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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
by
PDF/Flash
Not classified
192,520
Piano & keyboards
Piano solo
173,065
Piano, Voice
76,617
Piano, Vocal and Guitar
63,692
Easy Piano
57,682
Organ
14,835
C Instruments
12,174
Big Note Piano
5,515
Piano Accompaniment
5,390
Accordion
5,274
1 Piano, 4 hands
4,927
Piano Trio: piano, violin, cello
2,184
Piano (band part)
1,664
2 Pianos, 4 hands
1,327
Piano Quartet: piano, violin, viola, cello
561
Piano Quintet: piano, 2 violins, viola, cello
542
Piano Quartet: piano, 2 violins, cello
476
Organ, Trumpet (duet)
429
Organ, Piano (duet)
300
Harpsichord
292
1 Piano, 6 hands
224
Keyboard
165
2 Pianos, 8 hands
93
2 Accordions
78
Accordion ensemble
56
Accordion, Voice
31
2 Organs (duet)
30
Organ, Voice
24
All Instruments
22
Fake Book
14
Accordion, Piano
13
Accordion, String(s)
12
Accordion and Orchestra
7
Piano Quintet: piano, violin, viola, cello, double bass
6
Piano ensembles
6
Concertina
3
Organ and Orchestra
2
3 Pianos
2
Piano Trio: mixed chamber instrumentation
1
+ 33 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
42,577
Guitar
22,972
Melody line, (Lyrics) and Chords
20,817
Lyrics and Chords
11,453
Ukulele
10,458
Bass guitar
10,171
2 Guitars (duet)
2,178
Guitar (band part)
2,137
Mandolin
1,201
Banjo
1,132
4 Guitars (Quartet)
1,057
Dulcimer
838
Piano, Guitar (duet)
790
3 Guitars (trio)
512
Guitar Ensemble
391
Electric Bass (band part)
387
Lap Steel Guitar
209
Baritone Ukulele
178
Ukulele Ensemble
112
2 Dulcimers (duet)
83
Mandolin, Piano (duet)
76
Mandolin, Guitar (duet)
66
Dobro
66
Guitar, Violin, Cello (trio)
40
Guitar Tab, Voice, Bass, Drum
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitar, Flute, Clarinet
18
Plectrum Orchestra
14
Guitar, Orchestra
12
Guitar, String Quartet
11
2 Mandolins (duet)
11
Zither
8
Lute
7
Bouzouki
5
2 Guitars and Orchestra
4
Guitar, Harp
2
2 Guitars, Clarinet (trio)
1
+ 33 instrumentations
-
Retract
Voice
Choral SATB
56,984
Choral 3-part
20,795
Choral Instrumental Pak
19,897
Choral 2-part
12,845
Choral TTBB
12,108
Voice solo
8,727
Choral SSAA
6,429
Choral Unison
6,245
Choral
3,923
Vocal duet, Piano
3,312
High voice
1,775
Vocal duet
1,546
Soprano voice, Piano
1,335
Tenor voice, Piano
776
Alto voice, Piano
756
Low voice, Piano
701
Baritone voice, Piano
560
Medium voice, Piano
395
Choral SSATB
314
Medium Voice
247
Choral SSAATTBB
223
Voice, Guitar
161
Choral SSATTB
149
Tenor voice
141
Mezzo-Soprano voice, Piano
134
Soli, Mixted choir and accompaniment
106
Soprano voice
81
Choral SSAB a cappella
64
High voice, Piano
63
Choral, Organ
59
Choral SSAATB
52
Low voice
51
Choral SSAB, Piano
50
Children choir
43
Voix Masculines
25
Choral SATBB
25
Baritone voice
19
Choral SSAATB A Cappella
10
Vocal duet, Organ
9
Soprano voice, Orchestra
9
Choral SAATB A Cappella
8
Choral SATTBB A Cappella
6
Vocal (with Chords Symbols)
4
Lyrics only
3
Children choir, Piano
2
Choral SSATBB
1
Voice, Basso continuo
1
+ 42 instrumentations
-
Retract
Woodwind
Saxophone (band part)
25,728
Flute
18,263
Saxophone
16,889
Clarinet
16,138
Clarinet (band part)
14,500
Flute and Piano
13,276
Saxophone Quartet: 4 saxophones
10,986
Clarinet and Piano
9,463
Alto Saxophone
9,231
Tenor Saxophone
8,366
Oboe, Piano (duet)
7,520
Alto Saxophone and Piano
7,358
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
7,328
2 Saxophones (duet)
7,096
Flute (band part)
6,579
Flute, Oboe, Clarinet, Bassoon
6,562
Oboe (band part)
6,328
2 Flutes (duet)
5,931
Clarinet Quartet: 4 clarinets
5,739
Tenor Saxophone and Piano
5,509
2 Clarinets (duet)
5,042
Soprano Saxophone and Piano
3,359
Flute Quartet: 4 flutes
3,298
Saxophone Quintet: 5 Saxophones
2,884
3 Saxophones (trio)
2,488
3 Clarinets (trio)
2,399
Oboe
2,392
Recorder
2,064
Flute, Clarinet (duet)
