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51
Il cielo dietro il monte
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1023046 Composed by Kyle Rowan. Co…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1023046 Composed by Kyle Rowan. Contemporary. Individual part. 3 pages. Penguinman Music #4595893. Published by Penguinman Music (A0.1023046). Il cielo dietro il monte was composed in 2011 in Maccagno, Italy, as part of the soundSCAPE Festival's Fresh Ink project in collaboration with the Civico Museo Parisi-Valle. The piece shares the title of the work that inspired it, a painting by Maria Clara Quarenghi. Il cielo dietro il monte, or the sky behind the mountains, is a beautiful composition of blues and greens, light and dark. The twin guitars form a delicate texture of quiet harmonics to complement the subtlety of the painting.Il cielo dietro il monte was composed for Andy Booth and Declan Zapala.Learn more about me and my music at www.penguinmanmusic.com
$5.00
4.53 €
#
Guitar
#
Kyle Rowan
#
Il cielo dietro il monte
#
Penguinman Music
#
SheetMusicPlus
Il suffirait de presque rien (Easy/Intermediate Level, Accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Guitar
#
Serge Reggiani
#
Tomplay
Il suffirait de presque rien (Very Easy Level, Accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Guitar
#
Serge Reggiani
#
Tomplay
Il suffirait de presque rien (Easy Level, Accompaniment Guitar)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Guitar
#
Serge Reggiani
#
Tomplay
Il Ballarino - Spagnoletta
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
3.99 €
#
Guitar
#
Fabritio Caroso
#
Tomplay
IL SATIRO DANZANTE - Solo Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.06 €
#
Guitar
#
LINCOLN BRADY
#
IL SATIRO DANZANTE - Solo Guitar
#
LINCOLN BRADY
#
SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitar
Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BR…
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Guitar - Level 4 - Digital Download SKU: A0.1135186 By LINCOLN BRADY. By LINCOLN BRADY. Arranged by LINCOLN BRADY. Classical,Multicultural,World. Full Performance. Duration 403. LINCOLN BRADY #735224. Published by LINCOLN BRADY (A0.1135186). Http://www.sheetmusicplus.com/title/il-satiro-danzante-digital-sheet-music/20229001?ac=1&_requestid=2340691 The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$2.99
2.71 €
#
Guitar
#
LINCOLN BRADY
#
IL SATIRO DANZANTE - Solo Guitar
#
LINCOLN BRADY
#
SheetMusicPlus
Cantabile from "Il Gardellino" for Guitar
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.947601 Composed by Antonio Vivaldi…
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Solo Guitar - Level 1 - Digital Download SKU: A0.947601 Composed by Antonio Vivaldi. Arranged by Laura Glassel. Baroque. Individual part. 1 pages. Laura Glassel #4642159. Published by Laura Glassel (A0.947601). This arrangement of Cantabile from Vivaldi's Il Gardellino is set in the key of C major and is designed for the late elementary guitar player. There are some sharps and flats as well as notes on the first string beyond first position. Set in 3/4 time. Not TAB. 52 measures.
$2.99
2.71 €
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Guitar
#
Antonio Vivaldi
#
Cantabile from "Il Gardellino" for Guitar
#
Laura Glassel
#
SheetMusicPlus
Sonia Bo: IL DITTATORE (ES 332)
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1175963 Composed by Sonia Bo. Clas…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1175963 Composed by Sonia Bo. Classical,Contemporary. Individual part. 13 pages. Sconfinarte #776088. Published by Sconfinarte (A0.1175963). IL DITTATORE (ES 332)Organico: ChitarraPrima esecuzione: Milano, 15/06/2014 – Maria Vittoria Jedlowski, chitarra e voce recitante.
$20.00
18.13 €
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Guitar
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Sonia Bo
#
Sonia Bo: IL DITTATORE
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Sconfinarte
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SheetMusicPlus
Siúil a Rúin
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1488748 Composed by Traditional. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1488748 Composed by Traditional. Arranged by Chris Richter. Celtic,Folk,Irish. Individual part. 8 pages. Chris Richter #1065599. Published by Chris Richter (A0.1488748). The Celtic folk song Siúil a Rúin arranged for solo fingerstyle guitar.
