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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
The
PDF/Flash
Not classified
104,414
Piano & keyboards
Piano solo
82,510
Piano, Voice
40,180
Easy Piano
28,611
Piano, Vocal and Guitar
23,607
Organ
8,173
C Instruments
6,766
Piano Accompaniment
4,684
Big Note Piano
4,114
1 Piano, 4 hands
2,581
Accordion
2,164
Piano Trio: piano, violin, cello
1,068
Piano (band part)
792
2 Pianos, 4 hands
600
Piano Quartet: piano, violin, viola, cello
301
Piano Quartet: piano, 2 violins, cello
278
Piano Quintet: piano, 2 violins, viola, cello
217
Organ, Piano (duet)
190
Organ, Trumpet (duet)
185
Harpsichord
135
Keyboard
125
1 Piano, 6 hands
95
2 Pianos, 8 hands
43
2 Accordions
29
Accordion ensemble
21
All Instruments
8
Fake Book
8
Accordion, Voice
8
Accordion, Piano
5
2 Organs (duet)
4
Accordion and Orchestra
3
Organ, Voice
3
Accordion, String(s)
3
3 Pianos
2
Concertina
2
Piano ensembles
2
Organ and Orchestra
1
Piano Trio: mixed chamber instrumentation
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 33 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
17,233
Guitar
8,752
Melody line, (Lyrics) and Chords
6,743
Bass guitar
5,144
Ukulele
4,529
Lyrics and Chords
4,135
Guitar (band part)
1,096
2 Guitars (duet)
772
Mandolin
707
Piano, Guitar (duet)
530
Dulcimer
490
Banjo
435
4 Guitars (Quartet)
298
Electric Bass (band part)
137
Guitar Ensemble
126
3 Guitars (trio)
122
Baritone Ukulele
118
Ukulele Ensemble
57
Lap Steel Guitar
52
2 Dulcimers (duet)
39
Guitar, Violin, Cello (trio)
24
Mandolin, Guitar (duet)
20
2 Ukuleles
17
Dobro
16
Mandolin, Piano (duet)
14
Guitar, Flute, Clarinet
9
Guitar Tab, Voice, Bass, Drum
8
Zither
8
Lute
7
2 Mandolins (duet)
6
3 Dulcimers (trio)
4
Guitar, Orchestra
4
Guitar, String Quartet
4
Bouzouki
2
Plectrum Orchestra
1
2 Guitars and Orchestra
1
+ 31 instrumentations
-
Retract
Voice
Choral SATB
36,486
Choral 3-part
12,323
Choral 2-part
9,281
Choral Instrumental Pak
7,991
Choral TTBB
7,023
Choral Unison
5,132
Choral SSAA
3,804
Vocal duet, Piano
2,678
Voice solo
2,514
Vocal duet
1,161
Choral
1,126
Soprano voice, Piano
867
High voice
704
Alto voice, Piano
603
Tenor voice, Piano
555
Baritone voice, Piano
364
Low voice, Piano
259
Medium voice, Piano
221
Tenor voice
118
Choral SSAATTBB
111
Choral SSATB
109
Soprano voice
54
Mezzo-Soprano voice, Piano
49
Choral SSATTB
46
Soli, Mixted choir and accompaniment
40
Low voice
38
Choral SSAB a cappella
34
Voice, Guitar
28
Choral SSAB, Piano
27
Baritone voice
18
High voice, Piano
17
Choral SSAATB
16
Choral, Organ
12
Choral SATBB
10
Medium Voice
9
Voix Masculines
8
Soprano voice, Orchestra
6
Choral SAATB A Cappella
6
Choral SATTBB A Cappella
4
Vocal (with Chords Symbols)
3
Lyrics only
2
Choral SSATBB
1
Children choir
1
Choral SSAATB A Cappella
1
Vocal duet, Organ
1
+ 40 instrumentations
-
Retract
Woodwind
Saxophone (band part)
10,379
Flute and Piano
8,667
Flute
8,525
Clarinet
7,281
Saxophone Quartet: 4 saxophones
7,229
Clarinet and Piano
5,959
Saxophone
5,647
Alto Saxophone
5,386
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
5,093
Oboe, Piano (duet)
4,966
Flute, Oboe, Clarinet, Bassoon
4,892
Tenor Saxophone
4,732
Alto Saxophone and Piano
4,637
Clarinet (band part)
4,586
2 Saxophones (duet)
4,510
Clarinet Quartet: 4 clarinets
3,924
2 Flutes (duet)
3,657
Tenor Saxophone and Piano
3,423
