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712
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239
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219
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219
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104
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100
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100
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73
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36
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Melody line, (Lyrics) and Chords
19657
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1611
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1283
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851
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483
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329
Bass guitar
304
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161
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139
2 Guitars (duet)
99
Banjo
57
4 Guitars (Quartet)
40
Electric Bass (band part)
33
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31
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29
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11
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9
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5
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3
Lap Steel Guitar
3
Guitar, Violin, Cello (trio)
2
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2
Plectrum Orchestra
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2
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2
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1
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1
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3352
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1497
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932
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669
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616
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495
Choral Unison
241
Choral
137
Soprano voice, Piano
97
Vocal duet, Piano
82
Vocal duet
57
High voice
37
Alto voice, Piano
36
Low voice, Piano
35
Tenor voice
33
Medium voice, Piano
33
Choral SSAATTBB
31
Soprano voice
28
Tenor voice, Piano
27
Baritone voice, Piano
17
Choral SSATB
14
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13
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11
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8
Soli, Mixted choir and accompaniment
8
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8
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4
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3
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2
Choral SATBB
2
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1
Children choir
1
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1
Medium Voice
1
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WOODWIND
Saxophone Quartet: 4 saxophones
1092
Flute and Piano
1011
Clarinet
962
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958
Oboe, Piano (duet)
870
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
863
Saxophone (band part)
842
Flute
815
Clarinet Quartet: 4 clarinets
729
2 Saxophones (duet)
667
Alto Saxophone and Piano
665
Flute, Oboe, Clarinet, Bassoon
605
Saxophone Quintet: 5 Saxophones
593
Alto Saxophone
494
Tenor Saxophone and Piano
493
Tenor Saxophone
482
2 Flutes (duet)
384
Flute Quartet: 4 flutes
360
2 Clarinets (duet)
349
Descant (Soprano) Recorder
319
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316
Clarinet (band part)
309
Oboe (band part)
295
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258
3 Saxophones (trio)
236
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226
Harmonica
220
Oboe
218
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194
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178
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170
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168
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159
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157
Flute, Clarinet (duet)
154
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147
Flute and Guitar
145
Saxophone, Clarinet (duet)
128
Flute ensemble
127
Flute (band part)
122
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110
English horn, Piano
105
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102
Oboe, Clarinet (duet)
102
Oboe, Bassoon (duet)
100
Flute Quintet : 5 flutes
94
Recorder
79
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77
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74
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73
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72
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72
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71
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69
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68
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67
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63
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61
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60
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55
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54
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54
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50
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47
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47
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45
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45
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43
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38
2 Flutes, Piano
36
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36
3 Recorders (trio)
34
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33
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29
English Horn
26
5 Recorders
20
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19
Flute, Bassoon, and Piano
19
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17
