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Concerto for Electric Guitar and Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
18.24 €
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Orchestra
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Robert E
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Concerto for Electric Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired Thérèse Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'écho des hymnes que les sphères chantent dans leurs révolutions Le chant des mondes qui évoluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mélodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablés nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prêtant l'oreille à la musique, Car la musique lui rappelle les joies de sa première union avec Dieu. D'après JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÉ, UNE PLÉNITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
$29.95
27.38 €
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Orchestra
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Therese Brenet
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Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
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Musik Fabrik Music Publishing
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SheetMusicPlus
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
Orchestra
Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. C…
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Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
63.99 €
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Orchestra
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Neil Crossland
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.13 €
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Orchestra
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
Concerto for Soprano Saxophone and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.981233 Composed by Judith Cloud…
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Full Orchestra - Level 5 - Digital Download SKU: A0.981233 Composed by Judith Cloud. 20th Century. Score and parts. 62 pages. Judith Cloud #6710253. Published by Judith Cloud (A0.981233). Concerto for Soprano Saxophone was commissioned and premiered by Swedish saxophonist Anders Paulsson in 1998 with the Northern Arizona University Orchestra, Robert Baldwin conducting. I knew of Paulsson’s expertise and artistry as I had composed my cantata Feet of Jesus with his playing in mind. The first movement contains thematic material that is repeated and developed in the second and third movements. I wanted to take advantage of the melodic potential of the soprano sax, exploring nuances of color throughout the range. There are slight suggestions of jazz elements. This first movement introduces the sound of the soprano saxophone and suggests what is to come later on with more challenging technical passages.
$25.00
22.86 €
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Orchestra
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Judith Cloud
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Concerto for Soprano Saxophone and Orchestra
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Judith Cloud
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SheetMusicPlus
Synth Concerto #2, 1st Mov't - Andante con moto
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1011590 Composed by Joe Wiedema…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1011590 Composed by Joe Wiedemann. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 148 pages. Joe Wiedemann #3420651. Published by Joe Wiedemann (A0.1011590). A concerto for a neglected audience of young people, to showcase the keyboard talents and sound-designing imagination of those in an Electronic Music university program. First premiered by CalPoly Pomona's MIDI Ensemble, a full orchestra can welcome new soloists and undiscovered artists. Second and third movements are available from the composer at orchestronics.com.
$24.99
22.85 €
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Orchestra
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Joe Wiedemann
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Synth Concerto #2, 1st Mov't - Andante con moto
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Joe Wiedemann
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SheetMusicPlus
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Hande…
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Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 15 pages. Flavio Regis Cunha #5355195. Published by Flavio Regis Cunha (A0.597316). The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders, starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.
$19.99
18.28 €
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Orchestra
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George Frideric Handel
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Sarabande -
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Flavio Regis Cunha
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.13 €
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Orchestra
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
42.01 €
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Orchestra
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James Nathaniel Holland
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Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Concerto in Bb Major for Double Bass and Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.24 €
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Orchestra
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Robert E
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Concerto in Bb Major for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
2 Andean Airs (Orchestra)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1369579 Composed by Edgar F Gir…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1369579 Composed by Edgar F Girtain IV. Contemporary,Contest,Festival,Multicultural,World. 54 pages. Edgar F. Girtain IV #953945. Published by Edgar F. Girtain IV (A0.1369579). Since relocating to Southern Chile in 2016, composer Edgar Girtain has been immersed in the music of hisadopted home, frequently performing with folk musicians in rural areas through the Los Lagos region. Two Andean Airs draws on a folkmusic style native to northern Chile (cultures of the Andean Plateau). The first piece was drawn from the third of composer's well-known Trios for Flute, Violin and Cello, while the second comes from a suite of Huaynos composed and arranged for a latin-american orchestra of students that the composer co-directs in Puerto Montt. Both are outdoor style pieces, typical of what might be heard performed by brass or pan-flute bands at religious festivals in the deserts of northern Chile.
