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Piano, Voice
Sheetmusic to print
39 sheet music found
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1
26
I HAVE RIDDEN THE WINGS OF THE DAWN - For Soprano/Tenor and Organ
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.724431 Composed by Renato Tagliabue. C…
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Piano,Vocal,Voice - Digital Download SKU: A0.724431 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score. 4 pages. Renato Tagliabue #3883345. Published by Renato Tagliabue (A0.724431). I have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.
$6.50
5.96 €
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Piano, Voice
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Renato Tagliabue
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I HAVE RIDDEN THE WINGS OF THE DAWN - For Soprano/Tenor and Organ
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Renato Tagliabue
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SheetMusicPlus
Look At Me
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842056 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842056 Composed by Andrew Mc Donald. Christian,Gospel,Jazz. Score. 6 pages. Andrew Mc Donald (Macka Records) #3624245. Published by Andrew Mc Donald (Macka Records) (A0.842056). Look At Me is a song about being a role model. When Jesus looks at us what does He see? Do we please Him and show love to others? The Lord looks at the heart and inner man. As for me I want to be a good example of what His disciple is.
$4.99
4.58 €
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Piano, Voice
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Andrew Mc Donald
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Look At Me
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Andrew Mc Donald
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SheetMusicPlus
Hey, Look Me Over
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230391 By Archie And Edith.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1230391 By Archie And Edith. By Carolyn Leigh and Cy Coleman. Arranged by Dave Gingras and John E. Dosher. Broadway,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #826105. Published by DAVID LEE GINGRAS (A0.1230391). Hey, Look Me Over is a song from the 1960 Broadway musical Wildcat. In the original musical, the song was sung by comedy actress Lucille Ball, in what was the only Broadway appearance of her career. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done with grand old tune!
$4.99
4.58 €
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Piano, Voice
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Archie And Edith
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Hey, Look Me Over
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DAVID LEE GINGRAS
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SheetMusicPlus
The Way You Look Tonight
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794055 Composed by Jerome Ke…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794055 Composed by Jerome Kern. Arranged by Dave Gingras, John E. Dosher. Broadway,Musical/Show. Score. 4 pages. DAVID LEE GINGRAS #5744249. Published by DAVID LEE GINGRAS (A0.794055). The Way You Look Tonight is a song from the film Swing Time that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. This is a contemporary piano-only arrangement that makes use of a root-based chord-blocking technique that John and I have used in a number of our arrangements. We also added some interesting left-hand fills and counter-melodies that we think make for an interesting and fun to play arrangement - John and I hope you like what we've done!
$4.99
4.58 €
#
Piano, Voice
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Jerome Kern
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The Way You Look Tonight
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DAVID LEE GINGRAS
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SheetMusicPlus
I'm Like Him
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841632 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841632 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #3472881. Published by Andrew Mc Donald (Macka Records) (A0.841632). I'm Like Him is a song about the fact that we all look so different yet we are all made in Gods' image. How can we be cruel and not accept and love one another? We are all the same in His sight no matter what we look like.
$4.99
4.58 €
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Piano, Voice
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Andrew Mc Donald
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I'm Like Him
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Andrew Mc Donald
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SheetMusicPlus
Look What I Found
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.583515 By Lady Gaga. By Aaro…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.583515 By Lady Gaga. By Aaron Raitiere, Lukas Nelson, Mark Nilan Jr., Nick Monson, Paul Blair, and Stefani Germanotta. Arranged by Jeff Tincher. Pop. Score. 16 pages. Jeff Tincher #4280657. Published by Jeff Tincher (A0.583515). Here is a real rocker from the 2018 blockbuster movie A Star Is Born. In the original key from the soundtrack CD, this one will have you moving with the music. Duration = 2:47. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.5 €
#
Piano, Voice
#
Lady Gaga
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Look What I Found
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Jeff Tincher
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SheetMusicPlus
Look What I Found
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1096964 By Lady Gaga. By Aar…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1096964 By Lady Gaga. By Aaron Raitiere, Lukas Nelson, Mark Nilan Jr., Nick Monson, Paul Blair, and Stefani Germanotta. Arranged by Markowsky Vladimir. Film/TV,Funk,Pop. Score. 8 pages. Vladimir Markowsky #700932. Published by Vladimir Markowsky (A0.1096964).
