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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
At
PDF/Flash
Not classified
14,744
Piano & keyboards
Piano solo
9,366
Easy Piano
3,773
Piano, Voice
2,998
Piano, Vocal and Guitar
2,049
C Instruments
1,092
Organ
1,047
Piano Accompaniment
439
1 Piano, 4 hands
396
Piano Trio: piano, violin, cello
178
Piano (band part)
126
2 Pianos, 4 hands
109
Accordion
90
Piano Quartet: piano, violin, viola, cello
47
Big Note Piano
37
Piano Quartet: piano, 2 violins, cello
28
Piano Quintet: piano, 2 violins, viola, cello
26
Organ, Piano (duet)
25
Organ, Trumpet (duet)
19
Harpsichord
15
Keyboard
11
1 Piano, 6 hands
9
2 Pianos, 8 hands
4
Accordion, String(s)
1
Accordion ensemble
1
Fake Book
1
Accordion and Orchestra
1
+ 21 instrumentations
-
Retract
Guitars
Guitar
1,070
Guitar notes and tablatures
1,016
Ukulele
538
Bass guitar
446
Melody line, (Lyrics) and Chords
359
Mandolin
303
Guitar (band part)
239
Piano, Guitar (duet)
159
2 Guitars (duet)
97
Lyrics and Chords
77
4 Guitars (Quartet)
43
Dulcimer
30
Banjo
22
3 Guitars (trio)
12
Guitar Ensemble
11
2 Ukuleles
6
Guitar, Violin, Cello (trio)
4
Mandolin, Guitar (duet)
4
3 Dulcimers (trio)
2
Mandolin, Piano (duet)
2
Guitar, Orchestra
2
Electric Bass (band part)
1
Baritone Ukulele
1
Lap Steel Guitar
1
Lute
1
+ 20 instrumentations
-
Retract
Voice
Choral SATB
4,448
Choral 3-part
1,571
Choral 2-part
1,086
Choral TTBB
926
Choral SSAA
627
Choral Unison
519
Vocal duet, Piano
330
Choral Instrumental Pak
200
Soprano voice, Piano
160
Vocal duet
150
Alto voice, Piano
92
Tenor voice, Piano
90
Voice solo
86
Baritone voice, Piano
82
High voice
73
Choral
33
Low voice, Piano
31
Medium voice, Piano
20
Choral SSAATTBB
17
Tenor voice
16
Choral SSATB
11
Mezzo-Soprano voice, Piano
10
Low voice
9
Soprano voice
9
Choral SSAB a cappella
4
Choral SSATTB
3
Soli, Mixted choir and accompaniment
2
Choral SATBB
2
Voice, Guitar
2
Vocal duet, Organ
1
Choral SSAB, Piano
1
High voice, Piano
1
Choral SATTBB A Cappella
1
Choral, Organ
1
+ 29 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
1,371
Flute and Piano
1,296
Saxophone Quartet: 4 saxophones
1,233
Clarinet and Piano
1,091
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,082
Alto Saxophone and Piano
1,030
Oboe, Piano (duet)
978
Flute, Oboe, Clarinet, Bassoon
950
Saxophone (band part)
928
Clarinet Quartet: 4 clarinets
816
Tenor Saxophone and Piano
676
Flute
671
2 Clarinets (duet)
662
2 Flutes (duet)
659
Clarinet
584
Alto Saxophone
528
Saxophone Quintet: 5 Saxophones
476
Saxophone, Clarinet (duet)
461
Tenor Saxophone
429
Soprano Saxophone and Piano
380
Descant (Soprano) Recorder
350
Clarinet, Violin (duet)
331
Flute, Clarinet (duet)
316
Flute Quartet: 4 flutes
285
Oboe (band part)
282
Ocarina
276
Clarinet, Trumpet (duet)
274
2 Oboes (duet)
263
Saxophone
256
Treble (Alto) Recorder
235
Baritone Saxophone, Piano
232
Harmonica
210
Oboe, Bassoon (duet)
208
Oboe, Clarinet (duet)
184
3 Saxophones (trio)
179
Flute, Violin
175
Clarinet (band part)
174
Clarinet Ensemble
169
Clarinet and Viola
165
Flute, Saxophone (duet)
164
Oboe, Flute
149
Flute (band part)
142
Flute ensemble
138
3 Clarinets (trio)
136
Flute, Viola (duet)
135
Flute, Trumpet (duet)
128
Clarinet Quintet: 5 clarinets
126
English horn, Piano
119
2 Recorders (duet)
117
Flute Trio: 3 flutes
115
Flute and Guitar
113
Oboe
105
Saxophone ensemble
98
Bass Clarinet, Piano
96
Soprano Saxophone
81
Flute, Violin, Piano
72
Recorder
70
Flute Quintet : 5 flutes
70
Oboe, Clarinet, Bassoon (trio)
58
Recorder Quartet
52
Flute, Oboe, Clarinet (trio)
50
Baritone Saxophone
48
Flute, Clarinet and Bassoon.
