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48
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2 Tubas (duet)
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3 French horns (trio)
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STRINGS
String Quartet: 2 violins, viola, cello
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336
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257
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193
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185
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184
Cello
144
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134
String Trio: violin, viola, cello
134
Double Bass
133
2 Cellos (duet)
125
Harp
117
String Trio: 2 violins, cello
107
String Quintet: 2 violins, viola, cello, bass
106
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93
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89
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76
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57
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46
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34
Violin, Guitar (duet)
28
4 Cellos
28
String Trio: 3 violins
24
Violin, Basso continuo
21
String quartet: 4 violins
19
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19
String Trio: 3 cellos
17
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16
2 Harps (duet)
16
2 Double basses (duet)
13
Viola, Guitar (duet)
12
String Trio: 3 violas
11
Harp, Flute (duet)
8
Piano Trio: Violin, Viola, Piano
7
String Quintet: 2 violins, 2 violas, cello
7
String Trio: 2 violins, viola
6
Violin ensemble
6
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6
Viola ensemble
5
Viola and Bassoon
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4
Harp and Piano
3
Harp and mandolin
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Autoharp
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Saxophone and Organ
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What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
13.81 €
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Saxophone and Organ
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Judith Cloud
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What Would Nina Simone Say? For Soprano Sax & Organ
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Judith Cloud
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SheetMusicPlus
Back to Fairyland for Alto Saxophone & Organ
Saxophone and Organ
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 4 - Digital Download S…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.853212 Composed by Hans-Andre Stamm. 20th Century,Celtic,Concert,Folk. Score and parts. 15 pages. Hans-Andre Stamm #5983683. Published by Hans-Andre Stamm (A0.853212). The piece is written in a sort Celtic style, the 1st part with its lyrical character reminds of an Irish ballad, a short Cadenza leads to the 2nd part, a sort of reel dance. Towards the end the main melody of the 1st part is quoted within the driving 1/16th figuration.
$7.95
7.32 €
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Saxophone and Organ
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Hans-Andre Stamm
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Back to Fairyland for Alto Saxophone & Organ
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Hans-Andre Stamm
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SheetMusicPlus
Maggiolata-Hubay-Soprano Saxophone/Organ
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844668 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897195. Published by Phil Beaman (A0.844668). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.52 €
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Saxophone and Organ
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Jeno Hubay
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Maggiolata-Hubay-Soprano Saxophone/Organ
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Phil Beaman
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SheetMusicPlus
Maggiolata-Hubay-Tenor Saxophone/Organ
Saxophone and Organ
Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download …
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Instrumental Duet Instrumental Duet,Organ,Tenor Saxophone - Level 2 - Digital Download SKU: A0.844669 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897197. Published by Phil Beaman (A0.844669). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.52 €
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Saxophone and Organ
#
Jeno Hubay
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Maggiolata-Hubay-Tenor Saxophone/Organ
#
Phil Beaman
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SheetMusicPlus
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