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11610
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2994
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2341
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1433
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498
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84
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3072
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2408
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1417
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959
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613
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531
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491
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363
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271
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202
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173
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150
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84
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67
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52
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38
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36
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28
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18
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17
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5
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5
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3
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2
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10787
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8729
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4438
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4430
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2799
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1427
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1246
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895
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819
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638
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527
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516
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376
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236
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217
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205
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130
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66
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53
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40
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30
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27
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18
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17
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15
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13
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11948
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10680
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9577
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9125
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7826
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7254
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6547
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6230
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6066
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5908
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5771
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5501
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5366
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4474
2 Flutes (duet)
4473
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3848
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3774
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3715
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3058
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2795
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2117
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2010
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1992
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1763
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1694
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1417
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1407
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1290
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1253
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1205
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1141
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1137
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1121
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1109
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1059
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1015
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956
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924
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851
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832
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802
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742
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677
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668
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628
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556
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540
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503
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496
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467
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466
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437
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435
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421
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396
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395
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379
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362
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360
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335
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335
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334
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325
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315
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314
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314
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302
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290
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238
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236
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222
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219
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214
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204
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200
2 Saxophones, Piano
197
Flute, Cello, Piano (trio)
197
3 Recorders (trio)
180
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177
Recorder Ensemble
174
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158
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148
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139
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117
Oboe, Guitar (duet)
114
Flute, Oboe, Piano (trio)
111
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110
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108
2 Flutes, Piano
107
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106
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105
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103
Flute, Oboe, Violin
103
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102
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86
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84
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81
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81
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80
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76
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74
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72
4 Oboes
68
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68