41
Treble (Alto) Recorder, Piano
41
Clarinet, Bassoon (duet)
38
Flute, Oboe (duet)
36
Clarinet, Guitar (duet)
34
Tenor Recorder
33
Flute, Violoncello
30
Flute, Clarinet, Piano (trio)
30
Recorder Ensemble
29
English Horn
25
Flute, Oboe, Bassoon
21
5 Recorders
20
2 Saxophones, Piano
19
Flute, Cello, Piano (trio)
19
Clarinet, Cello (duet)
18
3 Recorders (trio)
18
Oboe, Violin (duet)
17
2 Clarinets, Piano
17
Descent (Soprano) Recorder, Piano
15
Flute, Oboe, Piano (trio)
15
Clarinet, Cello, Piano (trio)
14
Clarinet, Trombone (duet)
13
Clarinet, Harp (duet)
13
2 Flutes, Piano
12
Piccolo
12
Oboe, Cello
11
Oboe, Guitar (duet)
11
Flute, Bassoon, and Piano
11
Eb Instruments
10
Saxophone and Organ
10
Clarinet, Bassoon, Piano (trio)
8
Saxophone and Harp
7
Piccolo, Piano
7
Flute, Violin and Violoncello
7
Oboe, Harp
7
Bass Clarinet
7
Oboe, Clarinet and Piano (Trio)
6
Oboe, Bassoon and Piano
6
Wind ensemble
6
Flute, Clarinet, Horn and Bassoon (Quartet)
6
Saxophone and Guitar
6
Oboe, Cello and Piano
6
Flute, Organ (duet)
6
Recorder, Piano
5
3 Oboes
5
Clarinette, Viola and Piano (trio)
5
Flute, Viola and Piano
5
4 Oboes
4
Flute, harp and violin
4
Clarinet, Organ
4
Flute, Trombone (duet)
3
Oboe ensemble
3
Flute, Violin, Violoncello and Piano
3
2 Clarinets, Bassoon
3
Pennywhistle
3
2 English horns and Pianoforte
2
English Horn, Guitar (duet)
2
Treble (Alto) Recorder, Basso continuo
2
2 Oboes, Piano
2
Bagpipe
2
Oboe, Violin, Piano
2
Flute and Strings Trio
2
Oboe and viola (duet)
2
Flute, Violin, Guitar
2
Flute, Basso continuo
2
Clarinet Quintet: Clarinet, String Quartet
2
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Clarinet, Tuba
1
Oboe and Orchestra
1
Flute, Viola and harp
1
3 Recorders, Piano
1
Recorder, Harp
1
Flute and String Quartet
1
Flute, Orchestra
1
Flute, trombone and piano
1
Oboe, Trombone (duet)
1
Saxophone and Piano
1
2 Recorders, Guitar
1
Clarinet, trumpet and piano
1
2 Recorders, Piano
1
Flute, Clarinet, Violin (trio)
1
Recorder, Guitar (duet)
1
Flute, Harp and Cello
1
Oboe, Trumpet (duet)
1
Flute, Tuba (duet)
1
+ 142 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
1,173
Trumpet
785
Trombone and Piano
732
Brass quartet : 2 trumpets, trombone, tuba
713
Trumpet, Piano
679
Trombone (band part)
640
Trumpet (band part)
567
French Horn and Piano
482
Trombone
474
Trumpet, Saxophone (duet)
329
2 Trumpets (duet)
295
2 Trombones (duet)
285
French horn
268
Tuba and Piano
228
Trumpet, Trombone (duet)
224
Brass Quartet: 2 trumpets, horn, trombone
195
Brass Quartet: 4 trombones
185
Tuba
168
French horn (band part)
150
Euphonium, Piano (duet)
138
Tuba (band part)
120
English horn, Piano
119
Brass Quartet
103
2 French horns (duet)
91
Trumpet ensemble
89
Trombone ensemble
74
2 Euphoniums and 2 Tubas
49
Brass Quartet: 4 horns
46
Euphonium
39
2 Tubas (duet)
38
Trumpet, Horn (duert)
31
3 Trumpets (trio)
27
Brass Trio
27
English Horn
25
Brass Quartet: 4 trumpets
21
3 Trombones (trio)
18
4 Tubas
17
Bass Clef Instruments
16
2 Euphoniums (duet)
13
Horn Ensemble
13
Tuba and Organ
12
Bass Trombone
11
French Horn and Harp