2,054
Flute and Guitar
2,042
Clarinet Ensemble
1,913
Flute Trio: 3 flutes
1,870
Flute ensemble
1,538
Baritone Saxophone, Piano
1,510
Clarinet Quintet: 5 clarinets
1,404
Saxophone ensemble
1,348
Soprano Saxophone
1,337
2 Oboes (duet)
1,291
2 Recorders (duet)
1,235
English horn, Piano
1,172
Oboe, Bassoon (duet)
1,067
Recorder Quartet
966
Flute, Violin
912
Clarinet, Violin (duet)
854
Oboe, Clarinet (duet)
805
Descant (Soprano) Recorder
804
Bass Clarinet, Piano
724
Harmonica
714
Flute, Clarinet and Bassoon.
712
Flute, Oboe, Clarinet (trio)
695
Saxophone, Clarinet (duet)
675
Flute, Violin, Piano
636
Clarinet, Bassoon (duet)
579
Flute, Violoncello
552
Ocarina
541
Treble (Alto) Recorder
536
Flute, Oboe, Bassoon
535
3 Recorders (trio)
513
Clarinet, Guitar (duet)
508
Flute, Oboe (duet)
508
Oboe, Clarinet, Bassoon (trio)
502
Flute Quintet : 5 flutes
432
Piccolo
425
Eb Instruments
394
Oboe, Flute
392
Baritone Saxophone
385
English Horn
372
Descent (Soprano) Recorder, Piano
371
Clarinet, Cello (duet)
368
Flute, Clarinet, Piano (trio)
364
Clarinet, Trumpet (duet)
351
Treble (Alto) Recorder, Piano
349
Flute, Trumpet (duet)
339
Bass Clarinet
338
Flute, Viola (duet)
333
Piccolo, Piano
330
Flute, Violin and Violoncello
312
Flute, Cello, Piano (trio)
312
Clarinet and Viola
306
5 Recorders
281
Tenor Recorder
272
2 Saxophones, Piano
271
Flute, Saxophone (duet)
271
Clarinet, Harp (duet)
263
2 Flutes, Piano
260
Recorder Ensemble
256
Oboe, Cello
246
Saxophone and Guitar
242
3 Oboes
234
Oboe, Violin (duet)
219
Recorder, Piano
214
2 Clarinets, Piano
202
Flute, Trombone (duet)
181
Flute, Bassoon, and Piano
175
Saxophone and Piano
174
Oboe, Guitar (duet)
135
Clarinet, Cello, Piano (trio)
132
Flute, Oboe, Piano (trio)
130
Flute, Oboe, Violin
124
Pennywhistle
121
Clarinet, Trombone (duet)
119
Flute, Clarinet, Violin (trio)
113
Saxophone, Violin (duet)
110
English Horn, Guitar (duet)
103
Oboe, Trumpet (duet)
102
2 Clarinets, Bassoon
101
Wind ensemble
90
4 Oboes
87
Recorder, Guitar (duet)
85
Flute, Viola and Piano
81
Flute, Harp and Cello
79
Flute, harp and violin
78
Oboe and viola (duet)
77
Flute, Organ (duet)
77
Clarinet, Bassoon, Piano (trio)
76
Flute, Clarinet, Horn and Bassoon (Quartet)
73
Flute, Violin, Violoncello and Piano
63
Saxophone and Organ
63
Clarinet Quartet: Clarinet, Violin, Viola, Cello
63
Bagpipe
63
Flute and Strings Trio
62
Treble (Alto) Recorder, Basso continuo
55
Saxophone, Bassoon (duet)
49
Oboe, Trombone (duet)
48
Oboe, Harp
47
Flute, Tuba (duet)
45
Harmonica, Piano
45
Flute and String Quartet
45
Clarinette, Viola and Piano (trio)
45
Saxophone and Harp
44
Clarinet Quintet: Clarinet, String Quartet
38
Flute, Basso continuo
38
Flute, Viola and harp
37
2 English horns and Pianoforte
36
Saxophone and cello
34
Flute, trombone and piano
33
Oboe, Bassoon and Piano
32
Flute, Orchestra
31
Flute, Cello, Guitar
31
Clarinet, Tuba
30
Flute, Violin, Guitar
29
2 Recorders, Piano
28
Oboe, Cello and Piano
28
Oboe, Violin, Viola and Violoncello (Quartet)
27
Clarinet, trumpet and piano
25
Flute, French horn (duet)
25
Clarinet, Organ
25
Clarinet, Orchestra
24
2 Oboes, Piano
22
Flute, Viola and Cello
18
Oboe, Violin, Piano
18
Clarinet, Double bass (duet)
16
Oboe, Clarinet and Piano (Trio)
16
Saxophone and Orchestra
15
English horn, Harp (duet)
15
Oboe ensemble
14
2 Flutes and Guitar
14
2 Harmonicas
11
Descant (Soprano) Recorder, Basso continuo
11
Oboe, Organ
10
Recorder, Harp
10
2 Oboes and English horn
10
2 Flutes and Harp
10
Saxophone, Tuba (duet)
9
2 Oboes and Basson
9
Clarinet, String quartet and Piano
9
Pan Flute
8
Flute, Guitar, Piano
7
2 Flutes, 2 Clarinets (Quartet)
7
Oboe and Orchestra
7
2 Flutes, Basso continuo
6
Melodica
5
Oboe and String quartet
4
Clarinet, Saxophone, Piano
3
Oboe, Clarinet, Bassoon and Piano
3
3 Recorders, Piano
2
