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Four - Vibes
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5,367
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888
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687
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389
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337
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296
2 Pianos, 4 hands
118
C Instruments
104
Piano Accompaniment
49
Piano Trio: piano, violin, cello
48
Accordion
43
Piano (band part)
31
Big Note Piano
28
Piano Quintet: piano, 2 violins, viola, cello
22
Piano Quartet: piano, violin, viola, cello
19
1 Piano, 6 hands
10
Piano Quartet: piano, 2 violins, cello
9
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8
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5
Keyboard
5
Organ, Trumpet (duet)
4
2 Organs (duet)
1
Piano ensembles
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 19 instrumentations
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Retract
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437
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378
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273
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114
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59
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Banjo
11
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Lap Steel Guitar
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2 Dulcimers (duet)
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+ 14 instrumentations
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Voice
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1,491
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487
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468
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235
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7
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Low voice, Piano
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Choral SSATTB
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Choral SSAB a cappella
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Soprano voice
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+ 23 instrumentations
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Retract
Woodwind
Clarinet Quartet: 4 clarinets
489
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424
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309
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303
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295
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223
Flute, Oboe, Clarinet, Bassoon
221
2 Saxophones (duet)
217
Flute
181
Clarinet and Piano
170
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149
Alto Saxophone and Piano
132
2 Flutes (duet)
129
Clarinet
128
2 Clarinets (duet)
125
Oboe, Piano (duet)
112
Alto Saxophone
100
Tenor Saxophone and Piano
92
Tenor Saxophone
89
Saxophone ensemble
85
Clarinet Ensemble
76
Soprano Saxophone and Piano
76
Saxophone, Clarinet (duet)
62
Clarinet Quintet: 5 clarinets
62
Clarinet (band part)
52
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50
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48
Clarinet, Violin (duet)
48
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46
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45
3 Clarinets (trio)
45
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43
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43
3 Saxophones (trio)
42
2 Oboes (duet)
38
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37
Flute, Violin, Piano
36
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36
Flute (band part)
34
Flute Quintet : 5 flutes
33
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31
Flute, Violin
30
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30
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27
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27
Oboe, Flute
26
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25
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25
Saxophone
24
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22
Flute, Saxophone (duet)
20
2 Recorders (duet)
18
Flute, Oboe, Clarinet (trio)
17
Flute, Clarinet and Bassoon.
17
Soprano Saxophone
16
Oboe
15
Oboe, Clarinet, Bassoon (trio)
14
Flute, Cello, Piano (trio)
14
Saxophone and Guitar
14
Flute, Violoncello
13
Clarinet, Bassoon (duet)
13
Recorder
11
Oboe, Guitar (duet)
11
Recorder Ensemble
10
Descent (Soprano) Recorder, Piano
9
Descant (Soprano) Recorder
9
3 Recorders (trio)
9
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8
Clarinet, Cello (duet)
8
Recorder, Piano
7
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7
Clarinet, Harp (duet)
6
Flute, Organ (duet)
6
3 Oboes
6
2 Saxophones, Piano
6
Piccolo, Piano
6
Flute, Oboe, Bassoon
6
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5
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5
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4
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4
Harmonica
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Baritone Saxophone
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3
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3
Wind ensemble
3
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3
Bass Clarinet
2
Flute, Basso continuo
2
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2
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2
English Horn
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2
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1
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1
2 English horns and Pianoforte
1
4 Oboes
1
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1
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1
Oboe, Harp
1
Saxophone and cello
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Flute, Tuba (duet)
1
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1
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1
2 Clarinets, Bassoon
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1
2 Flutes, Piano
1
Flute, Viola and harp
1
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331
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180
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168
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143
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142
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135
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103
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99
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95
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94
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71
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66
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62
2 Trumpets (duet)
61
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57
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55
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51
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48
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45
2 Trombones (duet)
43
Trombone ensemble
43
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36
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31
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28
Tuba (band part)
27
English horn, Piano
25
2 Euphoniums and 2 Tubas
23
Tuba
20
Brass Quartet: 4 trumpets
18
4 Tubas
15
Brass Trio
15
3 Trombones (trio)
13
Bass Clef Instruments
13
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11
2 Tubas (duet)
10
Euphonium
9
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7
3 Trumpets (trio)
6
Bass Trombone
6
2 Euphoniums (duet)
4
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Brass Quintet: 2 trumpets, horn, 2 trombones