10
Bb Instruments
10
Trumpet, Trombone, Piano
10
Bass Trombone and Piano
9
Brass Quartet: 2 trumpets, 2 trombones
9
Trombone, Tuba (duet)
9
Euphonium, Tuba (duet)
9
Trumpet, Harp
8
F Instruments
7
Trombone, Organ
7
3 French horns (trio)
7
Trumpet, Tuba (duet)
7
Horn, Cello (duet)
6
Trumpet, Bassoon (duet)
6
Trombone, Horn (duet)
5
Trumpet, Cello (duet)
5
Horn, Tuba (duet)
5
Tuba or Euphonium or Saxhorn
4
French horn and Basson (duet)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
2 Trumpets, Keyboard (piano or organ)
4
3 Tubas (trio)
4
2 French horns, Piano
3
Cornet
3
3 Euphoniums
2
Trombone, Violin (duet)
2
2 English horns and Pianoforte
2
English Horn, Guitar (duet)
2
Horn and Organ
2
Trombone and Orchestra
2
Horn, Trumpet, Trombone (trio)
1
Tuba ensemble
1
Trumpet, Cello, Piano
1
Trumpet, Orchestra
1
Trumpet, Euphonium (duet)
1
Clarinet, Horn (duet)
1
Trumpet, violin (duet)
1
Cornet and Orchestra
1
+ 75 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
3,148
Violin and Piano
1,639
Cello, Piano
1,035
Violin
1,012
Viola, Piano
937
Violin, Cello (duet)
797
Cello
706
String Trio: violin, viola, cello
676
Harp
619
2 Violins (duet)
503
Viola
404
Violin, Viola (duet)
361
2 Cellos (duet)
340
2 Violas (duet)
290
String Trio: 2 violins, cello
252
Doublebass (band part)
197
Double Bass
191
String Quintet: 2 violins, viola, cello, bass
191
Double bass, Piano (duet)
187
Violin (band part)
179
Viola (band part)
121
Viola, Cello (duet)
84
2 Harps (duet)
69
4 Cellos
66
String Trio: 3 violins
57
Violin, Guitar (duet)
52
Piano Trio: Violin, Viola, Piano
52
Cello (band part)
44
String Trio: 3 cellos
44
Harp, Flute (duet)
38
String quartet: 4 violins
37
Harp, Violin (duet)
35
2 Double basses (duet)
33
String Quartet : 4 violas
29
String Trio: 3 violas
28
String Trio: 2 violins, viola
24
Viola and Harp
23
Harp, Voice
22
Harp, Cello (duet)
19
Cello, Guitar (duet)
17
Cello, String Bass (duet)
16
String Quintet: 2 violins, 2 violas, cello
14
Violin ensemble
12
Viola ensemble
10
Cello, Organ
10
Violin, Bassoon (duet)
9
Viola, Guitar (duet)
9
String trio
8
2 Violins, Piano
7
Cello Ensemble
7
Violin, Clarinet, Piano (trio)
6
Violin, Organ
5
4 Double Basses
5
2 Violas, Piano
5
Harp (band part)
3
Viola, Organ
3
Harp and mandolin
3
Autoharp
2
2 Cellos, Piano
2
Violin, Cello, Clarinet
2
String Quintet: 2 violins, viola, 2 cellos
2
Harp and Piano
2
Violin, Tuba (duet)
2
Harp, Violin, Violoncello
2
Harp, Trombone (duet)
2
Flute, Doublebass (duet)
1
Violin, Basso continuo
1
Cello, Orchestra
1
Viola and Bassoon
1
Viola and orchestra
1
Violoncello, Basso continuo
1
4 Harps
1
+ 67 instrumentations
-
Retract
Orchestra & Percussion
Concert band
4,258
Jazz Ensemble
1,309
String Orchestra
1,279
Orchestra
995
Handbells
933
Brass ensemble
667
Marching band
446
Chamber Orchestra
383
Jazz combo
307
Percussion Ensemble
153
Drum (band part)
131
Drums
116
Percussion (band part)
102
Marimba
36
Vibraphone
29
Xylophone
27
2 Xylophones
23
Xylophone, Piano
23
Percussion
19
Timpani (band part)
18
Big band
11
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