2 clarinets, 2 bassoons
2
2 Recorders, Guitar
2
Flute, viola, cello and guitar
1
2 Oboes, 2 Horns and 2 Bassoons
1
+ 175 instrumentations
-
Retract
Woodbrass
Trombone (band part)
18,005
Trumpet (band part)
17,220
Trumpet
14,660
Trombone
12,668
Brass Quintet: 2 trumpets, horn, trombone, tuba
10,005
Trumpet, Piano
6,663
French horn (band part)
6,572
French horn
6,351
Trombone and Piano
5,875
Tuba (band part)
4,948
Brass quartet : 2 trumpets, trombone, tuba
4,494
French Horn and Piano
4,240
Tuba
2,942
2 Trumpets (duet)
2,793
2 Trombones (duet)
2,219
Tuba and Piano
2,087
Brass Quartet
2,032
Brass Quartet: 2 trumpets, horn, trombone
1,862
Trumpet, Trombone (duet)
1,448
Brass Quartet: 4 trombones
1,448
Euphonium, Piano (duet)
1,305
Euphonium
1,224
English horn, Piano
1,172
2 French horns (duet)
1,151
Brass Quartet: 4 horns
1,039
2 Euphoniums and 2 Tubas
1,037
Bass Clef Instruments
788
Brass Trio
667
4 Tubas
653
Trumpet, Saxophone (duet)
650
Trumpet, Horn (duert)
565
Trombone ensemble
502
3 Trombones (trio)
440
Tuba or Euphonium or Saxhorn
381
3 Trumpets (trio)
372
English Horn
372
Cornet
368
2 Tubas (duet)
356
Bb Instruments
292
Brass Quartet: 4 trumpets
284
Horn Ensemble
282
Bass Trombone and Piano
281
Trumpet ensemble
272
Trumpet, Tuba (duet)
244
Trombone, Tuba (duet)
231
Tuba and Organ
157
2 Trumpets, Keyboard (piano or organ)
153
Euphonium, Tuba (duet)
144
Trombone, cello (duet)
140
Trumpet, violin (duet)
135
Trombone, Horn (duet)
126
Bass Trombone
123
Trumpet, Bassoon (duet)
119
Horn, Cello (duet)
118
Horn, Tuba (duet)
117
Brass Quartet: 2 trumpets, 2 trombones
114
English Horn, Guitar (duet)
103
3 French horns (trio)
103
Trombone, Violin (duet)
93
Trumpet, Cello (duet)
88
Euphonium (band part)
84
Tuba ensemble
84
2 Euphoniums (duet)
82
Trombone, Organ
62
French Horn and Harp
56
French horn and Basson (duet)
49
Trumpet, Trombone, Piano
49
Trumpet, Cello, Piano
45
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
43
2 Trombones, Piano
42
Trumpet, Harp
39
2 English horns and Pianoforte
36
Trumpet and Guitar
36
Clarinet, Horn (duet)
35
3 Tubas (trio)
31
Trombone, Viola (duet)
28
Horn and Organ
21
4 Euphoniums
20
Horn, Trumpet, Trombone (trio)
20
Flügelhorn
18
2 French horns, Piano
18
Trumpet, Orchestra
18
Cornet and Piano
17
3 Euphoniums
15
English horn, Harp (duet)
15
Brass Quintet: 2 trumpets, horn, 2 trombones
14
Horn and Orchestra
10
Trumpet, Euphonium (duet)
8
Trombone and Orchestra
8
F Instruments
7
Horn, Cello and Piano
7
Euphonium or Saxhorn and Piano
5
Instruments en Sol
4
Bass Saxhorn or Euphonium or Tuba and Piano
3
Cornet and Orchestra
2
+ 90 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
32,568
Violin
18,973
Violin and Piano
17,344
Cello
12,713
Cello, Piano
10,908
Viola
10,047
Violin (band part)
9,458
Harp
8,793
Viola, Piano
8,295
Violin, Cello (duet)
5,759
2 Violins (duet)
5,132
Doublebass (band part)
4,967
String Trio: violin, viola, cello
4,626
2 Cellos (duet)
3,618
Cello (band part)
2,946
Viola (band part)
2,895
Violin, Viola (duet)
2,652
Double Bass
2,338
String Quintet: 2 violins, viola, cello, bass
2,085
2 Violas (duet)
2,057
Double bass, Piano (duet)
1,771
String Trio: 2 violins, cello
1,725
Viola, Cello (duet)
1,419
4 Cellos
1,118
String Trio: 3 violins
1,008
Violin, Guitar (duet)
891
Piano Trio: Violin, Viola, Piano
815
Harp, Flute (duet)
721
String Trio: 3 cellos
702
Cello, Guitar (duet)
679
String trio
669
2 Harps (duet)
638
String quartet: 4 violins
525
Harp, Violin (duet)
411
String Trio: 2 violins, viola
366
Viola, Guitar (duet)
361
2 Double basses (duet)
354
String Quartet : 4 violas
346
String Trio: 3 violas
335
Cello, String Bass (duet)
327
2 Violins, Piano
320
Violin, Bassoon (duet)
257
Viola and Bassoon
167
String Quintet: 2 violins, 2 violas, cello
157
Harp, Cello (duet)
124
