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878
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315
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93
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88
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73
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70
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54
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37
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34
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33
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29
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24
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23
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17
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14
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11
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10
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7
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Tenor Saxophone and Piano
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Music From a Deserted Garden (Trio for Clarinet, Tenor Sax and Piano)
Tenor Saxophone and Piano
Small Ensemble B-Flat Clarinet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: …
(+)
Small Ensemble B-Flat Clarinet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.523789 Composed by John A. Dempsey. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 15 pages. John A. Dempsey #3899049. Published by John A. Dempsey (A0.523789). This peaceful trio for Bb clarinet, tenor sax and piano is recommended for a myriad of settings, including recitals and concerts as well as traditional church services and other worship events. Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music.  11 pages of music (that includes separate two-page parts for clarinet and tenor sax).  Concert Key (Piano): Bb major.  Clarinet/Tenor Sax Key: C major  .
$11.99
10.77 €
#
Tenor Saxophone and Piano
#
John A
#
Music From a Deserted Garden
#
John A. Dempsey
#
SheetMusicPlus
Music From a Deserted Garden (Tenor Sax and Piano)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1082651 Composed by John…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1082651 Composed by John A. Dempsey. Arranged by John A. Dempsey. Classical,Contemporary,Holiday,Pop,Sacred. Score and part. 12 pages. John A. Dempsey #686864. Published by John A. Dempsey (A0.1082651). This quiet, peaceful duet for tenor sax and piano is recommended for a myriad of settings, including concerts and recitals as well as traditional church services and other worship events. Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music. 8 pages of music (that includes a separate two-page tenor sax part). Â Concert Key (Piano): F major. Â Tenor Sax Key: G major.
$6.99
6.28 €
#
Tenor Saxophone and Piano
#
John A
#
Music From a Deserted Garden
#
John A. Dempsey
#
SheetMusicPlus
Music From a Deserted Garden (Trio for Alto Sax, Tenor Sax and Piano)
Tenor Saxophone and Piano
Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A…
(+)
Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.523070 Composed by John A. Dempsey. Contemporary,Easter,Holiday,Praise & Worship,Sacred. Score and parts. 15 pages. John A. Dempsey #3109129. Published by John A. Dempsey (A0.523070). This peaceful trio for alto sax, tenor sax and piano is recommended for a myriad of settings, including recitals and concerts as well as traditional church services and other worship events. Suggested worship uses: prelude, postlude, offertory, interlude, silent prayer accompaniment and special music. Â 11 pages of music (that includes separate two-page parts for alto sax and tenor sax). Â Concert Key (Piano): C major. Â Alto Sax Key: A major. Â Tenor Sax Key: D major.
$11.99
10.77 €
#
Tenor Saxophone and Piano
#
John A
#
Music From a Deserted Garden
#
John A. Dempsey
#
SheetMusicPlus
Enchanted
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307330 By Taylor Swift.…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1307330 By Taylor Swift. By Taylor Swift. Arranged by Glauco Fernandes. Chamber,Pop,Wedding. Score and part. 13 pages. Glauco Fernandes #896609. Published by Glauco Fernandes (A0.1307330). Intermediate Arrangement Sheet Music for Tenor Saxophone with Piano Accompaniment for Taylor Swift's 'Enchanted'Discover Taylor Swift's music in a whole new way! We present to you the sheet music for the intermediate arrangement of the song 'Enchanted,' specially adapted for tenor saxophone with piano accompaniment.Highlights:Intermediate arrangement suitable for musicians looking to elevate their skills.Complete sheet music for tenor saxophone with detailed notations.Piano accompaniment to add depth and emotion to your performance.Ideal for a variety of events, including weddings.This arrangement captures the magical essence of Taylor Swift's original music, allowing you to interpret it in a unique and engaging way. Whether for your personal musical pleasure or to impress your audience, this sheet music is the perfect choice.Get the sheet music now and start creating your own musical magic with 'Enchanted'! Â
$6.99
6.28 €
#
Tenor Saxophone and Piano
#
Taylor Swift
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Enchanted
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Glauco Fernandes
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SheetMusicPlus
Love Lifted Me, Gospel Hymn for Tenor Saxophone and Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593001 Composed by James…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.593001 Composed by James Rowe. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6415195. Published by David McKeown (A0.593001). Love Lifted Me is a beautiful hymn arranged here for Solo Tenor Saxophone and Piano.Love Lifted Me was written late in life in 1912 by an English émigré to the US, James Rowe. A secularized version later became popular amongst Country and Western artists.