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4
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3
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Trumpet, Tuba (duet)
3
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3
Euphonium, Tuba (duet)
3
Trumpet, Trombone, Piano
3
Brass Quartet: 2 trumpets, 2 trombones
2
English Horn
2
Flügelhorn
2
Bass Trombone and Piano
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3 French horns (trio)
2
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2
Bb Instruments
2
3 Tubas (trio)
2
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2
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2
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1
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1
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1
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1
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1
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1
3 Euphoniums
1
Trumpet, Bassoon (duet)
1
Trumpet, Harp
1
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1
+ 65 instrumentations
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Retract
Strings
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1,151
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389
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325
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240
String Trio: violin, viola, cello
218
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203
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186
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166
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166
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142
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107
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89
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79
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79
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70
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69
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63
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60
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46
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44
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40
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29
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26
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23
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22
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18
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17
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15
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11
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11
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10
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10
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9
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9
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7
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7
String Quintet: 2 violins, 2 violas, cello
6
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6
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6
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5
String Quintet: 2 violins, viola, 2 cellos
5
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5
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5
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1
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1
3 Harps
1
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1
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1
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442
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345
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231
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4
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Four - Vibes
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487 sheet music found
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476
Indiana for Four Part A capella Men's Chorus (TTBB) from the musical "A Lucky Star"
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Choral TTBB
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INTERMEDIATE
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James Nathaniel Holland
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Indiana for Four Part A capell
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James Nathaniel Holland
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patrio...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.730509 Composed by James Nathaniel Holland. A Cappella,Broadway,Folk,Holiday,Musical/Show,Patriotic,Traditional. Octavo. 6 pages. James Nathaniel Holland #5991761. Published by James Nathaniel Holland (A0.730509). A hymn to home and the Hoosier state of Indiana from the 1920s musical, A Lucky Star, words and music by American composer (and Indiana native) James Nathaniel Holland. Arranged for four part a capella men's chorus with reduced piano for easy rehearsal. Tenor 1 and 2, Baritone, Bass choir.Lyrics:When I think of my home,There's no other place I see,Than that land with its broad rolling hills,And it's mist that creeps up,Every blue, warm summer night.That is home, no matter where, that's home to me.Seasons Spring, Summer, Fall, even Winter sings so brightlyWith your hills and your green fields of corn.In that way do not change, But keep faith as time passes,That to each and all that Hoosier State's sweet home. (The Hoosier State's my home!)Here's to you, Indiana,Though we change, my Indiana,You will always be that home sweet home to me! (My Indiana home.)Duration: 3:22 minutes.
$4.50
Four Seasons In One Day
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Crowded House
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Rowena Harper
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Four Seasons In One Day
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barber...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.762494 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 5 pages. Rowena Harper #4726641. Published by Rowena Harper (A0.762494). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$3.00
Four Seasons In One Day
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Choral TTBB
#
INTERMEDIATE/ADVANCED
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Crowded House
#
Rowena Harper
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Four Seasons In One Day
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Rowena Harper
#
SheetMusicPlus
Voice (TTBB) - Level 4 - Digital Download SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Po...
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.762493 By Crowded House. By Neil Finn and Tim Finn. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Barbershop Quartet. 5 pages. Rowena Harper #4726635. Published by Rowena Harper (A0.762493). This Crowded House favourite uses chords that are true to the song.It features a fun six bar instrumental interlude with a fugal start that interplays the baritone and lead parts and continues into a four part counterpoint section which picks up themes and motives from the original instrumental solo. This section will be an unexpected and fun segment for singers to perfect, and will be sure to be a crowd pleaser.Although it has been published with men's staves, this arrangement has been written in close harmony and could easily be sung by women by changing the staves, in which case it would sound an octave higher.Range (Lowest-Highest): Bass F#2-F#3, Baritone C#4-D4, Lead E3-E4, Tenor A3-A4.
