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Overture
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907
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400
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98
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44
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136
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85
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82
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38
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38
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30
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27
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26
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22
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19
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16
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13
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12
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Overture
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Guitar
Sheetmusic to print
19 sheet music found
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1
Overture from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxo
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Overture Miniature from "The Nutcracker Suite"
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Pyotr Tchaikovsky
#
Ian Deterling
#
Overture Miniature from "The N
#
Ian Deterling
#
SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1320266 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period...
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Guitar - Level 4 - Digital Download SKU: A0.1320266 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 33 pages. Ian Deterling #908779. Published by Ian Deterling (A0.1320266). This arrangement of Overture Miniature from The Nutcracker Suite is a faithful adaptation of the original with slight modifications to make it more accessible for guitar quartet. Full of rich colors and beautiful melodies, this overture will be a wonderful addition to your next holiday concert! Instrumentation: Guitars 1-4 (Guitar 4 is also available for Bass Guitar).
$18.00
The 1812 Overture for Guitar
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Guitar
#
ADVANCED
#
Classical
#
Peter Ilyich Tchaikovsky
#
Abigail Rae
#
The 1812 Overture for Guitar
#
Abigail Rae
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1028463 Composed by Peter Ilyich Tchaikovsky. Arranged by Abigail Rae. Romantic Period. Individual part....
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Solo Guitar - Level 5 - Digital Download SKU: A0.1028463 Composed by Peter Ilyich Tchaikovsky. Arranged by Abigail Rae. Romantic Period. Individual part. 20 pages. Abigail Rae #6662947. Published by Abigail Rae (A0.1028463). This is a full arrangement of Tchaikovsky's 1812 Overture for solo guitar. .
$5.99
La clemenza di tito (overture) - W. A. Mozart - for guitar quartet
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Classical
#
Wolfgang Amadeus Mozart
#
Guillermo J
#
La clemenza di tito
#
guillermo josé romano
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.909934 Composed by Wolfgang Amadeus Mozart. Arranged by Guillermo J. Romano. Classical,Opera. Individual...
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Solo Guitar - Level 4 - Digital Download SKU: A0.909934 Composed by Wolfgang Amadeus Mozart. Arranged by Guillermo J. Romano. Classical,Opera. Individual part. 20 pages. Guillermo josé romano #6480179. Published by guillermo josé romano (A0.909934). Obertura de la ópera La clemenza di tito en arreglo para cuatro guitarras / Overture of the opera La Clemenza di tito in arrangemet for guitar quartet
$8.99
Offenbach : Orphée aux Enfers (Galop from Overture)
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Jacques Offenbach
#
Daisuke Minamizawa
#
Offenbach : Orphée aux Enfers
#
Big South Valley Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1460362 Composed by Jacques Offenbach. Arranged by Daisuke Minamizawa. Classical. Individual part. 9 pag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1460362 Composed by Jacques Offenbach. Arranged by Daisuke Minamizawa. Classical. Individual part. 9 pages. Big South Valley Music #1039295. Published by Big South Valley Music (A0.1460362). Fingerpicking & strumming arrangement for solo acoustic guitar.------ [tuning] Drop D tuning------ [capotasto] 5th fret.
$5.99
Overture/prologue
#
Guitar
#
INTERMEDIATE
#
ABBA
#
Julius Marx
#
Overture/prologue
#
Julius Marx
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1388284 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Julius Marx. Broadway...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1388284 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Julius Marx. Broadway,Film/TV,Musical/Show,Pop,Rock,Singer/Songwriter. Individual part. 100 pages. Julius Marx #971882. Published by Julius Marx (A0.1388284). The full Guitar 1 score of the Broadway Musical Mamma Mia.
$4.99
Overture/prologue
#
Guitar
#
INTERMEDIATE
#
ABBA
#
Julius Marx
#
Overture/prologue
#
Julius Marx
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1388285 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Julius Marx. Broadway...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1388285 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Julius Marx. Broadway,Film/TV,Musical/Show,Pop,Rock,Singer/Songwriter. Individual part. 98 pages. Julius Marx #971883. Published by Julius Marx (A0.1388285). The full Guitar 2 score of the Broadway Musical Mamma Mia.
$4.99
Overture from the Nutcracker
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Guitar
#
INTERMEDIATE
#
Classical
#
Piotr Ilitch Tchaikovski
#
André Pires Costa
#
Overture from the Nutcracker
#
André Pires Costa
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1303194 Composed by Piotr Ilitch Tchaikovski. Arranged by André Pires Costa. 19th Century. 30 pages. AndrÃ...
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Guitar - Level 3 - Digital Download SKU: A0.1303194 Composed by Piotr Ilitch Tchaikovski. Arranged by André Pires Costa. 19th Century. 30 pages. André Pires Costa #892793. Published by André Pires Costa (A0.1303194). I made the arrangement of Nutcracker for ensemble of guitar in a way it could sound interesting. Hope you like it. The individual parts are with lead sheet but if you want with tablatures I also have it on here on the site.
$12.99
Grande Overture
#
Guitar
#
Mauro Giuliani
#
Grande Overture
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - Digital Download SKU: S9.Q4962 Composed by Mauro Giuliani. This edition: Sheet music. Guitar Archive. Downloadable. Op. 61. Schott Music - Digit...
