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PIANO & KEYBOARDS

C Instruments 204 Piano solo 134 Easy Piano 89 Piano, Vocal and Guitar 8 Piano, Voice 8

Organ 4 2 Pianos, 4 hands 2 1 Piano, 4 hands 1 Keyboard 1

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GUITARS

Guitar notes and tablatures 16 Guitar 10 Mandolin 7 Piano, Guitar (duet) 5 2 Guitars (duet) 5

Bass guitar 2 4 Guitars (Quartet) 2 Electric Bass (band part) 1 Melody line, (Lyrics) and Chords 1 3 Guitars (trio) 1

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VOICE

Choral SATB 18 Choral 2-part 10 Choral 3-part 5 Choral Unison 4 Choral TTBB 3

Vocal duet, Piano 3 Alto voice, Piano 2 Choral 1 Vocal duet 1 Soli, Mixted choir and accompaniment 1

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WOODWIND

Saxophone Quintet: 5 Saxophones 88 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 72 Saxophone Quartet: 4 saxophones 61 Flute, Oboe, Clarinet, Bassoon 60 2 Saxophones (duet) 28

Clarinet Quartet: 4 clarinets 23 Clarinet and Piano 22 Flute and Piano 20 Alto Saxophone and Piano 19 Oboe, Piano (duet) 19 Soprano Saxophone and Piano 15 Tenor Saxophone and Piano 13 Saxophone ensemble 11 2 Clarinets (duet) 10 2 Flutes (duet) 10 Baritone Saxophone, Piano 9 Flute, Clarinet, Horn and Bassoon (Quartet) 8 Clarinet (band part) 7 Flute Quartet: 4 flutes 7 Clarinet 7 English horn, Piano 7 Tenor Saxophone 6 Alto Saxophone 6 Soprano Saxophone 5 Baritone Saxophone 4 2 Oboes (duet) 4 Bass Clarinet, Piano 4 3 Saxophones (trio) 4 Clarinet Quintet: 5 clarinets 4 Saxophone (band part) 4 3 Clarinets (trio) 3 2 Recorders (duet) 2 Flute (band part) 2 Flute Trio: 3 flutes 2 Flute, Clarinet (duet) 2 Flute, Clarinet and Bassoon. 1 Clarinet, Bassoon (duet) 1 Recorder, Guitar (duet) 1 Flute and Guitar 1 2 Saxophones, Piano 1 Oboe, Cello and Piano 1 Flute 1 Clarinet Ensemble 1 Oboe (band part) 1 Piccolo, Piano 1 Wind ensemble 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 99 Brass Quartet 65 Brass quartet : 2 trumpets, trombone, tuba 49 Trumpet, Piano 14 Trombone and Piano 12 French Horn and Piano 10 Brass Quartet: 2 trumpets, horn, trombone 9 English horn, Piano 7 2 Trombones (duet) 6 Euphonium, Piano (duet) 6 Trumpet 6 Trumpet, Trombone (duet) 5 Trumpet (band part) 5 2 French horns (duet) 5 Trumpet, Horn (duert) 4 2 Trumpets (duet) 3 Tuba 3

Brass Quartet: 4 trombones 2 Trombone (band part) 2 French horn (band part) 2 Tuba (band part) 1 Trombone 1 Tuba and Piano 1 Euphonium, Tuba (duet) 1 Horn Ensemble 1 2 Euphoniums and 2 Tubas 1 Trumpet, Euphonium (duet) 1 Brass Quartet: 2 trumpets, 2 trombones 1 Trombone ensemble 1 French horn 1 Horn, Cello (duet) 1 Trombone, Horn (duet) 1 3 Trombones (trio) 1 Brass Quartet: 4 trumpets 1

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STRINGS

Cello, Piano 20 Viola, Piano 16 2 Cellos (duet) 13 2 Harps (duet) 10 Viola 7

Cello 6 2 Violas (duet) 6 4 Cellos 5 Harp 4 Doublebass (band part) 2 String Trio: 3 cellos 2 Viola, Cello (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 97 Orchestra 12 Brass ensemble 8 String Orchestra 7 Percussion (band part) 5

Jazz Ensemble 4 Chamber Orchestra 3 Marching band 3 Handbells 2 Drums 2 Marimba, Piano (duet) 1 2 Xylophones 1 Timpani (band part) 1 Percussion Ensemble 1 Flexible Instrumentation 1

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Theme from Ant-Man - Violin 2

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Tuba

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3 sheet music found

Tales From The Crypt Theme Tuba

Tuba Solo - Level 2 - Digital Download SKU: A0.951624 Composed by Danny Elfman. Arr…(+)

Tuba Solo - Level 2 - Digital Download SKU: A0.951624 Composed by Danny Elfman. Arranged by Travis Hayman. Contemporary. Individual part. 6 pages. Travis Hayman #6573317. Published by Travis Hayman (A0.951624). Tales from the Crypt, sometimes titled HBO's Tales from the Crypt, is an American horror anthology television series that ran from June 10, 1989, to July 19, 1996, on the premium cable channel HBO for seven seasons with a total of 93 episodes. The show's title is based on the 1950s EC Comics series of the same name and most of the content originated in that comic or other EC Comics of the time. The theme song (by Danny Elfman) is just a iconic as the show's host, the Crypt Keeper.

$9.99 9.21 € #Tuba #Danny Elfman #Tales From The Crypt Theme #Travis Hayman #SheetMusicPlus

Tuba solo - "And Can It Be?" Theme and Variations Tuba

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …(+)

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,â€™ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Brayâ€™s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Brayâ€™s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesleyâ€™s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

$6.00 5.53 € #Tuba #Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825 #Tuba solo - "And Can It Be?" Theme and Variations #Dan Cutchen Music #SheetMusicPlus

Unaccompanied Tuba Suite #1 in B-flat Major Tuba

Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…(+)

Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Preludeâ€ƒThe real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. Marchâ€ƒThe rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Airâ€ƒThe tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondoâ€ƒHarking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meterâ€™s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.

$9.99 9.21 € #Tuba #Jason Allie #Unaccompanied Tuba Suite #1 in B-flat Major #Joaba LLC #SheetMusicPlus