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You've selected:
Don't Call Me Up
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51
Don't Call Me Up
Easy Piano
Piano - Digital Download SKU: HX.1439106 By Mabel. This edition: scorch. Pop. Reall…
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Piano - Digital Download SKU: HX.1439106 By Mabel. This edition: scorch. Pop. Really Easy Piano. 4 pages. Hal Leonard - Digital #308905. Published by Hal Leonard - Digital (HX.1439106).
$3.99
3.63 €
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Easy Piano
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Mabel
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Don't Call Me Up
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Hal Leonard - Digital
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SheetMusicPlus
Don't Call Me Up
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.871458 By Mabel. By Camill…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.871458 By Mabel. By Camille Angelina Purcell, Camille Purcell, Mabel McVey, and Steve Mac. Arranged by Hannah Wickham. Contemporary. Octavo. 4 pages. Hannah Wickham #5178739. Published by Hannah Wickham (A0.871458). Some tricky harmonies and rhythms; a good challenge for an established choir.Approx performance time: 2:20Difficulty: Advanced IntermediateClean?: Yes, minor insinuation, mention of drinkingRange: S1 E4-E5, S2 G#3-C#5 (tune), A1 A3-G#4, A2 A3-E4
$2.99
2.72 €
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Choral SSAA
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Mabel
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Don't Call Me Up
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Hannah Wickham
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SheetMusicPlus
Don't Call Me Up
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.977721 By Mabel. By Camille…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.977721 By Mabel. By Camille Angelina Purcell, Camille Purcell, Mabel McVey, and Steve Mac. Arranged by Bart E.B. Martens. A Cappella. Octavo. 8 pages. Bart E.B. Martens #4797275. Published by Bart E.B. Martens (A0.977721). This song is a worldwide hit in 2019 performed by Mabel. This arrangement is for mixed a cappella pop choir. The voices are mezzo-soprano, alto, tenor and voice percussion. The key and tempo of the arrangement are exactly like the hit. Variant arrangements can be made on request. I hope you enjoy singing this, and I would love to hear from you when and where your choir performs this! - Bart E.B. Martens bartm@knars.be
$1.99
1.81 €
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Choral 3-part
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Mabel
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Don't Call Me Up
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Bart E.B. Martens
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SheetMusicPlus
Don't Call Me Up
Easy Piano
By Mabel. This edition: Interactive Download,scorch. Pop. Score. 7 pages. Hal Leonar…
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By Mabel. This edition: Interactive Download,scorch. Pop. Score. 7 pages. Hal Leonard - Digital #308905. Published by Hal Leonard - Digital
$3.99
3.63 €
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Easy Piano
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Mabel
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Don't Call Me Up
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Hal Leonard - Digital
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SheetMusicPlus
Don't Call Me Up
Easy Piano
By Mabel. This edition: Interactive Download,scorch. Pop. Score. 4 pages. Hal Leonar…
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By Mabel. This edition: Interactive Download,scorch. Pop. Score. 4 pages. Hal Leonard - Digital #308905. Published by Hal Leonard - Digital
$3.99
3.63 €
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Easy Piano
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Mabel
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Don't Call Me Up
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Hal Leonard - Digital
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SheetMusicPlus
I Don’t Want to Play in Your Yard: Trumpet Feature
Brass Quartet
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
7.24 €
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Brass Quartet
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H
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I Don’t Want to Play in Your Yard: Trumpet Feature
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Sweetwater Brass Press
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SheetMusicPlus
Build Me Up, Buttercup
Choral SSAA
Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1440294 By The…
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Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1440294 By The Foundations. By Michael D'Abo and Tony MacAuley. Arranged by Julia Holmber. A Cappella,Comedy,Pop,R & B,Soul. 5 pages. Julia Holmber #1020244. Published by Julia Holmber (A0.1440294). Transport your audience to the iconic sounds of the 1960s with this one-of-a-kind, world's first female a cappella arrangement of Build Me Up, Buttercup - exclusively tailored for women's voices.Whether you're seeking fresh repertoire for competitions, concerts, or just crackling vocal warmups, this digital vocal score is a must-have addition to your a cappella sheet music collection.From the upbeat opening riffs to the unbelievably tight harmonic weaving, every element embraces the quintessential 60s girl-group vibe. But this is no ordinary oldies cover - luxuriate in brand new lyrics seamlessly adapted for female singers.Combining vintage flair with a distinctly modern feminist twist, the arrangement spins the original's playful romantic banter into an empowering celebration of friendship and self-worth. You'll be utterly captivated by the interplay of soaring sopranos, rich altos, and every part in between.Each measure brims with infectious energy and unbridled joie de vivre. The call-and-response sections will have your choir bubbling with banter, while the retro-draped chord progressions set toes tapping. Prepare for nostalgic bliss!Don't miss your chance to buy this premium-quality digital vocal arrangement crafted by a true master of a cappella artistry. Secure your copy now of the world's first '60s pop hit Build Me Up, Buttercup reimagined for the modern women's choir!
