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Debussy L 9
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1
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestra
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.05 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestra
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.05 €
#
Orchestra
#
Claude Debussy
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Easy Piano
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically
bringing my Debussy works to public attention in their solo piano formats, both through his recent
recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are
true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores
(like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral
versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world
première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording):
[After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap-
pears once again where the clock should be ? briefly
$19.95
18.39 €
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Easy Piano
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bruyeres (from Préludes / Book 2, L. 123:5) - As played By Víkingur Ólafsson
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.597507 By Claude Debussy and VÃk…
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Piano Solo - Level 3 - Digital Download SKU: A0.597507 By Claude Debussy and VÃkingur Ólafsson. By Claude Debussy. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #6331203. Published by Flavio Regis Cunha (A0.597507). Are you an aspiring pianist looking for that special piece to bring out your technical and artistic abilities? Look no further – VÃkingur Ólafsson's interpretation of Claude Debussy's 'Bruyeres' (from Préludes / Book 2, L. 123:5) is sure to impress!  With its graceful melodies, beautiful ambiance and intricate form, it's easy to see why 'Bruyeres' remains one of Debussy's most beloved pieces. Now you can take your skill as a pianist to the next level with VÃkingur Ólafsson's performance of the work – and share his mesmerising journey through the music.  Easy to read and follow, use the sheet music to dazzle your friends and bring Debussy's 'Bruyeres' into your own practice room. Order now and find out why this is a must-have for amateurs and professionals alike!Advanced Intermediate Level.Format: Concert 9 x 12 inches.5 Pages.Program NotesBruyeres is a short musical composition for solo piano written by the French composer Claude Debussy. It is one of the pieces included in his second book of Préludes, and is marked Allegretto ma non troppo. This piece has been described as “Pastoraleâ€, due to its innocent melodic lines and its depictions of a rural landscape. The piece begins with a rather dreamy, wistful melody. From there, the piece develops as it moves into more complex harmonic shapes, and its energy increases with the building little rhythms. By the end, the music has worked its way into a dynamic and exciting climax. This piece is a great example of Debussy’s masterful skill in transforming ordinary sounds into something larger and more beautiful; something that truly captures the emotion of being in a field of heather.
$5.99
5.52 €
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Piano solo
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Claude Debussy and VÃkingur Ólafsson
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Bruyeres
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Flavio Regis Cunha
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SheetMusicPlus
Claude Debussy - Images Series I (L. 110) 1. Reflets dans l'eau - Original For Piano Solo
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1372450 Composed by Claude Debussy.…
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Piano Solo - Level 4 - Digital Download SKU: A0.1372450 Composed by Claude Debussy. Arranged by poon. Classical. Score. 9 pages. Poon #956753. Published by poon (A0.1372450). Claude Debussy - Images Series I (L. 110) 1. Reflets dans l'eau - Original For Piano Solo.
$1.99
1.83 €
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Piano solo
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Claude Debussy
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Claude Debussy - Images Series I
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poon
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SheetMusicPlus
Debussy-Apparition,in E Major,CD 57;L.53,for Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.675623 Composed by Achille-C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.675623 Composed by Achille-Claude Debussy. Arranged by Open Cloud. Classical,Romantic Period. Score. 9 pages. Open Cloud #6676139. Published by Open Cloud (A0.675623). This product is a digital sheet music in PDF format. The music was composed by Debussy (Achille-Claude Debussy), 1862-1918,for Voice and Piano, published by More Sheet Music Press.
$7.99
7.37 €
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Piano, Voice
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Achille-Claude Debussy
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Debussy-Apparition,in E Major,CD 57;L.53,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Debussy-De Fleurs(Dans l'ennui si désolément vert),in C Major,CD 90 No.3(L.84 No.3)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1387591 Composed by Achille-…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1387591 Composed by Achille-Claude Debussy. Arranged by OSM Press. Classical. Score. 9 pages. Open Cloud #971448. Published by Open Cloud (A0.1387591).