$2.49
2.24 €
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Tenor Saxophone and Piano
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James Rowe
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Love Lifted Me, Gospel Hymn for Tenor Saxophone and Piano
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David McKeown
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SheetMusicPlus
Come, Thou Long-Expected Jesus - Rowland Hugh Prichard (Tenor Sax + Piano)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1351120 Composed by Rowl…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1351120 Composed by Rowland Hugh Prichard. Arranged by Digital Book Music. Christian,Christmas. Score and part. 1 pages. Digital Book Music #935955. Published by Digital Book Music (A0.1351120). Come, Thou Long-Expected Jesus - Rowland Hugh Prichard (Tenor Sax + Piano).
$4.99
4.48 €
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Tenor Saxophone and Piano
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Rowland Hugh Prichard
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Come, Thou Long-Expected Jesus - Rowland Hugh Prichard
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Digital Book Music
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SheetMusicPlus
Come Thou Long-Expected Jesus--tenor saxophone solo
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.786499 Composed by J. Wi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.786499 Composed by J. Wilbur Chapman, Rowland W. Prichard. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. Score and part. 7 pages. Beka Wilson #6097659. Published by Beka Wilson (A0.786499). This arrangement of the tune Hyfrydol is suitable for Christmastime (for Come Thou Long-Expected Jesus) or the rest of the year (for Our Great Savior). This arrangement is also available as a solo for flute, oboe, clarinet, bassoon, alto sax, F horn, trumpet, trombone, violin, viola, and cello.7 pages, includes piano score and individual instrument part.Approximately 3:15 in length (@105 bpm)Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.28 €
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Tenor Saxophone and Piano
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J
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Come Thou Long-Expected Jesus--tenor saxophone solo
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Beka Wilson
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Anton…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549424 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494011. Published by jmsgu3 (A0.549424). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
29.59 €
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Tenor Saxophone and Piano
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Moonlight Sonata by Beethoven for Tenor Sax
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1156943 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1156943 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #757287. Published by Woods Only, Arrangements (A0.1156943). This arrangement adapted for tenor saxophone and piano was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$1.99
1.79 €
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Tenor Saxophone and Piano
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Ludwig van Beethoven
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Moonlight Sonata by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Mendelssohn: Wedding March for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
29.59 €
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Tenor Saxophone and Piano
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Symphony No. 7 by Beethoven for Tenor Sax
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1158463 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1158463 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758749. Published by Woods Only, Arrangements (A0.1158463). This arrangement adapted for tenor saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.79 €
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Tenor Saxophone and Piano
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Ludwig van Beethoven
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Symphony No. 7 by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Tenor Sax
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160399 Composed by Ludw…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1160399 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760682. Published by Woods Only, Arrangements (A0.1160399). This arrangement adapted for tenor saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.79 €
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Tenor Saxophone and Piano
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Ludwig van Beethoven
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Ode to Joy by Beethoven for Tenor Sax
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Woods Only, Arrangements
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SheetMusicPlus
I Write The Songs
