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2 Saxophones (duet)
851
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167
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156
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154
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153
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148
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130
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121
Flute, Trumpet (duet)
118
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99
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81
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Alto Saxophone and Piano
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75
Flute, Oboe, Clarinet, Bassoon
68
Flute
63
Clarinet
59
Tenor Saxophone and Piano
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15
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7
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5
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English Horn
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4
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Trumpet, Saxophone (duet)
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167
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2 Trumpets (duet)
156
Brass Quintet: 2 trumpets, horn, trombone, tuba
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Brass Quartet
35
Brass Quartet: 2 trumpets, horn, trombone
35
Trombone
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French Horn and Piano
34
Trumpet (band part)
30
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23
Euphonium, Piano (duet)
22
French horn
20
Tuba
18
Brass Quartet: 4 trombones
18
Tuba and Piano
17
2 French horns (duet)
12
French horn (band part)
12
3 Trumpets (trio)
8
2 Euphoniums (duet)
8
Tuba (band part)
8
Trumpet, Horn (duert)
6
3 Trombones (trio)
6
2 Tubas (duet)
6
Brass Trio
5
English Horn
5
Horn Ensemble
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Brass Quintet: 2 trumpets, horn, 2 trombones
5
Brass Quartet: 4 trumpets
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2 Euphoniums and 2 Tubas
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2 Trumpets, Keyboard (piano or organ)
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Brass Quartet: 4 horns
4
English Horn, Guitar (duet)
3
Bass Clef Instruments
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2 French horns, Piano
3
Trombone, Horn (duet)
2
Trombone, Tuba (duet)
2
French Horn and Harp
2
Trumpet, Tuba (duet)
2
Euphonium
2
Horn, Tuba (duet)
2
Bass Trombone
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Organ
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Trumpet, Trombone, Piano
1
Trumpet, Euphonium (duet)
1
3 French horns (trio)
1
Bb Instruments
1
3 Tubas (trio)
1
4 Tubas
1
Bass Trombone and Piano
1
Euphonium, Tuba (duet)
1
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STRINGS
Harp
557
String Quartet: 2 violins, viola, cello
391
Violin, Cello (duet)
329
2 Violins (duet)
194
Violin
189
2 Violas (duet)
184
Violin, Viola (duet)
181
2 Cellos (duet)
161
Violin and Piano
160
String Trio: violin, viola, cello
150
Viola, Piano
78
Cello, Piano
75
String Quintet: 2 violins, viola, cello, bass
71
Cello
61
Viola
40
String Trio: 2 violins, cello
28
Harp, Violin (duet)
26
Double bass, Piano (duet)
17
Double Bass
17
2 Harps (duet)
16
Violin ensemble
16
Doublebass (band part)
16
Viola ensemble
16
Violin (band part)
13
4 Cellos
10
Viola (band part)
10
2 Violins, Piano
9
Cello, String Bass (duet)
9
String Quintet: 2 violins, 2 violas, cello
7
Viola, Cello (duet)
6
Harp, Voice
6
String Trio: 3 cellos
6
Harp, Flute (duet)
5
Violin, Guitar (duet)
5
Flute, Doublebass (duet)
5
Piano Trio: Violin, Viola, Piano
4
Cello, Guitar (duet)
4
String Trio: 3 violas
3
String Trio: 2 violins, viola
3
Cello (band part)
3
String Trio: 3 violins
3
String quartet: 4 violins
3
String Quartet : 4 violas
3
String Quintet: 2 violins, viola, 2 cellos
2
2 Double basses (duet)
2
2 Violas, Piano
2
Violin, Clarinet, Piano (trio)
2
Viola and Harp
2
3 double basses
2
2 Cellos, Piano
2
Cello Ensemble
2
4 Double Basses
1
Harp and Piano
1
Viola and Bassoon
1
Harp, Cello (duet)
1
Instrumentations suivantes
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PERCUSSION & ORCHESTRA
Concert band
346
String Orchestra
277
Jazz Ensemble
152
Orchestra
89
Handbells
87
Brass ensemble
71
Chamber Orchestra
39
Marching band
27
Jazz combo
25
Drum (band part)
7
2 Xylophones
5
Drums
4
Marimba
2
Vibraphone
1
Conga
1
Brass Quintet: other combinaisons
1
Instrumentations suivantes
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You Are There - Percussion
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101
"More... Jazz Licks at Your Fingertips" for Guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.809110 Composed by Tony Benade. In…
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Solo Guitar - Level 5 - Digital Download SKU: A0.809110 Composed by Tony Benade. Instructional,Jazz,Latin. Individual part. 96 pages. Tony Benade #3573821. Published by Tony Benade (A0.809110). More… Jazz Licks at Your Fingertips is a sequel to Jazz Licks at your Fingertips This study contains over 80 jazz licks/phrases in several different keys. There are progressions on the ii7 - V7 in both major and minor keys. There are also major, minor 6th and 7ths as well as dominant, diminished and augmented chords. As you go on you will find licks on flatted and raised ninths, augmented 11ths and 13th chords. Most important however, are the Application Exercises. There are six jazz etudes which contain chord progressions found in many of the jazz standards. You will have the opportunity to use the licks in measures that deal with the chords that you have dealt with in the previous section. There are parts where you are asked to fill in your own licks in between the written melody. All the material that you have just worked on in the the last section can be used in each etude. By the end of the study, you can improve on the enitre song. It is a unique method that I have developed over the past 50 years. If you follow the method and work on all the exercises as directed, you will take your first steps in the Real way pros play jazz. There is even accompaniment provided for each etude. There are mp4s that are available at no extra cost if you have a device that will play them. There is also accompaniment provided at the end of the book if have musician friends play along with you. The process for obtaining the mp4s is explained at the beginning of the book under Application Exercises.