Harp and Piano
107
2 Cellos, Piano
105
Violin, Clarinet, Piano (trio)
105
Harp, Voice
96
String Quintet: 2 violins, viola, 2 cellos
95
Cello Ensemble
88
Harp (band part)
88
Violin, Organ
80
Cello, Organ
75
Viola and Harp
72
Cello, Orchestra
68
4 Double Basses
66
2 Violas, Piano
64
Flute, Doublebass (duet)
60
Violin, Basso continuo
55
Harp, Violin, Violoncello
48
Violin ensemble
48
Violoncello, Basso continuo
41
3 double basses
40
2 Violins and Basso
39
3 Harps
34
Violin, Tuba (duet)
32
Viola ensemble
31
Harp and mandolin
24
Autoharp
21
Viola and orchestra
19
Viola, Organ
16
Violin, Double bass (duet)
16
Violin, Cello, Clarinet
16
Harp, Trombone (duet)
15
Cello and Marimba
15
Violin, Trumpet and Piano
14
4 Harps
12
Harp, Orchestra
9
Harp and Organ
8
5 Harps
6
Harp, String quartet
6
Double basses ensemble
3
Violin, Clarinet and Guitar
3
+ 79 instrumentations
-
Retract
Orchestra & Percussion
Concert band
66,275
Marching band
15,534
String Orchestra
15,211
Orchestra
14,046
Jazz Ensemble
12,974
Drums
11,564
Percussion (band part)
8,952
Handbells
6,162
Brass ensemble
5,658
Chamber Orchestra
3,325
Drum (band part)
2,594
Jazz combo
2,528
Percussion
2,497
Timpani (band part)
2,255
Percussion Ensemble
1,533
Marimba
622
Timpani
544
Vibraphone
395
Xylophone
391
Woodwind Quintet
290
Xylophone, Piano
156
Snare drums
141
Piano and Orchestra
135
Woodwind Quartet: any 4 woodwinds
118
Vibraphone (band part)
94
Orchestra, Violin
71
2 Xylophones
63
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
61
Flexible Instrumentation
52
Big band
49
Brass Quintet: other combinaisons
41
Xylophone (band part)
35
Vibraphone and Marimba
33
Drums-Marching band
32
Vibraphone, Piano
28
School Ensemble
25
Woodwind Trio: any 3 woodwinds
18
3 Marimbas
18
Marimba, Piano (duet)
17
Marimba and Organ
13
Xylophone or Marimba or Vibraphone
12
3 Percussions
11
2 Marimbas
9
Bongos
7
Voice and Orchestra
7
2 Snare Drums (duet)
6
Mariachi
4
Cajon
4
Conga
4
2 Percussions
3
Bodhran
3
Symphonic Band
3
Marimba or Xylophone and Piano
3
Voice Mezzo-Soprano, Orchestra
2
Snare drums, Piano
1
Marimba, Saxophone (duet)
1
+ 51 instrumentations
-
Retract
Others
Musical course - Solfege
265
Music Theory
53
Stationery
33
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SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
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I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Igor Stravinsky
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A
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I. Stravinsky – Serenade in
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Sussex by the Sea for Orchestra
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Orchestra
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INTERMEDIATE
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Ward-Higgs
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Marcus Martin
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Hove Albion F
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Sussex by the Sea for Orchestr
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Cornelius Edition
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1435052 Composed by Ward-Higgs. Arranged by Marcus Martin. 20th Century,March,Patriotic. 32 pages. Co...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1435052 Composed by Ward-Higgs. Arranged by Marcus Martin. 20th Century,March,Patriotic. 32 pages. Cornelius Edition (uk) #1015153. Published by Cornelius Edition (uk) (A0.1435052). William Ward-Higgs 1866 – 1936 was an English lawyer and songwriter who wrote Sussex by the Sea: The unofficial anthem of that county, a regimental march of the Royal Sussex Regiment, and the official song of Brighton & Hove Albion F.C.From 1902–08, he lived at Hollywood House in Bersted, West Sussex and wrote Sussex by the Sea when his favourite sister-in-law became engaged to Captain Waithman of the 2nd Battalion, Royal Sussex Regiment. This version for Orchestra (2121 2231 Perc Timp Str) is in the lower key of Bb(which corresponds to the key used in Military Band performances. The vocal edition in the low key ID 1529973 corresponds if this is to be sung. For further arrangements by Marcus Martin vist www.marcusmartinmusic.co.uk.
