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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
TIME 4
PDF/Flash
Not classified
4,835
Piano & keyboards
Piano solo
5,574
Piano, Voice
2,285
Easy Piano
913
Piano, Vocal and Guitar
519
1 Piano, 4 hands
380
C Instruments
212
Organ
173
Piano Accompaniment
107
2 Pianos, 4 hands
78
Piano Trio: piano, violin, cello
64
Piano (band part)
38
Big Note Piano
20
Piano Quartet: piano, violin, viola, cello
18
Accordion
17
Organ, Piano (duet)
10
Piano Quintet: piano, 2 violins, viola, cello
7
Harpsichord
5
Piano Quartet: piano, 2 violins, cello
4
2 Pianos, 8 hands
2
Accordion ensemble
2
Piano ensembles
1
Organ, Trumpet (duet)
1
+ 17 instrumentations
-
Retract
Guitars
Guitar
294
Guitar notes and tablatures
232
Bass guitar
100
Melody line, (Lyrics) and Chords
56
2 Guitars (duet)
45
Guitar (band part)
43
Ukulele
37
4 Guitars (Quartet)
36
Mandolin
28
Lyrics and Chords
23
Piano, Guitar (duet)
14
Dulcimer
11
Banjo
9
Mandolin, Guitar (duet)
7
Guitar Ensemble
6
2 Dulcimers (duet)
4
3 Guitars (trio)
3
Guitar, Violin, Cello (trio)
1
2 Ukuleles
1
Guitar, Orchestra
1
Mandolin, Piano (duet)
1
+ 16 instrumentations
-
Retract
Voice
Choral SATB
1,769
Choral 2-part
335
Choral 3-part
310
Choral TTBB
287
Choral SSAA
206
Choral Unison
176
Vocal duet, Piano
167
Voice solo
148
Soprano voice, Piano
37
Tenor voice, Piano
31
Vocal duet
30
Alto voice, Piano
27
Baritone voice, Piano
23
High voice
16
Choral Instrumental Pak
7
Medium voice, Piano
6
Low voice, Piano
5
Choral
4
Tenor voice
4
Voix Masculines
2
Soprano voice
2
Mezzo-Soprano voice, Piano
1
Soli, Mixted choir and accompaniment
1
Choral SSAATTBB
1
Medium Voice
1
+ 20 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
1,471
Clarinet Quartet: 4 clarinets
788
2 Saxophones (duet)
634
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
370
Flute and Piano
356
Flute
317
2 Flutes (duet)
304
Clarinet and Piano
300
Flute, Oboe, Clarinet, Bassoon
298
2 Clarinets (duet)
287
Flute Quartet: 4 flutes
286
Saxophone
275
Clarinet
246
Alto Saxophone and Piano
237
Oboe, Piano (duet)
232
Saxophone, Clarinet (duet)
217
Saxophone Quintet: 5 Saxophones
200
Saxophone ensemble
188
Saxophone (band part)
175
Tenor Saxophone and Piano
169
Clarinet, Violin (duet)
148
Flute, Clarinet (duet)
146
Soprano Saxophone and Piano
143
Clarinet Ensemble
139
2 Oboes (duet)
136
Clarinet, Trumpet (duet)
127
Oboe, Bassoon (duet)
111
Oboe, Clarinet (duet)
106
Baritone Saxophone, Piano
106
Alto Saxophone
84
Clarinet and Viola
80
Tenor Saxophone
78
Flute, Violin
78
Oboe (band part)
74
Oboe, Flute
73
Flute, Saxophone (duet)
71
Oboe
70
Flute, Viola (duet)
66
Flute ensemble
63
Flute, Trumpet (duet)
60
2 Recorders (duet)
59
Clarinet Quintet: 5 clarinets
58
Bass Clarinet, Piano
55
English horn, Piano
51
Flute Trio: 3 flutes
48
3 Clarinets (trio)
43
3 Saxophones (trio)
42
Recorder
34
Clarinet, Bassoon (duet)
28
Clarinet (band part)
25
Flute, Oboe (duet)
25
Oboe, Cello
25
Flute, Clarinet and Bassoon.
