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It's Late

Jesu, joy of man's desiring by Bach for Tenor Recorder and Piano #Tenor Recorder #BEGINNER #Classical #Johann Sebastian Bach #Ander #Jesu, joy of man's desiring by #Woods Only, Arrangements #SheetMusicPlus

Recorder Solo,Tenor Recorder - Level 1 - Digital Download SKU: A0.1049420 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wed...(+)

Recorder Solo,Tenor Recorder - Level 1 - Digital Download SKU: A0.1049420 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Individual part. 6 pages. Woods Only, Arrangements #653770. Published by Woods Only, Arrangements (A0.1049420). This easy arrangement for tenor recorder and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.

Handel's Largo from Xerxes, Ombra Mai Fù, for solo Tenor Recorder and Piano #Tenor Recorder #EASY #G F Handel #David McKeown #Handel's Largo from Xerxes, Om #David McKeown #SheetMusicPlus

Recorder Solo,Tenor Recorder - Level 2 - Digital Download SKU: A0.587909 Composed by G F Handel. Arranged by David McKeown. Baroque,Contemporary,Opera,St...(+)

Recorder Solo,Tenor Recorder - Level 2 - Digital Download SKU: A0.587909 Composed by G F Handel. Arranged by David McKeown. Baroque,Contemporary,Opera,Standards. Individual part. 5 pages. David McKeown #5042579. Published by David McKeown (A0.587909). Ombra Mai FÃ¹ is the beautiful opening aria from Handelâ€™s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handelâ€™s best-loved works nearly two hundred years later. Ombra Mai FÃ¹ is often referred to as Handelâ€™s Largo. In 1906 Ombra Mai FÃ¹ gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai FÃ¹ is arranged as a Solo for Tenor Recorder and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Clarinet via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai FÃ¹ ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

#Schott Music - Digital

Horns of Elfland #Tenor Recorder #ADVANCED #Markus Zahnhausen #Horns of Elfland #Schott Music - Digital #SheetMusicPlus

Tenor recorder - advanced - Digital Download SKU: S9.Q15830 Composed by Markus Zahnhausen. This edition: Sheet music. Original Music for Recorder. Downlo...(+)

Tenor recorder - advanced - Digital Download SKU: S9.Q15830 Composed by Markus Zahnhausen. This edition: Sheet music. Original Music for Recorder. Downloadable. Duration 10 minutes. Schott Music - Digital #Q15830. Published by Schott Music - Digital (S9.Q15830). Markus Zahnhausen, b. 1965, is one of the leading recorder players of our time. In his works for recorder he combines traditional and modern sounds. The central theme of his works is a love of Nature. â€œThe Horns of Elflandâ€ (1999) is based upon a poem by Alfred Lord Tennyson (1809-1892). The composer writes: â€œI have taken Tennysonâ€™s picture of the clear and tender notes of the horns of the imaginary, magical world of Elfland and attempted to translate it into music. The very essence of this work is its quietness. The central focus of the composition is the echo in its multiple aspects. This echo is often not an exact reproduction of the notes but a deliberate variation, analysis or reinterpretation of their original form.â€.