$5.99
5.43 €
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Guitar
#
Traditional
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Siúil a Rúin
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Chris Richter
#
SheetMusicPlus
Amen, Ainsi soit-il
Guitar
Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4226 Composed by Francis Kleynj…
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Guitar - Intermediate - Digital Download SKU: ZZ.DZ-4226 Composed by Francis Kleynjans. Score. 5 pages. Les Productions d'OZ - Digital #DZ 4226. Published by Les Productions d'OZ - Digital (ZZ.DZ-4226).
$3.95
3.58 €
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Guitar
#
Francis Kleynjans
#
Amen, Ainsi soit-il
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Il flauto nel bosco
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-3894 Composed by Alfredo Franco. Ar…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-3894 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 16 pages. Les Productions d'OZ - Digital #DZ 3894. Published by Les Productions d'OZ - Digital (ZZ.DZ-3894). ISBN 9782897958114.
$9.95
9.02 €
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Guitar
#
Alfredo Franco
#
Il flauto nel bosco
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Il était une fois la mélancolie
Guitar
Guitar - intermediate - Digital Download SKU: ZZ.DZ-3649 Composed by Frederick Magg…
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Guitar - intermediate - Digital Download SKU: ZZ.DZ-3649 Composed by Frederick Maggio. Score. 13 pages. Les Productions d'OZ - Digital #DZ 3649. Published by Les Productions d'OZ - Digital (ZZ.DZ-3649). ISBN 9782897955663.
$7.95
7.21 €
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Guitar
#
Frederick Maggio
#
Il était une fois la mélancolie
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Il était une fois
Guitar
Composed by Takashi Iwagami. Score. 21 pages. Les Productions d\'OZ - Digital #DZ…
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Composed by Takashi Iwagami. Score. 21 pages. Les Productions d\'OZ - Digital #DZ 4024. Published by Les Productions d\'OZ - Digital
$10.95
9.93 €
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Guitar
#
Takashi Iwagami
#
Il était une fois
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Les Productions d\'OZ - Digital
#
SheetMusicPlus
"Seis Almas" 6 brani per chitarra. 2- Il valzer di Keren
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1356409 Composed by Sisto Bernardo…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1356409 Composed by Sisto Bernardo Misticoni. Classical. Individual part. 2 pages. Sisto Bernardo Misticoni #939644. Published by Sisto Bernardo Misticoni (A0.1356409). Per alunni dei Licei ad indirizzo musicale.
$7.00
6.35 €
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Guitar
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Sisto Bernardo Misticoni
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"Seis Almas" 6 brani per chitarra. 2- Il valzer di Keren
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Sisto Bernardo Misticoni
#
SheetMusicPlus
Fantasia sopra il Dies Irae
Guitar
By Simone Iannarelli. For solo guitar. Level 4. Published by Les Productions d'OZ - Digita…
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By Simone Iannarelli. For solo guitar. Level 4. Published by Les Productions d'OZ - Digital
$8.95
8.11 €
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Guitar
#
Simone Iannarelli
#
Fantasia sopra il Dies Irae
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.58 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Intavolatura per chitarra e chitarriglia
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. A…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. Arranged by Pasquale Di Caro. Baroque,Renaissance. Individual part. 28 pages. Pasquale Di Caro #1079727. Published by Pasquale Di Caro (A0.1504269). Questa pubblicazione contiene tutta la sezione pertinente alla «chitarra a cinque cori in stile pizzicato», trascritta da una parte impiegando il sistema integrale (fedele all’originale), per consentire al lettore un’attenta comparazione, dall’altra il sistema interpretativo, contenente gli interventi adattivi e ricostruttivi. L’obiettivo di questo lavoro didattico-pratico è quello di presentare l’opera ai chitarristi interessati alla cosiddetta musica antica e di adattare le musiche alla chitarra di uso comune.Per le difficoltà sopra descritte e per l’atto stesso del trascrivere da uno strumento ad un altro, non è possibile ottenere con la chitarra moderna gli stessi effetti di quell’antica, per cui ho deciso di trattare queste intavolature cercando le migliori soluzioni per lo strumento di destinazione, evitando la strada filologica che comporterebbe il rischio di ottenere un risultato ambiguo che non riconosca la lezione originaria né tantomeno una moderna chiave di lettura.Le “suonate” sono numerate secondo l’ordine usato nella pubblicazione originaria. Le legature sono state aggiunte e possono essere modificate secondo il proprio gusto. Non ho inserito gli abbellimenti che possono essere usati a piacere come prevedeva la prassi esecutiva del tempo. Mancano gli andamenti che sono intrinsechi della forma e desumibili dal carattere musicale. I segni di ripetizione sono inseriti anche dove non erano previsti, per cui è stato necessario aggiungere alcune battute di raccordo, lasciando libera scelta all’esecutore. In alcuni casi ho preferito omettere e/o inserire delle note di riempimento e portare al basso alcune voci. Tra gli interventi apportati, i più significativi riguardano le modifiche di alcune note, l’uniformazione simmetrica di passaggi melodico-ritmici come nei casi degli incipit e dei valori di durata. Le modifiche sono state effettuate per rendere i brani più omogenei e simmetrici, laddove non era possibile eseguirli senza incorrere in sincopi armoniche o in ambigue riprese di ritornello, a volte modificando addirittura il tempo da 4/4 a 2/4. Per evidenziare il disegno ritmico ho preferito il tempo 3/4 al 3/2; in alcuni casi il 2/4 al 2/2 e così via, con la conseguente riduzione ritmica dei valori. Per tutti coloro che desiderino effettuare uno studio più attento e particolareggiato, consiglio vivamente di comparare la trascrizione integrale con quella interpretativa e di consultare l’intavolatura originale.