24
Flute and Guitar
22
Flute (band part)
21
Flute Quintet : 5 flutes
21
2 Clarinets, Piano
18
Flute, Violin, Piano
17
Clarinet, Guitar (duet)
17
Clarinet, Cello (duet)
17
Oboe, Clarinet, Bassoon (trio)
16
Descant (Soprano) Recorder
16
Flute, Violoncello
16
Recorder Quartet
15
Flute, Cello, Piano (trio)
14
Flute, Oboe, Piano (trio)
13
Flute, Oboe, Clarinet (trio)
12
Piccolo, Piano
12
English Horn
12
Soprano Saxophone
11
Flute, Clarinet, Piano (trio)
10
Flute, Oboe, Bassoon
8
2 English horns and Pianoforte
8
Oboe and viola (duet)
7
2 Flutes, Piano
7
Flute, Violin and Violoncello
7
Oboe, Violin (duet)
6
3 Recorders (trio)
6
Clarinet, Cello, Piano (trio)
6
Flute, Viola and Piano
6
Flute, Bassoon, and Piano
6
Baritone Saxophone
5
Descent (Soprano) Recorder, Piano
5
Clarinette, Viola and Piano (trio)
5
5 Recorders
4
2 Saxophones, Piano
4
Flute, Trombone (duet)
4
Oboe, Cello and Piano
4
Clarinet, Trombone (duet)
4
Clarinet, Bassoon, Piano (trio)
4
Treble (Alto) Recorder, Piano
4
Ocarina
4
Treble (Alto) Recorder
4
Tenor Recorder
4
English Horn, Guitar (duet)
4
Flute, Clarinet, Horn and Bassoon (Quartet)
3
Flute, harp and violin
3
Oboe, Violin, Piano
3
Saxophone and Guitar
3
Oboe, Clarinet and Piano (Trio)
3
Recorder Ensemble
3
Pennywhistle
3
Clarinet, Tuba
3
Recorder, Piano
3
Clarinet, Harp (duet)
2
Flute, Organ (duet)
2
Flute, Violin, Violoncello and Piano
2
Harmonica
2
Clarinet, Double bass (duet)
2
Oboe, Guitar (duet)
2
4 Oboes
2
Oboe, Bassoon and Piano
2
Oboe, Violin, Viola and Violoncello (Quartet)
1
Oboe, Trombone (duet)
1
Eb Instruments
1
Piccolo
1
Flute, Viola and harp
1
Oboe ensemble
1
Bagpipe
1
Oboe, Trumpet (duet)
1
Clarinet, Orchestra
1
2 Clarinets, Bassoon
1
Flute, Clarinet, Violin (trio)
1
Flute, trombone and piano
1
Flute, Tuba (duet)
1
+ 120 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
375
Brass quartet : 2 trumpets, trombone, tuba
232
Trombone and Piano
227
Trumpet, Piano
197
Trumpet
178
French Horn and Piano
156
Trumpet, Saxophone (duet)
153
Trombone (band part)
151
Trombone
145
2 Trumpets (duet)
145
2 Trombones (duet)
139
Tuba and Piano
129
Trumpet (band part)
128
Trumpet, Trombone (duet)
123
Brass Quartet: 4 trombones
85
Brass Quartet: 2 trumpets, horn, trombone
67
Euphonium, Piano (duet)
62
2 French horns (duet)
60
French horn
59
Brass Quartet: 4 horns
57
English horn, Piano
51
Trombone ensemble
36
Brass Quartet
35
Trumpet ensemble
35
2 Tubas (duet)
33
Brass Quartet: 4 trumpets
31
2 Euphoniums and 2 Tubas
21
4 Tubas
21
Trumpet, Horn (duert)
21
French horn (band part)
18
Tuba
18
Tuba (band part)
17
Brass Trio
13
English Horn
12
Horn Ensemble
11
3 Trombones (trio)
10
Trombone, Horn (duet)
8
2 English horns and Pianoforte
8
Euphonium
6
Bass Trombone and Piano
5
Trumpet, Tuba (duet)
5
Tuba and Organ
4
Trumpet, Cello (duet)
4
English Horn, Guitar (duet)
4
Trumpet, Trombone, Piano
3
Horn, Cello (duet)
3
2 Euphoniums (duet)
3
Bass Trombone
3
Trumpet, Cello, Piano
2
Euphonium, Tuba (duet)
2
Trumpet, Bassoon (duet)
2
Horn, Tuba (duet)
2
French horn and Basson (duet)
2
Bb Instruments
1
Trumpet, Harp
1
Cornet and Piano
1
Tuba ensemble
1
Trombone, Tuba (duet)
1
French Horn and Harp
1
Trombone, Violin (duet)
1
3 French horns (trio)
1
Clarinet, Horn (duet)
1
Trumpet, violin (duet)
1
+ 58 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,113
Violin
541
Violin, Cello (duet)
504
Violin and Piano
439
String Trio: violin, viola, cello
327
Cello, Piano
309
Viola, Piano
299
Cello
260
2 Violins (duet)
210
Viola
195
2 Cellos (duet)
168
Violin, Viola (duet)
167
2 Violas (duet)
154
Harp
117
Double bass, Piano (duet)
94
4 Cellos
70
String Quintet: 2 violins, viola, cello, bass
68
String Trio: 2 violins, cello
56
Double Bass
49
Viola, Cello (duet)
48
Doublebass (band part)
41
String Quartet : 4 violas
38
2 Double basses (duet)
34
Viola (band part)
31
String quartet: 4 violins
30
Violin (band part)
29
String Trio: 3 cellos
21
Violin, Bassoon (duet)
20
Violin, Guitar (duet)
20
String Trio: 3 violins
17
2 Harps (duet)
14
String Trio: 2 violins, viola
13
Cello, Guitar (duet)