$7.99
7.37 €
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Piano, Voice
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Achille-Claude Debussy
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Debussy-De Fleurs(Dans l'ennui si désolément vert),in C Major,CD 90 No.3(L.84 No.3)
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Open Cloud
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SheetMusicPlus
ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790109 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century. Score. 9 pages. Diamond S Music #3622501. Published by Diamond S Music (A0.790109). ARABESQUE No.2 (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.15 €
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Piano solo
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Claude Debussy
#
No
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ARABESQUE No.2
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Diamond S Music
#
SheetMusicPlus
ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. …
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Piano Solo - Level 4 - Digital Download SKU: A0.790108 Composed by Claude Debussy. Arranged by Diamond S Music. 20th Century,Concert. Score. 9 pages. Diamond S Music #3622487. Published by Diamond S Music (A0.790108). ARABESQUE No.1 in E Major (from Deux Arabesques) by CLAUDE DEBUSSY for PIANO SOLO. This contains ONLY Arabesque No.1. The Two Arabesques, L. 66, is a pair of arabesques composed for piano by Claude Debussy when he was still in his twenties, between the years 1888 and 1891. These are a favorite of intermediate and advanced pianist alike. No.1 in E major begins with the familiar impressionistic cascading arpeggios. No. 2 in G major being with lively right hand trills in a style more closely resembles some of Debussy's later works. Arabesques No.1 & No. 2 can also be purchased separately or Both together in the set. Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$4.50
4.15 €
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Piano solo
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Claude Debussy
#
No
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ARABESQUE No.1 in E Major
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Diamond S Music
#
SheetMusicPlus
Debussy: Children's Corner No.2 "Jimbo's Lullaby" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553168 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 9 pages. RayThompsonMusic #2027003. Published by RayThompsonMusic (A0.553168). The 2nd piece in Debussy's Children's Corner. This work describes an elephant, Jumbo, who came from the French Sudan and lived briefly in the Jardin des Plantes in Paris around the time of Debussy's birth. Debussy quotes the French lullaby Do, do, l'enfant do, several times in the course of the piece.
$11.95
11.02 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Claude Debussy
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Debussy: Children's Corner No.2 "Jimbo's Lullaby" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/R…
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Piano Solo - Level 3 - Digital Download SKU: A0.534658 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. Score. 9 pages. Musik Fabrik Music Publishing #5732669. Published by Musik Fabrik Music Publishing (A0.534658). This is the piano solo reduction of Debussy’s Wagnerian opera Rodrigue et Chimène (1890–93) which has had quite a few orchestral performances. Here the work is completed by Robert Orledge with a new concert ending.
$10.35
9.54 €
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Piano solo
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Claude Debussy/Robert Orledge
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Claude Debussy: Rodrigue et Chimène: Prélude à l'Acte 1 for solo piano, completed by Robert Orledge
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy - Clair de lune (Moonlight) - lead sheet
C Instruments
C Instrument - Digital Download SKU: A0.720923 Composed by Claude Debussy. Arranged…
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C Instrument - Digital Download SKU: A0.720923 Composed by Claude Debussy. Arranged by Andre Maaker. 20th Century,Classical,Romantic Period,Wedding. Lead Sheet / Fake Book. 2 pages. SheetMusicHub #329286. Published by SheetMusicHub (A0.720923). This is a lead sheet style (melody, chords, form) notation of Clair de lune (Moonlight) by Claude Debussy. Lead sheet by Andre Maaker. From Wikipedia: Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano. The third movement of Suite bergamasque is Clair de lune, in D♠major. It is written in 9/8 meter and marked andante très expressif. Its title, which means moonlight in French, is taken from Verlaine's poem Clair de lune.
$4.00
3.69 €
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C Instruments
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Claude Debussy
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Claude Debussy - Clair de lune
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SheetMusicHub
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SheetMusicPlus
Debussy-De Soirs(Dimanches sur les villes),in g sharp minor,CD 90 No.4(L.84 No.41)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1387588 Composed by Achille-…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1387588 Composed by Achille-Claude Debussy. Arranged by OSM Press. Classical. Score. 9 pages. Open Cloud #971445. Published by Open Cloud (A0.1387588).
$7.99
7.37 €
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Piano, Voice
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Achille-Claude Debussy
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Debussy-De Soirs(Dimanches sur les villes),in g sharp minor,CD 90 No.4(L.84 No.41)
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Open Cloud
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SheetMusicPlus
Hommages IV. L'océan {The Ocean}
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 40 pages. David Fraser #968434. Published by David Fraser (A0.1384073). The fourth piece David Fraser wrote, â??L'océan' {The Ocean}, dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.This is the full version of â??L'océan' which is the fourth piece from 'Hommages: Suite pour le Piano'. 40 pages. ISMN 979-0-800277-00-9.