10
School Ensemble
6
Timpani
5
Orchestra, Violin
4
Piano and Orchestra
4
Brass Quintet: other combinaisons
3
Vibraphone and Marimba
2
3 Marimbas
2
2 Marimbas
1
Xylophone (band part)
1
Voice and Orchestra
1
Bodhran
1
Conga
1
Snare drums
1
Marimba or Xylophone and Piano
1
Marimba, Piano (duet)
1
+ 32 instrumentations
-
Retract
Others
Musical course - Solfege
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Chamber Orchestra
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383 sheet music found
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1
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51
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376
When You Say Nothing At All
#
Chamber Orchestra
#
INTERMEDIATE
#
Country
#
Keith Whitley
#
Stephen M
#
When You Say Nothing At All
#
SMT Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Countr...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.749733 By Keith Whitley. By Don Schlitz and Paul Overstreet. Arranged by Stephen M. Taylor. Country. Score and parts. 18 pages. SMT Music #3536859. Published by SMT Music (A0.749733). When You Say Nothing at All is a country song written by Paul Overstreet and Don Schlitz. Keith Whitley first recorded it in 1988 and it hit NO. 1 on the Hot Country Singles Chart. In 1995 Allison Krausse and Union Station released it. It became her first solo top-10 country hit. Song definitely has legs ... I like the Keith Whitley version best. It's a nice Unity Candle song for weddings. My cousin requested it and so I did this arrangement for her singer which put it in lower key.. C major. If you want it for your wedding you can look for me at Sheet Music Plus or SMT Music in Louisville, KY. I can put up another version in your key on this website. This arr. is 2 1/2 min. in length. You can see our performance of it at https://www.youtube.com/watch?v=9XvgJr4JVpQ
$20.00
Young At Heart
#
Chamber Orchestra
#
INTERMEDIATE
#
101 Strings Orchestra
#
Matt Amy
#
Young At Heart
#
Matt Amy Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1444992 By 101 Strings Orchestra. By Carolyn Leigh and Johnny Richards. Arranged by Matt Amy. Broa...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1444992 By 101 Strings Orchestra. By Carolyn Leigh and Johnny Richards. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Jazz,Musical/Show,Pop. 41 pages. Matt Amy Music #1024861. Published by Matt Amy Music (A0.1444992). Key: G majorBPM: 82Style: BalladDuration: 2:41“ Ensemble type: Reduced OrchestraFull Recording (MIDI): Young at Heart (MIDI)Instrumentation- Vocal- 2 Flutes- Clarinet- 2 Flugelhorns- Trombone - Guitar- Piano- Bass- Drums- Harp- Violin 1- Violin 2- Viola- Cello- Contrabass Click the following link for more arrangements by Matt AmyContact Matt here
$75.00
At Last
#
Chamber Orchestra
#
INTERMEDIATE
#
Etta James
#
Daryl McKenzie
#
At Last
#
Daryl McKenzie
#
SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1103378 By Etta James. By Harry Warren and Mack Gordon. Arranged by Daryl McKenzie. Jazz,Soul,Stan...