12
Piano Trio: Violin, Viola, Piano
11
String Quintet: 2 violins, 2 violas, cello
11
Violin ensemble
11
Viola ensemble
10
Cello, String Bass (duet)
8
Viola, Guitar (duet)
6
Viola and Bassoon
5
Cello, Orchestra
5
Cello (band part)
5
Harp, Flute (duet)
5
Cello, Organ
5
Violin, Clarinet, Piano (trio)
5
Viola, Organ
4
4 Double Basses
4
Violin, Organ
3
String Quintet: 2 violins, viola, 2 cellos
3
4 Harps
3
String Trio: 3 violas
3
Violin, Tuba (duet)
2
Flute, Doublebass (duet)
2
Cello Ensemble
2
2 Cellos, Piano
2
Harp, Voice
2
Harp, Violin (duet)
2
Harp, Violin, Violoncello
2
2 Violas, Piano
1
Harp, Cello (duet)
1
Violoncello, Basso continuo
1
Violin, Cello, Clarinet
1
Harp, Trombone (duet)
1
Harp and mandolin
1
2 Violins, Piano
1
String trio
1
Viola and Harp
1
+ 62 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,334
String Orchestra
454
Orchestra
446
Jazz Ensemble
423
Brass ensemble
311
Handbells
251
Drums
135
Chamber Orchestra
128
Marching band
89
Jazz combo
80
Percussion Ensemble
51
Drum (band part)
34
Marimba
18
Xylophone, Piano
16
Percussion (band part)
13
Vibraphone
9
Xylophone
5
School Ensemble
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
3
Snare drums
2
Vibraphone and Marimba
2
Piano and Orchestra
2
Voice Mezzo-Soprano, Orchestra
1
2 Marimbas
1
Orchestra, Violin
1
Timpani
1
Bodhran
1
Brass Quintet: other combinaisons
1
+ 23 instrumentations
-
Retract
Others
Musical course - Solfege
8
Music Theory
1
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--INSTRUMENTS--
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TIME 4
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Tenor Saxophone and Piano
Sheetmusic to print
169 sheet music found
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1
26
51
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151
In A Sentimental Mood
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Duke Ellington
#
Debra E
#
In A Sentimental Mood
#
Standard Time
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761696 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Debra ...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761696 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 4 pages. Standard Time #6082777. Published by Standard Time (A0.761696). This beautiful ballad, arranged for B-flat tenor sax solo with piano accompaniment, is a fine example of Duke Ellington's use of lush harmonies with upper extensions. Â In this arrangement, the bridge is re-harmonized using the relative minors of the original chords. Â The difficulty rating of Advanced Intermediate pertains to the necessary sensitivity in musical interpretation. Â Please note that the recording is of the soprano sax version of this arrangement. Â Play along with the accompaniment at the link provided!
$7.99
In A Sentimental Mood
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Duke Ellington
#
Duke Ellington
Performed b
#
Popnroll 1976
#
John Coltrane (Tenor Sax &
#
In A Sentimental Mood
#
Popnroll 1976
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1382562 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Popnr...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1382562 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Popnroll 1976. 20th Century,Jazz,Standards. Score and part. 6 pages. Popnroll 1976 #966986. Published by Popnroll 1976 (A0.1382562). In A Sentimental Mood - Duke Ellington & John Coltrane (Tenor Sax & Piano/Bass/Sax solo transcribed)A complete tenor saxophone transcription (Theme section only) of the opening ballad standard In A Sentimental Mood from Duke Ellington & John Coltrane's 1962 album Duke Ellington & John Coltrane, which begins with an impressive piano intro and the piano accompaniment part (with bass score).The bass part is also scored with piano improvisation section.PDF format, 6 pages.Contents: 4 pages of score, 2 pages of parts for Bb saxophone.Composed by Duke EllingtonPerformed by:Duke Ellington - pianoJohn Coltrane - tenor saxAaron Bell - bassElvin Jones - drumsRecording Producer: Bob Thiele.
