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There Is a Name
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706
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236
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51
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34
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15
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1
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There Is a Name
PDF
Piano, Voice
Sheetmusic to print
73 sheet music found
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1
26
51
The Name Of Jesus
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Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Andrew Mc Donald
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The Name Of Jesus
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Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841870 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 6 pages. Andrew Mc Donald (Mack...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841870 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 6 pages. Andrew Mc Donald (Macka Records) #3479017. Published by Andrew Mc Donald (Macka Records) (A0.841870). The Name Of Jesus is a song about when we pray we say the name of Jesus because there is power in that name. When we pray this way we recieve answers to our prayers guaranteed.There is a brass section in this song.
$4.99
Small Town Boy: A Musical About the Boyhood of Jesus
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Piano, Voice
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EASY
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Paul Addison, Marian Kurzdorfe
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Paul Addison
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Small Town Boy: A Musical Abou
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Paul Addison
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1270338 Composed by Paul Addison, Marian Kurzdorfer, and Karen Kurzdorfer. Arranged by Paul Addiso...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1270338 Composed by Paul Addison, Marian Kurzdorfer, and Karen Kurzdorfer. Arranged by Paul Addison. Children,Religious. Score. 59 pages. Paul Addison #862749. Published by Paul Addison (A0.1270338). This musical tells a story of what life might have been like for Jesus at the age of 12. He learns lessons from the scriptures in synagogue school, including the Creation, the Ten Commandments, and the stories of Samson and David. He has dinner with his family, and his sisters ask about the role of women in the home and  in the culture. He discusses learning a trade with his father Joseph. Then the family takes a trip to Jerusalem for the Passover feast, and it is there that Jesus talks with the rabbis and scholars about the deeper meaning of the scriptures. They ask, “Who is this boy?â€, to which the women reply, “His name is Jesusâ€.The songs are at an easy level, mostly with single-line melodies. There is one rap song, “Rabbi’s Rapâ€, which could be accompanied by a beat-box sound. There is also a medley, “Who Is This Boy? / His Name is Jesusâ€, in which the scholars and teachers sing two verses, the women’s chorus sings two verses, and then they sing together.The musical runs about 40 minutes.
$12.99
Were You There When They Crucified My Lord? [E Flat Major]
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Piano, Voice
#
INTERMEDIATE
#
Sacred music
#
Stacey Plays Hymns
#
Anastace
#
Were You There When They Cruci
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380560 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Prais...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380560 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #965336. Published by Anastace (A0.1380560). Here is the full piano and vocal version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in E Flat major to match a soprano vocal range - perfect for a soloist to enjoy the soaring high notes. This beautiful Good Friday special music arrangement is a perfect pairing of this classic, contemplative melody with a subdued, richly voiced piano accompaniment to showcase the deep meaning and solemnity of this classic Holy Week hymn. This arrangement works well as a solo or choral anthem for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in G Major for very low or very high voicesLead sheet version Solo piano version for a prelude/postlude, or communion interludeFor other formats including large print, guitar, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Were You There?
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Piano, Voice
#
INTERMEDIATE
#
Sacred music
#
Stacey Plays Hymns
#
Anastace
#
Were You There?