$5.99
5.43 €
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Guitar
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Carlo Calvi
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Intavolatura per chitarra e chitarriglia
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Pasquale Di Caro
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SheetMusicPlus
Gölcük Marşı
Guitar
Guitar - Digital Download SKU: ZZ.DZ-4299 Composed by H.R. Arman. Arranged by Celil…
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Guitar - Digital Download SKU: ZZ.DZ-4299 Composed by H.R. Arman. Arranged by Celil Refik Kaya. His role as a music teacher within different branches of the Turkish military ensured that his knowledge and expertise were passed down to future generations of musicians.Establishing the first military band and music school in Afghanistan demonstrate. Son rôle de professeur de musique au sein de différentes branches de l'armée turque a permis de transmettre ses connaissances et son expertise aux générations futures de musiciens.La création de la première fanfare militaire et école de musique en Afg. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4299. Published by Les Productions d'OZ - Digital (ZZ.DZ-4299). Le lieutenant-colonel Halit Recep Arman est né à Istanbul en 1902. Il était un chef d'orchestre, compositeur, flûtiste et professeur prolifique. Il était indéniablement une figure marquante de la musique militaire turque, laissant une marque indélébile dans l’histoire de la musique militaire turque. Sa production de marches, d'œuvres orchestrales et d'arrangements couvrant divers genres de musique turque met en valeur son génie et son dévouement à l'art. Les contributions d'Arman s'étendent au-delà de la composition.
$5.95
5.39 €
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Guitar
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H
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Gölcük Marşı
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Les Productions d'OZ - Digital
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.21 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Mamak Türküsü
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1292430 By Yeni Türkü. By Se…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292430 By Yeni Türkü. By Selim Sukru Atakan. Arranged by Julia Schüler. Multicultural,Traditional,World. Individual part. 4 pages. Julia Schüler #883002. Published by Julia Schüler (A0.1292430). I created a special version of the song 'Mamak Türküsü' originally by the band Yeni Türkü. This time, it's just one classical guitar playing the song. It's not too hard to play, but not too easy either. It's like a medium level of difficulty. I hope you enjoy learning my arrangement!Yeni Türkü' grubu tarafından orijinal olarak söylenen 'Mamak Türküsü' şarkısının özel bir versiyonunu oluşturdum. Bu sefer sadece bir klasik gitar şarkıyı çalıyor. Çalmak için çok zor değil, ama çok da kolay değil. Orta düzeyde bir zorluk seviyesinde. Umarım düzenlememi öğrenmeyi keyifle dinlersiniz!