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1103378 By Etta James. By Harry Warren and Mack Gordon. Arranged by Daryl McKenzie. Jazz,Soul,Standards. Score and Parts. 51 pages. Daryl McKenzie #706643. Published by Daryl McKenzie (A0.1103378). Female vocal and Small Pops Orchestra based on the Etta James version but extended to include an instrumental solo. Voice, Fl, Ob, Cl, Bsn, 2 FHn, 2 Trpt, 2 Trb, Timp, 2 Perc, Drums, Bass, Piano, Harp, Vln 1, Vln 2, Vla, Vcl, CB.Full audio demo: https://bit.ly/32Y3kq6Big Band (with optional strings) version and Full Pops Orchestra version also available: Search HereAudio demo: https://soundcloud.com/user-99505314/at-last More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$79.99
Turning Point At Midnight
#
Chamber Orchestra
#
ADVANCED
#
Don Hodell Chilcote
#
Don Hodell Chilcote
#
Turning Point At Midnight
#
Don Hodell Chilcote
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.779081 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Rock,Video Game,W...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.779081 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Film/TV,Rock,Video Game,World. Score and parts. 3 pages. Don Hodell Chilcote #6231317. Published by Don Hodell Chilcote (A0.779081). Turning Point At Midnight is for piano solo or ensemble. This is an original tune with a great funky vibe. The piece has a distinct and unique introduction, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. This is a sketch chart and there is some improvisation in it.
$2.99
Opus 174, A Prayer at Sickness, Psalm 121, for Choir & Chamber Orchestra (Score & Parts)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Henry Pool
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Opus 174, A Prayer at Sickness
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Viola Editions
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976403 Composed by Henry Pool. Jewish,Sacred. Score and parts. 54 pages. Viola Editions #6214253. ...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976403 Composed by Henry Pool. Jewish,Sacred. Score and parts. 54 pages. Viola Editions #6214253. Published by Viola Editions (A0.976403).
$21.60
Emma at school
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Chamber Orchestra
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INTERMEDIATE
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Aurelio Scotto
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Emma at school
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Aurelio Scotto
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1228143 Composed by Aurelio Scotto. Chamber,Children,Classical. Score and Parts. 81 pages. Aurelio...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1228143 Composed by Aurelio Scotto. Chamber,Children,Classical. Score and Parts. 81 pages. Aurelio Scotto #824262. Published by Aurelio Scotto (A0.1228143). For chamber orchestraScore and Parts.
$24.99
I Always Cry At Christmas
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Richard James Page
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Todd Sheehan
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I Always Cry At Christmas
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Todd Sheehan
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1301401 Composed by Richard James Page. Arranged by Todd Sheehan. Chamber,Christmas,Contemporary,J...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1301401 Composed by Richard James Page. Arranged by Todd Sheehan. Chamber,Christmas,Contemporary,Jazz,Pop. Score and Parts. 45 pages. Todd Sheehan #891030. Published by Todd Sheehan (A0.1301401). A beautiful, poignant, modern Christmas song. Written by Richard Page (2010). Chamber Orchestra: 0000 - 4331 - jazz pf - jazz bass - drs - str Solo Tenor Vocal.