$15.95
All Through the Night - TTBB - Lower Voices - Four part choir
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Choral TTBB
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INTERMEDIATE
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Martin Dover
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Martin Dover
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All Through the Night - TTBB -
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Martin Dover
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1287063 By Martin Dover. By Traditional Welsh. Arranged by Martin Dover. Christmas,Religi...
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1287063 By Martin Dover. By Traditional Welsh. Arranged by Martin Dover. Christmas,Religious,Sacred,Traditional. 9 pages. Martin Dover #878070. Published by Martin Dover (A0.1287063). A four part TTBB, lower voices arrangement of the well-loved hymn with piano accompaniment.
$2.20
Innocence & Experience (Four Poems by William Blake) for TB Chorus with Piano Accompaniment
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Choral TTBB
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Debra E
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Innocence & Experience
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Standard Time
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SheetMusicPlus
Choral Choir (TTBB) - Digital Download SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 1...
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Choral Choir (TTBB) - Digital Download SKU: A0.761687 Composed by Debra E. Stempien and Gregory H. Turner. 20th Century,Contemporary,Standards. Octavo. 12 pages. Standard Time #5048249. Published by Standard Time (A0.761687). Innocence & Experience is a musical setting of four William Blake poems from his works, Songs of Innocence and Songs of Experience, for two-part TB men’s chorus with piano accompaniment. The song set represents a life cycle, first with a lullaby, moving next to a spirited and youthful dance, continuing to the dreamlike longing of maturity, and concluding with the solemn and dark acceptance of death. Permission to use these texts has been secured from the William Blake Archives (proof provided upon request). Please note that the provided recording is from the third song, Ah! Sunflower..
$4.00
Four Marian Antiphons - TTBB
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Anthony Mosakowski
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Regina Coeli
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Four Marian Antiphons - TTBB
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Anthony Mosakowski
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.994899 Composed by Anthony Mosakowski. 20th Century,A Cappella,Christian,Classical,Contemporary,...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.994899 Composed by Anthony Mosakowski. 20th Century,A Cappella,Christian,Classical,Contemporary,Sacred. Octavo. 20 pages. Anthony Mosakowski #6564517. Published by Anthony Mosakowski (A0.994899). This choral song cycle consists of settings of the four main Marian antiphons used in the traditional Latin liturgy: Ave, Regina coelorum; Regina Coeli; Alma Redemptoris Mater; and Salve Regina. The music makes use of much expressive dissonance but within the limits of a purely diatonic collection of pitches. The antiphons are presented here in the order in which they would be sung during the church year. If performed as a group in a concert setting they may be sung in this order or the order may be changed for musical reasons. They may also be performed individually for liturgical or concert use.
$2.60
Wellerman - Sea Shanty - Four part choir - TTBB - Lower Voices
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Choral TTBB
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INTERMEDIATE
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Folkloric/Traditional
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Traditional New Zealand Sea
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Wellerman - Sea Shanty - Four
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Martin Dover
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SheetMusicPlus
Piano Accompaniment, Voice, Tenor Voice, Bass Voice, Choir, TTBB - Intermediate - Digital Download Composed by Traditional New Zealand Sea Shanty. Arra...
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Piano Accompaniment, Voice, Tenor Voice, Bass Voice, Choir, TTBB - Intermediate - Digital Download Composed by Traditional New Zealand Sea Shanty. Arranged by Martin Dover. Folk. Score. 15 pages. Published by Martin Dover
A four part arrangement of the popular Sea Shanty for lower voices (TTBB). Six verses with varied arrangements and a key change into the final verse.
