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Flute Quintet : 5 flutes
Sheetmusic to print
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Hard To Say I'm Sorry
Flute Quintet : 5 flutes
Flute Quintet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1269317 …
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Flute Quintet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1269317 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 21 pages. Sean Sullivan #861842. Published by Sean Sullivan (A0.1269317). Get ready to be transported back to the 80s with the quintet arrangement of Chicago's hit song Hard to Say I'm Sorry! Beautifully arranged for five flutes, this timeless classic showcases the sweet and soulful sound of the flute. With each member of the quintet working together in perfect harmony, this arrangement is sure to impress and delight both fans of Chicago and those new to the beloved band's music. Don't miss out on this must-have addition to any flute quintet's repertoire!
$15.99
14.77 €
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Flute Quintet : 5 flutes
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Chicago
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Hard To Say I'm Sorry
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Sean Sullivan
#
SheetMusicPlus
Hard To Say I'm Sorry
Flute Quintet : 5 flutes
Woodwind Ensemble,Woodwind Quintet Flute - Level 4 - Digital Download SKU: A0.855578
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Woodwind Ensemble,Woodwind Quintet Flute - Level 4 - Digital Download SKU: A0.855578 By Az Yet featuring Peter Cetera. By David Babyface Foster and Peter Cetera. Arranged by Takahiro Sakuma. Contemporary. 13 pages. Takahiro Sakuma #5806733. Published by Takahiro Sakuma (A0.855578). It's for 4 Flutes. 1st has a wide range: 3 Oct(C1-C4) Other parts aren't very difficult. PDF File, A4 size, score 5 pages, each part 2 pages, total 13 pages
$12.99
12 €
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Flute Quintet : 5 flutes
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Az Yet featuring Peter Cetera
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Hard To Say I'm Sorry
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Takahiro Sakuma
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SheetMusicPlus
Vivo ego dicit Dominus (I am alive says the Lord) for flute quintet
Flute Quintet : 5 flutes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.579390 Composed by Lud…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.579390 Composed by Ludwig Senfl. Arranged by David Warin Solomons. Baroque,Classical,Easter,Renaissance. 14 pages. David Warin Solomons #3024491. Published by David Warin Solomons (A0.579390). Instrumental arrangement of a motet by the Swiss composer Ludwig Senfl.
$8.00
7.39 €
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Flute Quintet : 5 flutes
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Ludwig Senfl
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Vivo ego dicit Dominus
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David Warin Solomons
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Flute Quintet : 5 flutes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.86 €
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Flute Quintet : 5 flutes
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Antonin Dvorak
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Largo
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Regis Bookshar
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SheetMusicPlus
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