Oboe (band part)
3,145
2 Clarinets (duet)
3,067
Flute (band part)
2,290
Soprano Saxophone and Piano
2,188
Saxophone Quintet: 5 Saxophones
2,129
Flute Quartet: 4 flutes
2,012
3 Saxophones (trio)
1,682
3 Clarinets (trio)
1,590
Flute, Clarinet (duet)
1,399
Clarinet Ensemble
1,238
Oboe
1,086
Flute Trio: 3 flutes
1,069
Baritone Saxophone, Piano
1,023
Flute ensemble
967
Clarinet Quintet: 5 clarinets
935
Flute and Guitar
900
2 Oboes (duet)
876
Saxophone ensemble
855
Recorder
771
Oboe, Bassoon (duet)
684
Soprano Saxophone
678
2 Recorders (duet)
677
English horn, Piano
677
Clarinet, Violin (duet)
661
Descant (Soprano) Recorder
652
Flute, Violin
594
Oboe, Clarinet (duet)
556
Saxophone, Clarinet (duet)
549
Flute, Oboe, Clarinet (trio)
467
Harmonica
458
Flute, Violin, Piano
449
Treble (Alto) Recorder
429
Flute, Clarinet and Bassoon.
408
Ocarina
387
Bass Clarinet, Piano
377
Recorder Quartet
360
Flute, Violoncello
359
Clarinet, Bassoon (duet)
352
Flute Quintet : 5 flutes
339
Flute, Oboe (duet)
334
Clarinet, Guitar (duet)
316
Flute, Oboe, Bassoon
313
Oboe, Flute
305
Clarinet, Trumpet (duet)
305
Flute, Viola (duet)
275
Oboe, Clarinet, Bassoon (trio)
274
Clarinet and Viola
262
Baritone Saxophone
251
Clarinet, Cello (duet)
228
Flute, Saxophone (duet)
228
Clarinet, Harp (duet)
225
Flute, Trumpet (duet)
222
Flute, Clarinet, Piano (trio)
221
English Horn
217
Flute, Violin and Violoncello
207
Flute, Cello, Piano (trio)
205
Oboe, Cello
183
2 Flutes, Piano
150
Treble (Alto) Recorder, Piano
139
Piccolo
138
Recorder Ensemble
132
Descent (Soprano) Recorder, Piano
132
2 Saxophones, Piano
130
3 Recorders (trio)
129
2 Clarinets, Piano
128
3 Oboes
125
Bass Clarinet
119
Eb Instruments
117
Flute, Trombone (duet)
114
Oboe, Violin (duet)
110
Pennywhistle
105
Flute, Oboe, Violin
105
Flute, Clarinet, Violin (trio)
102
Tenor Recorder
98
Saxophone and Guitar
97
Oboe, Guitar (duet)
96
Flute, Bassoon, and Piano
96
Clarinet, Cello, Piano (trio)
94
5 Recorders
90
Saxophone and Piano
86
Flute, Oboe, Piano (trio)
81
Oboe and viola (duet)
75
Flute, harp and violin
74
English Horn, Guitar (duet)
73
2 Clarinets, Bassoon
67
Flute, Harp and Cello
67
Piccolo, Piano
65
Flute, Viola and Piano
64
Clarinet, Trombone (duet)
63
Recorder, Piano
54
4 Oboes
51
Saxophone and Organ
51
Flute, Clarinet, Horn and Bassoon (Quartet)
49
Bagpipe
48
Flute, Violin, Violoncello and Piano
44
Saxophone, Violin (duet)
41
Flute, Tuba (duet)
40
Saxophone and Harp
36
Oboe, Harp
35
Clarinet, Bassoon, Piano (trio)
34
Flute, Organ (duet)
34
Oboe, Trumpet (duet)
31
Oboe, Trombone (duet)
30
Flute, trombone and piano
30
Clarinet, Tuba
29
Flute and Strings Trio
27
Clarinet Quartet: Clarinet, Violin, Viola, Cello
27
Clarinette, Viola and Piano (trio)
25
Flute, Cello, Guitar
20
Treble (Alto) Recorder, Basso continuo
19
Oboe, Bassoon and Piano
19
Recorder, Guitar (duet)
18
Clarinet, trumpet and piano
18
2 English horns and Pianoforte
18
Oboe, Cello and Piano
18
Wind ensemble
18
Saxophone, Bassoon (duet)
17
Oboe, Clarinet and Piano (Trio)
15
Clarinet, Organ
14
Clarinet, Double bass (duet)
14
Clarinet Quintet: Clarinet, String Quartet
13
Oboe, Violin, Piano
13
Flute, Viola and harp
12
Flute, French horn (duet)
11
Saxophone and cello
11
Oboe ensemble
11
2 Oboes, Piano
10
Flute, Violin, Guitar
10
2 Recorders, Piano
10
Oboe, Violin, Viola and Violoncello (Quartet)
9
Flute, Basso continuo
9