$80.00
73.14 €
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Orchestra
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Edgar F Girtain IV
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2 Andean Airs
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Edgar F. Girtain IV
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SheetMusicPlus
Violin Concerto No. 3 "Irina's Song" Full Score and Individual Parts
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730523 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730523 Composed by James Nathaniel Holland. Contemporary,Jewish,World. Score and parts. 194 pages. James Nathaniel Holland #6204605. Published by James Nathaniel Holland (A0.730523). Full Score (in concert pitch) and Individual Parts, including solo violin part. The third concerto for violin and orchestra in three contrasting movements by American composer James Nathaniel Holland. Here offered with violin and orchestra reduction for piano. The first movement (Irina's Song) is a Eastern European, melancholic melody with a sort of Latin middle section. The second movement is a joyous with jazz elements and a fiery third movement. Orchestration: fl(picc)/fl2, ob, eh, cl12, bsn 12, hrn12, tpt12, trmb, tba, tim, perc (bd, hh, tri, snr, cym), solo v, strings. Perfect for concert or recital with piano. Reduced Orchestra score with violin part sold separately. Duration: 25 minutes. Video presentation: https://youtu.be/L17JDbE_sUU.
$25.95
23.72 €
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Orchestra
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James Nathaniel Holland
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Violin Concerto No. 3 "Irina's Song" Full Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.13 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Concerto No. 1 for French Horn Full Orchestral Score and Individual Parts (Optional Trombone solo)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730478 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730478 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday. Score and parts. 210 pages. James Nathaniel Holland #4111275. Published by James Nathaniel Holland (A0.730478). 21st century, American composer James Nathaniel Holland brings you a mystical concerto led by one of the orchestra's most beautiful instrument, the French Horn. This publication includes the full orchestral score (in concert pitch) and all individual instrument parts. As a optional bonus, a solo trombone part can be used in place of the French horn and is included at the end.This three movement concerto begins with the first movement, Return to Vahalla echoing the great composers Richard Strauss and Wagner.Then continues with an emotional second movement, Vissi D'arte (or 'All for Art').The third movement is a fun scherzo and march which satirises the sometimes passive agression and self importance of the Bureaucrat, coming to an energetic finale that is typcial of Holland's music.This arrangement includes the instrument part and orchestra reduction for the piano with the part written above in concert pitch for easier rehearsal. Instrumentation: picc, fl12, ob12, clBb12, bsn 12, hrn 123, tpt123, trmb12, tba, timp, perc, solo horn, hrp, strings (opt. solo trombone substitution)
$32.95
30.12 €
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Orchestra
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James Nathaniel Holland
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Concerto No. 1 for French Horn Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 7 for Full Orchestra in Three Movements, Full Score and Parts Included
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.730431 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730431 Composed by James Nathaniel Holland. Concert,Contemporary. Score and parts. 253 pages. James Nathaniel Holland #3410407. Published by James Nathaniel Holland (A0.730431). A magical and beautiful symphony compiled from music of James Nathaniel Holland's ballet, The Snow Queen as a concert piece. The first movement is a buffet of musical styles, the second a beautiful and lyrical bittersweet longing of the strings and winds with solo violin, the third a rousing finish. A piece sure to please modern audiences and orchestra performers alike.
$45.25
41.37 €
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Orchestra
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James Nathaniel Holland
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Symphony No. 7 for Full Orchestra in Three Movements, Full Score and Parts Included
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 9, Mercurio Ascending, for Orchestra, Full Score and Parts
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730527 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730527 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. Score and parts. 228 pages. James Nathaniel Holland #6235261. Published by James Nathaniel Holland (A0.730527). Mercurio Ascending (Mercury Rising) Ninth symphony of American, 21st century composer James Nathaniel Holland. For medium to small orchestra. The symphony begins with an light, fantastical and joyous first movement as would be associated with Hermes, or Roman Mercury, and his attributes, with contrasting minuet. A beautiful slow movement and into a shiny, stainless steel, metro and rousing third. Orchestration for medium group: fl12, ob12, clBb12, bsn 12, hrns 12, tpt Bb12, trom12, timp, perc (Tambourine, Castanets, Wind Chimes, Bass Drum, Large Gong, Snare, Cymbal, Triangle, Wood block), strings. Video Demo link: https://youtu.be/tMZzntJrg2Q .