$31.00
A. Arensky - Double Concerto, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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A
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A
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A. Arensky - Double Concerto,
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #9636...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #963624. Published by Arkady Leytush (A0.1378908). A. Arensky Double Concerto for Violin, Cello and Orchestra, Based on Piano Trio D - minor, Op.32, Orchestrated by A. Leytush. A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.
$60.00
Piano Concerto No. 1, Op. 53. (Conductors Score, Set of Parts, Solo Piano, 2 Piano Reduction) : by J
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Orchestra
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ADVANCED
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Contemporary
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James V
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Piano Concerto No. 1, Op. 53.
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James V. Signorile
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1015029 Composed by James V. Signorile. 20th Century,Contemporary. Score and parts. 663 pages. James ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1015029 Composed by James V. Signorile. 20th Century,Contemporary. Score and parts. 663 pages. James V. Signorile #4621673. Published by James V. Signorile (A0.1015029). Piano Concerto No. 1, Op. 53. in 3 Movements. Composed by James V. Signorile.Full Orchestral (Conductors) Score. 216 pages. Duration approx. 31 minutes. All Parts, Piano Solo and a 2-Piano reduction are also included in this one PDF file.Commissioned in 1999 by Carson P. Cooman. MIDI Rendering by Steve Mitchell. Published by James V. Signorile. Copyright (©) 1999 James V. Signorile.
$50.00
John Field, Sonata II (Movement I) - orchestra by Scott Fields Davis
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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John Field
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Scott Fields Davis
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John Field, Sonata II
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fields Davis #6190351. Published by Scott Fields Davis (A0.998491). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the second of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all the parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 30 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement II) arranged for orchestra by Scott Fields Davis. Â
$15.00
C. Debussy: The Complete Preludes, #9 (I), "Interrupted Serenade", Orchestrated by A. Leytush
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Orchestra
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Classical
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means of the orchestra, as in
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Claude Debussy
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A
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C. Debussy: The Complete Prelu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008398 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 21 pages. Arkady Ley...