Harmonica, Piano
9
Clarinet, Orchestra
7
2 Harmonicas
6
Flute and String Quartet
6
Pan Flute
6
2 Flutes and Guitar
6
Flute, Orchestra
5
Recorder, Harp
5
English horn, Harp (duet)
5
Melodica
4
2 Flutes, 2 Clarinets (Quartet)
4
2 Oboes and Basson
3
Descant (Soprano) Recorder, Basso continuo
3
Clarinet, Saxophone, Piano
3
2 Flutes and Harp
3
2 Oboes and English horn
3
2 Recorders, Guitar
2
Flute, Viola and Cello
2
Saxophone, Tuba (duet)
2
3 Recorders, Piano
1
Flute, Guitar, Piano
1
Flute, viola, cello and guitar
1
Oboe and Orchestra
1
2 Flutes, Basso continuo
1
Oboe, Organ
1
2 Oboes, 2 Horns and 2 Bassoons
1
+ 170 instrumentations
-
Retract
Woodbrass
Trumpet
7,318
Brass Quintet: 2 trumpets, horn, trombone, tuba
6,691
Trumpet (band part)
6,537
Trombone (band part)
6,526
Trombone
6,039
Trumpet, Piano
4,388
Trombone and Piano
4,063
Brass quartet : 2 trumpets, trombone, tuba
3,501
French horn
3,404
French Horn and Piano
2,911
French horn (band part)
2,268
Tuba
1,714
Tuba (band part)
1,689
2 Trumpets (duet)
1,610
Brass Quartet: 2 trumpets, horn, trombone
1,462
2 Trombones (duet)
1,424
Brass Quartet
1,294
Tuba and Piano
1,288
Trumpet, Trombone (duet)
904
Brass Quartet: 4 trombones
802
2 French horns (duet)
791
Euphonium
695
English horn, Piano
677
Euphonium, Piano (duet)
655
Brass Quartet: 4 horns
641
Trumpet, Saxophone (duet)
454
Trumpet, Horn (duert)
441
2 Euphoniums and 2 Tubas
386
Trombone ensemble
369
3 Trombones (trio)
287
Brass Trio
270
2 Tubas (duet)
265
English Horn
217
Trumpet ensemble
201
4 Tubas
197
Horn Ensemble
173
3 Trumpets (trio)
164
Bass Clef Instruments
160
Brass Quartet: 4 trumpets
151
Tuba or Euphonium or Saxhorn
126
Tuba and Organ
122
Trumpet, Tuba (duet)
109
Bb Instruments
105
Trombone, Tuba (duet)
93
Brass Quartet: 2 trumpets, 2 trombones
92
Euphonium, Tuba (duet)
82
Cornet
75
Bass Trombone and Piano
75
English Horn, Guitar (duet)
73
Horn, Cello (duet)
71
Trumpet, violin (duet)
67
Trombone, Horn (duet)
65
2 Trumpets, Keyboard (piano or organ)
62
Bass Trombone
62
Trumpet, Cello (duet)
61
Trumpet, Bassoon (duet)
57
Horn, Tuba (duet)
54
Trombone, Violin (duet)
51
3 French horns (trio)
47
French Horn and Harp
46
Trombone, Organ
43
2 Euphoniums (duet)
42
Trombone, cello (duet)
40
Trumpet, Trombone, Piano
33
Trumpet, Harp
33
Trumpet, Cello, Piano
30
French horn and Basson (duet)
29
3 Tubas (trio)
22
Clarinet, Horn (duet)
22
Euphonium (band part)
21
2 Trombones, Piano
19
2 English horns and Pianoforte
18
Horn and Organ
16
Tuba ensemble
16
Trumpet and Guitar
15
Horn, Trumpet, Trombone (trio)
13
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
10
3 Euphoniums
10
2 French horns, Piano
10
Trombone, Viola (duet)
9
Cornet and Piano
8
Brass Quintet: 2 trumpets, horn, 2 trombones
7
Horn and Orchestra
7
Trombone and Orchestra
7
F Instruments
7
Trumpet, Orchestra
6
4 Euphoniums
6
English horn, Harp (duet)
5
Instruments en Sol
4
Cornet and Orchestra
2
Trumpet, Euphonium (duet)
2
Horn, Cello and Piano
2
Flügelhorn
2
+ 88 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
18,168
Violin and Piano
10,391
Violin
9,479
Cello
6,728
Cello, Piano
6,583
Harp
5,933
Viola, Piano
5,153
Viola
4,956
Violin, Cello (duet)
3,618
Violin (band part)
3,116
String Trio: violin, viola, cello
2,981
2 Violins (duet)
2,968
2 Cellos (duet)
2,036
Doublebass (band part)
1,927
Violin, Viola (duet)
1,716
Viola (band part)