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow.…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549334 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486301. Published by jmsgu3 (A0.549334). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
35.88 €
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Tenor Saxophone and Piano
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Barry Manilow
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I Write The Songs
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexa…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.92 €
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Tenor Saxophone and Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Jogo de Cartas (for Tenor Sax and Piano)
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Bran…
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Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1201702 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and part. 24 pages. Brandon Nelson #800317. Published by Brandon Nelson (A0.1201702). Jogo de Cartas is Portuguese for “card game.†I opted for the Portuguese to honor my patron for this piece, tenor saxophonist Philippe Trovão of Lisbon.In this work, I celebrate four favorite card games.War is a relatively simple game in which each player is dealt half of the deck. The players play one card and the player with the larger card value wins the “battle.†If both players play an identical value, a “war†is started. There are variations on the game at this point, but in one popular version, each player places three cards face down then play another card face up—whichever player has the highest card takes all the cards. The object is to win all of the cards in the deck. In this musical setting, the sax and piano are each a “player,†and each plays cards (translated into rhythmic values) with the conflict and victory painted in dynamic, sometimes dissonant vitality.In Solitaire, the sax plays alone as one plays this game alone. And, just as in the game, each phrase (or suit-based pile) becomes longer, more complex, and ends in an excited flurry of activity as “victory “ is achieved!The third movement, Blackjack, illustrates the deceptively-simple game of chance, with gradually ebbing and flowing tension until, in this case, the (sax) player takes the hand. The number 21 features prominently in the construction principles of the movement as a hand totaling 21 is considered the best in the game.The finale is a wild ride portraying a newer card game called Egyptian Rat Screw. In this colorful and fast-paced game, players flip one card up in turn, continuing to do so until one player puts down a face card. The next player then has several chances (based on the specific face card played) to match or beat that card. In a interesting quirk, if two players play cards of equal rank, the player who “slaps†the card pile first wins all of the cards in the pile. This unique game was fertile ground for musical interplay, illustrating both the back-and-forth and the more aggressive aspects of play!
$10.99
9.87 €
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Tenor Saxophone and Piano
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Brandon Nelson
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Jogo de Cartas
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Brandon Nelson
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SheetMusicPlus
Twinkle Twinkle Little Star
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1436068 Composed by Trad…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1436068 Composed by Traditional. Arranged by Glauco Fernandes. Children,Classical,Instructional,Traditional. Score and part. 2 pages. Glauco Fernandes #1016097. Published by Glauco Fernandes (A0.1436068). Looking for an easy and charming arrangement for beginner musicians? Check out our sheet music for Twinkle Twinkle Little Star, perfect for those starting their musical journey and looking to take on a rewarding technical and musical challenge. This arrangement has been carefully crafted to ensure a smooth and stimulating learning experience, making it an excellent choice for teachers seeking effective and accessible teaching materials.Twinkle Twinkle Little Star, one of the most beloved melodies by learners of all ages, is presented here in a simplified version, ideal for developing basic technical skills while having fun. The arrangement focuses on fundamental elements that help build a solid foundation in sheet music reading and instrumental technique, making it an indispensable resource for music education.Additionally, our sheet music is formatted in a clear and easy-to-read manner, with practical indications that facilitate understanding and performance of the music. It's a great way to keep students engaged and motivated, providing a sense of accomplishment as they master each section of the music.Available for immediate download, you can purchase this sheet music today and start exploring the joy of music. Don't miss the opportunity to add this charming arrangement to your repertoire or teaching materials for your students.Tags: sheet music, Twinkle Twinkle Little Star, music for beginners, musical arrangement, teaching materials, music learning, music teaching, technical development, beginner musicians, music education.