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Full Orchestra - Digital Download SKU: A0.1008398 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 21 pages. Arkady Leytush #6232469. Published by Arkady Leytush (A0.1008398). Sometimes an orchestral transcription of a program piece like this Interrupted Serenade turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.
$15.00
Sinfonietta on Russian Themes opus 31 by Rimsky-Korsakov for community orchestra
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Orchestra
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Contemporary
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Nikolai Rimsky-Korsakov 1844-1
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Vincent M
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Sinfonietta on Russian Themes
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Vincent M. Bonafede
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.997182 Composed by Nikolai Rimsky-Korsakov 1844-1908. Arranged by Vincent M. Bonafede. Contemporary. Score and ...
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Full Orchestra - Digital Download SKU: A0.997182 Composed by Nikolai Rimsky-Korsakov 1844-1908. Arranged by Vincent M. Bonafede. Contemporary. Score and parts. 74 pages. Vincent M. Bonafede #5217919. Published by Vincent M. Bonafede (A0.997182). This is an engaging work with folk like Russian themes. It has been abridged and has had keys adjusted to make it playable by the average volunteer community orchestra. It has been field tested by two community orchestras and has been received well by both musicians and audience.
$12.00
STARGAZING BY NIGHT for Bass Clarinet by Ellen Macpherson
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Orchestra
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EASY
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Ellen Macpherson
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STARGAZING BY NIGHT for Bass C
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Ellen Macpherson
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.740851 Composed by Ellen Macpherson. Concert,Contemporary,Standards,Video Game. Score and parts. 2 pa...
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Full Orchestra - Level 2 - Digital Download SKU: A0.740851 Composed by Ellen Macpherson. Concert,Contemporary,Standards,Video Game. Score and parts. 2 pages. Ellen Macpherson #6258043. Published by Ellen Macpherson (A0.740851). STARGAZING BY NIGHT for Bass Clarinet by Ellen Macpherson
$2.99
STANDCHEN (Serenade) by Franz SCHUBERT - Full Orchestra Arrangement by Marc GARETTO
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Orchestra
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EASY
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Classical
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Franz Schubert
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Marc GARETTO
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STANDCHEN
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.722924 Composed by Franz Schubert. Arranged by Marc GARETTO. Classical,Instructional,Romantic Period,...
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Full Orchestra - Level 2 - Digital Download SKU: A0.722924 Composed by Franz Schubert. Arranged by Marc GARETTO. Classical,Instructional,Romantic Period,Standards,Wedding. Score and parts. 42 pages. Marc GARETTO - Harmonie Editions #3516119. Published by Marc GARETTO - Harmonie Editions (A0.722924). One of the most famous Classical Music (Lied) composed by Schubert.
$70.00
By The River
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Orchestra
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INTERMEDIATE/ADVANCED
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the River' is the second - flo
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Fredrick Delius
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Kevin Riley
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By The River
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1451821 Composed by Fredrick Delius. Arranged by Kevin Riley. 19th Century,Classical. 65 pages. Kevin...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1451821 Composed by Fredrick Delius. Arranged by Kevin Riley. 19th Century,Classical. 65 pages. Kevin Riley #1031132. Published by Kevin Riley (A0.1451821). The Florida Suite is an orchestral suite by English composer Frederick Delius (1862-1934). Despite the work's title, Delius actually composed this suite in Leipzig in 1887 after his time as manager of an orange grove in Jacksonville (Florida). 'By the River' is the second - flowing - movement of the 'Florida Suite. It's illustrating the gentle but perpetual movement of the 'St. Johns River' (on the banks of which was Delius's plantation). The calmness and steady rhythm of this movement guides the listener into a peaceful reflection.
