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176
La Passion, from Le Martyr de St. Sébastien for orchestra, score only - Score Only
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1086964 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1086964 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 17 pages. Musik Fabrik Music Publishing #691154. Published by Musik Fabrik Music Publishing (A0.1086964). Scored for Pic31CA2clbs2/4121/timp/hp/strings. This piece is an unused movement, probably a first draft of ‘La Passion’, the third of the ‘Fragments symphoniques’ in Le Martyre de Saint Sébastien (1911). This anguished but beautiful piece was never performed during Debussy’s lifetime. This item is the score only. The parts are on rental from the publisher.
$13.95
12.56 €
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Orchestra
#
Claude Debussy/Robert Orledge
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La Passion, from Le Martyr de St. Sébastien for orchestra, score only - Score Only
#
Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Concerto No. 1 in F major 'La tempesta di mare', RV 433 - I. Allegro (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
#
Vivaldi
#
Tomplay
Flute Concerto No. 1 in F major 'La tempesta di mare', RV 433 - II. Largo (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
#
Vivaldi
#
Tomplay
Flute Concerto No. 1 in F major 'La tempesta di mare', RV 433 - III. Presto (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
#
Vivaldi
#
Tomplay
Albeniz/Leytush – “La Vega”, (The Alhambra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Alben…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
54.04 €
#
Orchestra
#
Isaac Albeniz
#
Albeniz/Leytush – “La Vega”,
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.52 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.52 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
L' heure de la Mort (for Orchestra with Cello Solo)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.984558 Composed by Tito Abeleda…
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Full Orchestra - Level 3 - Digital Download SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #5712563. Published by Visionary Quest Records (A0.984558). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to reflect and to contemplate about the sanctity of life. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid epic journey filled with much pathos. L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). Digital Download = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions -Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.
$40.00
36.03 €
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Orchestra
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Tito Abeleda
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L' heure de la Mort
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Visionary Quest Records
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SheetMusicPlus
Lindpaintner - La Chasse, Op.60 for 2 Horns with Orchestra
Orchestra
Full Orchestra - Digital Download SKU: A0.1384368 Composed by Peter Joseph Von Lind…
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Full Orchestra - Digital Download SKU: A0.1384368 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 160 pages. J.G. Cuco Barber #968687. Published by J.G. Cuco Barber (A0.1384368). Work Title La ChasseAlternative Title pour Deux Cors avec OrchestreComposer Lindpaintner, Peter Joseph vonOpus/Catalogue Number Op.60Key E majorDedication Gugl, father and sonComposer Time Period RomanticPiece Style RomanticInstrumentation 2 horns, orchestraInstrDetail2 flutes, 2 clarinets, 2 bassoons, 2 Horns,2 trumpets, trombone, timpani, Bass drum, strings.
$45.00
40.53 €
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Orchestra
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Peter Joseph Von Lindpaintner
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Lindpaintner - La Chasse, Op.60 for 2 Horns with Orchestra
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J.G. Cuco Barber
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SheetMusicPlus
Flute Concerto No. 3 in D Major 'Il Gardellino', RV 428 (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
11.99 €
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Orchestra
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Vivaldi
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Tomplay
Flute Concerto No. 5 in F Major, Opus 10, RV 434/442 - III. Allegro (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Orchestra
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Vivaldi
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Tomplay
Flute Concerto No. 5 in F Major, Opus 10, RV 434/442 - II. Largo cantabile (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Vivaldi
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Tomplay
Flute Concerto No. 3 in D Major 'Il Gardellino', RV 428 - II. Cantabile (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Orchestra
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Vivaldi
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Tomplay
Flute Concerto No. 5 in F Major, Opus 10, RV 434/442 (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
13.99 €
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Orchestra
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Vivaldi
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Tomplay
Flute Concerto No. 3 in D Major 'Il Gardellino', RV 428 - I. Allegro (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Vivaldi