$100.00
Love, At First Encounter
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Chamber Orchestra
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INTERMEDIATE
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Jonathan Kintz
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Love, At First Encounter
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Twin Suns Music Library
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1139776 Composed by Jonathan Kintz. Chamber,Christmas,Film/TV. Score and Parts. 20 pages. Twin Sun...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1139776 Composed by Jonathan Kintz. Chamber,Christmas,Film/TV. Score and Parts. 20 pages. Twin Suns Music Library #740052. Published by Twin Suns Music Library (A0.1139776).
$9.99
Reprise: Pure Imagination (at The Gates Of The Factory)
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Chamber Orchestra
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ADVANCED
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Anthony Newley and Leslie Bric
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Rich DeRosa
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Reprise: Pure Imagination
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Richard DeRosa
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1259824 Composed by Anthony Newley and Leslie Bricusse. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter. Score and Parts. 79 pages. Richard DeRosa #853102. Published by Richard DeRosa (A0.1259824). This dazzling arrangement is a great showcase for a vocalist, orchestra, and a contemporary rhythm section. The orchestral and keyboard instruments provide a magical texture supported with a Brazilian partido alto rhythm that adds a modern groove. The virtuosic vocal part encompasses a 2-octave range, a dynamic vocalese with the orchestra, and an opportunity to improvise during the closing section. This is best suited for advanced performers. The demo recording will be a useful guide for quicker preparation. Performance time is approximately 4:50.
$100.00
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
One Second to the Future - Guitar Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Ro...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Into the Stillness - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Christmas
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David Lantz and Words by Susan
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Into the Stillness - Score Onl
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1401322 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 14 pages. La...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1401322 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 14 pages. Lantz Choral Publications #887864. Published by Lantz Choral Publications (A0.1401322). 8.5 x 14 score-only version (no parts included) of the SAB anthem with words by Susan Bentall Boersma and music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SAB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SAB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.NOTE: This recording is that of the SATB version.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Passacaglic Conversations for Solo Percussion and Orchestra (Full Score)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Tony Matthews
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Passacaglic Conversations for
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Archway Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.945578 Composed by Tony Matthews. Contemporary. Score and parts. 42 pages. Archway Publications #6...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.945578 Composed by Tony Matthews. Contemporary. Score and parts. 42 pages. Archway Publications #6331845. Published by Archway Publications (A0.945578). A Short Percussion Concerto. A dialogue between the un-pitched percussion soloist at the pitched orchestra. A kind of pitched battle... Work was premiered at All Ears Festival in London, UK on the 27th September 2008Parts are available at:https://smppress.sheetmusicplus.com/p/manage-products/1008605Soloist : Gerard Rundle Orchestra:London Contemporary Chamber OrchestraConductor: Alan TaylorOriginally written, by request, for solo percussion. That version proved impossible to play. However, it seemed a shame to waste the material, so, this version was born. The melodic parts (vibraphone, marimba, glockenspiel) were used as the basis of the orchestral parts.Orchestral parts are available at:https://www.sheetmusicplus.com/title/21997631
$4.99
The First Noel - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Traditional English Carol
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David Lantz
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The First Noel - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1295597 Composed by Traditional English Carol. Arranged by David Lantz. Christmas,Contemporary,Sac...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1295597 Composed by Traditional English Carol. Arranged by David Lantz. Christmas,Contemporary,Sacred,Traditional. 23 pages. Lantz Choral Publications #885891. Published by Lantz Choral Publications (A0.1295597). 8.5 x 14 Score-only version (no parts included) of the David Lantz III (Lantz Choral Publications) arrangement of The First Noel for SATB voices, piano and optional chamber orchestra. For conductors who wish to have a larger score from which to conduct.• SATB octavo available at Sheet Music Direct and Sheet Music Plus.• Full arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.• Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
On Christmas Night All Christians Sing
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Chamber Orchestra
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INTERMEDIATE
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Sacred music
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Christmas
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Traditional English Carol
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David Lantz
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On Christmas Night All Christi
