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Jose Suite
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Orchestra
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1
Far From Home Suite
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1476320 Composed by Michael Gia…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1476320 Composed by Michael Giacchino. Arranged by Joseph Caquias. 21st Century,Classical,Film/TV,New Age. 15 pages. Joseph Caquias #1053792. Published by Joseph Caquias (A0.1476320). An orchestra arrangement of the MCU Spider-Man theme.
$50.00
45.06 €
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Orchestra
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Michael Giacchino
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Far From Home Suite
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Joseph Caquias
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SheetMusicPlus
Suite of a Thousand Faces
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1025416 Composed by Jehad Choat…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1025416 Composed by Jehad Choate. Contemporary,Jazz,Latin. Score and parts. 45 pages. Jehad Choate #5818515. Published by Jehad Choate (A0.1025416). Based off the texts of Joseph Campbell, this is a musical representation of the hero’s journey with a twist: The hero becomes fully aware of the cycle they are both blessed and cursed to follow. With every step, the hero fights the tropes of mythology, but can they escape their own fate?Movement I: The Calling introduces our main theme naively. It's done in a style reflective of all action/adventure genres: romantically boastful, one dimensional and confident. But as the call to adventure imposes itself on the hero, the hero begins to think that all is not what it seems to be.Movement II: The Motions is a set of trials where the hero experiences great loss, triumphant battles, and a renewed image. Yet, that is just the cycle they expected and its trite conclusion and three act distinction troubles the hero.Movement III: A Fool’s Reckoning is a response to being a pawn in someone else’s story. It takes all learned elements and tries to distort them to be something new and different. But what if this transformation was all part of the same cycle? The hero fights until they forget what they fight for. Reluctantly resilient, they carry on wondering if there was ever anything heroic about them at all.
$20.00
18.02 €
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Orchestra
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Jehad Choate
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Suite of a Thousand Faces
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Jehad Choate
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SheetMusicPlus
The Birth of a King - Instrumental Ensemble Score and Parts
Orchestra
Orchestra - Digital Download SKU: LX.30-2499L An Advent/Christmas Suite. Com…
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Orchestra - Digital Download SKU: LX.30-2499L An Advent/Christmas Suite. Composed by Joseph M Martin and Lloyd Larson. Worship Works Series. Sacred Anthem, Advent, Christmas. Instrumental Ensemble Score and Parts. 111 pages. Lorenz Publishing - Digital Sheet Music #e30/2499L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2499L). The perfect alternative to a Christmas cantata, this nine-minute music drama by Joseph Martin and Lloyd Larson is ideal for incorporation into regular Advent and Christmas Eve worship. Jean Anne Shaffermanâ??s inspired, scripture-based narrative threads through the work and sets the mood of prayerful anticipation. Congregational participation is encouraged throughout, with spoken responses to the narrative and singing in the final carol and an optional opening hymn, â??Come, Thou Long-Expected Jesus.â? A reproducible program, including narration and a hymn page, is included. Available in both SATB and SAB voicings, â??The Birth of a Kingâ? also features instrumental ensemble orchestration and CD recordings. Instrumentation: Score and Parts for Fl., Ob., Cl., 2 Tpt., Hn., 2 Perc., Synth.
$95.00
85.61 €
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Orchestra
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Joseph M Martin and Lloyd Larson
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The Birth of a King - Instrumental Ensemble Score and Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
9.9 €
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Orchestra
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Johann Strauss Jr
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
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