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380348 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Prais...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1380348 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 6 pages. Anastace #965118. Published by Anastace (A0.1380348). Here is the full piano and vocal version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This beautiful Good Friday hymn is a perfect pairing of this classic, contemplative melody with a subdued, richly voiced piano accompaniment to showcase the deep meaning and solemnity of this Holy Week hymn. This arrangement works well as a solo or choral anthem for any Easter service, particularly for Good Friday or Maundy Thursday, and is written in a comfortable, singable range for everyday singers. Also available, by clicking my artist name below or searching Stacey Plays Hymns on this site, are the following versions:Full piano and vocal arrangement in E Flat major for higher voices Full piano and vocal arrangement in G Major for very low or very high voicesLead sheet versionSolo piano version for a prelude/postlude, or communion interludeFor other formats including large print, guitar, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
Oh Wondrous Image, Vision Fair [Piano Accompaniment Only - A Minor]
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Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Stacey Plays Hymns
#
Anastace
#
Oh Wondrous Image, Vision Fair
#
Anastace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Eas...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 4 pages. Anastace #938867. Published by Anastace (A0.1354166). Here is the full piano accompaniment version of my arrangement of Oh Wondrous Image, Vision Fair, as heard on my YouTube channel. This gorgeous, flowing piano arrangement features complex yet intuitive rhythms in 12/8, supporting the fluid energy of the piece. This song is often used in the time after Epiphany and around Christmas too, and most especially during the Sunday of the Transfiguration and Easter. It makes for a beautiful solo for church services all year long, or just playing for personal enjoyment. If you like soaring Celtic melodies woven around ancient hymn lyrics for a haunting yet uplifting mood, this is the perfect song. These are the lyrics as found in the Lutheran ELW hymnal, translated by John Mason Neale. Also available by searching my name or clicking on it below is a version in the higher key of C Minor to match most hymnals and suit a higher vocal range.For other formats including large print or simplified versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
I'll Have To Say I Love You In A Song
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Piano, Voice
#
INTERMEDIATE
#
Jim Croce
#
Dave Gingras and John E
#
I'll Have To Say I Love You In
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DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1176377 By Jim Croce. By Jim Croce. Arranged by Dave Gingras and John E. Dosher. Country,Rock. Sco...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1176377 By Jim Croce. By Jim Croce. Arranged by Dave Gingras and John E. Dosher. Country,Rock. Score. 2 pages. DAVID LEE GINGRAS #776504. Published by DAVID LEE GINGRAS (A0.1176377). I'll Have to Say I Love You in a Song is the title of a posthumously released single by the American singer-songwriter Jim Croce. The song was written by Croce and was originally released on his album I Got a Name. It entered the Billboard Hot 100 chart at position No. 73 in March 1974. It peaked at No. 9 in April 1974, becoming his fifth and final Top 10 hit. In addition, the song went to No. 1 on the Billboard adult contemporary chart and reached No. 68 on the Billboard country music chart, Croce's only song to chart there. This version features a root-based chord blocking that John and I have used in a number of our arrangements. For interest and to keep the rhythm moving, we added some pretty cool left-hand fills. We hope you like what we've done with the song!
$4.99
The One Who Is Called
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Piano, Voice
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INTERMEDIATE/ADVANCED
#
Andrew Mc Donald
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The One Who Is Called
#
Andrew Mc Donald
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841874 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841874 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3479027. Published by Andrew Mc Donald (Macka Records) (A0.841874). The One Who Is Called is a song about the fact there are so many names by which Jesus is called. Though He is known by so many names I am priveledged to call Him mine. He is known as Jehovah, Adonai, The King of the Jews and so many more.
$4.99
There's Something About That Name
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Piano, Voice
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BEGINNER
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Sacred music
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Bill Gaither
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Ellen Foncannon Stephenson
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There's Something About That N
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Ellen Foncannon Stephenson
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.864590 Composed by Bill Gaither. Arranged by Ellen Foncannon Stephenson. Contemporary. Score. 6 pa...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.864590 Composed by Bill Gaither. Arranged by Ellen Foncannon Stephenson. Contemporary. Score. 6 pages. Ellen Foncannon Stephenson #4715791. Published by Ellen Foncannon Stephenson (A0.864590). There's Something About that Name surrounds Oh, How I Love Jesus in this arrangement. The melody is in a very singable range for both men and women. Six pages with 96 measures.
$4.99
When Sarah Jackson's Name is Changed to Brown
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Piano, Voice
#
Paul Cohn
#
When Sarah Jackson's Name is C
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.5871 Composed by Paul Cohn. Weddings, African Americans, Dialects, Celebrations. Lester S. Levy Collection. 4 ...