Flute, Viola and Piano
66
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65
Bagpipe
58
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56
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54
Saxophone and Organ
53
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51
Flute and Strings Trio
50
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49
Oboe, Trombone (duet)
48
Flute, Violin, Violoncello and Piano
45
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43
Piccolo, Piano
43
Harmonica, Piano
40
Saxophone and Harp
34
Flute, Organ (duet)
34
Oboe, Harp
33
Saxophone and cello
33
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32
Flute, trombone and piano
32
Clarinette, Viola and Piano (trio)
32
2 English horns and Pianoforte
31
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30
Flute, Viola and harp
29
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25
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25
Clarinet Quintet: Clarinet, String Quartet
23
Flute, French horn (duet)
23
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19
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18
Oboe, Violin, Piano
16
Clarinet, Organ
15
English horn, Harp (duet)
15
Recorder, Guitar (duet)
15
Oboe, Clarinet and Piano (Trio)
14
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14
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14
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13
Oboe, Cello and Piano
13
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9
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9
2 Oboes, Piano
7
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7
Flute, Guitar, Piano
7
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7
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6
Treble (Alto) Recorder, Basso continuo
5
Flute, Violin, Guitar
5
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5
Flute, Viola and Cello
4
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3
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3
2 Oboes and English horn
1
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1
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1
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1
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1
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1
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1
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1
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1
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11436
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9476
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5450
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5409
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4952
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4563
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4320
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4295
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3284
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3252
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2129
2 Trumpets (duet)
2085
2 Trombones (duet)
1702
Brass Quartet: 2 trumpets, horn, trombone
1667
French horn (band part)
1525
Tuba and Piano
1387
Brass Quartet
1319
Trumpet, Trombone (duet)
1260
English horn, Piano
1059
Euphonium
1024
2 French horns (duet)
1009
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835
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755
Euphonium, Piano (duet)
714
Brass Quartet: 4 horns
713
Trumpet, Saxophone (duet)
607
Trumpet, Horn (duert)
540
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354
2 Euphoniums and 2 Tubas
325
3 Trombones (trio)
316
English Horn
314
2 Tubas (duet)
298
Brass Trio
282
Trumpet, Tuba (duet)
228
Horn Ensemble
211
Trombone, Tuba (duet)
200
Trumpet ensemble
181
3 Trumpets (trio)
156
Tuba and Organ
153
4 Tubas
151
Brass Quartet: 4 trumpets
142
Trombone, cello (duet)
139
Trumpet, violin (duet)
135
Trumpet, Bassoon (duet)
118
Horn, Cello (duet)
118
Trombone, Horn (duet)
116
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107
English Horn, Guitar (duet)
103
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97
Trombone, Violin (duet)
93
Brass Quartet: 2 trumpets, 2 trombones
88
Bass Trombone
87
Trumpet, Cello (duet)
84
2 Euphoniums (duet)
76
Euphonium (band part)
69
Trombone, Organ
53
French horn and Basson (duet)
49
Bass Trombone and Piano
47
French Horn and Harp
45
3 French horns (trio)
45
Trumpet, Harp
34
Clarinet, Horn (duet)
32
2 English horns and Pianoforte
31
Trumpet, Cello, Piano
31
Bass Clef Instruments
30
Trombone, Viola (duet)
28
Bb Instruments
26
3 Tubas (trio)
26
Trumpet, Trombone, Piano
22
Horn and Organ
20
Tuba or Euphonium or Saxhorn
19
2 Trumpets, Keyboard (piano or organ)
18
Horn, Trumpet, Trombone (trio)
18
Tuba ensemble
16
English horn, Harp (duet)
15
Trumpet and Guitar
12
2 Trombones, Piano
12
3 Euphoniums
9
Cornet
9
F Instruments
7
Flügelhorn
7
Brass Quintet: 2 trumpets, horn, 2 trombones
7
2 French horns, Piano
5
Trumpet, Euphonium (duet)
4
Horn, Cello and Piano
4
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
3
Trumpet, Orchestra
2
Cornet and Orchestra
1
Cornet and Piano
1
4 Euphoniums
1
Euphonium or Saxhorn and Piano
1
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STRINGS
String Quartet: 2 violins, viola, cello
19805
Violin and Piano
12461
Violin
11154
Cello, Piano
7847
Cello
7822
Viola, Piano
6707
Harp
5478
Viola
5147
Violin, Cello (duet)
4293
2 Violins (duet)
3582
String Trio: violin, viola, cello
3484
2 Cellos (duet)
2512
Violin, Viola (duet)
2161
String Quintet: 2 violins, viola, cello, bass
1790
2 Violas (duet)
1747
Double Bass
1689
Violin (band part)
1623
Viola (band part)
1573
Double bass, Piano (duet)
1406
String Trio: 2 violins, cello
1291
Viola, Cello (duet)
1182
String Trio: 3 violins
769
Piano Trio: Violin, Viola, Piano
647
Doublebass (band part)
638
Violin, Guitar (duet)
632
4 Cellos
627
2 Harps (duet)
553
String Trio: 3 cellos
508
Cello, Guitar (duet)
413
Harp, Flute (duet)
399
2 Double basses (duet)
337
String Trio: 2 violins, viola
334
Harp, Violin (duet)
328
String quartet: 4 violins
310
Cello, String Bass (duet)
298
String Trio: 3 violas
286
Viola, Guitar (duet)
276
Violin, Bassoon (duet)
254
Cello (band part)
229
String Quartet : 4 violas
210
Viola and Bassoon
163
2 Violins, Piano
155
String Quintet: 2 violins, 2 violas, cello
97
Harp, Cello (duet)
85
String Quintet: 2 violins, viola, 2 cellos
75
Violin, Clarinet, Piano (trio)
71
Viola and Harp
63
2 Cellos, Piano
61
Harp, Voice
56
Harp and Piano
56
Flute, Doublebass (duet)
54
2 Violas, Piano
46
4 Double Basses
46
String trio
45
Cello, Organ
39
Harp, Violin, Violoncello
39
3 double basses
39
Violin ensemble
37
Violin, Tuba (duet)
32
Violin, Organ
32
Viola ensemble
29
Cello Ensemble
20
Harp and mandolin
14
Violin, Cello, Clarinet
14
Harp, Trombone (duet)
14
Harp (band part)
11
Viola, Organ
10
3 Harps
10
Violin, Trumpet and Piano
6
4 Harps
6
Autoharp
4
Harp, String quartet
4
Cello, Orchestra
3
5 Harps
2
Violin, Basso continuo
1
Viola and orchestra
1
Violoncello, Basso continuo
1
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PERCUSSION & ORCHESTRA
Concert band
28670
Jazz Ensemble
9073
Drums
8854
Orchestra
8644
String Orchestra
8222
Marching band
5701
Brass ensemble
4735
Handbells
3863
Chamber Orchestra
2742
Percussion (band part)
2274
Jazz combo
2115
Percussion Ensemble
1122
Drum (band part)
457
Timpani (band part)
427
Marimba
244
Percussion
216
Vibraphone
182
Xylophone
160
Xylophone, Piano
127
2 Xylophones
63
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
56
Vibraphone (band part)
42
Piano and Orchestra
20
Timpani
16
Xylophone (band part)
15
Vibraphone and Marimba
15
Brass Quintet: other combinaisons
14
Woodwind Quintet
14
Snare drums
12
Woodwind Quartet: any 4 woodwinds
10
Big band
10
Flexible Instrumentation
8
School Ensemble
7
Orchestra, Violin
6
3 Marimbas
5
Marimba, Piano (duet)
4
2 Marimbas
4
Marimba and Organ
3
Woodwind Trio: any 3 woodwinds
3
Bongos
3
3 Percussions
3
Conga
2
Xylophone or Marimba or Vibraphone
1
Bodhran
1
Drums-Marching band
1
Voice and Orchestra
1
2 Percussions
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
316
Music Theory
4
Musical Awakening
1
You've selected:
EVE
PDF
2 Pianos, 4 hands
Sheetmusic to print
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EVE
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999676 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999676 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 11 pages. PianoPiano #6016663. Published by PianoPiano (A0.999676). The story of Eve, the First Woman told through music and text. Part of a series of ten compositions celebrating iconic women.
