Szpilman (the central figure of the 2002 Roman Polanski film The Pianist) during the last live broadcast of Polish radio on September 23, 1939 when Warsaw was besieged by the German army.This arrangement for Alto Sax with Piano Accompaniment reflects faithfully the original for piano solo.
$8.99
Summer Dreamscape (Alto Sax and Piano)
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Alto Saxophone and Piano
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INTERMEDIATE
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John A
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John A
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Summer Dreamscape
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John A. Dempsey
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278820 Composed by John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Ag...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1278820 Composed by John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,New Age,Pop,Wedding. Score and part. 12 pages. John A. Dempsey #870384. Published by John A. Dempsey (A0.1278820). Half-forgotten memories of past summers come floating back on a sea of serenity beneath a nighttime sky of hazy pastel colors in this tranquil nocturne, a duet for alto sax and piano. Â Recommended for weddings and other multiple venues as a prelude and more. 8 pages of music (that includes a two-page alto sax part) Concert Key: C minor.
$7.99
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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