$70.00
Concerto Semplice - Mozart’s Simple Sonata arranged as a concerto by Edvard Grieg and Paul Cowell
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Edvard Grieg, Paul Cowell
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Concerto Semplice - Mozart’s
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Paul Cowell
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.837146 Composed by Wolfgang Amadeus Mozart. Arranged by Edvard Grieg, Paul Cowell. Classical,Romantic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.837146 Composed by Wolfgang Amadeus Mozart. Arranged by Edvard Grieg, Paul Cowell. Classical,Romantic Period. Score and parts. 110 pages. Paul Cowell #2965527. Published by Paul Cowell (A0.837146). This is the 'simple' sonata by Mozart (No 16 in C) arranged as a concerto using the additional accompaniment that Grieg wrote in 1876. The piano part is just as Mozart wrote it, so is well within the ability of most competent pianists. The orchestra is small to balance with the small range and clear textures of Mozart’s sonata (single winds, two horns, trumpet, trombone, timpani, percussion and strings). The parts should be playable by advanced school and amateur orchestras; some alternatives for high string passages are given.Score and parts (including solo)Three movements: Allegro, Andante, Allegretto grazioso. Duration: around 12 min.
$19.99
S. Lyapunov - Variations on a Georgian Theme, Op.60, Orchestrated by A. Leytush
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Orchestra
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Contemporary
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S
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A
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S. Lyapunov - Variations on a
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008360 Composed by S. Lyapunov. Arranged by A. Leytush. 20th Century. Score and parts. 125 pages. Arkady Leytu...
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Full Orchestra - Digital Download SKU: A0.1008360 Composed by S. Lyapunov. Arranged by A. Leytush. 20th Century. Score and parts. 125 pages. Arkady Leytush #4809177. Published by Arkady Leytush (A0.1008360). Variations on a Georgian Theme, (1915) were originally written for piano. This piece belongs to the late period of Lyapunov’s work. The composition is distinguished not only by its virtuosity, but also by the brilliant development of Georgian folk melody. Bright national color, musical contrast, rhythm variety and its collision, polymeric - all of these have pushed me to make an orchestral transcription of this brilliant piece. Being played at the end, this composition can certainly enhance the program and leave a long lasting impression.
$80.00
Messiah, HWV 56 (arranged for Full Symphony Orchestra by Sir Eugene Goossens) - Score Only
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Orchestra
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ADVANCED
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George Frideric Handel
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Sir Eugene Goossens
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A (il 2o
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Messiah, HWV 56
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Paladino Editions
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Handel. By George Frideric Handel. Arranged by Sir Eugene Goossens. Baroqu...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Handel. By George Frideric Handel. Arranged by Sir Eugene Goossens. Baroque,Christmas,Classical,Easter. 304 pages. Paladino Editions #872887. Published by Paladino Editions (A0.1281547). Sir Eugene Goossens' orchestration of Handel's Messiah was composed in 1959. The orchestral material is available for hire here.Sir Eugene Goossens’ monumental full symphony-sized orchestration of Handel’s Messiah from 1959 is now available in print for the first time. Formerly parts were falsely claimed by Sir Thomas Beecham and combined with other people’s work. However, this edition presents only Goossens’ version, which mysteriously appeared in the 1990s in England. This is the perfect version for playing the work in the context of a Romantic symphony orchestra.Orchestration: 3 Flauti (il 3o. anche piccolo) 4 Oboi (il 3o. anche corno inglese) 2 Clarinetti in Bb & A (il 2o. anche basso) 2 Fagotti 1 Contrafagotto 4 Corni 2 Trombe 3 Tromboni 1 Tuba Timpani Percossa (3 suonatori): Tamburo rullante, Triangolo, Piatti, Piatto sospeso, Gran Cassa Arpa Archi
$69.95
C. Debussy - Images, Book 1, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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A
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C. Debussy - Images, Book 1, O
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1195043 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 79 pages. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1195043 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 79 pages. Arkady Leytush #794217. Published by Arkady Leytush (A0.1195043). As it Known, IMAGES Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular pisces, along whit Book 2also orchestrated by me.
$60.00
Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Set of Parts
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Yoon Jae Lee
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Idomeneo Overture, K. 366 conc
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Ondine Press
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 59 pages. Ondine Press #828698. Published by Ondine Press (A0.1233066). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a set of parts to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The full score is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$60.00
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
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Orchestra
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INTERMEDIATE
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Alexander Borodin, Cesar Anton
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Arkady Leytush
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Collective composition by Boro
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-K...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student). I have orchestrated this for a large symphony orchestra. Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing. 24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc. F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
$40.00
Marechiare - Neopolitan Song by Tosti - Arranged for Symphonic Orchestra and Tenor in Eb minor
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Orchestra
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INTERMEDIATE
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Francesco Paolo Tosti
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Amir Awad
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Marechiare - Neopolitan Song b
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Amir Awad
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.772396 Composed by Francesco Paolo Tosti. Arranged by Amir Awad. Folk,World. Score and parts. 27 page...