$3.99
3.64 €
#
2 Pianos, 4 hands
#
Hilary Brooks
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EVE
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PianoPiano
#
SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.47 €
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2 Pianos, 4 hands
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Sharon Wilson
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
For The First Time In Forever (reprise - Broadway Version)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
6.39 €
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2 Pianos, 4 hands
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Kristen Anderson-Lopez and Robert Lopez
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For The First Time In Forever
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Halle Kaye
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SheetMusicPlus
Every Time I Feel the Spirit (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565174 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565174 By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Praise & Worship,Sacred,Spiritual. Score. 10 pages. Sharon Wilson #3515435. Published by Sharon Wilson (A0.565174). This arrangement of the traditional spiritual Every Time I Feel the Spirit is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. Bright and energetic, this dual piano duet is ideal for a postlude, offertory, or special music. The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 2 minutes.This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.
$5.99
5.47 €
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2 Pianos, 4 hands
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Sharon Wilson
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Every Time I Feel the Spirit
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Sharon Wilson
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SheetMusicPlus
Swing Low, Sweet Chariot (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565177 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Spiritual,Traditional. Score. 9 pages. Sharon Wilson #3516915. Published by Sharon Wilson (A0.565177). This arrangement of the traditional spiritual Swing Low, Sweet Chariot is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. The PIANO 1 carries the melody throughout. When played with a swing rhythm, this spirited, slightly syncopated dual piano duet is an ideal selection for a church setting.The purchase price includes a 4-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (2 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the story of Elijah and Elisha in 2 Kings 2 as well as the promise of a future home in heaven for the saints as predicted in Matthew 24:30-31. The prophet Elijah was taken to heaven in a chariot of fire as Elisha, the prophet to take Elijah’s place, witnessed the event: As they continued on and talked, behold, a chariot of fire and horses of fire separated them, and Elijah went up by a whirlwind into heaven. 2 Kings 2:11 WEB…and they will see the Son of Man coming on the clouds of the sky with power and great glory. He will send out his angels with a great sound of a trumpet, and they will gather together his chosen ones from the four winds, from one end of the sky to the other. Matthew 24:30-31 WEBLyrics:Swing low, sweet chariot, coming for to carry me home;Swing low, sweet chariot, coming for to carry me home.I looked over Jordan and what did I see,Coming for to carry me home?A band of angels coming after me,Coming for to carry me home.
$5.99
5.47 €
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2 Pianos, 4 hands
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Sharon Wilson
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Swing Low, Sweet Chariot
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Sharon Wilson
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SheetMusicPlus
If We Ever Broke Up
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Ste…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1211339 By Mae Stephens. By Mae Stephens, Morien Van Der Tang, and Natalia I Koronowska. Arranged by Helios D'Andrea. Pop. Score. 9 pages. D'Andrea Helios #809005. Published by D'Andrea Helios (A0.1211339). Arranged for two pianos by Helios D'Andrea.
$4.99
4.55 €
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2 Pianos, 4 hands
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Mae Stephens
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If We Ever Broke Up
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D'Andrea Helios
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SheetMusicPlus
Even The Nights Are Better
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Sup…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1475995 By Air Supply. By J.L. Wallace, Ken Bell, and Terry Skinner. Arranged by Unknown. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. Score. 4 pages. Clem & Jun Bascar #1053561. Published by Clem & Jun Bascar (A0.1475995). A wonderful piece to play and explore. Playing with four hands, this music is very suitable specially during night time. Play and enjoy.
$4.99
4.55 €
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2 Pianos, 4 hands
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Air Supply
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Even The Nights Are Better
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Clem & Jun Bascar
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SheetMusicPlus
I Shall Not Be Moved (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565175 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Folk,Jazz,Sacred,Standards,Traditional. Score. 13 pages. Sharon Wilson #3516203. Published by Sharon Wilson (A0.565175). This arrangement of the traditional spiritual I Shall Not Be Moved is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the first chorus and verse. Bold and cheerful, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 6-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.The lyrics for this song were inspired by the words found in Psalm 1: Blessed is the man who doesn’t walk in the counsel of the wicked…but his delight is in Yahweh’s law…He will be like a tree planted by the streams of water… (WEB)Lyrics:I shall not be moved,I shall not be moved,I shall not be moved,Like a tree planted by the water,I shall not be moved.When my cross is heavy,I shall not be moved,When my cross is heavy,I shall not be moved,Like a tree planted by the water,I shall not be moved.