1,492
String Quintet: 2 violins, viola, cello, bass
1,457
Double Bass
1,420
2 Violas (duet)
1,283
Double bass, Piano (duet)
1,218
String Trio: 2 violins, cello
1,098
Cello (band part)
904
Viola, Cello (duet)
786
String Trio: 3 violins
607
4 Cellos
565
2 Harps (duet)
563
Piano Trio: Violin, Viola, Piano
552
Harp, Flute (duet)
527
Violin, Guitar (duet)
430
String Trio: 3 cellos
347
Harp, Violin (duet)
318
String quartet: 4 violins
295
Cello, Guitar (duet)
279
2 Double basses (duet)
244
String Trio: 3 violas
205
String Trio: 2 violins, viola
202
Cello, String Bass (duet)
190
Viola, Guitar (duet)
189
String Quartet : 4 violas
183
Violin, Bassoon (duet)
173
String trio
156
2 Violins, Piano
113
String Quintet: 2 violins, 2 violas, cello
91
Viola and Bassoon
87
Harp, Cello (duet)
76
Violin, Clarinet, Piano (trio)
71
Harp and Piano
61
Harp, Voice
58
Viola and Harp
55
String Quintet: 2 violins, viola, 2 cellos
50
Flute, Doublebass (duet)
48
Cello, Organ
45
4 Double Basses
44
2 Cellos, Piano
43
Harp, Violin, Violoncello
42
Violin ensemble
36
Violin, Organ
35
Cello Ensemble
34
Violin, Tuba (duet)
31
Viola ensemble
31
Harp (band part)
30
Cello, Orchestra
26
Harp and mandolin
23
2 Violas, Piano
19
3 Harps
19
Violin, Basso continuo
18
3 double basses
16
Harp, Trombone (duet)
14
Violin, Cello, Clarinet
13
Autoharp
11
Violoncello, Basso continuo
10
Violin, Trumpet and Piano
8
Viola, Organ
7
Harp and Organ
6
Violin, Double bass (duet)
5
Harp, String quartet
4
4 Harps
4
2 Violins and Basso
2
Harp, Orchestra
2
5 Harps
2
Viola and orchestra
2
+ 76 instrumentations
-
Retract
Orchestra & Percussion
Concert band
35,828
String Orchestra
8,187
Orchestra
7,796
Jazz Ensemble
6,680
Marching band
6,070
Drums
4,448
Handbells
4,160
Brass ensemble
3,893
Percussion (band part)
3,055
Chamber Orchestra
2,167
Jazz combo
1,621
Drum (band part)
1,026
Percussion Ensemble
803
Percussion
784
Timpani (band part)
682
Marimba
267
Vibraphone
206
Xylophone
200
Timpani
191
Xylophone, Piano
111
Woodwind Quintet
109
Snare drums
77
Piano and Orchestra
69
2 Xylophones
52
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
49
Orchestra, Violin
35
Flexible Instrumentation
29
Big band
28
Brass Quintet: other combinaisons
26
Woodwind Quartet: any 4 woodwinds
22
Vibraphone (band part)
21
School Ensemble
16
Vibraphone and Marimba
13
Xylophone (band part)
10
3 Marimbas
8
Xylophone or Marimba or Vibraphone
7
Woodwind Trio: any 3 woodwinds
5
Bongos
4
Bodhran
3
3 Percussions
3
Voice and Orchestra
3
2 Marimbas
3
Marimba, Piano (duet)
3
Marimba or Xylophone and Piano
2
Conga
2
Cajon
2
Marimba and Organ
2
Marimba, Saxophone (duet)
1
2 Snare Drums (duet)
1
Voice Mezzo-Soprano, Orchestra
1
+ 45 instrumentations
-
Retract
Others
Musical course - Solfege
272
Music Theory
53
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SORTING AND FILTERS
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Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
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JEWISH - KLEZMER
LATIN - BOSSA - WORL…
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MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
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When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
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2 Pianos, 4 hands
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EASY