Flute, Cello, Piano (trio)
16
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15
2 Clarinets, Bassoon
15
Piccolo, Piano
15
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14
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13
Wind ensemble
12
Clarinet, Cello, Piano (trio)
11
Tenor Recorder
11
Flute, Basso continuo
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10
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10
Saxophone and Guitar
10
Flute, Clarinet, Piano (trio)
9
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8
Ocarina
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Bass Clarinet
8
2 Clarinets, Piano
7
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7
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7
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7
2 Saxophones, Piano
7
Oboe, Violin, Piano
7
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7
Clarinet, Tuba
6
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6
4 Oboes
6
Clarinette, Viola and Piano (trio)
6
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5
Saxophone and Harp
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5
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4
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4
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4
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4
Flute, Tuba (duet)
4
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4
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3
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3
3 Oboes
3
2 Oboes and Basson
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3
Flute, Oboe, Piano (trio)
3
2 Oboes, Piano
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Bagpipe
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2 Recorders, Piano
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Piccolo
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2 Flutes, Basso continuo
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613
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509
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475
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295
2 Trumpets (duet)
284
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265
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261
2 Trombones (duet)
234
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186
Brass Quartet
156
2 French horns (duet)
147
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133
Euphonium, Piano (duet)
132
Brass Quartet: 4 trombones
120
Trumpet ensemble
119
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109
English horn, Piano
105
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97
Trombone ensemble
81
2 Tubas (duet)
68
2 Euphoniums and 2 Tubas
60
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52
Euphonium
48
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47
3 Trumpets (trio)
42
Brass Quartet: 4 trumpets
40
English Horn
26
Horn Ensemble
26
Brass Trio
24
Bass Clef Instruments
23
3 Trombones (trio)
21
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
19
Trumpet, Bassoon (duet)
19
Trumpet, Cello (duet)
19
2 Euphoniums (duet)
16
Euphonium, Tuba (duet)
16
Tuba and Organ
15
Trumpet, Tuba (duet)
14
Trombone, Horn (duet)
14
Trombone, Tuba (duet)
14
Bass Trombone
13
4 Tubas
12
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12
Bass Trombone and Piano
11
Bb Instruments
11
3 French horns (trio)
8
Horn, Tuba (duet)
8
French horn and Basson (duet)
7
English Horn, Guitar (duet)
7
French Horn and Harp
7
Brass Quartet: 2 trumpets, 2 trombones
6
Trumpet, violin (duet)
6
Trumpet, Trombone, Piano
5
3 Tubas (trio)
4
Trombone, Violin (duet)
4
Trumpet and Guitar
4
Trombone, Organ
4
Tuba ensemble
3
Tuba or Euphonium or Saxhorn
3
Trumpet, Harp
3
2 French horns, Piano
3
2 Trumpets, Keyboard (piano or organ)
3
Trumpet, Euphonium (duet)
3
4 Euphoniums
2
Horn and Organ
2
Trombone and Orchestra
1
English horn, Harp (duet)
1
Cornet
1
Horn, Trumpet, Trombone (trio)
1
2 Trombones, Piano
1
Trombone, Viola (duet)
1
Instrumentations suivantes
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STRINGS
String Quartet: 2 violins, viola, cello
2232
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1347
Violin
1299
Cello, Piano
962
Viola, Piano
862
Cello
786
Viola
647
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427
Harp
372
2 Violins (duet)
368
Violin (band part)
367
String Trio: violin, viola, cello
320
Doublebass (band part)
288
String Quintet: 2 violins, viola, cello, bass
276
Double bass, Piano (duet)
261
2 Cellos (duet)
259
Double Bass
252
Viola (band part)
217
Violin, Viola (duet)
214
2 Violas (duet)
196
String Trio: 2 violins, cello
140
Cello (band part)
94
Viola, Cello (duet)
76
4 Cellos
66
2 Double basses (duet)
55
Violin, Bassoon (duet)
39
Violin, Guitar (duet)
36
2 Harps (duet)
35
Cello, Guitar (duet)
35
String Trio: 3 cellos
32
Piano Trio: Violin, Viola, Piano
29
Cello, String Bass (duet)
27
Violin ensemble
27
String Trio: 3 violins
27
Viola ensemble
26
Harp, Flute (duet)
24
Viola and Bassoon
22
String Quintet: 2 violins, viola, 2 cellos
21
String quartet: 4 violins
21
Viola, Guitar (duet)
19
Harp, Violin (duet)
17
String Quintet: 2 violins, 2 violas, cello
13
String Quartet : 4 violas
12
Violin, Clarinet, Piano (trio)
12
String Trio: 3 violas
12
Harp, Voice
11
String Trio: 2 violins, viola
9
2 Violins, Piano
8
Viola and Harp
7
2 Cellos, Piano
6
Violin, Organ
6
Harp, Cello (duet)
6
Flute, Doublebass (duet)
6
4 Double Basses
6
Cello, Organ
4
Harp, Violin, Violoncello
4
Violin, Basso continuo
4
Harp and Piano
3
Violin, Tuba (duet)
3
Violoncello, Basso continuo
2
String trio
2
Cello Ensemble
2
Cello, Orchestra
2
3 Harps
2
Violin, Cello, Clarinet
1
4 Harps
1
2 Violas, Piano
1
Harp (band part)
1
3 double basses
1
Autoharp
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
5836
String Orchestra
1255
Orchestra
955
Jazz Ensemble
534
Brass ensemble
518
Marching band
294
Handbells
285
Drums
270
Chamber Orchestra
261
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238
Drum (band part)
214
Jazz combo
136
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101
Marimba
70
Percussion
27
Xylophone
