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Clarinet Quartet: 4 clarinets
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1
When I'm Sixty-four
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.5…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.554019 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Ray Thompson. Rock. 14 pages. RayThompsonMusic #6498559. Published by RayThompsonMusic (A0.554019). When I'm Sixty-Four is a song by the English rock band the Beatles, written by Paul McCartney (credited to Lennon–McCartney) and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs written by McCartney, who wrote it when he was 14. The song was recorded in a different key than the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets (two regular clarinets and one bass clarinet) throughout. I think I have made a fairly accurate transcription of the recording for standard clarinet quartet. 1st clarinet takes the melody throughout, and is joined in verse 3 with another clarinet Clarinets 2 and 3 mostly sustain, but take the counter melody in the choruses. Bass provides a steady rhythm throughout. Fun for every player. Enjoy. Â
$14.99
13.85 €
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Clarinet Quartet: 4 clarinets
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The Beatles
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When I'm Sixty-four
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RayThompsonMusic
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SheetMusicPlus
When I'm Sixty-four
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Digital Download SKU: A0.899586 By Th…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Digital Download SKU: A0.899586 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Jeff Schiller. Rock. 20 pages. Houndogschiller Music #4610383. Published by Houndogschiller Music (A0.899586). Fun arrangement of the McCartney/Lennon classic.
$50.00
46.19 €
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Clarinet Quartet: 4 clarinets
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The Beatles
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When I'm Sixty-four
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Houndogschiller Music
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SheetMusicPlus
When I'm Sixty-four
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.102652…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.1026528 By The Beatles. By John Lennon, John Winston Lennon, Paul James Mccartney, and Paul McCartney. Arranged by Patrick Thyst. Rock. 11 pages. Purple Publications #6630631. Published by Purple Publications (A0.1026528). This arrangement is in the original recorded key, although this was then increased in speed and pitch to sound a semitone higher at the request of McCartney to better suit his voice. Throughout the piece all the quavers should be played in a swing styleand any player can take the improvised solos with the others playing the backings.
$14.99
13.85 €
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Clarinet Quartet: 4 clarinets
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The Beatles
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When I'm Sixty-four
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Purple Publications
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SheetMusicPlus
Without Love, We Have Nothing
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.727935…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.727935 Composed by James Michael Stevens and Joseph M. Martin. Arranged by Emily Gray. Contemporary. 16 pages. Emily Gray #6606585. Published by Emily Gray (A0.727935). Without Love, We Have Nothing ( ë‚´ê°€ ì²œì‚¬ì˜ ë§ í•œë‹¤ í•´ë„ ) is a much-loved song by James M. Stevens and Joseph Martin.This arrangement is for clarinet quartet (three B-flat clarinets and bass clarinet.)This edition includes score and all parts.
$19.99
18.47 €
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Clarinet Quartet: 4 clarinets
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James Michael Stevens and Joseph M
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Without Love, We Have Nothing
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Emily Gray
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SheetMusicPlus
Guthrie: The Christmas Clarinet Quartet Book - Concert Edition
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1465834 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Standards. 272 pages. Jmsgu3 #1044430. Published by jmsgu3 (A0.1465834). Christmas Clarinet Quartet Book: Concert EditionO Come, O Come, Emmanuel (Veni, veni Emmanuel)Lo, He Comes with Clouds Descending (Helmsley) Joy to the World (Antioch)It Came Upon a Midnight Clear (Carol)Lo, How a Rose E’er Blooming (Es ist ein Ros)Angels We Have Heard on High (Gloria)God Rest Ye Merry, Gentlemen (God Rest You Merry)What Child is This? (Greensleeves)In Sweet Rejoicing (In Dulci Jubilo) Hark! the Herald Angels Sing (Mendelssohn)Let Them Sing Today (Personet hodie)The First Noel At the Lamb’s High Feast, We Sing (Salzburg) We Three Kings (Three Kings of Orient)O Come, All Ye Faithful (Adeste Fidelis) O Little Town of Bethlehem (St. Louis)Away in a Manger (Mueller)Silent Night (Stille Nacht)Auld Lang Syne We Wish You a Merry Christmas.