$5.99
5.5 €
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Piano, Voice
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Lady Gaga
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Look What I Found
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Vladimir Markowsky
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SheetMusicPlus
John Cage I-VI (2023) piano-vocal score
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.17 €
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Piano, Voice
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
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SheetMusicPlus
John Cage I-VI (2023)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180571 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 44 pages. Thomas Oboe Lee #780475. Published by Thomas Oboe Lee (A0.1180571). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
$9.99
9.17 €
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Piano, Voice
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Thomas Oboe Lee
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John Cage I-VI
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Thomas Oboe Lee
#
SheetMusicPlus
Love, Look Away
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253103 Composed by Oscar Ha…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1253103 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #846850. Published by DAVID LEE GINGRAS (A0.1253103). Love, Look Away is a song written by Rodgers and Hammerstein for the 1961 musical Flower Drum Song. This version features a root-based chord blocking that Joh and I have used in a number of our arrangements. We added some pretty cool left-hand fills to keep the rhythm going - we hope you like what we've done with this pretty tune!
$4.99
4.58 €
#
Piano, Voice
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Oscar Hammerstein and Richard Rodgers
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Love, Look Away
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DAVID LEE GINGRAS
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SheetMusicPlus
Oh! Look At Me Now
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1256681 Composed by Joe Bushkin and Jo…
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Piano,Vocal,Voice - Digital Download SKU: A0.1256681 Composed by Joe Bushkin and John De Vries. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #850047. Published by DAVID LEE GINGRAS (A0.1256681). Oh! Look at Me Now is a 1941 song composed by Joe Bushkin, with lyrics by John DeVries. It is strongly associated with Frank Sinatra, who first recorded it with Tommy Dorsey and his orchestra, in an arrangement by Sy Oliver. Sinatra re-recorded the song for his 1957 A Swingin' Affair!, this time arranged and conducted by Nelson Riddle. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.58 €
#
Piano, Voice
#
Joe Bushkin and John De Vries
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Oh! Look At Me Now
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DAVID LEE GINGRAS
#
SheetMusicPlus
I'm Living For The Lord
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841633 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841633 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3472887. Published by Andrew Mc Donald (Macka Records) (A0.841633). I'm Living For The Lord is a song about how some Christians make God look bad. They are wolves in sheep's clothing.It's time we had people of God being a good role model or example by the way they live and their behavior. As for me I am living for the Lord and showing others I love Him by the way I live doing what's right.
$4.99
4.58 €
#
Piano, Voice
#
Andrew Mc Donald
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I'm Living For The Lord
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Andrew Mc Donald
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SheetMusicPlus
I'm Not Afraid
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842202 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842202 Composed by Andrew Mc Donald. Christian,Contemporary,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #5723167. Published by Andrew Mc Donald (Macka Records) (A0.842202). I'm Not Afraid is a song about being scared of the devil. In my experience when he comes we can feel terrified. I have learnt that we can fight back because we have Jesus on our side. I reckon we can make him pay by winning souls for Jesus. We can tell him to take a hike. We will be okay no matter what with Jesus looking after us.
$4.99
4.58 €
#
Piano, Voice
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Andrew Mc Donald
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I'm Not Afraid
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Andrew Mc Donald
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SheetMusicPlus
Can I Have a Word?
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909893 Composed by Christoph…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.909893 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. Score. 4 pages. Christopher Benfield #6202231. Published by Christopher Benfield (A0.909893). Using five poems about words by Bo Burnham from his book Egghead, this collection of somewhat satirical songs is in the 12-tone serial aesthetic. Each song has a unique matrix, each of which is also included in this collection. In the words of the composer, each song is meant to focus more on the individual words that make up the poem that is supported by the music. This oddly fun collection is perfect for any recital or performance that has a contemporary or modern theme.Can I Have a Word is about a relationship between two people, the singer looking for compromise by talking about the use of different words.