$9.99
9.21 €
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Piano solo
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David Fraser
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Hommages IV. L'océan {The Ocean}
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David Fraser
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SheetMusicPlus
Elegy
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'OZ - Digital (ZZ.DZ-4276). ISBN 9782898521935.Elegy' is a homage to the influential 20thC English composer John W. Duarte (1919-2004). Elegy does not reflect the compositional style of Duarte, but rather is an acknowledgement of his editorial publication for Chester Music (1984) of 'Homenaje pour le Tombeau de Claude Debussy', composed by Manual de Falla (1920). Consequently, 'Elegy' adopts the compositional style of the Habanera. I first met John W. Duarte in 1990, at the Wirral International Guitar Festival and it was on this occasion that he shared with me advice about composing for guitar. Subsequently, thereafter I met him several times at the same event and was always struck by his enthusiasm to generously share his knowledge about music. In 2020 I was honoured to be asked, by JWD's son, Chris Duarte, to edit some previously unpublished works written by his father - works that are now also published by Les Productions d'OZ.Elegy has been recorded by the Argentinian guitarist Daniela Rossi on Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.« Elegy » est un hommage à l'influent compositeur anglais du XXe siècle, John W. Duarte (1919-2004). L'élégie ne reflète pas le style de composition de Duarte, mais plutôt une reconnaissance de sa publication éditoriale pour Chester Music (1984) de « Homenaje pour le Tombeau de Claude Debussy », composé par Manual de Falla (1920). Par conséquent, « Elegy » adopte le style de composition de la Habanera.J'ai rencontré John W. Duarte pour la première fois en 1990, au Wirral International Guitar Festival et c'est à cette occasion qu'il m'a partagé des conseils sur la composition pour guitare. Par la suite, je l'ai rencontré à plusieurs reprises lors d'un même événement et j'ai toujours été frappé par son enthousiasme à partager généreusement ses connaissances en matière de musique. En 2020, j'ai eu l'honneur d'être invité par le fils de JWD, Chris Duarte, à éditer des œuvres inédites écrites par son père - œuvres qui sont désormais également publiées par Les Productions d'OZ.Elegy a été enregistré par la guitariste argentine Daniela Rossi sur Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.
$5.95
5.49 €
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Mark Houghton
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Elegy
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Les Productions d'OZ - Digital
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SheetMusicPlus
A Well-Tempered Reader Vol. 1: Int. to Adv.
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1104260 Composed by J. S. Bach, F. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1104260 Composed by J. S. Bach, F. Haydn, W. Mozart, L. V. Beethoven, F. Chopin, C. Chaminade, et al. Arranged by Bo Kim. 19th Century,20th Century,Classical,Contemporary,Instructional. Score. 83 pages. Bo Kim #707462. Published by Bo Kim (A0.1104260). A collection of timeless piano repertoire in public domain, the entire Major and Minor keys are covered in the volume. Included are some of the most popular piano pieces as well as hidden jewels by lesser-known artists such as Chaminade, Cui, Durand, and more. Table of Contents: Divertimento in C Major, Hob. XVI:1 by F. Haydn, P.2 Für Elise in A Minor by L.V. Beethoven, P. 5 Pastoral Enfantine by C. Chaminade, P. 8 Selections in E Minor from For Children by B. Bartok, P. 12 Spinning Song in F Major by A. Ellmenreich, P. 14 The Storm in D Minor from Etudes Op. 109 by F. Burgmuller, P. 17 Gymnopedie in D Major by E. Satie, P. 19 Waltz in B Minor, D. 145 by F. Schubert, P. 23 Nocturne in Bb Major by J. Field, P. 24 Selections in G Minor from For Children by B. Bartok, P. 26 The Floating Scarf in A Major by F. Couperin, P. 28 Album Leaf in F# Minor by E. Chabrier, P. 31 Waltz in Eb Major, Op.83 by A. Durand, P. 35 Prelude in C Minor, BWV 999 by J. S. Bach, P. 42 Arabesque in E Major by C. Debussy, P. 44 Odeon in C# Minor by E. Nazareth, P. 49 Canzonetta in Ab Major by C. Cui, P. 52 Moment Musical in F Minor, D. 780 No. 3 by F. Schubert, P. 54 Prelude B Major, Op. 22, No. 3 by A. Scriabin, P. 56 The Old Castle in G # Minor from Pictures At An Exhibition by M. Mussorgsky, P. 58 Waltz in Db Major, Op. 64, No. 1 by F. Chopin, P. 62 Nocturne in Bb Minor, Op. 9, No. 1 by F. Chopin, P. 66 Klavierstück in F# Major by F. Liszt, P. 70 In Der Heimat in D# Minor, Op. 43 No. 19 by E. Grieg, P. 72 Girl With Flaxen Hair in Gb Major by C. Debussy, P. 74 Puck in Eb Minor by E. Grieg, P. 76 Prelude in C# Major from WTC I by J. S. Bach, P. 79 Etude in Ab Minor, Op. 139 No. 92 by C. Czerny, P. 81https://youtube.com/playlist?list=PL5JDypjUjmw0YyJdyz6UtWoQSzQVDVQvR.
$10.00
9.22 €
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Piano solo
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J
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A Well-Tempered Reader Vol. 1: Int. to Adv.