$25.95
23.72 €
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Orchestra
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James Nathaniel Holland
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Symphony No. 9, Mercurio Ascending, for Orchestra, Full Score and Parts
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James Nathaniel Holland
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SheetMusicPlus
Concerto for Guitar and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
18.24 €
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Orchestra
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Robert E
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Concerto for Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
Capriccio for symphonic orchestra (score and instrumental parts)
Orchestra
Full Orchestra - Digital Download SKU: A0.1012052 Composed by Andrey Chekalin. Cont…
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Full Orchestra - Digital Download SKU: A0.1012052 Composed by Andrey Chekalin. Contemporary. Score and parts. 443 pages. Andrey Chekalin #3543765. Published by Andrey Chekalin (A0.1012052). Capriccio by Andrey Chekalin, presented in the form of a cycle of four parts, tells of a fictional hero. In the first part sounds a dark theme, personifying rock. The second part is a bagatel, the main theme, accompanied by percussion, conveys a comical obsession. The middle section is mysterious, there is no topic at all in it, only the background. The third part again returns to the image of the protagonist. The solo of the bass clarinet tells of loneliness and irresistible longing. The cycle ends with a jocular theme resembling a ditty. In this part there is no trace of past suffering. Life goes on.
$40.00
36.57 €
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Orchestra
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Andrey Chekalin
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Capriccio for symphonic orchestra
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Andrey Chekalin
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SheetMusicPlus
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
23.72 €
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Orchestra
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
The First Noel (Variations for Full Orchestra) Full Set
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional. Arranged by Nick Raspa. Christian,Christmas,Holiday,Religious,Sacred. Score and Parts. 106 pages. NJR Music #3216569. Published by NJR Music (A0.754301). Theme and variation setting.  The work starts with a traditional setting followed by 3 variations:  the first variation is in the Major, the second in minor and the third is a gigue.  Forces:  213[1.2.bc]2:22[1.pt]11:timp:str  Contains the full score and a complete set of parts and is approximately 2 1/2 minutes long.  Additionally, there is a setting of this arrangement for string orchestra that is available separately: at Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/850429/Product.aspx at Sheet Music Plus: https://www.sheetmusicplus.com/title/the-first-noel-variations-for-string-orchestra-full-set-digital-sheet-music/20061619?ac=1 ASCAP.
$55.00
50.28 €
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Orchestra
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Traditional
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The First Noel
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NJR Music
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SheetMusicPlus
The First Noel (Voice and Orchestra)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.727932 Composed by Traditional.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.727932 Composed by Traditional. Arranged by Emily Gray. Christmas,Folk. Score and parts. 32 pages. Emily Gray #6521439. Published by Emily Gray (A0.727932). The First Noel is arranged here for vocal soloist and orchestra. The key is F major, and the range is an octave and a third with an F being the lowest note.This edition includes score and all parts.
$24.00
21.94 €
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Orchestra
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Traditional
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The First Noel
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Emily Gray
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SheetMusicPlus
Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van B…
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Full Orchestra - Level 5 - Digital Download SKU: A0.933525 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 56 pages. Upstream Music #6353323. Published by Upstream Music (A0.933525). There are four known works of Beethoven for the violin and orchestra genre. They were written during the 1790-1806 period. These are the Violin Romance in G major Opus 40, the Violin Romance in F major Opus 50, the Violin Concerto in D major Opus 61 (1806) and the earlier Violin Concerto in C major WoO 5 (Hess 10). The latter was left to us as a fragment which Beethoven most probably composed in Bonn, between 1790 and 1792. The fragment contains 259 bars, fully written out and than stops abruptly….as if the score was torn in two. The composition is broken off exactly 15 bars into the development. The motif in the last known bars 258 and 259 initiated the task of joining the development as reliably as possible to the rest of the work.In the additional 258 bars, Cees took Beethovenꞌs material into consideration; also in the development, reprise and coda. The most remarkable is the coda. Cees uses a third related key here, which may seem strange at first but was used more often by Beethoven himself, for example in his Violin Concerto in D major Opus 61. It was necessary to compose this work backwards in a manner of speaking. In other words: Cees had to give all the global lines that Beethoven had so masterfully written as correct a place as possible in the score. With respect to earlier completions by colleagues, Cees did not set out by literally copying and transposing the exposition in the reprise. His aim was to write a completion as creatively as possible and still use Beethovenꞌs material and intricate weave ofvoices to the full. Hopefully this completed version will be a respected contribution to the rich violin literature
$59.00
53.94 €
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Orchestra
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Concerto in C major for Violin and Orchestra - Reconstruction of Beethoven WoO 5
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Upstream Music
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SheetMusicPlus
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