$2.20
When I'm Sixty-Four
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Choral TTBB
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Rock
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The Beatles
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Deke Sharon
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Pop
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When I'm Sixty-Four
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Beatles. Arranged by Deke Sharon. TTBB. Concert; Pop; Rock. Choral. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By The Beatles. Arranged by Deke Sharon. TTBB. Concert; Pop; Rock. Choral. 7 pages. Published by Hal Leonard - Digital Sheet Music
$1.90
Four Books In the Bible / Men's Choir and Soloist
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Choral TTBB
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Jan Mulder
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Four Books In the Bible / Men'
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John Miller Publishing
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SheetMusicPlus
Arranged by Jan Mulder. For TTBB choir. Key of Bb. Spirituals. Octavo. Language: English. 3 pages. Published by John Miller Publishing ...
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Arranged by Jan Mulder. For TTBB choir. Key of Bb. Spirituals. Octavo. Language: English. 3 pages. Published by John Miller Publishing
$1.45
Twenty Four Hours Of Lovin'
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Carol Hall
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Chad Weirick
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Twenty Four Hours Of Lovin'
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Chad Weirick
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1490919 Composed by Carol Hall. Arranged by Chad Weirick. 20th Century,Broadway,Coun...
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Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1490919 Composed by Carol Hall. Arranged by Chad Weirick. 20th Century,Broadway,Country,Musical/Show. 17 pages. Chad Weirick #1067704. Published by Chad Weirick (A0.1490919).
$2.99
When I'm Sixty-four
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Rock
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The Beatles
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Kevin Robison
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When I'm Sixty-four
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Kevin Robison Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.891600 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCar...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.891600 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Kevin Robison. Rock. Octavo. 5 pages. Kevin Robison Music #6253349. Published by Kevin Robison Music (A0.891600). From The Beatles TTBB Collection by Kevin Robison comes one of their most popular tunes arranged for men's voices and piano. A staple of your all-Beatles program or a concert featuring great boy bands. Available separately: Instrumental pack (keyboard 2, guitar, bass and drum parts).
$1.99
Four Seasons In One Day
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Choral TTBB
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INTERMEDIATE
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Pop music
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Crowded House
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Jetse Bremer
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Four Seasons In One Day
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Jetse Bremer
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.861527 By Crowded House. By Neil Finn and Tim Finn. Arranged by Jetse Bremer. Pop. Octavo. 6 pag...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.861527 By Crowded House. By Neil Finn and Tim Finn. Arranged by Jetse Bremer. Pop. Octavo. 6 pages. Jetse Bremer #5798277. Published by Jetse Bremer (A0.861527).
$2.50
Four Appalachian Hymns (TTBB)
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Choral TTBB
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EASY
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Traditional
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Michael Myrick
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Four Appalachian Hymns
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MICHAEL MYRICK
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1082883 Composed by Traditional. Arranged by Michael Myrick. A Cappella,Contest,Festival,Folk,Mu...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1082883 Composed by Traditional. Arranged by Michael Myrick. A Cappella,Contest,Festival,Folk,Multicultural,Sacred,World. Octavo. 24 pages. MICHAEL MYRICK #687089. Published by MICHAEL MYRICK (A0.1082883). Here is an outstanding collection of some of the most beloved hymns from the rural Appalachian Mountains. This is an extremely moving song cycle that can be used as individual anthems or as an entire concert piece for your TTBB choir. You will find throughout this cycle many solo sections for each section of your choir as well as for individual singers. The group of hymns is very versatile and can be easily tailored to your next concert or worship service. In addition, vocal lines are written for ease of range for each vocal type. 1. Jesus Walked This Lonesome Valley 2. The Wayfarin’ Stranger 3. What Wondrous Love Is This 4. How Firm a Foundation.
$6.99
When I'm Sixty Four
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Choral TTBB
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INTERMEDIATE
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Pop music
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The Beatles
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Deke Sharon
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When I'm Sixty Four
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Deke Sharon
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SheetMusicPlus
Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479888 By The Beatles. By John Lennon and Paul McCartney. ...