$49.95
46.14 €
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Clarinet Quartet: 4 clarinets
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Traditional
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Guthrie: The Christmas Clarinet Quartet Book - Concert Edition
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jmsgu3
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SheetMusicPlus
Bach: Partita No. 1 BWV 825 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1435016 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 45 pages. Jmsgu3 #1015109. Published by jmsgu3 (A0.1435016). BACH: Partita No. 1 BWV 825. Contents: Praeludium, Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue. Johann Sebastian Bach's Partita No. 1 in B-flat Major, BWV 825, is a highly significant and influential work for several reasons: It is part of Bach's monumental Clavier-Übung (Keyboard Practice), a collection of some of his greatest keyboard works published in 1731. The Partitas were groundbreaking compositions demonstrating Bach's mastery of counterpoint, harmony, and keyboard technique. Bach referred to the Partitas as his Opus 1, indicating their importance as his first major published keyboard work aimed at refreshing the spirits of music lovers. The Partita No. 1 was the first of the set, published in 1726 and dedicated to a newborn prince. The work expanded the traditional Baroque Partita form by adding a Prelude and two Minuets, showcasing Bach's innovative compositional approach. Each dance movement is a masterful example of its style, from the virtuosic Praeludium and Gigue to the expressive Sarabande. It profoundly influenced subsequent composers and established Bach as a keyboard music pioneer. The Partitas' technical demands and musical depth set new standards for the genre. So, Bach's Partita No. 1 is a seminal work that exemplifies his genius as a composer, innovator, and keyboard master, making it one of the most important compositions in the Baroque era and the history of Western music.
$42.95
39.68 €
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Clarinet Quartet: 4 clarinets
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Johann Sebastian Bach
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Bach: Partita No. 1 BWV 825 for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 75 pages. Jmsgu3 #1015958. Published by jmsgu3 (A0.1435859). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries and other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95
39.68 €
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Clarinet Quartet: 4 clarinets
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Johann Sebastian Bach
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Bach: Partita No. 2 BWV 826 for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Bach: Partita No. 3 BWV 827 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1439145 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 70 pages. Jmsgu3 #1019169. Published by jmsgu3 (A0.1439145). BACH: Partita No. 3 BWV 827 Contents: Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue. Bach's Partita No. 3 in A minor, BWV 827, is an essential work in the composer's output for keyboard instruments. Here are some key points about this piece: It is one of the six partitas that Bach composed for harpsichord or clavichord, regarded as pinnacles of Baroque keyboard music. The Partita No. 3 consists of seven movements following the traditional partita structure: Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. The Burlesca movement is particularly notable, featuring rapid hand-crossing and a lively, humorous character unusual for Bach's works. The Sarabande movement is considered one of Bach's most profound and expressive, with its rich harmonies and emotional depth. The final Gigue is a tour de force of contrapuntal writing, with multiple melodic lines interwoven in a lively dance rhythm. With the other partitas, BWV 827 demonstrates Bach's mastery of various dance forms and his ability to elevate them into profound artistic statements. So, in summary, Bach's Partita No. 3 stands out for its structural complexity, emotional range, and virtuosic demands, cementing its place among the composer's most outstanding keyboard achievements.
$42.95
39.68 €
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Clarinet Quartet: 4 clarinets
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Johann Sebastian Bach
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Bach: Partita No. 3 BWV 827 for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Bach: Partita No. 4 BWV 828 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1439906 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 110 pages. Jmsgu3 #1019854. Published by jmsgu3 (A0.1439906). BACH: Partita No. 4 BWV 828 Contents: Overture, Allemande, Courante, Aria, Sarabande, Menuet, Gigue. Bach's Partita No. 4 in D major, BWV 828, is an essential work for several reasons: It is part of Bach's Clavier-Übung I, a collection of keyboard suites that he published in the last 25 years of his life as a musical testament to convey his vision of music-making and composing. Unlike his earlier English and French suites, the Partitas in this collection are more severe, focusing on polyphonic structures that actively involve both the listener and performer. The Partita consists of seven movements, all in the key of D major, structured around Renaissance dance forms such as the allemande, courante, sarabande, minuet, and gigue. This instrumentation captures both the original medium for these dance sets as well as the Baroque style of Bach. Bach was well aware of his abilities as a composer, and he deliberately published these works with future generations in mind. The Partitas represent Bach's mature approach to keyboard composition, where he was less interested in dance rhythms and more focused on creating complex polyphonic structures. Overall, Partita No. 4 is an essential work in Bach's keyboard oeuvre, as it showcases his mastery of form and counterpoint while also reflecting his desire to create music that would endure.