24
Xylophone, Piano
20
Vibraphone
19
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
17
Timpani (band part)
14
Flexible Instrumentation
8
2 Xylophones
7
Piano and Orchestra
7
Snare drums
7
Orchestra, Violin
5
Timpani
5
Brass Quintet: other combinaisons
2
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Cajon
2
Woodwind Quintet
2
Vibraphone and Marimba
2
Vibraphone (band part)
1
Bongos
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Xylophone or Marimba or Vibraphone
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2 Percussions
1
Woodwind Trio: any 3 woodwinds
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101
"Sheep may safely graze" from Cantata "Was mir behagt, ist nur die muntre Jagd" BWV 208
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.794212 Composed by Johann …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.794212 Composed by Johann Sebastian Bach. Arranged by Michiko Noguchi. Baroque. Score and parts. 9 pages. Michiko Noguchi #4846501. Published by Michiko Noguchi (A0.794212). Marimba Quartet2 Marimbas 4oct.(C~C) & 5oct(C-C)Score 3pages,Mar.1 1page,Marim.2 2pages,Mar.3 1page,Marm.4 1page,Total 8 pages
$5.00
4.48 €
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Percussion Ensemble
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Johann Sebastian Bach
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5oct(C-C)
Score 3pages,Mar
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"Sheep may safely graze" from Cantata "Was mir behagt, ist nur die muntre Jagd" BWV 208
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Michiko Noguchi
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SheetMusicPlus
Under Pressure
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.891821 By David Bowie. By …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.891821 By David Bowie. By Brian May, David Bowie, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Aaron G. Railey. Rock. Score and parts. 22 pages. Aaron G. Railey #4835701. Published by Aaron G. Railey (A0.891821). Every student and audience member will be thrilled to hear this exciting arrangement of a Queen classic performed on steel drums. With its lush chords and exciting melodies, this arrangement is great for beginner to intermediate level students and would be a fantastic addition on any steel band concert program!
$39.99
35.83 €
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Percussion Ensemble
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David Bowie
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Under Pressure
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Aaron G. Railey
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SheetMusicPlus
Christmas Calypso for Percussion Sextet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Hes…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.47 €
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Percussion Ensemble
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Christmas Calypso for Percussion Sextet
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Pharaoh Publications
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SheetMusicPlus
Christmas Calypso for Marimba Quartet
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Chri…
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Percussion Ensemble - Digital Download SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
4.47 €
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Percussion Ensemble
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Christmas Calypso for Marimba Quartet
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Pharaoh Publications
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.48 €
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Percussion Ensemble
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Alexandriana for Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Hes…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
8.95 €
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Percussion Ensemble
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Dan Heslink
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Alexandriana for Percussion Ensemble
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Pharaoh Publications
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SheetMusicPlus
Einmal möcht' Ich so verliebt sein (from Beautiful Galathea)
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. …
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Percussion Ensemble - Digital Download SKU: A0.597222 Composed by Franz von Suppe. Arranged by Flávio Régis Cunha. Concert,Opera,Romantic Period,Standards. Score and parts. 16 pages. Flavio Regis Cunha #4593577. Published by Flavio Regis Cunha (A0.597222). Die schöne Galathée (The Beautiful Galatea) is an operetta in two acts by Franz von Suppé to a German libretto by the composer and 'Poly Henrion' (the pseudonym of Leonhard Kohl von Kohlenegg). This arrangement of Einmal möcht' Ich so verliebt sein (one aria of the operetta) for orchestra and soprano voice is a very good Encore or an orchestral piece for your repertoire.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIn the early 1860s, French operettas by Jacques Offenbach were first presented in Vienna. Franz von Suppé was obliged to compete with them by taking the time-honored traditions of Vienna and combining it with the new style of Offenbach. Die schöne Galathée was Franz von Suppé's first critical success. The sculptor Pygmalion has fallen madly in love with his statue of Galathée and accordingly does not want to sell it to Mydas, a patron of the arts. Instead he prays to Venus, the goddess of the love, that the statue be brought to life. The wish is granted but Galathée turns out to be a very independent-minded creature. She is unfaithful to Pygmalion with his servant Ganymed (because he is much more pleasing to her than Pygmalion) and does not reject Mydas, who offers her jewelry. When Pygmalion catches Galathée in a compromising situation, he successfully implores Venus to turn her back into stone. The jewelry offered by Mydas is also turned into stone, but the whole statue is sold to him.