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Choral Baritone Horn TC,Bass Voice,Tenor Voice (TTBB) - Level 3 - Interactive Download SKU: A0.479888 By The Beatles. By John Lennon and Paul McCartney. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 157. Deke Sharon #3Qb1kidrF59JD8nUSSGyRE. Published by Deke Sharon (A0.479888). Key: C major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
Tom Traubert's Blues (four Sheets To The Wind In Copenhagen)
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Choral TTBB
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EASY
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Rod Stewart
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Bob Eggers
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Tom Traubert's Blues
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1164770 By Rod Stewart. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Blues,Folk...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1164770 By Rod Stewart. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Blues,Folk,Singer/Songwriter. Octavo. 9 pages. ROBERT J EGGERS #765104. Published by ROBERT J EGGERS (A0.1164770). Arranged for TTBB plus tenor solo, and intended for adult audiences, this song is also commonly known as Waltzing Mathilda. This arrangement captures the sultry, sordid feel of Waits' own performance of his stunning lyrics and clever mashup of Waits' dystopian mood painting of a stranded and disaffected man in a foreign land.
$1.99
FIND YOUR FOUR-LEAF CLOVER
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Choral TTBB
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INTERMEDIATE
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JYE BRYANT
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FIND YOUR FOUR-LEAF CLOVER
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Jye Bryant
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1005794 Composed by JYE BRYANT. Folk,Musical/Show. Octavo. 26 pages. Jye Bryant #6442687. Publis...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1005794 Composed by JYE BRYANT. Folk,Musical/Show. Octavo. 26 pages. Jye Bryant #6442687. Published by Jye Bryant (A0.1005794). From CAPTAIN MOONLITE - A New Australian Musical.
$4.99
Four Scenes from the Rubaiyat (Downloadable)
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Choral TTBB
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Julian Wachner
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Four Scenes from the Rubaiyat
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, piano - Digital Download SKU: MQ.6956-E Composed by Julian Wachner. 18 pages. E. C. Schirmer Music Company - Digital #6956-E. Published by E....
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TTBB choir, piano - Digital Download SKU: MQ.6956-E Composed by Julian Wachner. 18 pages. E. C. Schirmer Music Company - Digital #6956-E. Published by E. C. Schirmer Music Company - Digital (MQ.6956-E).
$3.40
When I'm Sixty-Four
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Choral TTBB
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INTERMEDIATE
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Rock
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The Beatles
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Jon Nicholas
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When I'm Sixty-Four
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Jon Nicholas
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SheetMusicPlus
TTBB, Barbershop Quartet, Barbershop Chorus - Intermediate - Digital Download By The Beatles. Arranged by Jon Nicholas. Sheet Music Single. 8 pages. ...
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TTBB, Barbershop Quartet, Barbershop Chorus - Intermediate - Digital Download By The Beatles. Arranged by Jon Nicholas. Sheet Music Single. 8 pages. Published by Jon Nicholas
A barbershop version of this classic McCartney tune.
Duration: 3:05.
$1.99
When I'm Sixty-Four (arr. Tom Gentry)
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Choral TTBB
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Rock
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The Beatles
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Tom Gentry
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When I'm Sixty-Four
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Barbershop Harmony Society
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SheetMusicPlus
(TTBB) - Digital Download By The Beatles. Arranged by Tom Gentry. 145, Pop, Rock. Choral. 8 pages. Published by Barbershop Harmony Society...
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(TTBB) - Digital Download By The Beatles. Arranged by Tom Gentry. 145, Pop, Rock. Choral. 8 pages. Published by Barbershop Harmony Society
$3.20
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Humble And Kind
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Choral TTBB
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INTERMEDIATE
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Tim McGraw
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Brian Mastrull
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Humble And Kind
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Mastrull Charts
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888423 By Tim McGraw. By Lori McKenna. Arranged by Brian Mastrull. A Cappella,Country. Octavo. 9...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888423 By Tim McGraw. By Lori McKenna. Arranged by Brian Mastrull. A Cappella,Country. Octavo. 9 pages. Mastrull Charts #5374849. Published by Mastrull Charts (A0.888423). This is a four-part men's (TTBB) a cappella arrangement of Tim McGraw's Grammy Award Winning song Humble and Kind. This piece works well for small ensemble (quartet minimum) or a large choir.This arrangement was recorded by the 2018 Mid Atlantic District quartet champion Gimme Four on their self-titled studio album and is available at http://gimmefour.squarespace.com/,Learning tracks for this arrangement are available for purchase at https://sgtproduction3.wixsite.com/.For more information on arrangements by Brian Mastrull, send an email to mastrullcharts@gmail.com.