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296851 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. S...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1296851 Composed by Traditional English Carol. Arranged by David Lantz. Advent,Christmas,Sacred. Score and Parts. 16 pages. Lantz Choral Publications #886995. Published by Lantz Choral Publications (A0.1296851). 8.5 x 14 score-only version (no parts included) for use with the SSA octavo arranged by David Lantz III and published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.• SSA octavo available at Sheet Music Direct and Sheet Music Plus. • Full arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.• Orchstral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Awake! Arise! - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Christmas
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David Lantz and Words by Pamel
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Awake! Arise! - Score Only
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297516 Composed by David Lantz and Words by Pamela Stewart. Christmas,Sacred. 18 pages. Lantz Cho...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297516 Composed by David Lantz and Words by Pamela Stewart. Christmas,Sacred. 18 pages. Lantz Choral Publications #887559. Published by Lantz Choral Publications (A0.1297516). 8.5 x 14 Score-only version (no parts included) of the SATB anthem with words by Pamela Stewart and music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Windmill Song (for baritone and orchestra)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Gary Friedman
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Windmill Song
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. P...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.889888 Composed by Gary Friedman. Contemporary. Score and parts. 40 pages. Gary Friedman #14071. Published by Gary Friedman (A0.889888). This was written by invitation to be played by the San Francisco Civic Symphony at a ground-breaking ceremony for restoration of a windmill in Golden Gate Park in San Francisco. The original poem, set to music here was written by Lisa Yanover. It has been sung three times by John Kendall Bailey, once with orchestra, once with wind ensemble, and once with piano. To my knowledge the ceremony has yet to be held (as of January 2015). There are 3 offerings here at SheetMusicPlus. This one is for the orchestra score and parts, piano reduction, and baritone solo. Another, at $30 is for a wind ensemble substituting for the orchestra: score, parts, and baritone solo. The third is for piano reduction of the orchestra plus baritone solo at $5.00 Duration: 7 minutes Year: 2004.
$40.00
As With Gladness Men of Old - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Christmas
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Conrad Kocher, music and Willi
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David Lantz
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As With Gladness Men of Old -
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297903 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christma...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297903 Composed by Conrad Kocher, music and William Dix, words. Arranged by David Lantz. Christmas,Sacred. 20 pages. Lantz Choral Publications #887877. Published by Lantz Choral Publications (A0.1297903). 8.5 x 14 Score-only version (no parts included) of the SATB arrangement by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.  • SATB octavo available at Sheet Music Direct and Sheet Music Plus. • Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus. • Orchestra accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus. For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Sweet Child Divine - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Christmas
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David Lantz and Words by Susan
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Sweet Child Divine - Score Onl
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297241 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 19 pages. La...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297241 Composed by David Lantz and Words by Susan Bentall Boersma. Christmas,Sacred. 19 pages. Lantz Choral Publications #887315. Published by Lantz Choral Publications (A0.1297241). 8.5 x 14 score only version (no parts included) of the SATB octavo with words by Susan Bentall Boersma and Music by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SATB and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com
$7.99
Bring a Torch, Jeannette, Isabella - Score Only
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Chamber Orchestra
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INTERMEDIATE
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Christmas
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Traditional French Carol
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David Lantz
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Bring a Torch, Jeannette, Isab
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Lantz Choral Publications
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297093 Composed by Traditional French Carol. Arranged by David Lantz. Christmas,Sacred,Traditiona...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1297093 Composed by Traditional French Carol. Arranged by David Lantz. Christmas,Sacred,Traditional. 13 pages. Lantz Choral Publications #887195. Published by Lantz Choral Publications (A0.1297093). 8.5 x 14 Score-only version (no parts included) of the SSA arrangement by David Lantz III, published by Lantz Choral Publications. For conductors who wish to have a larger score from which to conduct.•SATB octavo available at Sheet Music Direct and Sheet Music Plus.•Full SSA and orchestral arrangement with score and parts available at Sheet Music Direct and Sheet Music Plus.•Orchestral accompaniment mp3 available at Sheet Music Direct and Sheet Music Plus.For comments and questions, please email me at davidlantziii@gmail.com.
$7.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
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