$20.00
17.92 €
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Percussion Ensemble
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Franz von Suppe
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Einmal möcht' Ich so verliebt sein
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Flavio Regis Cunha
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SheetMusicPlus
Run Rudolph Run
Percussion Ensemble
Large Ensemble Mallet Percussion, Marimba, Orff Instrument, Voice, Xylophone - Level…
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Large Ensemble Mallet Percussion, Marimba, Orff Instrument, Voice, Xylophone - Level 3 - Digital Download By Justin Moore. By Marvin Brodie and Johnny Marks. Arranged by Doug Edwards. Christmas, Country, Pop, Rock. Score and parts. 21 pages. Doug Edwards #4755107. Published by Doug Edwards
$14.99
13.43 €
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Percussion Ensemble
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Justin Moore
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Run Rudolph Run
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Doug Edwards
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SheetMusicPlus
Tequila
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.777070 By The Champs. By C…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.777070 By The Champs. By Chuck Rio. Arranged by Scott Meister. Contemporary. Score and parts. 19 pages. Scott Meister #2894529. Published by Scott Meister (A0.777070). Great fun tune for all audiences. You will have everyone up and dancing. Involve your audience with having them shout Ta-Key-La with the band on the drum set cue.
$25.00
22.4 €
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Percussion Ensemble
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The Champs
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Tequila
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Scott Meister
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SheetMusicPlus
Dancing In The Street
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.884319 By Van Halen. By Ivy Hunter, …
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Percussion Ensemble - Digital Download SKU: A0.884319 By Van Halen. By Ivy Hunter, Marvin Gaye, and William Stevenson. Arranged by Aaron Ziegler. Contemporary. Score and parts. 18 pages. Aaron Ziegler #6246063. Published by Aaron Ziegler (A0.884319). The Martha & The Vandellas classic Dancing in the Street (covered by Mick Jagger & David Bowie) is a classic that audiences will instantly recognize. This easy chart is a great addition to any gig book, and is sure to get your band and audience dancing. .
$20.00
17.92 €
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Percussion Ensemble
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Van Halen
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Dancing In The Street
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Aaron Ziegler
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SheetMusicPlus
La Paloma
Percussion Ensemble
Composed by D. De Yradier, Marjorie Harper, and R. Rosamond Johnson. Arranged by Per…
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Composed by D. De Yradier, Marjorie Harper, and R. Rosamond Johnson. Arranged by Percussion Ensemble Collective. Pop. 26 pages. PercussionEnsembleCollective #809484. Published by PercussionEnsembleCollective
$25.00
22.4 €
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Percussion Ensemble
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D
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La Paloma
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PercussionEnsembleCollective
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SheetMusicPlus
Siege of Busanjin 1592
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof …
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.1013926 Composed by Tsoof Baras. Contemporary,Standards,World. Score and parts. 46 pages. Tsoof Baras #6662693. Published by Tsoof Baras (A0.1013926). Players - 7Instrumentation - Bass Drums (x2), Bongos, Concert Toms (x8), Snare Drums (x2)The Siege of Busanjin was a battle fought at Busan between Japanese and Korean forces on April 14, 1592.Japanese forces surrounded the fort of Busan and within hours the Korean fort was decimated.This piece for drumming ensemble embodies the brutality and power of the Siege of Busanjin and draws inspiration from traditional Taiko drumming ensembles. Driving rhythms and large movements combine with extreme rhythmic precision to bring an enormous piece for drumming ensemble.