$2.99
2.74 €
#
Piano, Voice
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Christopher Benfield
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Can I Have a Word?
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Christopher Benfield
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SheetMusicPlus
Contemplation can make you think of the time you spend some nights, looking at the sky, and just con
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1031514 Composed by RAZAFIND…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1031514 Composed by RAZAFINDRAZAHA Tojomahefa Francky. Arranged by RAZAFINDRAZAHA Tojomahefa Francky. 20th Century,Classical,Contemporary,Romantic Period,Spiritual. Score. 4 pages. RAZAFINDRAZAHA Francky #4782373. Published by RAZAFINDRAZAHA Francky (A0.1031514). This music will help you to meditate, or just to relax. You can try to listen to contemplation when you study too, I think it can help you to improve your concentration.Because there is no lyrics, it can fit to any kind of situations, any kind of environments. You can listen to it wherever you are.Then, you can play it on whatever instruments you master.
$1.99
1.83 €
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Piano, Voice
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RAZAFINDRAZAHA Tojomahefa Francky
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Contemplation can make you think of the time you spend some nights, looking at the sky, and just con
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RAZAFINDRAZAHA Francky
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SheetMusicPlus
Thank U, Next
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
4.58 €
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Piano, Voice
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Ariana Grande
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Diamonds
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896317 Composed by Doug Howe…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896317 Composed by Doug Howell. Christian. Score. 6 pages. Creative Measures #4726471. Published by Creative Measures (A0.896317). I was dragging a bit as I walked across campus in the morning chill, wondering what the day might bring. Looking down. It had frosted during the night, and I was watching my step, I guess, when out of the corner of my eye I saw a brilliant sparkle that stopped me in my tracks. The sun, peeking above the horizon for approval, had sent out a special ray to attract my attention. When I looked closer, I saw an overturned leaf, covered with-diamonds! And oh, how I needed a promise right about then.Throughout that day and the days afterward, I was struck by just how extravagant God is with diamonds-and promises. Now that my eyes were opened, I seemed to see them everywhere: right in front of me, where I least expected them to be, in my memories, in my future. I’m still seeing them...For mp3, more notes and lyrics, sheet music, accompaniment track, and MIDI file see https://creativemeasures.com/music/songs/diamonds/
$1.99
1.83 €
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Piano, Voice
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Doug Howell
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Diamonds
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Creative Measures
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SheetMusicPlus
Twice on Sunday
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380997 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday Â
$4.99
4.58 €
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Piano, Voice
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Cheryl Prazak
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Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane
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Twice on Sunday
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jbQ Media
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SheetMusicPlus
The Birth
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1298966 Composed by Ian Calv…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1298966 Composed by Ian Calvert. Christmas,Contemporary,Holiday,Praise & Worship,Religious. Score. 4 pages. Ian Calvert #888816. Published by Ian Calvert (A0.1298966). This is the first publication of a new Christmas song, set for voice and piano. The words are those of a poem by Leonard Clark (1905 – 1981). He was an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘The Birth’ is one. What I like about this poem is its simplicity and clarity – and its narrative development through the verses. It starts with the poet waking in the pre-dawn. He then realizes that it is Christmas Day and in the stillness of that time his mind turns to the birth of Jesus, as traditionally told. Then he steps out of time and space and looks through his bedroom window to contemplate the mystery of incarnation. And he finishes at the stable, offering devotion to the newborn Lord. This song is also available in a version for SATB a cappella. Drawn from the same book of poems there is available another new Christmas song, called Singing in the Streets; that one is set for baritone and piano. Ian Calvert.