$29.95
27.13 €
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Guitar
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the end of the study, you can improve on the enitre song
#
Tony Benade
#
"More... Jazz Licks at Your Fingertips" for Guitar
#
Tony Benade
#
SheetMusicPlus
Something There
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken an…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1374708 Composed by Alan Menken and Howard Ashman. Arranged by Brad Powell. Broadway,Classical,Film/TV,Musical/Show,Pop,Wedding. Individual part. 5 pages. Geofonica Artistworks #959262. Published by Geofonica Artistworks (A0.1374708). This is an instrumental solo arrangement of Something There created by Brad Powell for his performances in Disney's Princess Breakfast Adventure at the Disneyland Resort's Grand Californian hotel (Napa Rose restaurant), from 2019 to early 2024. It's an intermediate solo guitar arrangement, mixing jazz and classical techniques and chord voicings. You can hear the full arrangement performed in the YouTube link provided. NOTE: This instrumental arrangement is in standard notation (LYRICS are included for reference). It is also available as standard notation with TAB.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$4.99
4.52 €
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Guitar
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Alan Menken and Howard Ashman
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Something There
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Geofonica Artistworks
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SheetMusicPlus
Hey Man Take Me With You
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.940535 Composed by Nick Clow. Conc…
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Solo Guitar - Level 4 - Digital Download SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3383785. Published by Nick Clow (A0.940535). This is an advanced intermediate piece for solo guitar. It's around Trinity Grade 7. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is just one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this up to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99
2.71 €
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Guitar
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Nick Clow
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Hey Man Take Me With You
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Nick Clow
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SheetMusicPlus
in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawso…
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Solo Guitar - Level 5 - Digital Download SKU: A0.1102997 Composed by Jeremiah Lawson. Blues,Classical,Rock. Individual part. 7 pages. Jeremiah Lawson #706323. Published by Jeremiah Lawson (A0.1102997). This is a 7-page score for solo guitar in two-movements, both in C minor. The opening sonata-prelude has an exposition, development and recapitulation and uses two themes, both of which use the gesture of a rising second as either core thematic or accompaniment material. There are places indicated in the score where a performer can improvise embellishments or substitutions in the return of Theme 1 in the recapitulation. The fugue is written in three voices with a subject and countersubject. It has two expositions, the first based on the primary form and the second on a somewhat free retrograde form of the initial fugue subject. I use fragmented forms of the subject to create blues and 5/4 episodes after the grand stretto that signals the structural climax of the fugue. This work is pretty difficult but although I wrote it on classical guitar it may also be played on acoustic or electric guitars with whatever timbre modifications strike your fancy.