$2.99
2.69 €
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Tenor Saxophone and Piano
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Traditional
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Twinkle Twinkle Little Star
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Glauco Fernandes
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SheetMusicPlus
Twinkle Twinkle Little Star
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1436067 Composed by Trad…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1436067 Composed by Traditional. Arranged by Glauco Fernandes. Children,Classical,Instructional,Traditional. Score and part. 2 pages. Glauco Fernandes #1016096. Published by Glauco Fernandes (A0.1436067). Looking for an easy and charming arrangement for beginner musicians? Check out our sheet music for Twinkle Twinkle Little Star, perfect for those starting their musical journey and looking to take on a rewarding technical and musical challenge. This arrangement has been carefully crafted to ensure a smooth and stimulating learning experience, making it an excellent choice for teachers seeking effective and accessible teaching materials.Twinkle Twinkle Little Star, one of the most beloved melodies by learners of all ages, is presented here in a simplified version, ideal for developing basic technical skills while having fun. The arrangement focuses on fundamental elements that help build a solid foundation in sheet music reading and instrumental technique, making it an indispensable resource for music education.Additionally, our sheet music is formatted in a clear and easy-to-read manner, with practical indications that facilitate understanding and performance of the music. It's a great way to keep students engaged and motivated, providing a sense of accomplishment as they master each section of the music.Available for immediate download, you can purchase this sheet music today and start exploring the joy of music. Don't miss the opportunity to add this charming arrangement to your repertoire or teaching materials for your students.Tags: sheet music, Twinkle Twinkle Little Star, music for beginners, musical arrangement, teaching materials, music learning, music teaching, technical development, beginner musicians, music education.
$2.99
2.69 €
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Tenor Saxophone and Piano
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Traditional
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Twinkle Twinkle Little Star
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Glauco Fernandes
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.59 €
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Tenor Saxophone and Piano
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Bach-Gounod
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Piano - S0
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Bach-Gounod: Ave Maria for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S.…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.1 €
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Tenor Saxophone and Piano
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J
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Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.59 €
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Tenor Saxophone and Piano
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Johann Sebastian Bach
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Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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jmsgu3
#
SheetMusicPlus
PAPA'S FAMOUS DANCES PART 2
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876455 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 82 pages. JoeCopio Music LLC #53355. Published by JoeCopio Music LLC (A0.876455). PAPA’S FAMOUS DANCES - PART 2 Back to School 2015 From A Collection Of Six Dances As Combo Music EMMA’S BLUES JOEY’S READY WILSON’S BOOGIE WOOGIE PAPA’S FAMOUS DANCES PART 2 is a collection of 3 Dances as combo music composed and arranged by Joe Procopio for a small ensemble, band, stage band or combo with flexible instrumentation. These works may be performed with only two Saxes (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of the dances makes them unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, each dance has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. These works have been performed by College and High School students in many major concert events along the East Coast with great success. They are published separately and in sets PAPA’S FAMOUS DANCES Part 1 and PAPA’S FAMOUS DANCES Part 2 with each Part containing 3 Dances. I have adapted the audio here for synthesizer so that they may be previewed. The works are named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$9.99
8.97 €
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Tenor Saxophone and Piano
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Joe Procopio
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the vocalist/bassist I
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PAPA'S FAMOUS DANCES PART 2
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JoeCopio Music LLC
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.48 €
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Tenor Saxophone and Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
MY SWEET LYDIA
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876449 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 33 pages. JoeCopio Music LLC #53329. Published by JoeCopio Music LLC (A0.876449). MY SWEET LYDIA Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MY SWEET LYDIA is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MY SWEET LYDIA makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MY SWEET LYDIA has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MY SWEET LYDIA includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.48 €
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Tenor Saxophone and Piano
#
Joe Procopio
#
the vocalist/bassist I
#
MY SWEET LYDIA
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JoeCopio Music LLC
#
SheetMusicPlus
MARY ~ ELAINE
Tenor Saxophone and Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876448 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 23 pages. JoeCopio Music LLC #53327. Published by JoeCopio Music LLC (A0.876448). MARY ~ ELAINE Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio MARY ~ ELAINE is a dance written and arranged by Joe Procopio for a small ensemble, band, stage band or combo. It was originally composed for a small band with flexible instrumentation. It may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of MARY ~ ELAINE makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, MARY ~ ELAINE has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece has been performed by College and High School students in many major concert events all along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for MARY ~ ELAINE includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Department Cazenovia Central School NY Director Of Instrumental Music Chapel Hill/Carrboro City Schools NC Adjunct Professor Applied Music Cazenovia College, NY.
$4.99
4.48 €
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Tenor Saxophone and Piano
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Joe Procopio
#
the vocalist/bassist I
#
MARY ~ ELAINE
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JoeCopio Music LLC
#
SheetMusicPlus
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