$3.50
3.19 €
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Choral SSAA
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The Foundations
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Build Me Up, Buttercup
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Julia Holmber
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SheetMusicPlus
Don't You Want Me
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1014298
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1014298 By The Human League. By Adrian Wright, Jo Callis, and Phil Oakey. Arranged by Big Horn Music. Film/TV. Score and parts. 10 pages. Bit Big Music #4628017. Published by Bit Big Music (A0.1014298). A great instant arrangement of Human League's Don't You Want Me. Ideal for school ensembles or riot brass bands. You could even add your own drum part to enhance it further! The range for trumpet goes up to a G above the stave and all the parts are no higher than grade 5 level.
$12.99
11.83 €
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Brass quartet : 2 trumpets, trombone, tuba
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The Human League
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Don't You Want Me
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Bit Big Music
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SheetMusicPlus
This Is Me
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pa…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.779366 Composed by Benj Pasek and Justin Paul. Arranged by Shelton Ridge Love. Contemporary. Octavo. 12 pages. Shelton Ridge Love #4593251. Published by Shelton Ridge Love (A0.779366). I am not a stranger to the dark.Hide away, they say, ’cause we don’t want your broken parts. I grew up in a very conservative, religious environment. My family, churches, and the Christian schools I attended always taught me that being gay was a sin. I hid that part of myself from everyone and fought so hard to make it go away. I didn’t want God to hate me. I didn’t want my sin to isolate me from my family or send me to hell. When the sharpest words wanna cut me down,I’m gonna send a flood, gonna drown them out.I am brave; I am bruised; I am who I’m meant to be.This is me. It took a long time for me to make the words of this song my own. Coming out was a long and often difficult process. But the day that same-sex marriage was legalized in South Carolina, I finally decided to come out publically on social media. I thought about that moment when I first heard this song-the moment that I was able to unashamedly tell the world: THIS IS ME! - Shelton
$1.99
1.81 €
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Choral TTBB
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Benj Pasek and Justin Paul
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I am bruised
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This Is Me
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Shelton Ridge Love
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SheetMusicPlus
Come Fly With Me
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1350503 By Frank Sinatra. By James …
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Piano Solo - Level 4 - Digital Download SKU: A0.1350503 By Frank Sinatra. By James Van Heusen and Sammy Cahn. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). Contemporary,Jazz,Pop,Ragtime,Standards. Score. 8 pages. Martyn Johnson #935306. Published by Martyn Johnson (A0.1350503). I take this classic tune through 2 keys - C major and Db major. It is basically a stride piano version but the right hand owes a lot to ragtime too. It should be played with a nice swing rhythm ie tied triplets not straight quavers (eighth notes) and with a bit of a bounce!I don't include fingering or dynamics of which no two piano teachers would agree on, so I leave this to the discretion of the player. I do include chord symbols which I always find most useful in learning a tune. Please note this is a piano solo and doesn't show the notation for the other instruments included on my youtube upload ie strings and bass. I write all my tunes to stand up as piano solos so it sounds perfect when played as a piano solo.It's a lovely tune and I hope you have as much fun playing it as I did arranging it.
