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Musical course - Solfege
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Cycle 2
PDF
Tenor Saxophone and Piano
Sheetmusic to print
4 sheet music found
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Lumiere (Tenor Saxophone & Piano)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1417023 By Paul Barker M…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1417023 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score and part. 12 pages. Paul Barker Music #998615. Published by Paul Barker Music (A0.1417023). Lumiere is dynamically scored for Tenor Saxophone and Piano, presenting a captivating cycle of emotions and reflections which weave a tapestry of stirring melodic lines and intricate harmonies. This contemporary work is scored to feature both soloists equally and is ideal for recitals, concerts, and competitions.Performance Recording and Piano Accompaniment MP3s are also available from www.paulbarkermusic.com and here.Duration: 2:40Level: Intermediate (UK Grade 5+ & US 2+)Occasion: Concert - Competitions - Recital Orchestration: Tenor Saxophone - Piano.
$5.95
5.41 €
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Tenor Saxophone and Piano
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Paul Barker Music
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Lumiere
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Paul Barker Music
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SheetMusicPlus
Après un rêve (Fauré) for Tenor Saxophone and Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1303419 Composed by Gabr…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1303419 Composed by Gabriel Faure. Arranged by Harry Walker. 19th Century,Contest,Festival,Romantic Period. Score and part. 8 pages. SCORE EDITIONS #892993. Published by SCORE EDITIONS (A0.1303419). This mélodie is the first in a set of three songs, opus 7, which also comprises Hymne and Barcarolle respectively. All three were composed between 1870 and 1877, then collected and published in 1878 under the title Trois Mélodies. Not originally conceived as a song cycle, these three songs acquired this opus number much later, in the 1890s. The poem for Après un rêve was loosely adapted from an anonymous Italian text by Romain Bussine. It describes, in the form of a dream, the imaginary flight of two lovers who are head over heels in love, although the last verse brings the dreamer inexorably back to harsh reality as dawn is breaking. In this version, the composition was arranged for Tenor Saxophone and Piano by Harry Walker.
$5.99
5.45 €
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Tenor Saxophone and Piano
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Gabriel Faure
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Après un rêve
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SCORE EDITIONS
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.69 €
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Tenor Saxophone and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
What Was I Made For?
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1455003 By Billie Eilish…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1455003 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jason Sullivann. Film/TV,Pop,Singer/Songwriter. Score and part. 7 pages. Green Bicycle Music #1034076. Published by Green Bicycle Music (A0.1455003). An arrangement of the popular song What Was I Made For? by Billie Eilish and Finneas O'Connell. This arrangement follows the original song very closely. For Beginning players. *Note: this arrangement uses the lower register of the instrument. Depending on experience, some players could play some of the lines an octave higher.
$7.99
7.27 €
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Tenor Saxophone and Piano
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Billie Eilish
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What Was I Made For?
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Green Bicycle Music
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SheetMusicPlus
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