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music....
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Gathering Starflowers: A Music Drama for 2 Pianos
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2 Pianos, 4 hands
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INTERMEDIATE
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Contemporary
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Chris Gordon
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Gathering Starflowers: A Music
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Cool Wind Music Digital
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SheetMusicPlus
2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool ...
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2 Pianos (or other keyboards) - Intermediate - Digital Download Composed by Chris Gordon. Contemporary Classical. Score. 27 pages. Published by Cool Wind Music Digital
Gathering Starflowers distils, in the form of a symphonic poem interspersed with narratives commenting on the story, elements of Günter Grass’ 1969 novel - Local Anaesthetic - itself a powerful satirical polemic on the futility and wastefulness of war. In his novel, Grass has two of his characters, who lived through the 1939-1945 war as teenagers, continually relive it and relive major battles of the campaign in the East to overcome the Red Army and win Russia for the German Reich.
Gathering Starflowers is written to be performed as a melodrama. A 'drama with music'. The drama will be provided by a narrator who will read excerpts from Local Anaesthetic interspersed with dramatic dialogues from which the audience will learn a little about the main protagonists of Günter Grass’ novel. The music, especially composed by Chris Gordon, is for two pianos.
Please note: this volume contains only the music for 2 pianos for Gathering Starflowers.
Baffled by music bindings? Read this:
https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$15.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
SURRENDER, Between the Octaves, A Piano Duo Suite (Movement 2 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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SURRENDER, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497843 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 12 pages. Jenni Roditi #1074255. Published by Jenni Roditi (A0.1497843). Piano Duo - 2 pianos, 4 hands. Surrender, Between the Octaves was the piece that was composed first in the suite. It exposes a simple call to return to the beginning, to return to a pure act of listening. This note..ah, now that note.. oh. This is how the piece was written - one note at a time. Listening from within a space (its original title) of resonance, of edges and meetings, of disappearances and repetitions that reflect on this gentle body of notes. There is a slow hearing that may, or may not create a tone-journey.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
THREAD, Between the Octaves A Piano Duo Suite (Movement 3 of 7)
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2 Pianos, 4 hands
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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THREAD, Between the Octaves A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074...