$42.95
39.68 €
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Clarinet Quartet: 4 clarinets
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Johann Sebastian Bach
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Bach: Partita No. 4 BWV 828 for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Bach: Partita No. 6 BWV 830 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1441105 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 112 pages. Jmsgu3 #1021059. Published by jmsgu3 (A0.1441105). BACH: Partita No. 6 BWV 830 Contents: Toccata, Allemande, Courante, Air, Sarabande, Gavotta, Gigue. The Partita No. 6 is the last and most complex of Bach's six partitas published as part of his Clavier-Übung I. It is considered Bach's greatest suite and the crowning work of the set, featuring some of the most dramatic and ambitious writing in his keyboard repertoire. The partita consists of seven movements, all in the key of E minor. It opens with a lengthy and virtuosic toccata-like movement, followed by an allemande, corrente, sarabande, tempo di gavotta, gigue, and an air. The sarabande movement is renowned, described as a pure lamento and perhaps the most intensely expressive piece in all of Bach's works for harpsichord. The final gigue movement returns to the very origins of the French suite itself with an archaic yet modern style. Overall, Partita No. 6 is the pinnacle of Bach's keyboard suite compositions, showcasing his mastery of counterpoint, virtuosity, and emotional expression.
$42.95
39.68 €
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Clarinet Quartet: 4 clarinets
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Johann Sebastian Bach
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Bach: Partita No. 6 BWV 830 for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Bach: Partita No. 5 BWV 829 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1440611 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 88 pages. Jmsgu3 #1020584. Published by jmsgu3 (A0.1440611). J. S. BACH: Partita No. 5 BWV 829 Contents: Praeambulum, Allemande, Courante, Aria, Sarabande, Menuet, Passepied, Gigue. Bach's Partita No. 5 in G major, BWV 829, is an essential work for several reasons: The Partitas, including BWV 829, were among the last keyboard suites composed by Bach and are his most technically demanding. They were published individually starting in 1726, then collected together as Clavier-Übung I in 1731, the first of Bach's works published under his direction. Partita No. 5 in G major, BWV 829, is particularly notable for its free-ranging structure, unlike the strictly organized English and French Suites. Additionally, the tonalities of the six Partitas form a deliberate sequence of intervals going up and down, with Partita No. 5 in G major completing this tonal scheme. This intervallic sequencing suggests Bach carefully structured the collection as a cohesive whole. Finally, Partita No. 5 is considered an exercise in spiritual delight for its technical demands and expressive qualities. It is one of the repertoire's most famous and challenging keyboard suites.
$42.95
39.68 €
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Clarinet Quartet: 4 clarinets
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Johann Sebastian Bach
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Bach: Partita No. 5 BWV 829 for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Guthrie: Sonata for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.547926…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.547926 Composed by James M. Guthrie. 20th Century,Contemporary. 92 pages. Jmsgu3 #3080447. Published by jmsgu3 (A0.547926). Duration: 18:23Score: 44 pagesIn Three Movements:Â 1. Dialogues2. Elegy3. RondeauIncludes score and parts, all clarinet parts in Bb.