$5.00
4.53 €
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Guitar
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Jeremiah Lawson
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in memoriam Aretha Franklin: a sonata-prelude and fugue in C minor for solo guitar
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Jeremiah Lawson
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SheetMusicPlus
Till There Was You
Guitar
Solo Guitar - Level 5 - Digital Download SKU: A0.788254 By The Beatles. By Meredith…
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Solo Guitar - Level 5 - Digital Download SKU: A0.788254 By The Beatles. By Meredith Willson. Arranged by Antonius Agung Setiawan. Rock. Individual part. 5 pages. Antonius Agung Setiawan #5221565. Published by Antonius Agung Setiawan (A0.788254). Till There Was You by The Beatles Solo guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play, Tablature include instagram @ https://www.instagram.com/pakagung/ youtube @ https://www.youtube.com/channel/UC8INfTcYhpBnMZrekYtC_jg #guitaronlybypakagung
$5.99
5.43 €
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Guitar
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The Beatles
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Till There Was You
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Antonius Agung Setiawan
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SheetMusicPlus
You've Got A Friend In Me
Guitar
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman A…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Toni Lindgren. Broadway,Children,Film/TV,Musical/Show. Score. 5 pages. Toni Lindgren #648968. Published by Toni Lindgren (A0.1044225). This is a simplified arrangement of the chords to Disney's Toy Story theme by Randy Newman. It's intended for players who are still in the earlier stages of rhythm technique development and are currently focusing on expanding their knowledge of basic open chords. There are no barre chords (with the exception of a small one string barre for the basic F chord) and all the extended voicings of the original song have been removed, but these chords will still function over the original song melody. The score includes these basic open chords, their relevant diagrams, the song lyrics, and notation of the melody, which can be sung over the guitar or played by another instrument.
$4.99
4.52 €
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Guitar
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Randy Newman And Lyle Lovett
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You've Got A Friend In Me
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Toni Lindgren
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SheetMusicPlus
Fix You
Guitar
Solo Guitar - Digital Download SKU: A0.961501 By Javier Colon. By Chris Martin, Guy…
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Solo Guitar - Digital Download SKU: A0.961501 By Javier Colon. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Colin Tommis. Rock. Individual part. 3 pages. Colin Tommis #4821227. Published by Colin Tommis (A0.961501). Here is the Coldplay song Fix You. This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99
4.52 €
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Guitar
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Javier Colon
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Fix You
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Colin Tommis
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SheetMusicPlus
May The Horse Be With You - Play Along!
Guitar
Solo Guitar - Level 1 - Digital Download SKU: A0.939050 Composed by Gene Swanson. H…
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Solo Guitar - Level 1 - Digital Download SKU: A0.939050 Composed by Gene Swanson. Halloween. Individual part. 1 pages. Gene Swanson #2918237. Published by Gene Swanson (A0.939050). May The Horse Be With You is the fourth tune from Play Along! - Student Inspired Halloween Tunes for Guitar Vol. #1 There are 3 tracks included on the provided MP3 Recording. Track 1 = MelodyTrack 2 = Demonstration (band & melody)Track 3 = Play Along (band minus melody)Fingerings have been intentionally left out so students/teachers may choose to play in different positions as desired. I developed this Play Along series as a supplemental material for students and teachers to have fun playing simple tunes in a variety of styles celebrating the many seasonal times/holidays of the school year.
$1.99
1.8 €
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Guitar
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Gene Swanson
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May The Horse Be With You - Play Along!
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Gene Swanson
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SheetMusicPlus
I'm Nothing Without You (Eu Nao Existo Sem Voce)
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1395708 By Astrud Gilberto. By Ant…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1395708 By Astrud Gilberto. By Antonio Carlos Jobum, Astrud Gilberto, and Vinicius De Moraes. Arranged by Dennis de Figueiredo. 20th Century,Jazz,Latin,Multicultural,World. Individual part. 1 pages. Dennis de Figueiredo #979125. Published by Dennis de Figueiredo (A0.1395708). Beginner level guitar arrangement made from this beautiful Antonio Carlos Jobim song. Easy to read and play, the chord melody makes it look like there are two guitars playing.