$19.99
Long Long Time
#
Tenor Saxophone and Piano
#
EASY
#
Linda Ronstadt
#
SMMUS
#
Long Long Time
#
João Reis
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176134 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Son...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176134 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. João Reis #776262. Published by João Reis (A0.1176134). A tenor sax arrangement for the song Long long time - Mindy Mccready, Linda Ronstadt, from the TV show The Last of Us, HBO. With piano and chords.
$6.99
Long Long Time
#
Tenor Saxophone and Piano
#
EASY
#
Linda Ronstadt
#
SMMUS
#
Long Long Time
#
João Reis
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176108 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Son...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176108 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. João Reis #776238. Published by João Reis (A0.1176108). A tenor sax arrangement for the song Long long time - Mindy Mccready, Linda Ronstadt, from the TV show The Last of Us, HBO. With piano.
$6.99
Only Time
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Celtic/Irish
#
Enya
#
Fernando Britto
#
Only Time
#
Minhas Partituras
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.687401 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Fernando Britto. Celtic,Irish,...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.687401 By Enya. By Enya, Nicky Ryan, and Roma Ryan. Arranged by Fernando Britto. Celtic,Irish,New Age,Pop,Wedding. Score and part. 8 pages. Minhas Partituras #6574845. Published by Minhas Partituras (A0.687401). Arrangement of the song Only Time (Enya) for Tenor Saxophone Solo and Piano Accompaniment.
$8.99
Part-time Lover
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Soul/R&B
#
Stevie Wonder
#
Fishel Pustilnik
#
Part-time Lover
#
F & N Enterprise
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.636375 By Stevie Wonder. By Stevie...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.636375 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score and parts. 7 pages. F & N Enterprise #6418699. Published by F & N Enterprise (A0.636375). An excellent arrangement of the famous Song Part Time Loverfor Tenor Sax and Piano-Jazz/Pop Version.
$4.99
Vivaldi: Sonata No. 4 for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Antonio Vivaldi
#
James M
#
Vivaldi: Sonata No. 4 for Teno
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550482 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Eas...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.550482 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Score and part. 21 pages. Jmsgu3 #4641529. Published by jmsgu3 (A0.550482). Sonata da Chiesa No. 4 in Bb Major for Tenor Sax & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
A Time For Us (love Theme)
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Tenor Saxophone and Piano
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EASY
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Nino Rota
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Rodrigo Ramos
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A Time For Us
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Rodrigo Ramos
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1186285 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Rodrigo Ramos. ...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1186285 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Rodrigo Ramos. 20th Century,Children,Easter,Film/TV,Multicultural,World. Score and part. 4 pages. Rodrigo Ramos #785941. Published by Rodrigo Ramos (A0.1186285). This legendary melody in a version facilitated by young musicians.
$4.99
Rocket Man (i Think It's Gonna Be A Long Long Time)
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Piano Tribute Players
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Gary D
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Rocket Man
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DR GARY D BELSHAW
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796748 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw ...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796748 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and part. 13 pages. DR GARY D BELSHAW #4631205. Published by DR GARY D BELSHAW (A0.796748). For the advanced intermediate saxophonist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo saxophone with a more classical (serious concert music) feel. Not only is this a solid recital closer, it is an excellent choice for social obligations and for recruiting. Free improvisations are welcome. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.
$6.99
Somewhere In Time
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Tenor Saxophone and Piano
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INTERMEDIATE
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Contemporary
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Studio Musicians
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Kaiserin Rebecca
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Somewhere In Time
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Kaiserin Rebecca
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.641126 By Studio Musicians. By B.A. Robertson and John Barry. Arranged by Kaiserin Rebecca. Co...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.641126 By Studio Musicians. By B.A. Robertson and John Barry. Arranged by Kaiserin Rebecca. Contemporary. Score and part. 4 pages. Kaiserin Rebecca #5022105. Published by Kaiserin Rebecca (A0.641126). For tenor saxophone solo and piano accompaniment with chords.