$4.99
Make You Feel My Love
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Choral TTBB
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BEGINNER
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Bob Dylan
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Alexander Koller
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Make You Feel My Love
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Alexander Koller
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 page...
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.1035850 By Bob Dylan. By Bob Dylan. Arranged by Alexander Koller. A Cappella,Pop. Octavo. 5 pages. Alexander Koller #6905687. Published by Alexander Koller (A0.1035850). This is a four-part a cappella arrangement in the barbershop style (for male voices). The arrangement follows the Adele version more closely than the Bob Dylan version, but leaves out some of her stylizations. It should be fine for barbershop contests.There are already several barbershop arrangements of the song. My goal was to write one that is accessible for beginning barbershoppers, but still has some fun moments and a musical development that supports the story. I have tried to maintain the quiet and introspective mood of the original, while still giving you the opportunity for some musical contrasts.The back half (which you can't see in the preview) has the third verse as a lead solo and the fourth verse as a lead-tenor duet, with the other parts singing doo-doo accompaniment. The second bridge (the storms are raging) has a higher tessitura and musical intensity than the first one.The arrangement is for male voices. It should also work for a mixed quartet with a male bass. If you want to sing it with four high voices, please get in touch and I'll see if I can make it more accessible to you.If you choose to sing this arrangement, I would love to hear about your experiences at akoller@gmail.com; your feedback will make me a better arranger.
$1.99
You're The Inspiration
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Choral TTBB
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ADVANCED
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Chicago
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Rowena Harper
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You're The Inspiration
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Rowena Harper
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SheetMusicPlus
Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappe...
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Choral Choir (TTBB) - Level 5 - Digital Download SKU: A0.762496 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Rowena Harper. A Cappella,Barbershop,Pop. Octavo. 9 pages. Rowena Harper #4882901. Published by Rowena Harper (A0.762496). An old favourite love song that transcends time and has been played at many a wedding. This arrangement captures the Chicago key changes and the memorable countermelodies of the original song, whilst being firmly based in barber-pop (non-contestable) harmony. The melodic lines facilitate a passionate rendition that will be enjoyed by many a listener as the different voice parts weave their magic around and with each other, particularly in the closing pages of the arrangement where it creatively builds to drive the piece home.Purchasing allows printing of one copy, and one copy per singer is required.Range (Lowest-Highest): Bass E-G, Baritone C-D, Lead F-F, Tenor A-A. Transposed down from the original by a flattened fourth - starting in D major. Singers are welcome to pitch it up again to their most comfortable tessatura.This is per copy price. Also available as a set of parts (four copies).(Note: This sheet music is notated in barbershop format: Tenor (T.1) and Lead (T.2) in treble clef , Baritone (B.1) and Bass (B.2) in bass clef. The treble clef parts are sung an octave lower than written.Contact: acappellatenor@gmail.com.
$3.00
LOVE LIKE A RIVER
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Choral TTBB
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INTERMEDIATE
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P
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Tony Backhouse
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LOVE LIKE A RIVER
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Tony Backhouse
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1001684 Composed by P.D. Arranged by Tony Backhouse. A Cappella,Gospel. Octavo. 2 pages. Tony Ba...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1001684 Composed by P.D. Arranged by Tony Backhouse. A Cappella,Gospel. Octavo. 2 pages. Tony Backhouse #6252291. Published by Tony Backhouse (A0.1001684). TTBB a cappella plus tenor solo for male quartet, though if pitched up a fourth could work well for a mixed or all-female group. An African American church song, with steady pulse and room for improvisation in the solo. This arrangement, based on a performance by the Fairfield Four, comes from my songbook A cappella–Rehearsing For Heaven (Ecole De Fromage 2004): https://www.tonybackhouse.com/product/a-cappella-%e2%80%a2-rehearsing-for-heaven-ecole-de-fromage-20
$2.00
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19
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