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Full Orchestra - Level 3 - Digital Download SKU: A0.772396 Composed by Francesco Paolo Tosti. Arranged by Amir Awad. Folk,World. Score and parts. 27 pages. Amir Awad #6429521. Published by Amir Awad (A0.772396). Marechiare is one of the favorite Neapolitan Songs , composed by Tosti , it was sung my many well known tenors It is rearranged for Symphonic Orchestra by Amir Awad.
$25.00
Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Yoon Jae Lee
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Idomeneo Overture, K. 366 conc
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Ondine Press
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 18 pages. Ondine Press #828697. Published by Ondine Press (A0.1233065). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a full score to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The set of parts is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$25.00
John Field, Sonata I (Movement I) - orchestra by Scott Fields Davis
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Orchestra
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INTERMEDIATE
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Classical
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Field...
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Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787. Published by Scott Fields Davis (A0.998472). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the first of the two movements of Field's first piano sonata.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 5 minutes and 59 seconds. This download contains the conductor’s score and all of the parts. To download the other movement, please click on the following link. John Field, Sonata I (Movement II) arranged for orchestra by Scott Fields Davis  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.
$15.00
Pineapple Rag by Scott Joplin arr. for community orchestra
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Orchestra
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INTERMEDIATE
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Ragtime
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Scott Joplin
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Vincent M
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Players and audiences 
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Pineapple Rag by Scott Joplin
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Vincent M. Bonafede
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.997181 Composed by Scott Joplin. Arranged by Vincent M. Bonafede. Ragtime. Score and parts. 60 pages....
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Full Orchestra - Level 3 - Digital Download SKU: A0.997181 Composed by Scott Joplin. Arranged by Vincent M. Bonafede. Ragtime. Score and parts. 60 pages. Vincent M. Bonafede #5209941. Published by Vincent M. Bonafede (A0.997181). This arrangement is playable by the average volunteer community orchestra. Players and audiences will love the tunes. It is suitable for concerts at retirement communities, nursing home, public libraries and secular church events. String parts are playable by the average community player.
$12.00
Concerto Semplice - Mozart’s Simple Sonata arranged as a concerto by Edvard Grieg and Paul Cowell
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Edvard Grieg, Paul Cowell
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Concerto Semplice - Mozart’s
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Paul Cowell
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.837145 Composed by Wolfgang Amadeus Mozart. Arranged by Edvard Grieg, Paul Cowell. Classical,Romantic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.837145 Composed by Wolfgang Amadeus Mozart. Arranged by Edvard Grieg, Paul Cowell. Classical,Romantic Period. Score and parts. 54 pages. Paul Cowell #2965525. Published by Paul Cowell (A0.837145). This is the 'simple' sonata by Mozart (No 16 in C) arranged as a concerto using the additional accompaniment that Grieg wrote in 1876. The piano part is just as Mozart wrote it, so is well within the ability of most competent pianists. The orchestra is small to balance with the small range and clear textures of Mozart’s sonata (single winds, two horns, trumpet, trombone, timpani, percussion and strings). The parts should be playable by advanced school and amateur orchestras; some alternatives for high string passages are given.Score onlyThree movements: Allegro, Andante, Allegretto grazioso. Duration: around 12 min.
$9.99
String Orchestra Arrangement of Tannhauser Overture by Wagner
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Orchestra
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BEGINNER
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Classical
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Richard Wagner
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Laura Jekel
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String Orchestra Arrangement o
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Laura Jekel
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SheetMusicPlus
Full Orchestra - Level 1 - Digital Download SKU: A0.927701 Composed by Richard Wagner. Arranged by Laura Jekel. Opera,Romantic Period,Standards. Score an...
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Full Orchestra - Level 1 - Digital Download SKU: A0.927701 Composed by Richard Wagner. Arranged by Laura Jekel. Opera,Romantic Period,Standards. Score and parts. 4 pages. Laura Jekel #5335257. Published by Laura Jekel (A0.927701). Fun arrangement for string orchestra. Written for and played by the MYCincinnati Youth Orchestra, and greatly enjoyed by the students. This arrangements is also for sale as part of a collection 20 Arrangements of Classical Favorites for Beginner and Intermediate String Orchestra..
$5.99
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