$70.00
62.71 €
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Percussion Ensemble
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Tsoof Baras
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Siege of Busanjin 1592
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Tsoof Baras
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SheetMusicPlus
Chorinho Pra Banda (for Mallet Trio)
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.933541 Composed by Wolfgang Lackersc…
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Percussion Ensemble - Digital Download SKU: A0.933541 Composed by Wolfgang Lackerschmid. Contemporary. Score and parts. 11 pages. Silvanus Musikverlag #3484583. Published by Silvanus Musikverlag (A0.933541). Melodie Percussion Ensemble
$10.00
8.96 €
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Percussion Ensemble
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Wolfgang Lackerschmid
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Chorinho Pra Banda
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Silvanus Musikverlag
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SheetMusicPlus
En Rêve for Percussion Ensemble
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
8.96 €
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Percussion Ensemble
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion Ensemble
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WallofSound
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SheetMusicPlus
Dinamo
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.962290 Composed by Sergio Roberto de…
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Percussion Ensemble - Digital Download SKU: A0.962290 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 64 pages. Sergio Roberto de Oliveira #2613315. Published by Sergio Roberto de Oliveira (A0.962290). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$14.99
13.43 €
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Percussion Ensemble
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Sergio Roberto de Oliveira
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Dinamo
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Sergio Roberto de Oliveira
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SheetMusicPlus
Veracruz Marimba Ensemble
Percussion Ensemble
Percussion Ensemble - Digital Download SKU: A0.904351 Composed by Traditional. Arra…
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Percussion Ensemble - Digital Download SKU: A0.904351 Composed by Traditional. Arranged by Tiffany Nicely. Latin,World. Score and parts. 18 pages. Tiffany Nicely #3378715. Published by Tiffany Nicely (A0.904351). This arrangement of Veracruz, a traditional Mexican tune, evokes the lively atmosphere of a cafe combo. Veracruz can be performed on two marimbas with two players on each instrument, or may be easily expanded to more players by doubling parts. The drum set part is a cumbia groove. This arrangement is a favorite with student performers and audiences in Western New York, where La Marimba frequently delights audiences.
$7.99
7.16 €
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Percussion Ensemble
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Traditional
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Veracruz Marimba Ensemble
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Tiffany Nicely
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2 (Strings, Harp, Timpani, Pe
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James N…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.730494 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 326 pages. James Nathaniel Holland #4800780. Published by James Nathaniel Holland (A0.730494). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 2 (Strings, Harp, Timpani and Percussion). Piano Score, Full Orchestral Score, Individual Parts (Part 1) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$34.95
31.31 €
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Percussion Ensemble
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 2
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James Nathaniel Holland
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SheetMusicPlus
The Gloucestershire Wassail for Percussion Octet
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.923874 Composed by Traditi…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.923874 Composed by Traditional Christmas. Arranged by Kevin A. Worley. Christmas,Classical. Score and parts. 26 pages. Kevin Worley #3517537. Published by Kevin Worley (A0.923874). The Gloucestershire Wassail for Percussion Octet (2:15) Wassail is a beverage of hot mulled cider, drunk traditionally as an integral part of wassailing, a Medieval Christmastide English drinking ritual. This is a somewhat obscure English Christmastime wassailing song that has a lovely melody and works well with a bouncy, percussive style. Octet, score and all parts.