$32.95
30.44 €
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Clarinet Quartet: 4 clarinets
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James M
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Guthrie: Sonata for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95
36.91 €
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Clarinet Quartet: 4 clarinets
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Johann Sebastian Bach
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Bach: Wachet auf for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.14 €
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Clarinet Quartet: 4 clarinets
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Guillaume de Machaut, 1300-1377
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Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
69.24 €
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Clarinet Quartet: 4 clarinets
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Guillame de Machaut, 1300-1377
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Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.44 €
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Clarinet Quartet: 4 clarinets
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Solage
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Solage: Le basile for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Solage: Plusers gens voy for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1268995 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861529. Published by jmsgu3 (A0.1268995). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
23.05 €
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Clarinet Quartet: 4 clarinets
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Solage
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Solage: Plusers gens voy for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Guthrie: The Clarinet Choir Christmas Book
Clarinet Quartet: 4 clarinets
Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas, Instruction…
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Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas, Instructional, Standards. 65 pages. Jmsgu3 #4780799. Published by jmsgu3
$34.95
32.29 €
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Clarinet Quartet: 4 clarinets
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Traditional
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Guthrie: The Clarinet Choir Christmas Book
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jmsgu3
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SheetMusicPlus
Beethoven: Sonata Op. 49 No. 2 for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. C…
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Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 51 pages. Published by jmsgu3
$49.95
46.14 €
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Clarinet Quartet: 4 clarinets
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Ludwig van Beethoven
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Beethoven: Sonata Op. 49 No. 2 for Clarinet Quartet
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SheetMusicPlus
Enemy
Clarinet Quartet: 4 clarinets
Woodwind Quartet Clarinet - Level 2 - Digital Download By Imagine Dragons X Jid. By Benj…
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Woodwind Quartet Clarinet - Level 2 - Digital Download By Imagine Dragons X Jid. By Benjamin Arthur Mckee, Daniel Coulter Reynolds, Daniel James Platzman, Daniel Wayne Sermon, Justin Tranter, Mattias Larsson, and Robin Fredriksson. Arranged by Márcio Moreira Júnior. Contemporary, Film/TV, Hip- Hop, Pop, R and B, Rock. 9 pages. Márcio M. Júnior #175455. Published by Márcio M. Júnior
$13.00
12.01 €
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Clarinet Quartet: 4 clarinets
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Imagine Dragons X Jid
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Enemy
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Márcio M. Júnior
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SheetMusicPlus
Chim Chim Cher-ee from Walt Disney's MARY POPPINS clarinet quartet version
Clarinet Quartet: 4 clarinets
By Richard M. Sherman. Arranged by James Pybus. Score, Set of Parts. 14 pages. Published b…
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By Richard M. Sherman. Arranged by James Pybus. Score, Set of Parts. 14 pages. Published by James Pybus (H0.183813-131980). - Score,Set of Parts - - James Pybus
Chim Chim Cher-ee isa song from Mary Poppins, the 1964 musical motionpicture. It was originally sung by Dick Van Dyke and Julie Andrews, and also is featured in the Cameron Mackintosh/Disney Mary Poppins musical. The song won the 1964 Academy Award for Best Original Song. It was inspired by one of the drawings ofa chimney sweep created by Mary Poppins' screenwriter,Don DaGradi. When asked about the drawing by the Sherman Brothers, DaGradiexplained the ancient British folklore attributed to "sweeps" and howshaking hands with one could bring a person good luck. Thisarrangement is for Clarinet Quartet (3 soprano clarinets plus bass clarinet).
$15.00
13.86 €
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Clarinet Quartet: 4 clarinets
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Richard M
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Chim Chim Cher-ee from Walt Disney's MARY POPPINS clarinet quartet version
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James Pybus
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SheetMusicPlus
Four for Four - A Barbershop Medley for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782318…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782318 Composed by Various. Arranged by James Haynor. 20th Century,A Cappella. 21 pages. James Haynor #5023221. Published by James Haynor (A0.782318). Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Four for Four - A Barbershop Medley, scored here for clarinet quartet, visits seven popular tunes. Included in this medley are: Sweet Adeline, Peg O’ My Heart, The Darktown Strutter’s Ball, I Dream of Jeanie, Margie, M-O-T-H-E-R and K-K-K-Katy. ( Duration 6:15 )
$10.00
9.24 €
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Clarinet Quartet: 4 clarinets
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Various
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Four for Four - A Barbershop Medley for Clarinet Quartet
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James Haynor
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SheetMusicPlus
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