$20.00
18.11 €
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Guitar
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Astrud Gilberto
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I'm Nothing Without You
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Dennis de Figueiredo
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SheetMusicPlus
You Could Be Happy
Guitar
Solo Guitar - Digital Download SKU: A0.961490 By Snow Patrol. By Gary Lightbody, Jo…
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Solo Guitar - Digital Download SKU: A0.961490 By Snow Patrol. By Gary Lightbody, Jona, Jonathan Graham Quinn, Nathan Connolly, Paul Wilson, and Tom Simpson. Arranged by Colin Tommis. Pop,Rock. Individual part. 2 pages. Colin Tommis #4632099. Published by Colin Tommis (A0.961490). This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99
4.52 €
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Guitar
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Snow Patrol
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You Could Be Happy
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Colin Tommis
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SheetMusicPlus
What Makes You Beautiful
Guitar
Solo Guitar - Digital Download SKU: A0.961484 By One Direction. By Carl Falk, Rami …
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Solo Guitar - Digital Download SKU: A0.961484 By One Direction. By Carl Falk, Rami Yacoub, and Savan Kotecha. Arranged by Colin Tommis. Pop. Individual part. 2 pages. Colin Tommis #4624389. Published by Colin Tommis (A0.961484). This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99
4.52 €
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Guitar
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One Direction
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What Makes You Beautiful
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Colin Tommis
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SheetMusicPlus
There and Back Again
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.525316 By John David Morgan. By Jo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.525316 By John David Morgan. By John David Morgan. Arranged by John David Morgan. Contemporary,Folk,Jazz. Individual part. 11 pages. John David Morgan #135855. Published by John David Morgan (A0.525316). A piece in the style of One Step Closer to Cool. If you pair the two titles the chuckle is: I was uncool. I got one step closer to cool. Now I'm back to uncool again:-) Musically there is some fun syncopation and plenty of harmonic twists and turns. It may even expand your harmonic vocabularly.
$4.00
3.62 €
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Guitar
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John David Morgan
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There and Back Again
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John David Morgan
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SheetMusicPlus
There Will Never Be Another You
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.985000 Composed by Harry Warren. A…
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Solo Guitar - Level 3 - Digital Download SKU: A0.985000 Composed by Harry Warren. Arranged by Michael New. Contemporary. Individual part. 2 pages. Winterbee Music Company #4810051. Published by Winterbee Music Company (A0.985000). Here's a nice arrangement of Warren & Gordon's There Will Never Be Another You. Its short (1 page) and sweet and the kind of piece that you'll want to play every day. Its written for finger style guitar and is a great technical warmup for both hands.
$4.99
4.52 €
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Guitar
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Harry Warren
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There Will Never Be Another You
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Winterbee Music Company
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SheetMusicPlus
All You Need Is Love
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1413879 By The Beatles. By John Le…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1413879 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Individual part. 2 pages. Keith Gehle #995661. Published by Keith Gehle (A0.1413879). Released as a single in 1967 during the famed Summer of Love, this Beatles hippie era classic is one of the songs that best captures that unique moment in time. Today, its beauty lives on as a real crowd pleaser at festive gatherings and a popular recessional at weddings for all generations. The arrangement includes detailed fingerings in standard notation. There's also a version with TAB on this site at no extra charge. Itâ??s just one of many Lennon/McCartney songs tastefully arranged for solo guitar by Keith Gehle.
$4.99
4.52 €
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Guitar
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The Beatles
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All You Need Is Love
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Keith Gehle
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SheetMusicPlus
Someone You Loved
Guitar
Solo Guitar - Digital Download SKU: A0.961512 By Lewis Capaldi. By Benjamin Alexand…
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Solo Guitar - Digital Download SKU: A0.961512 By Lewis Capaldi. By Benjamin Alexander Kohn, Benjamin Kohn, Lewis Capaldi, Peter Kelleher, Peter Norman Cullen Kelleher, Sam Romans, Samuel Elliot Roman, Samuel Roman, Thomas Barnes, and Tom Andrew Searle Barnes. Arranged by Colin Tommis. Pop. Individual part. 3 pages. Colin Tommis #6136761. Published by Colin Tommis (A0.961512). This is an arranged for intermediate/advanced guitar player. There is no tablature.
$5.99
5.43 €
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Guitar
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Lewis Capaldi
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Someone You Loved
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Colin Tommis
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SheetMusicPlus
You've Got A Friend
Guitar
Guitar, Classical Guitar - Early Intermediate - Digital Download By Carole King. Arra…
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Guitar, Classical Guitar - Early Intermediate - Digital Download By Carole King. Arranged by David Jaggs. Solo Part. 4 pages. Published by David Jaggs
This song was made popular by James Taylor and also Carole King who wrote it. Left and right hand fingerings are given in trickier passages, and as usual there is also a version with tablature available on this website.
$7.99
7.24 €
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Guitar
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Carole King
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You've Got A Friend
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David Jaggs
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SheetMusicPlus
Your Song
Guitar
Guitar - Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo…
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Guitar - Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo Part. 2 pages. Published by David Jaggs
Another of David's most popular arrangements is available to buy! Your Song has to be one of Elton John's best known tunes, and it transcribes beautifully onto the guitar,<br> <br> Fingering is provided in tricky places, and as usual there is also a copy of the arrangement including tablature available on this website.