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Piano and voice - Digital Download SKU: LV.5871 Composed by Paul Cohn. Weddings, African Americans, Dialects, Celebrations. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5871). Professional Copy. When Sarah Jackson's Name is Changed to Brown. Words by Fred M. Statia. Music by Paul Cohn. Published 1896 by in n.p. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Weddings, African Americans, Dialects, Celebrations. First line reads It's been rumored for a week, there'll be a wedding up the street.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 10: À la gloire, a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 7: À Diane from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 7: À Diane from S
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 1: À L’Absente
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 15: À qui m’ave
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
There's Something About That Name
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Piano, Voice
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INTERMEDIATE
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Bill Gaither
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Leonora Hardy
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There's Something About That N
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Leonora Hardy
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776813 Composed by Bill Gaither. Arranged by Leonora Hardy. Christian,Contemporary,Religious,Sacre...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776813 Composed by Bill Gaither. Arranged by Leonora Hardy. Christian,Contemporary,Religious,Sacred. Score. 2 pages. Leonora Hardy #4968121. Published by Leonora Hardy (A0.776813). An easily learned arrangement for the church pianist who wants to have a more flowing style of music to accompany congregational singing. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. It is also suitable for preludes, offertories or communion.. Lyrics are included as well as chords for guitar. Intermediate level. Hymn
$4.99
Where Everybody Knows Your Name
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Piano, Voice
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INTERMEDIATE
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Contemporary
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Gary Portnoy and Judy Hart Ang
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Dave Gingras, John E
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Where Everybody Knows Your Nam
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794124 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Dave Gingras, John E. Dosher. Co...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794124 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by Dave Gingras, John E. Dosher. Contemporary. Score. 3 pages. DAVID LEE GINGRAS #6510693. Published by DAVID LEE GINGRAS (A0.794124). A contemporary take on this classic theme song from the television sitcom Cheers - what else is there to say!This version features a root-based, chord-blocking that John and I have used in a number of our arrangements. We added a little left-hand rhythm and a couple of fills to make it fun to play. Enjoy!
$4.99
Blaine and Logan Are Our Choice. Campaign Song and Chorus for Male Voices
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Piano, Voice
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G
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Blaine and Logan Are Our Choic
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.12561 Composed by G. Elmer Jones. Portraits--James Gillespie Blaine--John Alexander Logan, Presidential electi...
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Piano and voice - Digital Download SKU: LV.12561 Composed by G. Elmer Jones. Portraits--James Gillespie Blaine--John Alexander Logan, Presidential elections. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12561). Blaine and Logan Are Our Choice. Campaign Song and Chorus for Male Voices. Words by W.H. Deshon. Music by G. Elmer Jones. Published 1884 by Wm. A. Pond & Co., 25 Union Square in New York. Composition of strophic with male chorus with piano and voice instrumentation. Subject headings for this piece include Portraits--James Gillespie Blaine--John Alexander Logan, Presidential elections. First line reads There is a name that thrills the pulse, From east to western sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Tale of a Shirt
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Piano, Voice
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Lottie L
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The Tale of a Shirt
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.18877 Composed by Lottie L. Meda. Humorous pictures, Caricatures, Goats, Anger, Punishment & torture, Shackles...
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Piano and voice - Digital Download SKU: LV.18877 Composed by Lottie L. Meda. Humorous pictures, Caricatures, Goats, Anger, Punishment & torture, Shackles, Railroad tracks, Portraits, Clotheslines, Escapes, Eating & drinking, Death, Homicides. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18877). The Tale of a Shirt. Words by W.W. Brackett. Music by Lottie L. Meda. Published 1904 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Humorous pictures, Caricatures, Goats, Anger, Punishment & torture, Shackles, Railroad tracks, Portraits, Clotheslines, Escapes, Eating & drinking, Death, Homicides. First line reads There was as man, his name was Burke, he was a friend of mine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Hillsong Worship - What A Beautiful Name
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Piano, Voice
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INTERMEDIATE
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Rock
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Hillsong Worship
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Hillsong Worship - What A Beau
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Hillsong Worship. Arranged by Mario Stallbaumer. 6 pages. Published by Mario St...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Hillsong Worship. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
With this sheet music, you can play "What A Beautiful Name" by Hillsong Worship on piano!
It's an accurate, carefully created piano arrangement of the full song.
The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.
Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics!
"What a Beautiful Name" was first released as the lead single from Hillsong Worship's 2016 live album "let there be light".
The studio version of the song was released in 2017. In the same year, the group was named Billboard's Top Christian Artist.
"What a Beautiful Name" won two Dove Awards (Song of the Year and Worship Song of the Year), and a Grammy Award for Best Contemporary Christian Music Performance/Song!
Needless to say, "What a Beautiful Name" makes for a fantastic piano cover!
$4.99
I Shall Live in the Secret Place (Nan lye sekrè la)
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Piano, Voice
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EASY
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple
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I Shall Live in the Secret Pla
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818309 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R D...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818309 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 32 pages. Stephen R Dalrymple #5735867. Published by Stephen R Dalrymple (A0.818309). I Shall Live in the Secret Place (Nan lye sekrè la) ♫ Original song by Stephen R Dalrymple ♫ (Worship Team Edition) ♫ CCLI Song # 7150377 ♫ music © 2005 Stephen R Dalrymple ♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ The Creator of the Universe has many names. The Psalmist uses 4 of them in Psalm 91. Each name has a special significance. ♫ El Elyon tells us of God’s supremacy, he is the Most High God. ♫ The name El Shaddai speaks of the superiority of His power. He is The Almighty. ♫ Yahweh is the sacred covenant name of God. Jewish people have been forbidden even to pronounce this name for hundreds of years. It speaks to the preeminence of His existence. He is the I AM. Of all who are worshipped as gods, He alone exists. ♫ Elohai is a variation of Elohim. This spelling literally means ‘My God.’ ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) optional flute part, and 4) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print) ♫ The Haitian Kreyòl version of this song has its own video.
$4.50
THE HELLO AND GOODBYE SONG
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Piano, Voice
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EASY
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Marilynn Seits
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THE HELLO AND GOODBYE SONG
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M Seits Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.953784 Composed by Marilynn Seits. Children,Instructional,Pop. Score. 4 pages. M Seits Publishing ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.953784 Composed by Marilynn Seits. Children,Instructional,Pop. Score. 4 pages. M Seits Publishing #2029095. Published by M Seits Publishing (A0.953784). The Hello and Goodby Song, composed by Marilynn Seits, is a delightful and easy to sing song that can be used at the beginning and end of classes for young children. In this song, the teacher sings Hello (or Good Bye) to all the boys & girls and then goes around the room for a Hello (or Good Bye) to each individual by name. After the children are familiar with the song, they can sing their own names and clap their hands to the rhythm as they go around the room. It's easy to add parents, grandparents or visitors names to the lyrics and it appropriate for children from nursery school through ages 6 or 7. There is an easy piano accompaniment & chord symbols for left hand piano or guitar. It's the key of D major which is easy for children & adults to sing in.
$2.99
COLOURS - Volume 1
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Piano, Voice
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ADVANCED
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Ross Fiddes
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COLOURS - Volume 1
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ros...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1262432 Composed by Ross Fiddes. 20th Century,21st Century,Chamber,Classical. Score. 36 pages. Ross Fiddes #855473. Published by Ross Fiddes (A0.1262432). COLOURS – a song collection for mezzo-soprano & pianoLargely untrained, only basically educated and living most his life as a rural worker, Neilson became known as one of Australia's finest lyric poets, who wrote much about the natural world, and the beauty in it.  His poetry is peppered with references to colours particularly of the Australian landscape, notably green, yellow and orange.  There is an art gallery named for him and an art prize in his name requires competing artists to interpret his poems in paint.. His lyricism has appealed to many composers, and in this collection setting six of his poems, I have attempted to capture both his lyricism and his “colouringsâ€. The songs are dedicated variously to the superb mezzo-sopranos, Alessandra Volpe and Deborah Humble.The six song I have set for this Volume 1 are:1.    Paint Me A Petticoat Green2.    Roses Three3.    To Dulcie in a White Dress4.    You and Yellow Air5.    The Orange Tree6.    Song in the Yellow.
$35.00
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe heureu
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 5: Si vous m’aim
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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