$4.99
4.54 €
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Piano solo
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Frank Sinatra
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Come Fly With Me
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Martyn Johnson
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SheetMusicPlus
Quando Me'n Vo for Treble Recorder & Piano
Treble (Alto) Recorder
Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.1046759 By Keith T…
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Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.1046759 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Individual part. 5 pages. Keith Terrett #651269. Published by Keith Terrett (A0.1046759). An arrangement of one of Puccini’s greatest arias for Treble Recorder & Piano. Great piece to improve your bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
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Treble (Alto) Recorder
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Keith Terrett
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Quando Me'n Vo for Treble Recorder & Piano
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Keith Terrett
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SheetMusicPlus
Quando Me'n Vo for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.1046495 By Keith Terrett. By…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.1046495 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651018. Published by Keith Terrett (A0.1046495). An arrangement of one of Puccini’s greatest arias for French Horn & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
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French Horn and Piano
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Keith Terrett
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Quando Me'n Vo for French Horn & Piano
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Keith Terrett
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SheetMusicPlus
Quando Me'n Vo for Flute & Piano
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1046388 By Keith Terrett. By Giaco…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1046388 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 6 pages. Keith Terrett #650903. Published by Keith Terrett (A0.1046388). An arrangement of one of Puccini’s greatest arias for Flute & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
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Flute and Piano
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Keith Terrett
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Quando Me'n Vo for Flute & Piano
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Keith Terrett
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SheetMusicPlus
Quando Me'n Vo for Bb Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1046167 By Keith Terrett…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1046167 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650680. Published by Keith Terrett (A0.1046167). An arrangement of one of Puccini’s greatest arias for Bb Clarinet & Piano. Great piece to improve your bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
#
Clarinet and Piano
#
Keith Terrett
#
Quando Me'n Vo for Bb Clarinet & Piano
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Keith Terrett
#
SheetMusicPlus
Quando Me'n Vo for Eb Alto Saxophone & Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1046936 By Keith Terrett.…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1046936 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #651276. Published by Keith Terrett (A0.1046936). An arrangement of one of Puccini’s greatest arias for Eb Alto Saxophone & Piano. Great piece to improve your bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
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Alto Saxophone and Piano
#
Keith Terrett
#
Quando Me'n Vo for Eb Alto Saxophone & Piano
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Keith Terrett
#
SheetMusicPlus
Quando Me'n Vo for Bb Soprano Saxophone & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1046462 By Keith Terre…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1046462 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Patriotic,Romantic Period. Score and part. 5 pages. Keith Terrett #650984. Published by Keith Terrett (A0.1046462). An arrangement of one of Puccini’s greatest arias for Bb Soprano Saxophone & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
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Soprano Saxophone and Piano
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Keith Terrett
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Quando Me'n Vo for Bb Soprano Saxophone & Piano
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Keith Terrett
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SheetMusicPlus
Quando Me'n Vo for Oboe & Piano
Oboe, Piano (duet)
Oboe,Piano - Digital Download SKU: A0.1046400 By Keith Terrett. By Giacomo Puccini.…
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Oboe,Piano - Digital Download SKU: A0.1046400 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 6 pages. Keith Terrett #650917. Published by Keith Terrett (A0.1046400). An arrangement of one of Puccini’s greatest arias for Oboe & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
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Oboe, Piano (duet)
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Keith Terrett
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Quando Me'n Vo for Oboe & Piano
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Keith Terrett
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SheetMusicPlus
Quando Me'n Vo for Violin & Piano
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1046404 By Keith Terrett. By Giac…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1046404 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. 5 pages. Keith Terrett #650921. Published by Keith Terrett (A0.1046404). An arrangement of one of Puccini’s greatest arias for Violin & Piano. Great piece to improve trumpeter’s player’s bell canto style of playing. Take a listen to Conrad Gozzo’s playing on the Tutti Trumpet CD for a fine example! Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater. Popular renditions of the melody were produced during the 1950s, including an American Top 40 hit by Sammy Kaye (You) and a version by Della Reese (Don't You Know?), which reached number two on the U.S. Billboard Hot 100. You will find more Italian arias and Neapolitan songs in my Sibelius & ArrangeMe stores.
$4.99
4.54 €
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Violin and Piano
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Keith Terrett
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Quando Me'n Vo for Violin & Piano
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Keith Terrett
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SheetMusicPlus
Fly Me To The Moon (In Other Words)
Banjo
Banjo - Level 4 - Digital Download SKU: A0.1404286 By Tony Bennett. By Bart Howard.…
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Banjo - Level 4 - Digital Download SKU: A0.1404286 By Tony Bennett. By Bart Howard. Arranged by Daniel Fitzpatrick. Jazz. Score. 8 pages. Fitzpatrick Media #984230. Published by Fitzpatrick Media (A0.1404286). Ever want to play jazz on the banjo? If so, this arrangement of Fly Me To The Moon is perfect for you! Within this arrangement of Fly Me To The Moon each verse is marked by a rehearsal letter for easy navigation throughout the piece. Furthermore, each verse dynamically changes with each repeat giving the music a continually fresh sound. Included in this document are two different edits of the arrangement: notation paired with tablature, and a tablature-only copy. Don't hesitate to pick up Fly Me To The Moon for the 5-string banjo today!
$10.00
9.11 €
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Banjo
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Tony Bennett
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Fly Me To The Moon
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Fitzpatrick Media
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.63 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Banjo
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk.…
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton and its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland and Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples and exercisesInstruction on basic and advanced techniquesFingering diagrams and detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails and Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On and Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light and Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange and Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver and Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, and Yet
$24.99
22.76 €
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Banjo
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Intermediate
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Cape Breton and Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Soon We Will Be Done (Downloadable)
Choral SATB
SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle …
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SATB choir and Piano - Medium - Digital Download SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
2.91 €
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Choral SATB
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
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