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Choral SSAA
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6 sheet music found
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1
Grace Kelly
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Choral SSAA
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ADVANCED
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Mika
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Liz Garnett
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Grace Kelly
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Danc...
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856207 By Mika. By Dan Warner, Jodi Marr, John Merchant, and Mika. Arranged by Liz Garnett. Dance,Pop. Octavo. 6 pages. Liz Garnett #4312139. Published by Liz Garnett (A0.856207). Mika's hit from 2007 is an exuberant (and at times petulant) critique of the way the music industry seeks out individuality and talent, then insists on working it over into safely commercial products. (Of course, that he had such success with it suggests that things aren't quite as bad as the song makes out.) But the song also works as a more general statement about everyone's personal stand against the tyranny of our peers' expectations.The original has a very rangy melody, which carries a considerable variety of vocal characterisation. The arrangement unfolds this onto the four different parts, each taking on certain aspects of the line's mercurial identity. Sharing the melody's vocal demands around does not necessarily make either the characterisation or the ranges easier, however, since it also means that every part is switching between lead and accompanying roles, at times quite quickly. So it needs generous ranges, quick-wittedness and - above all - performative swagger to carry it off.There is space for the snippets of dialogue from the original track; but whether (and how much) to use it would depend on the performance situation. My own feeling would be that the middle one ('getting angry won't solve anything') works just fine slotted in between the verses, but that the snippets at start and end would need more setting up to make sense to an audience unfamiliar with Mika's recording.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - F5Lead: F3 - F5Bari: G3 - C5Bass: E flat 3 - B flat 4NB - the list price includes 4 copies of the music
$12.99
The Parting Glass (women's voicing)
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Choral SSAA
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EASY
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Contemporary
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Traditional
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Liz Garnett
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The Parting Glass
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856245 Composed by Traditional. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garn...
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856245 Composed by Traditional. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #5732647. Published by Liz Garnett (A0.856245). This setting of the traditional Scottish song of farewell is designed as an 8-part arrangement that male and female quartets or choruses can sing together to finish a joint performance, as well as two separate 4-part arrangements for the respective groups to use when they're not sharing the stage. It was conceived to address the 'cost-per-wear' problem of special occasion pieces that only get performed occasionally but still need rehearsing to the same standard as the rest of the set.This is the setting for women's voices, in which the melody is taken for the most part by female leads, then handed off to the basses for the 3rd phrase of each verse. The first verse is homophonic, while the second explores a variety of melody+accompaniment textures before restoring the harmonic texture to introduce a tag that blossoms out from unison.The versions for men's voicing and combined voicings are also available for purchase.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - E flat 5
$2.99
Flowers
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Choral SSAA
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INTERMEDIATE
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Pop music
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Miley Cyrus
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Liz Garnett
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Flowers
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Liz Garnett
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1376178 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Li...
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1376178 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Liz Garnett. 21st Century,A Cappella,Barbershop,Pop. 5 pages. Liz Garnett #960728. Published by Liz Garnett (A0.1376178). Miley Cyrus's Grammy-winning celebration of emotional independence is re-imagined as a barbershop contest tune, inspired by the Postmodern Jukebox cover version. It starts off in a wistful free waltz-ballad feel, switches up a gear into a steady swing vibe at the first chorus, and escalates again into a faster, clave-driven Latin vibe before subsiding back into a slower tempo for the very end. There is a hint of the initial wistfulness at the start of the tag, but it settles into a sense of gentle resolution: all is now sorted.Vocal Ranges:Tenor: E4 - E5Lead: G#3 - C#5Bari: A#3 - B4Bass: D#3 - F#4N.B. This arrangement is notated in the traditional clefs for women's barbershop, i.e. treble and bass alta (sounding an octave higher than written).www.HelpingYouHarmonise.com.
$2.99
Vampire
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Choral SSAA
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Contemporary
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R
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Vampire
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R. LaBanca
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SheetMusicPlus
Choral Choir (SSAA) - Digital Download SKU: A0.1007507 Composed by R. LaBanca. Contemporary. Octavo. 7 pages. R. LaBanca #3416041. Published by R. LaBanc...
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Choral Choir (SSAA) - Digital Download SKU: A0.1007507 Composed by R. LaBanca. Contemporary. Octavo. 7 pages. R. LaBanca #3416041. Published by R. LaBanca (A0.1007507). This piece is based on text that I wrote several years ago. As a lover of the horror genre I have always had a fascination with the romantic creature known in modern culture as the vampire. I imagined in my mind the interaction between a mortal and an immortal creature. How would the mortal describe a romantic encounter with this creature that exists in the shadows, untouched by time? I used descriptive text to communicate the visceral details of this experience and make the listener create in their mind how the experience would have felt if they had experienced it. The encounter is intense, and painful but once it ends the narrator feels empty and only has a mysterious melody to keep as a memory. I set the text for treble voices because I felt that the close harmonies I could accomplish with voices in the same register would lend itself well to the imagery. The piece is lush and smooth when the text demands it and sharp and angular when the text calls for that sound. Once the interaction is over, the voices break off into an aleatoric section in which each voice sings the phrase Songs only bones can hear fading away into nothingness just as the text suggests the vampire moves into the velvet void.
$3.99
O Come, O Come Emmanuel
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Choral SSAA
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INTERMEDIATE
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Julie Hinton
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Julie Hinton
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O Come, O Come Emmanuel
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Red Tape Productions
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1394975 By Julie Hinton. By Traditional. Arranged by Julie Hinton. A Cappella,Advent,Chri...
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1394975 By Julie Hinton. By Traditional. Arranged by Julie Hinton. A Cappella,Advent,Christian,Christmas,Sacred. 4 pages. Red Tape Productions #978463. Published by Red Tape Productions (A0.1394975). SSAA acapella. This haunting arrangement of the familiar Advent tune will show off the voices as modified chord structures draw attention from the audience. S1 takes the melody in the first verse over an SAA drone. The second verse highlights an A1 repetitive chant as the S2 takes over the melody halfway through and keeps it the rest of the piece. S1 floats a descant in the third verse as the altos reprise the first-verse drone, with everyone coming together in the end, culminating in a unison final tone. Great for church groups, holiday women's choirs and women's caroling quartets!This setting is also available in SATB, SSATBB and SSAATTBB acapella, as well as SATB, SAB and SSA with piano accompaniment.
$2.25
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Choral SSAA
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INTERMEDIATE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
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