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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497847 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 11 pages. Jenni Roditi #1074259. Published by Jenni Roditi (A0.1497847). Piano Duo 2 pianos/4 hands. Thread, Between the Octaves grew out of the call the make a single line weave between the octaves. Line was the original title. Thread, as a word, brings more texture to the title and describes what the line is actually doing, threading around the harmony. A secondary thread is heard after a while, echoing and shading the primary line, with its own treble weave. It was like going back to the beginning of making melody again.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
INITIATE, Between the Octaves - A Piano Duo Suite (Movement 1 of 7)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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dislocation I mean a degree of
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Jenni Roditi
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INITIATE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Ro...
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Instrumental Duet,Keyboard - Level 5 - Digital Download SKU: A0.1497831 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074235. Published by Jenni Roditi (A0.1497831). For Piano Duo - 2 pianos/4hands. Initiate, Between the Octaves, the opening piece in the suite, is a sparky, rhythmic and post-modern hoquet, of some wit and almost perpetual bounciness. A ricocheting of quickly contrasting dynamics with occasional switches to distant moments. Three big plunges into legato emotional flow, release the popping bubbles of the fiery staccato material. A short final chorale settles and grounds the quick cuts, swoops and build ups that have propelled the whole piece. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
The Mastersingers of Nuremberg
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Richard Wagner
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The Mastersingers of Nuremberg
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Schott Music - Digital
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SheetMusicPlus
Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Se...
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Piano or 2 pianos (4 hands) - difficult - Digital Download SKU: S9.Q17510 Prelude. Composed by Richard Wagner. The Virtuoso Piano Transcription Series. Downloadable. Op. 6. Duration 10 minutes. Schott Music - Digital #Q17510. Published by Schott Music - Digital (S9.Q17510). With the prelude to the Mastersingers we now publish the second of three Wagner transcriptions already made legendary by Gould's 1973 recording. Gould brought Wagner's 'brilliant counterpoint' to life with the help of recording technology, by superimposing a second, supplementary part over an initial recording. For live performances it is therefore preferable to have two pianists playing the piece on two pianos, rather than the piano solo version which is made possible with some cuts.Den glanzvollen Kontrapunkt Wagners realisierte Gould mit Hilfe der Aufnahmetechnik, indem er eine erste Aufnahme mit einem ergänzenden zweiten Teil überblendete. Für Aufführungen ist daher eine Ausführung an zwei Klavieren zu vier Händen einer mit Abstrichen möglichen Realisierung zu zwei Händen vorzuziehen.
$15.99
Children on the Beach (for 2 Pianos)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Takeru Hirabayashi
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Children on the Beach
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TAKeru Hirabayashi
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages....
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1144550 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 6 pages. TAKeru Hirabayashi #744883. Published by TAKeru Hirabayashi (A0.1144550). The notes in the treble register represent splashing waves. After the lilting melody begins in the middle register, the children's play intensifies, culminating in the fortissimo at bar 19. The recapitulation section follows and at 39 their parents call them back home. The waves there continue to crash on the shore, and in the coda, both pianists play the sound of splashing waves.
$12.00
O Master. Let Me Walk With Thee-Duo Piano.pdf
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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H
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Marilyn Thompson
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O Master. Let Me Walk With The
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809602 Composed by H. Percy Smith. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. Score. 8 pages. Marilyn Thompson #6369955. Published by Marilyn Thompson (A0.809602). An unusual and creative setting for Duo Piano (Keyboard) of the old hymn tune Maryton. Suitable for sacred concert or worship service. Marilyn Thompson, ASCAP, is familiar arranger to many church pianists and is known for her many published collections. (Please contact marilyn@mtmusicministries.com for further information.)