$2.99
2.74 €
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Piano, Voice
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Ian Calvert
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The Birth
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Ian Calvert
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SheetMusicPlus
He Will Lead Me Home
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
1.83 €
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Piano, Voice
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Thank U, Next
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
Here’s how to play “thank u, next” by Ariana Grande on piano!<br> <br> With this piano sheet music, you can play “thank u, next” on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.<br> <br> It’s a piano arrangement in the song’s original key of Bb minor, and comes with all parts of the song, full lyrics included.<br> <br> It’s not too hard to play and sounds fantastic!<br> <br> <br> Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released "thank u, next", a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!<br> <br> “thank u, next” serves as the lead single from Ariana Grande’s fifth studio album.<br> <br> Listen to the full arrangement here: https://youtu.be/yZWNKPCVvD0<br> <br> Here are the song’s full lyrics:<br> <br> <br> “Thought I'd end up with Sean<br> <br> But he wasn't a match<br> <br> Wrote some songs about Ricky<br> <br> Now I listen and laugh<br> <br> Even almost got married<br> <br> And for Pete, I'm so thankful<br> <br> Wish I could say, "Thank you" to Malcolm<br> <br> 'Cause he was an angel<br> <br> One taught me love<br> <br> One taught me patience<br> <br> And one taught me pain<br> <br> Now, I'm so amazing<br> <br> I've loved and I've lost<br> <br> But that's not what I see<br> <br> So, look what I got<br> <br> Look what you taught me<br> <br> And for that, I say<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin'<br> <br> Spend more time with my friends<br> <br> I ain't worried 'bout nothin'<br> <br> Plus, I met someone else<br> <br> We havin' better discussions<br> <br> I know they say I move on too fast<br> <br> But this one gon' last<br> <br> 'Cause her name is Ari<br> <br> And I'm so good with that (so good with that)<br> <br> She taught me love (love)<br> <br> She taught me patience (patience)<br> <br> How she handles pain (pain)<br> <br> That shit's amazing (yeah, she's amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching, and for that, I say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> I'm so fucking<br> <br> One day I'll walk down the aisle<br> <br> Holding hands with my mama<br> <br> I'll be thanking my dad<br> <br> 'Cause she grew from the drama<br> <br> Only wanna do it once, real bad<br> <br> Gon' make that shit last<br> <br> God forbid something happens<br> <br> Least this song is a smash (song is a smash)<br> <br> I've got so much love (love)<br> <br> Got so much patience (patience)<br> <br> I've learned from the pain (pain)<br> <br> I turned out amazing (turned out amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching<br> <br> And for that, I'll say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next”
$4.99
4.58 €
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Piano, Voice
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Ariana Grande
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
The Gold Rush, vocal solo
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173897 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Folk,Pop,Religious,Spiritual. Score. 6 pages. Kevin G. Pace #774051. Published by Kevin G. Pace (A0.1173897). A beautiful song about coming to the Savior with music by Kevin G. Pace and text by Kathryn W. Hales.Text:I went in the Gold Rush like many a man,To search for some nuggets or a flash in the pan.But few were the findings from a grand mother lode,I went for the Gold Rush, but I didn’t find gold.I found what was there, growing right from the ground,The flora and fauna, with trees that abound.I found the beauty of nature’s own place,I found the beauty shown by God’s grace.Like those in the Gold Rush, I’ve oft followed man,To search for the shiny, a flash in the pan,But the glamour soon ended when the glitzy wore thin,I went for the sparkly but found grace for my sins.The world cannot offer the true value of souls,For they are more precious than nuggets of gold.I found true wealth, not deep in a mine,But in the pierced hands of a Savior divine.I might lose my way, when guided by man,So, look to the heavens and follow God’s plan.The glitter of Fool’s Gold has many deceived__A glimmer of hope, then deep tears of grief.I’ll look for the riches only He can bestow,I’ll avoid that ol’ Gold Rush but seek for true gold.By seeking a life, eternal and pure,Seeking for Jesus, who gives gold that endures.
$3.99
3.66 €
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Piano, Voice
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seeking a life, eternal and pure,
Seeking for Jesus, who gives gold that endures
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Kevin G
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The Gold Rush, vocal solo
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Kevin G. Pace
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SheetMusicPlus
An Orange for Soprano/Tenor and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat there…It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its character…Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my life…Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it said…a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didn’t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.