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Tomplay
Flute Concerto No. 5 in F Major, Opus 10, RV 434/442 - I. Allegro non molto (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Vivaldi
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Tomplay
Flute Concerto No. 3 in D Major 'Il Gardellino', RV 428 - III. Allegro (Basso continuo)
Orchestra
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Vivaldi
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Tomplay
Holberg Suite, Opus 40 – II. Sarabande (Basses)
Orchestra
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Grieg
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Tomplay
Holberg Suite, Opus 40 – I. Praeludium (Basses)
Orchestra
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Orchestra
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Grieg
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Tomplay
La selva incantata
Orchestra
Orchestra - Digital Download SKU: S9.Q3135 The Enchanted Forest. Composed by…
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Orchestra - Digital Download SKU: S9.Q3135 The Enchanted Forest. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q3135. Published by Schott Music - Digital (S9.Q3135). This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the woods, to nature, to the origins of his animal existence. The rondo is set in a very fast dance tempo (a Tarantella?) and is in three parts: the first one is cheerful and comic, the second one lyrical, almost romantically so, whereas the third one is impetuous and dramatic. The music of both pieces has been considerably rewritten and altered, in harmonic, melodic and rhythmic aspects. - Hans Werner Henze2 (2. auch Picc.) * 2 (2. auch Engl. Hr.) * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kfg.) - 3 * 2 * 2 * 0 - P. S. (Trgl. * hg. Beck. * Beckenpaar * 3 Tomt. * 3 Bong. * Mil. Tr. * gr. Tr. [mit Beck.]) (2 Spieler) - Hfe. * Cel. * Klav. - Str.
$23.99
21.61 €
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Orchestra
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Hans Werner Henze
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La selva incantata
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Schott Music - Digital
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SheetMusicPlus
La Jornada/Din din din. Aguinaldo venezolano. Full intermediate-level orchestra. SCORE & PARTS
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1292788 Composed by Tradicional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1292788 Composed by Tradicional. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Folk,Latin,Multicultural,World. 60 pages. Laura Quijada #883329. Published by Laura Quijada (A0.1292788). Popular aguinaldo venezolano arreglado para full orquesta, nivel intermedio.Detalles:Sol MayorLa cuerda toca en primera posiciónLetra incluida al final del score, adaptado para acortar la duración del aguinaldoInstrumentación: flute, oboe, clarinet Bb, bassoon, horn in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, xylophone, triangle, stringsVisita mi IG para más: @lauraqmusic.
$45.00
40.53 €
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Orchestra
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Tradicional
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La Jornada/Din din din. Aguinaldo venezolano. Full intermediate-level orchestra. SCORE & PARTS
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Laura Quijada
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SheetMusicPlus
La Donna é Mobile
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1415447 By Luciano Pavarotti. B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1415447 By Luciano Pavarotti. By Giuseppe Verdi. Arranged by Matt Amy. Classical,Opera. 52 pages. Matt Amy Music #997183. Published by Matt Amy Music (A0.1415447). Key: A majorBPM: 78Style: AriaDuration: 1:42“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): La Donna é Mobile (MIDI)Instrumentation- Flute- Oboe- Clarinet- Bassoon- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Piano- Acoustic Bass (Rhythm Section)- Percussion- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
45.03 €
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Orchestra
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Luciano Pavarotti
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La Donna é Mobile
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Matt Amy Music
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SheetMusicPlus
La mamma morta - Concert version with reduced wind section
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1313309 Composed by Umberto Gio…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1313309 Composed by Umberto Giordano. Arranged by Patricio Cueto. Classical,Opera. 34 pages. Patricio Cueto #902098. Published by Patricio Cueto (A0.1313309). The aria La mamma morta from the opera Andrea Chénier in a concert version with a reduced wind section: Only 2 flutes (second doubles to piccolo), 2 oboes (no English horn needed), 2 Clarinets, 2 Bassoons, 2 Horns, Harp, Timpani and Strings.2.2.2.2.  2.0.0.0.  Tim. Harp, Strings.
$45.00
40.53 €
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Orchestra
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Umberto Giordano
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La mamma morta - Concert version with reduced wind section
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Patricio Cueto
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SheetMusicPlus
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