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Guitar - Digital Download SKU: S9.Q4962 Composed by Mauro Giuliani. This edition: Sheet music. Guitar Archive. Downloadable. Op. 61. Schott Music - Digital #Q4962. Published by Schott Music - Digital (S9.Q4962).
$11.99
Overture in A
#
Guitar
#
ADVANCED
#
Silvius Leopold Weiss
#
Overture in A
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - advanced - Digital Download SKU: S9.Q4872 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Mus...
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Guitar - advanced - Digital Download SKU: S9.Q4872 Composed by Silvius Leopold Weiss. This edition: Sheet music. Guitar Archive. Downloadable. Schott Music - Digital #Q4872. Published by Schott Music - Digital (S9.Q4872). Key: A major.
$6.99
Chorus and Aria from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Klassische Loog Gitarre
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Guitar
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BEGINNER
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Classical
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Ludwig van Beethoven, Mit Musi
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Javier Marcó
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Klassische Loog Gitarre
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Javier Marco
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfga...
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Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period. Individual part. 28 pages. Javier Marco #6357209. Published by Javier Marco (A0.842801). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).In Tabulatur und Noten.Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Chorfantasie, Op. 80Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147La Donna è MobileMenuett, BWV Anh 114Ode an die Freude, Op. 125la Primavera, RV. 269Pomp and Circumstance March Nº1, Op. 39Tannhäuser OvertureTreulich geführtWater Music, HWV 349
$9.99
In An English Garden
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Guitar
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ADVANCED
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Contemporary
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Dusan Bogdanovic
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In An English Garden
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Publis...
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Guitar - Advanced - Digital Download SKU: ZY.DO-1529 Composed by Dusan Bogdanovic. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1529. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1529). Homage to the English guitarist-composer John Duarte, In an English Garden, is a short Neo-Baroque triptych based on a charming harmonic fragment from the second movement of the composer?s well-known work English Suite. The blueprint for the Prelude is in the French Overture style and Sarabande with the accompanying Double is modelled after Bach?s Partita no.1 in B minor. The quote Sitting in an English garden, waiting for the sun, is from one of my favorite songs by John Lennon, I Am The Walrus.Hommage au guitariste-compositeur anglais John Duarte, In an English Garden est un court triptyque néo-baroque basé sur un charmant fragment harmonique du deuxième mouvement de l??uvre bien connue du compositeur English Suite. Le plan du Prélude est dans le style de l?Ouverture française et la Sarabande accompagnée du Double est calquée sur la Partita n°1 en si mineur de Bach. La citation « Assis dans un jardin anglais, attendant le soleil » est tirée d?une de mes chansons préférées de John Lennon, I Am The Walrus.
$5.95
Beethoven Turkish March
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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MC Trinh
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Beethoven Turkish March
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Cuong Trinh
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.985176 Composed by Ludwig van Beethoven. Arranged by MC Trinh. Classical. Individual part. 4 pages. Cuon...
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Solo Guitar - Level 4 - Digital Download SKU: A0.985176 Composed by Ludwig van Beethoven. Arranged by MC Trinh. Classical. Individual part. 4 pages. Cuong Trinh #6423871. Published by Cuong Trinh (A0.985176). The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. The theme was first used in Beethoven's Six Variations on an Original Theme, Op. 76, of 1809. [1] In 1811, Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. .
$12.00
The Nutcracker Suite
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Guitar
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INTERMEDIATE/ADVANCED
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Pyotr Tchaikovsky
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Ian Deterling
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II. March
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The Nutcracker Suite
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Ian Deterling
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1322183 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period...
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Guitar - Level 4 - Digital Download SKU: A0.1322183 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 175 pages. Ian Deterling #910543. Published by Ian Deterling (A0.1322183). This arrangement of all eight movements from The Nutcracker Suite is a faithful adaptation of the original with slight modifications to make it more accessible for clarinet quartets. Full of rich colors and beautiful melodies, this memorable classic will be a wonderful addition to your next holiday concert! Includes: I. Overture Miniature; II. March; III. Dance of the Sugar Plum Fairy; IV. Trepak (Russian Dance); V. Arabian Dance; VI. Chinese Dance; VII. Dance of the Mirlitons (Dance of the Reed Pipes); and VIII. Waltz of the Flowers.Instrumentation: Guitars 1-4 (Guitar 4 also available for Bass Guitar).
$70.00
Overture
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Guitar
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Classical
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Overture
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Classical. Easy Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.332076). - Easy Guitar - Classical - Hal Leonard - Digital Sheet Music...
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Classical. Easy Guitar. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.332076). - Easy Guitar - Classical - Hal Leonard - Digital Sheet Music
$2.99
Grande Overture Op. 61
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Guitar
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Classical
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Mauro Giuliani
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Grande Overture Op. 61
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Mauro Giuliani. Classical. Guitar Solo. 12 pages. Published by Hal Leonard - Digital Sheet Music (HX.361507). - Guitar Solo - Classical - Hal Leonard - Digit...
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By Mauro Giuliani. Classical. Guitar Solo. 12 pages. Published by Hal Leonard - Digital Sheet Music (HX.361507). - Guitar Solo - Classical - Hal Leonard - Digital Sheet Music
$4.99
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