$6.99
6.33 €
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Guitar
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Elton John
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Your Song
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David Jaggs
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SheetMusicPlus
Adelita by Francisco Tárrega
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarre…
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Solo Guitar - Level 2 - Digital Download SKU: A0.910911 Composed by Francisco Tarrega. Arranged by Zellev. Classical,Jewish,Musical/Show,Standards. Individual part. 1 pages. Zellev Music #6253151. Published by Zellev Music (A0.910911). Adelita is a charming mazurka written by Francisco Tárrega that has been recorded by many famous guitarists.the intended beats per minute of a particular tempo indicator was ambiguous at best. Tárrega could well have intended the tempo to be faster than what we today conceive of as Lento. Therefore, you may choose to play the piece faster than the 60 bpm I've listed, opting for a faster 80–90 in the Andante range.Adelita is deceptively simple. If you are a novice guitarist, you may feel it is within your reach based on hearing the first half of the song. Even if you've mastered barres, upon reaching measures 11 and 12, you may reach an impasse. Playing the slurs fluidly requires a well-developed little finger. Therefore, I recommend not trying to learn the piece until you've developed both comfort with barres and sufficient strength and flexibility in the little finger to play clear hammer-ons and pull-offs.
$2.00
1.81 €
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Guitar
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Francisco Tarrega
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Adelita by Francisco Tárrega
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Zellev Music
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SheetMusicPlus
Home: 7 Pieces For The Guitar
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1032495 Composed by Jackie Faraoui…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1032495 Composed by Jackie Faraoui. Arranged by Jackie Faraoui. 20th Century,Instructional. Individual part. 16 pages. Reachsound #4848937. Published by Reachsound (A0.1032495). 7 original guitar pieces accompanied with a descriptive text for each piece. The goal of this book is to learn to play with emotion while feeling every bit of the music. The descriptions are there to help you understand the feel of the piece and assist you in learning to visually see the music you're playing within your mind.
$12.99
11.77 €
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Guitar
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Jackie Faraoui
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Home: 7 Pieces For The Guitar
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Reachsound
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SheetMusicPlus
My Old Kentucky Home
Guitar
Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arr…
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Guitar - Level 2 - Digital Download SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
1.8 €
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Guitar
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Stephen Foster
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Larry Williams Compositions- The Guitar Book
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1167528 Composed by Larry Williams. Contemporary,Folk,Jazz. Individual part. 80 pages. Larry Andrew Williams #767908. Published by Larry Andrew Williams (A0.1167528). A WORD FROM THE COMPOSER Is anyone interested in new reading material anymore? I know that when I was a kid in nineteen hundred and something, the quest for new musical pieces was always one of the funnest aspects of the whole musical journey. Of course I did learn that it would take a long time to  nd those few that would resonate with me for a lifetime, but it was always fun trying them all out. It still is, in fact. Well, times change and people change, but I’d still like to believe that same factor carries on. You know, the one about trying out all that music to get to the few you keep. And what about the few we do keep? For guitar players, was it always a classic from the usual suspects, like Albeniz, Sor, Tarrega,, Granados, Rodrigo, Brouwer, Barrios, Villa-Lobos, or anything by Bach?Was it something our band director or private instructor, one of our friends, or our parents wrote? Or – Heaven forbid- something that maybe we ourselves wrote? Or some “unknown guy.â€Â Consider this.Just how often did some unknown composer's piece greatly affect us as we waded through a daunting pile of the familiar from the known masters? And since some, if not most of these classics are required reading, how often did we even get around to giving this unknown guy's piece a try?And furthermore, was this unknown guy - shudder...alive? Let’s face it. In the composer arena, we the living, stand no chance against the deceased (God rest their souls) But by saying “they don’t write ‘em like that anymore,†are we denying ourselves new ground to be broken, doors to be opened, frontiers to be discovered? And isn’t that pioneering spirit just plain ol’ curiosity when it comes right down to it? Well I believe the key lies within the carrying out of these notions that curiosity places in us. It’s climbing the mountain simply because it is there. So, for right now, I’m that unknown guy and I would only urge you to break new ground every day. Lots of trends, ideas, and interests will come and go in your life, but always hang on to that curiosity. It’s what makes the world a smaller neighborhood. Larry Williams.
$20.00
18.11 €
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Guitar
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Larry Williams
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Larry Williams Compositions- The Guitar Book
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Larry Andrew Williams
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.34 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.34 €
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Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.34 €
#
Guitar
#
Richard Strauss
#
Excerpt from the Last Part of Ariadne Auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
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