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Toccata corta #Organ #ADVANCED #Sacred music #Lee Blaske #Toccata corta #Lee Vincent Blaske #SheetMusicPlus

Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1082641 Composed by Lee Blaske. 20th Century,Classical,Praise & Worship. Individual par...(+)

Instrumental Solo,Pipe Organ - Level 5 - Digital Download SKU: A0.1082641 Composed by Lee Blaske. 20th Century,Classical,Praise & Worship. Individual part. 5 pages. Lee Vincent Blaske #686854. Published by Lee Vincent Blaske (A0.1082641). Toccata corta is a short and concise toccata composed for pipe organ, lasting about two and a half minutes. It's the perfect fit for preludes and postludes where a nice, flashy piece is required for a punctuation or as an attention getter, but time constraints prevent a longer work from being programmed. The music is a somewhat challenging, but lies well under the fingers. It's a piece that has a bit of harmonic interest that should please the organist, yet should be a crowd pleaser for the more casual listener. Good things sometimes come in small packages.

Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de #Organ #ADVANCED #Classical #Claude Debussy/Robert Orledge #Robert Orledge: A Night in the #Musik Fabrik Music Publishing #SheetMusicPlus

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabri...(+)

Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908â€“16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usherâ€™s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussyâ€™s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with MÃ©lisandeâ€™s theme in his opera PellÃ©as et MÃ©lisande), the only things I really needed to add were linking material and any passages where fast music was required. So the â€˜nightmare scherzoâ€™, and Lady Madelineâ€™s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of â€˜changing backgroundsâ€™, both harmonic and textural, proved extremely useful, as it did to Debussy in his PrÃ©lude Ã lâ€™aprÃ¨s-midi dâ€™un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussyâ€™s score as A Night in the House of Usher for organ, and subsequently pianoâ€”with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.ï»¿