$4.99
4.47 €
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Percussion Ensemble
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Traditional Christmas
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The Gloucestershire Wassail for Percussion Octet
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Kevin Worley
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SheetMusicPlus
The Hammer & Anvil
Percussion Ensemble
Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake G…
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.1029072 Composed by Jake Garratt. Contemporary,Folk,Standards,World. Score and parts. 1 pages. J Garratt Composer #4615943. Published by J Garratt Composer (A0.1029072). 'The Hammer & Anvil' is the piece that adorns the balustrade of the band stand in Parade Gardens, Bath, UK. The band stand was forged by the National Heritage Ironwork Group as a gift to the city during their 2018 'BathIron' festival. The piece is written for 2 treble clef parts and a bass clef part and can be performed by any group of instruments. For the original performance it was performed on 2 Bb Clarinets and a Bass Clarinet.About the piece:'The Hammer & Anvil' is derived from the melody of an English folk song about a blacksmith (ironworker) which has been adapted and augmented to be used as a melodic foundation throughout the piece, similar to an isorhythm in medieval compositions. The piece is in two sections: the A section where the folk melody is confined to the bass and the B section where the melody is split between all three parts. A repeated rhythmic motif, representative of an ironworker using his hammer and anvil, is used to accompany and/or decorate this melody.
$2.99
2.68 €
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Percussion Ensemble
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Jake Garratt
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The Hammer & Anvil
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J Garratt Composer
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SheetMusicPlus
A String Of Pearls
Percussion Ensemble
By Eddie Delange. Arranged by Cheri Redgrave. Set of Parts. 25 pages. Published by Redgrav…
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By Eddie Delange. Arranged by Cheri Redgrave. Set of Parts. 25 pages. Published by Redgrave Creative Productions (H0.321977-788900). - Set of Parts - - Redgrave Creative Productions
$14.99
13.43 €
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Percussion Ensemble
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Eddie Delange
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A String Of Pearls
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Redgrave Creative Productions
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SheetMusicPlus
Escape - Score Only
Percussion Ensemble
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1304645 By Kx5 Deadmau5 & …
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1304645 By Kx5 Deadmau5 & Kaskade Feat. Hayla. By Camden Cox, Eddie Jenkins, Hayley Philippa William, Hayley Phillips, Joel Thomas Zimmerman, Ryan Raddon, and Will Clarke. Arranged by Josh Ball. 21st Century,Pop. 1 pages. The BeatCave #894085. Published by The BeatCave (A0.1304645). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
4.47 €
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Percussion Ensemble
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Kx5 Deadmau5 & Kaskade Feat
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Escape - Score Only
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The BeatCave
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SheetMusicPlus
The Most Wonderful Time Of The Year
Percussion Ensemble
Large Ensemble Mallet Percussion, Marimba, Orff Instrument, Xylophone - Level 4 - Di…
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Large Ensemble Mallet Percussion, Marimba, Orff Instrument, Xylophone - Level 4 - Digital Download Composed by Eddie Pola and George Wyle. Arranged by Doug Edwards. Christmas, Film/TV, Holiday, Pop. Score and parts. 24 pages. Doug Edwards #4742277. Published by Doug Edwards
$16.99
15.22 €
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Percussion Ensemble
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Eddie Pola and George Wyle
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The Most Wonderful Time Of The Year
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Doug Edwards
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SheetMusicPlus
Jump
Percussion Ensemble
Percussion Ensemble Mallet Percussion - Level 1 - Digital Download By Van Halen. By A…
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Percussion Ensemble Mallet Percussion - Level 1 - Digital Download By Van Halen. By Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Doug Edwards. Rock. Score and parts. 8 pages. Doug Edwards #5713041. Published by Doug Edwards
$12.99
11.64 €
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Percussion Ensemble
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Van Halen
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Jump
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Doug Edwards
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SheetMusicPlus
Silent Night Prelude for percussion octet
Percussion Ensemble
Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz X…
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99
4.47 €
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Percussion Ensemble
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Franz Xaver Gruber
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Silent Night Prelude for percussion octet
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Pharaoh Publications
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SheetMusicPlus
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