$5.99
5.47 €
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2 Pianos, 4 hands
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Sharon Wilson
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I Shall Not Be Moved
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Sharon Wilson
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SheetMusicPlus
Classic Duets for Two Pianos - Level 4
2 Pianos, 4 hands
Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 4. Published b…
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Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 4. Published by Heritage Music Press
$18.00
16.43 €
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2 Pianos, 4 hands
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Classic Duets for Two Pianos - Level 4
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Heritage Music Press
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SheetMusicPlus
Classic Duets for Two Pianos - Level 3
2 Pianos, 4 hands
Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 3. Published b…
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Arranged by Lani Smith. For Piano Duet. Educational Piano Collection. Level 3. Published by Heritage Music Press
$18.00
16.43 €
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2 Pianos, 4 hands
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Classic Duets for Two Pianos - Level 3
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Heritage Music Press
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SheetMusicPlus
Five Joyful Tunes for Two Pianos (A Collection of 5 Mixed Level Piano Duets for 2 Pianos, 4 Hands)
2 Pianos, 4 hands
By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, P…
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By Sharon Wilson. By Traditional Spiritual. Arranged by Sharon Wilson. Folk, Jazz, Praise & Worship, Sacred, Spiritual. Score. 51 pages. Sharon Wilson #3519307. Published by Sharon Wilson
Here is a collection of 5 traditional spirituals arranged for two piano players with different "intermediate" skill levels. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. <br> <br> Two formats are provided for each song:<br> 1. four-staff, grand stave with both parts (PIANO 1 and PIANO 2) on each page<br> 2. two-staff score for each part; PIANO 1 and PIANO 2 on separate pages<br> <br> These cheerful, uplifting arrangements are a welcome addition to the piano repertoire for early-intermediate students and suitable for performances in a church setting. Each song is also available separately with accompanying preview pages and audio samples.<br> <br> Song titles included in this collection:<br> Every Time I Feel the Spirit<br> I Shall Not Be Moved<br> I’m So Glad Jesus Lifted Me<br> Swing Low, Sweet Chariot<br> When the Saints Go marching In
$15.00
13.69 €
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2 Pianos, 4 hands
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Sharon Wilson
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Worship, Sacred, Spiritual
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Five Joyful Tunes for Two Pianos
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Sharon Wilson
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SheetMusicPlus
Magic Flute / Zauberflöte: Queen of the Night (Revenge Aria) / Königin der Nacht (Rachearie)
2 Pianos, 4 hands
2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.504666 Composed by Wolfgang …
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2 Pianos,4 Hands,Piano Duet - Digital Download SKU: A0.504666 Composed by Wolfgang Amadeus Mozart. Arranged by Uwe Roessler / Rössler / Rassler. Classical,Contest,Festival,Opera. Score. 14 pages. Published by Uwe Roessler (A0.504666). This is a unique arrangement for professionals: The aria of the Queen of the Night from Mozart´s Magic Flute. Unabridged. Originally written for a European Piano Duo. Comes with full score and voices for piano 1 and piano 2. Other music of this opera for piano duet also available.
$15.00
13.69 €
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2 Pianos, 4 hands
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Wolfgang Amadeus Mozart
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Magic Flute / Zauberflöte: Queen of the Night
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Uwe Roessler
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SheetMusicPlus
Believer
2 Pianos, 4 hands
By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mat…
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By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Warren & Debby. Children, Contemporary, Film/TV, Pop. Score. 4 pages. World Music #559875. Published by World Music
$6.99
6.38 €
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2 Pianos, 4 hands
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Imagine Dragons
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Debby
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Believer
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SheetMusicPlus
Chaminade: Le matin and Le soir (Morning and Evening), Opus 79 - Piano Duo (2 Pianos, 4 Hands)
2 Pianos, 4 hands
Piano Duets & Four Hands - Digital Download Composed by Cecile Chaminade (1857-19…
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Piano Duets & Four Hands - Digital Download Composed by Cecile Chaminade (1857-1944). Edited by Allison Nelson and Maurice Hinson. Classical. 32 pages. Alfred Music - Digital Sheet Music #00-PB-0000583. Published by Alfred Music - Digital Sheet Music
$7.99
7.29 €
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2 Pianos, 4 hands
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Cecile Chaminade (1857-1944)
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Chaminade: Le matin and Le soir
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.25 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.25 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.25 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by…
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.25 €
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2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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INITIATE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.25 €
#
2 Pianos, 4 hands
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
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SURRENDER, Between the Octaves, A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Rod…
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.25 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
THREAD, Between the Octaves A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 hands
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Rod…
(+)
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.25 €
#
2 Pianos, 4 hands
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
CURVE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
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