$6.99
Christmas Time Is Here
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Christmas
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Lee Mendelson and Vince Guaral
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Roger Wallace
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Christmas Time Is Here
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Roger Wallace
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1150245 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Roger Wallace. Christmas,Con...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1150245 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV. Score and part. 11 pages. Roger Wallace #750421. Published by Roger Wallace (A0.1150245). Tenor Sax Solo with Piano Accompaniment. From A Charlie Brown Christmas. Package includes parts for Trombone/Baritone/Euphonium/Bassoon, Horn and Cello. NOTE: Audio sample clip begins at Letter A. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
$4.99
Rag Sentimental
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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James Scott
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Jirka Kadlec
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Rag Sentimental
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Editions Marc Reift - Digital
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SheetMusicPlus
Tenor Saxophone & Piano - Grade 4 - Digital Download SKU: R0.28569 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and ...
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Tenor Saxophone & Piano - Grade 4 - Digital Download SKU: R0.28569 Composed by James Scott. Arranged by Jirka Kadlec. Tenor Saxophone & Piano. Score and parts. 7 pages. Duration 3'03. Editions Marc Reift - Digital #28569. Published by Editions Marc Reift - Digital (R0.28569).
$5.95
Two Pieces in the Form of a Canon
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Francois Clement Theodore Dubo
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Gary Bricault
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Two Pieces in the Form of a Ca
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Gary Bricault
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.825226 Composed by Francois Clemen...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.825226 Composed by Francois Clement Theodore Dubois. Arranged by Gary Bricault. Romantic Period. Score and parts. 11 pages. Gary Bricault #6233803. Published by Gary Bricault (A0.825226). Arrangement for Soprano and Tenor Saxophone Duet and Piano. Performance time 4'10.
$5.99
Two Pieces in the Form of a Canon
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Francois Clement Theodore Dubo
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Gary Bricault
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Two Pieces in the Form of a Ca
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Gary Bricault
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.825220 Composed by Francois Clemen...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.825220 Composed by Francois Clement Theodore Dubois. Arranged by Gary Bricault. Romantic Period. Score and parts. 11 pages. Gary Bricault #6231651. Published by Gary Bricault (A0.825220). Arrangement for Soprano and Tenor Saxophone and Piano. Performance time 4'10.
$5.99
I Got It Bad And That Ain't Good
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Jazz
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Duke Ellington
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Debra E
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I Got It Bad And That Ain't Go
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Standard Time
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761674 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Stan...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761674 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 5 pages. Standard Time #4288987. Published by Standard Time (A0.761674). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for tenor sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.
$9.99
O Come All Ye Faithful for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Maple Leaf Rag, by Scott Joplin, for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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David McKeown
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Maple Leaf Rag, by Scott Jopli
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.587783 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Sc...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.587783 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967657. Published by David McKeown (A0.587783). The most popular of Scott Joplin’s piano rags during his lifetime,The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Cello and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Â
$4.60
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Mendelssohn: Wedding March for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Tchaikovsky: Overture from Nutcracker Suite for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Overture from Nut
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549621 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chr...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549621 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 1 pages. Jmsgu3 #3515123. Published by jmsgu3 (A0.549621). Duration: ca. 3:20 Score: 13 pages, solo part: 3 pages, piano part: 7 pages, 182 measures in 2/4. Overture in Miniature to Tchaikovsky's Nutcracker Suite. Program for a recital, church meditation, school plays, and Christmas presentations of all kinds. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$32.95
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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EASY
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Sco...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.587927 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044841. Published by David McKeown (A0.587927). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Tenor Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Jingle Bells for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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James Pierpont
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James M
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Jingle Bells for Tenor Sax & P
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409337. Published by jmsgu3 (A0.548667). Jingle Bells arranged for tenor sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
The Elite Syncopations for Solo Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ragtime
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Scott Joplin
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David McKeown
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The Elite Syncopations for Sol
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1090791 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. S...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1090791 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 7 pages. David McKeown #694921. Published by David McKeown (A0.1090791). The Elite Syncopations was one of many solo piano rags written by Scott Joplin in the wake of his success with Maple Leaf Rag. Published in 1903, The Elite Syncopations followed the classic four part structure that Joplin had developed with earlier compositions. In 1974 the Royal Ballet in London produced a ballet based on ragtime music using The Elite Syncopations as both the title and main theme. This arrangement of The Elite Syncopations is arranged as a solo for one Tenor Saxophone with piano accompaniment. Both the piano and the separate solo part are included in the one downloadable pdf file. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time, with repeats, is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Bach: Wachet auf for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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