$8.99
8.25 €
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Piano, Voice
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Apostolos Paraskevas
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An Orange for Soprano/Tenor and Piano
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Silver Sickle Publications
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SheetMusicPlus
Good Advice
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1327438 By Cheryl Prazak. By Music by Jon Burr, Lyrics by Cheryl Prazak. Arranged by Jon Burr. Country. Score. 15 pages. Cheryl Prazak #915482. Published by Cheryl Prazak (A0.1327438). Part of Cheryl Prazak's Military Trilogy, this is a story of parental advice to a grown child who's become down on their luck.This is a piano/vocal arrangment. Music, arranging and production by Jon Burr The Lyric:Everything was fine, not so very long ago.I had a weekly paycheck, I was rolling in the dough.I had a truck, got me where I needed to go.I didn’t know how much I had, ‘til things began to blow.Everything was fine, then my tire picked up a tack.The rubber was so thin, you see, it really set me back.“What’s the problem now?†was all my boss would say,Gave me my last paycheck, and sent me on my way…So, here I am remembering, not so long ago,I had a weekly paycheck, I was rolling in the dough.I had my pick-up truck back then, had a shirt. and had a wife.I didn’t know how little I had because, well, that was life.Sleeping in my pick-up truck, the light began to dawn.I would go back home, before my last chance was blown.I would tell my loving folks, at last I saw the light, My prospects didn’t look so good, my future, none too bright.Could they start me off again, with tuition and the such, andhelp me get a-brand new tire, for my raggedy ol’ truck?If they could be so kind, as to set me on my way, I would do my very best, their kindness to repayConsider the military, said my folks, sounding wisethey told me I need extra time, didn’t mean to criticizeMaybe they were onto something, maybe that could helpWhy, oh, why didn’t I think of that myself?Military life’s not easy, as I learned from the start, but I came out much the better, and learned to have some heart.Well, I’m that better man now, after going through all this.Finally got my life in shape, it had been so amiss.I repaid my folks’ advice, as I promised that I would,Became the son they hoped for, the man they knew I could.We often go to see them, and they visit the wife and me,Now they’re contented grandfolks, with babies on each knee!Once upon a time, when I was really stuck, I went back home to see the folks, which became a day of luck.Military service, I’m glad I took it up.Life changed for me, when I stopped sleeping in that ol’ truck.
$4.99
4.58 €
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Piano, Voice
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Cheryl Prazak
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Good Advice
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Cheryl Prazak
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SheetMusicPlus
De La Chica: Arias florentinas, Op. 15
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1176320 Composed by Julián De La Ch…
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Piano,Vocal,Voice - Digital Download SKU: A0.1176320 Composed by Julián De La Chica. Classical,Contemporary,Opera. Score. 25 pages. Vagabundo Music Publishing #776442. Published by Vagabundo Music Publishing (A0.1176320). MUSIC NOTES:The Arias began with a month De La Chica spent in Italy in the summer of 2021. There, walking the streets, he saw a poster announcing a vocal recital in what he describes as “a very old chapel,†and which was the first public concert he saw since the beginning of the pandemic. “Maybe it was the ambience of the chapel, the city, and the Italian arias that gave me inspiration for the cycle,†he says. And the Poemas de bar became a model for the new music. “Because the Poemas were conversations in a bar, â€De La Chica explains, “I decided to capture everyday conversations in Florence. I ‘stole’ some stories—for example, when I was on line to buy tickets for the Campanile, or in a coffee shop,†he would note bits of conversations he overheard. He tells one story about this: “I still remember around 2 a.m., there was one guy sitting on a bridge over the Arno. I think he was drunk.†De La Chica heard him saying to passersby, “look at the light of the river.†The composer thought the man was trying to jump, an experiencehe describes as “a little scary.†— George Grella.
$55.00
50.47 €
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Piano, Voice
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Julián De La Chica
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De La Chica: Arias florentinas, Op. 15
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Vagabundo Music Publishing
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SheetMusicPlus
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