$4.99
The Rakes of Mallow
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,T...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
Piano Concerto No. 4 "The Bells" 2 Pianos, 4 Hands
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Piano Concerto No. 4 "The Bell
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.730503 Composed by James Nathaniel Holland. Contemporary. Score. 57 pages. James Nathaniel Holland #5866929. Published by James Nathaniel Holland (A0.730503). American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire.
$8.25
Between the Lakes - Piano duo (2 pianos, 4 hands)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Rebekah Barker
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Between the Lakes - Piano duo
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Rebekah Barker
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebe...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99
The Gartan Mother's Lullaby, from "Five Irish Tunes"
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2 Pianos, 4 hands
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INTERMEDIATE
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Richard Simm
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Richard Simm
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The Gartan Mother's Lullaby, f
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,T...
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2 Pianos,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1185006 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #784681. Published by Richard Simm (A0.1185006). The original text of this beautiful Irish lullaby has been lost, but new lyrics were added for the song's first publication in 1904. The imagery used includes kings, fairies and other folk beings, sung while rocking a child to sleep beside the dyin' fire.
$6.95
The Carousel Waltz
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2 Pianos, 4 hands
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ADVANCED
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Broadway
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Richard Rodgers
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Richard Simm
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The Carousel Waltz
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Sc...
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1042682 Composed by Richard Rodgers. Arranged by Richard Simm. Broadway,Musical/Show. Score. 22 pages. Richard Simm #647110. Published by Richard Simm (A0.1042682). The amazing harmonic and melodic gifts of Richard Rodgers, which fit so perfectly with the lyric talents of Oscar Hammerstein II, have inspired some equally amazing musical achievements in Hollywood, where some of the most remarkable musicians of our time worked upon Rodgers's original scores and enhanced them with truly wonderful orchestral arrangements of the accompaniments to the songs. Richard Simm was in turn inspired by their unsurpassed work to give this item from Carousel a new treatment as two-piano music. It was arranged with the generous permission of the Rodgers & Hammerstein company.
$12.95
Tango for the Road - for two pianos
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 page...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
KATHERINE HEPBURN
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2 Pianos, 4 hands
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ADVANCED
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Contemporary
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Hilary Brooks
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PianoPiano
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KATHERINE HEPBURN
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PianoPiano
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999674 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 16 pages....
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2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.999674 Composed by Hilary Brooks. Arranged by PianoPiano. Contemporary. Score. 16 pages. PianoPiano #6016649. Published by PianoPiano (A0.999674). The story of Katharine Hepburn told through music and text. Part of a series of ten compositions celebrating iconic women.
$3.99
Hark! The Herald Angels Sing (2 piano duet)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Classical
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Christmas
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Felix Bartholdy Mendelssohn
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Sandra Zylstra
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Hark! The Herald Angels Sing
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Ch...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
The Impossible Dream (the Quest)
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2 Pianos, 4 hands
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INTERMEDIATE/ADVANCED
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Contemporary
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Mitch Leigh
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Mitch Leigh
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The Impossible Dream
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809612 Composed by Mitch Leigh. Arranged by Mitch Leigh. Contemporary. Score. 22 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.809612 Composed by Mitch Leigh. Arranged by Mitch Leigh. Contemporary. Score. 22 pages. Marilyn Thompson #6441531. Published by Marilyn Thompson (A0.809612). An exhilarating rendition of the enduring Quest from the popular The Man of La Mancha musical. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP.
$7.99
The Swan
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Camille Saint-Saens
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Emile Naoumoff
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The Swan
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Schott Music - Digital
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SheetMusicPlus
2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musical...
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2 pianos - advanced - Digital Download SKU: S9.Q771472 Composed by Camille Saint-Saens. Arranged by Emile Naoumoff. Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together. Downloadable, Separate edition. Duration 3' 14. Schott Music - Digital #Q771472. Published by Schott Music - Digital (S9.Q771472). Experience a new dimension of musicality with this fascinating arrangement of the „Swan from Saint-Saëns' „Carnival of the Animals for two pianos. Enjoy the charming melody and expressive interpretation while playing together.
$9.99
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