$10.00
9.07 €
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Guitar
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Yeni Türkü
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Mamak Türküsü
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Julia Schüler
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SheetMusicPlus
Once Upon a Time in the West - Man With a Harmonica - Original Version (Easy Level)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Ennio Morricone
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Tomplay
Once Upon a Time in the West - Man With a Harmonica (Very Easy Level)
Guitar
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Guitar
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Ennio Morricone
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Tomplay
Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4262 Composed by Bryan Johanson and Jesse McCann. Method Book. 140 pages. Les Productions d'OZ - Digital #DZ 4262. Published by Les Productions d'OZ - Digital (ZZ.DZ-4262). In this ambitious series, Bryan Johanson and Jesse McCann seek to address this missing element in the study of classical guitar. In light of the sheer volume of guitar music written over the centuries, not to men- tion early works by the guitar’s plucked-string relatives, the authors’ choices were by necessity limited to a select group of standards. These might be considered among the most popular works in the guitar canon, admired over the years by performers, students, and audiences alike for their beauty, musical expression, and idiomatic sonority. There are, of course, other pieces that could have been included. But by choosing works that give a broad survey of styles across musical periods (Renaissance, Baroque, Classical, Romantic, and early 20th century) written by some of the guitar’s most important composers, the authors present a com- prehensive cross-section of the essential repertoire for the instrument.- William KanengiserDans cette série ambitieuse, Bryan Johanson et Jesse McCann cherchent à aborder cet élément manquant dans l'étude de la guitare classique. En raison du volume considérable de musique pour guitare écrite au fil des siècles, sans mentionner les œuvres anciennes des instruments à cordes pincées apparentés à la guitare, les choix des auteurs étaient nécessairement limités à un groupe restreint de « standards ». Ces œuvres peuvent être considérées parmi les plus populaires du répertoire de la guitare, admirées au fil des ans par les interprètes, les étudiants et les auditoires pour leur beauté, leur expression musicale et leur sonorité idiomatique. Il existe, bien sûr, d'autres pièces qui auraient pu être incluses. Mais en choisissant des œuvres qui offrent un large panorama des styles à travers les périodes musicales (Renaissance, Baroque, Classique, Romantique et début du 20e siècle) écrites par certains des compositeurs les plus importants pour la guitare, les auteurs présentent une section transversale complète du répertoire essentiel pour l'instrument.- William Kanengiser.
$42.95
38.94 €
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Guitar
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Bryan Johanson and Jesse McCann
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Guitar Repertoire, vol. 1 - da Milano to Villa-Lobos
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Les Productions d'OZ - Digital
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SheetMusicPlus
Selected Works, vol. 1
Guitar
The present collection is around the idea of paying homage to the people that each piece i…
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The present collection is around the idea of paying homage to the people that each piece is dedicated to.El Colibrí (Hummingbird): A meaningful bird within Central American indigenous mythology. Dedicated to my good friend and co-author Federico Sheppard, a very special human being with whom I have walked a long journey in a short time, to produce and publish the work of the great Agustín Barrios Mangoré.El Faro refers to the guidance of a lighthouse for the those navigating the sea, the light to point travellers in the right direction. This piece is dedicated to maestro Antonio Rodríguez Delgado, for his unconditional friendship, light, and guidance with the complex journey of our beloved instrument, so that it be used as a tool for self realization.Gratitude is dedicated to maestro Elias Barreiro for his tireless work and contribution to the global guitar practices, additionally, for his genuine friendship.Canción de Cuna is a piece that pretends to reflect the awakening of a new consciousness for humanity, the title (Lullaby) refers to the little person we all have inside.La présente collection est centrée sur l'idée de rendre hommage aux personnes auxquelles chaque pièce est dédiée.El Colibrí (Colibri) : Un oiseau significatif dans la mythologie indigène d'Amérique centrale. Dédicacé à mon bon ami et co-auteur Federico Sheppard, un être humain très spécial avec qui j'ai parcouru un long chemin en peu de temps, pour produire et publier l'œuvre du grand Agustín Barrios Mangoré.El Faro fait référence à la guidance d'un phare pour ceux qui naviguent en mer, la lumière pour orienter les voyageurs dans la bonne direction. Cette pièce est dédiée au maestro Antonio Rodríguez Delgado, pour son amitié inconditionnelle, sa lumière et son guidage dans le voyage complexe de notre instrument bien-aimé, afin qu'il soit utilisé comme un outil de réalisation de soi.Gratitude est dédiée au maestro Elias Barreiro pour son travail inlassable et sa contribution aux pratiques mondiales de la guitare, et en plus, pour son amitié sincère.Canción de Cuna est une pièce qui prétend refléter l'éveil d'une nouvelle conscience pour l'humanité, le titre (Berceuse) se réfère à la petite personne que nous avons tous à l'intérieur de nous
Song List: El Colibri El Faro Gratitud Cancion De Cuna
$9.95
9.02 €
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Guitar
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Selected Works, vol. 1
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SheetMusicPlus
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