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Bo Kim
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SheetMusicPlus
Hommages and Prelude No. 1
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.65 €
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Piano solo
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Clair de Lune - Flute and Piano
Flute and Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.721276 Composed by Claude Debussy.…
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Flute,Piano - Level 4 - Digital Download SKU: A0.721276 Composed by Claude Debussy. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 9 pages. Music-Scores.com #4286877. Published by Music-Scores.com (A0.721276). Clair de Lune, the 3rd movement from Suite Bergamasque, depicts the light of the moon. Sometimes mystical, sometimes stirring, and always atmospheric. About 4 minutes.For Flute and Piano.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
6.41 €
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Flute and Piano
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Claude Debussy
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Clair de Lune - Flute and Piano
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Music-Scores.com
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SheetMusicPlus
Clair de Lune - Clarinet & Piano
Clarinet and Piano
Clarinet,Piano - Level 4 - Digital Download SKU: A0.721277 Composed by Claude Debus…
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Clarinet,Piano - Level 4 - Digital Download SKU: A0.721277 Composed by Claude Debussy. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 9 pages. Music-Scores.com #4286879. Published by Music-Scores.com (A0.721277). Clair de Lune, the 3rd movement from Suite Bergamasque, depicts the light of the moon. Sometimes mystical, sometimes stirring, and always atmospheric. For Clarinet and Piano.About 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
6.41 €
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Clarinet and Piano
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Claude Debussy
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Clair de Lune - Clarinet & Piano
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Music-Scores.com
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SheetMusicPlus
Clair de Lune - Tenor Sax and Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.721271 Composed by Claud…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.721271 Composed by Claude Debussy. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score and part. 9 pages. Music-Scores.com #4286825. Published by Music-Scores.com (A0.721271). Clair de Lune, the 3rd movement from Suite Bergamasque, depicts the light of the moon. Sometimes mystical, sometimes stirring, and always atmospheric. In D major, a lower key.For Tenor Sax and Piano.About 4 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$6.95
6.41 €
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Tenor Saxophone and Piano
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Claude Debussy
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Clair de Lune - Tenor Sax and Piano
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Music-Scores.com
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SheetMusicPlus
Nachmittag eines Pfaus für Flöte solo (Afternoon of A Peacock for Solo Flute)
Flute Solo - Level 3 - Digital Download SKU: A0.1510820 Composed by Claus Woschenko…
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Flute Solo - Level 3 - Digital Download SKU: A0.1510820 Composed by Claus Woschenko (* 1979). 21st Century,Classical,Contemporary. Individual part. 9 pages. Claus Woschenko #1086026. Published by Claus Woschenko (A0.1510820). Claus Woschenko - Afternoon of A Peacock for Solo Flute (2021)Claus Woschenko - Nachmittag eines Pfaus für Flöte solo (2021)keywords: Debussy, Prélude à l’après-midi d’un faune.
$10.00
9.22 €
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Claus Woschenko
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Nachmittag eines Pfaus für Flöte solo
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Claus Woschenko
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SheetMusicPlus
Jimbo's Lullaby - Euphonium and Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.721263 Composed by Claude Debu…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.721263 Composed by Claude Debussy. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Wedding. Score and part. 9 pages. Music-Scores.com #4281743. Published by Music-Scores.com (A0.721263). Jimbos Lullaby, from Childrens Corner, is an atmospheric piece which sounds just like its name. This contains Euphonium parts in treble or bass clefs.For Euphonium and Piano.Duration 3 to 4 minutesArranged by Anne Christopherson at www.music-scores.com
$6.95
6.41 €
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Euphonium, Piano (duet)
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Claude Debussy
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Jimbo's Lullaby - Euphonium and Piano
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Music-Scores.com
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SheetMusicPlus
The Lark in the Clear Air Suite (12-Songs )Flute+Piano
Flute
Flute Solo - Level 2 - Digital Download SKU: A0.922749 Composed by Claude Achille D…
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Flute Solo - Level 2 - Digital Download SKU: A0.922749 Composed by Claude Achille Debussy etc. Arranged by Hiro Fujikake. Contemporary. Individual part. 82 pages. Mari Suzuki #6247129. Published by Mari Suzuki (A0.922749). 502 The Lark in the Clear Air Suite (12-Songs )Flute+PianoFlute+PianoSongs for the album The Lark in the Clear Air with Sir James Galway.Arranged by Hiro Fujikake(82 pages incl. front page and instruction)1. The Lark In The Clear Air()2. Albinoni’s Adagio3. The Swan4. Gymnopedy No.15. Lyric Pieces, Op. 54: Notturno6. Romance from The Gadfly7. Plaisir d’amour8. Last Spring, Op. 34, No. 29. Flute Sonata No.2: Siciliano10. Serenade, Op. 3, No. 511. The Little Shepherd12. Prélude à l’après-midi d’un faune
$65.00
59.92 €
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Flute
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Claude Achille Debussy etc
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The Lark in the Clear Air Suite
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Mari Suzuki
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SheetMusicPlus
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