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Advanced Technique Duets for Two Cellos, Book One
2 Cellos (duet)
Cello, String Duet - Advanced - Digital Download Composed by Cassia Harvey. Baroque P…
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Cello, String Duet - Advanced - Digital Download Composed by Cassia Harvey. Baroque Period, Method, Etudes and Exercises, Repertoire, Technique Training. Score. 44 pages. Published by Cassia Harvey
Are you a late-intermediate or an early-advanced cellist who wants to get better at shifting? Do you want an exciting new way to warm up in lessons or practice sessions? This book can help!<br> <br> Each exercise duet is followed by a repertoire duet in the same key. Cello positions one through eight, bass and tenor clef, and the keys of C, G, D, A, and E major are used in the duets.<br> <br> Improve your shifting while playing these energetic exercisesand enjoyable baroque and classical pieces today!<br> <br> by Cassia Harvey<br> <br> 41 pages<br> <br> Level: Early advanced with a focus on first through eighth positions.
$8.95
8.2 €
#
2 Cellos (duet)
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Cassia Harvey
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Advanced Technique Duets for Two Cellos, Book One
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Cassia Harvey
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SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.16 €
#
Choral SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
#
SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.16 €
#
Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
#
SheetMusicPlus
Mercy, Mercy, Mercy (Advanced Level, Alto Sax)
Saxophone
5.99 €
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Saxophone
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Joe Zawinul
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Tomplay
Mercy, Mercy, Mercy (Advanced Level, Tenor Sax)
Saxophone
5.99 €
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Saxophone
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Joe Zawinul
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Tomplay
Mercy, Mercy, Mercy (Advanced Level)
Flute
5.99 €
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Flute
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Joe Zawinul
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Tomplay
Mercy, Mercy, Mercy (Advanced Level)
Trumpet
5.99 €
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Trumpet
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Joe Zawinul
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Tomplay
Mercy, Mercy, Mercy (Advanced Level)
Clarinet
5.99 €
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Clarinet
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Joe Zawinul
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Tomplay
Mercy, Mercy, Mercy (Advanced Level, Soprano Sax)
Saxophone
5.99 €
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Saxophone
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Joe Zawinul
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Tomplay
Mercy, Mercy, Mercy (Advanced Level)
Trombone
5.99 €
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Trombone
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Joe Zawinul
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Tomplay
We Shall Overcome - Ensemble
Easy Piano
Piano Solo, Jazz Combo - Advanced - Digital Download Composed by Don Hodell Chilcote.…
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Piano Solo, Jazz Combo - Advanced - Digital Download Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian, Gospel, Jazz, Blues, Movies. Score. 5 pages. Published by Don Hodell Chilcote
We Shall Overcome is a setting of a spiritual by Don Hodell Chilcote. It is for, Piano Solo<br> or ensemble for advanced piano. Harmonically rich version with great resonance. Big Chords and great nonfunctional Gospel sounding voice leading produces a striking example of the beauty qualities of this astounding gem. Piece includes a distinct and unique introduction, verse, chorus, and solo section before concluding. 4 page arrangement is challenging but not overly so, and well worth the effort to learn. Similar to hymn writing by the greats, Mark Hayes, Bill Wolaver, Mary McDonald, John Carter, Llyod Larson, and Larry Shackley in todays church pianist marketplace.<br> <br> About SMP Press
$3.99
3.66 €
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Easy Piano
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Don Hodell Chilcote
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We Shall Overcome - Ensemble
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Don Hodell Chilcote
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SheetMusicPlus
QUEEN - Somebody To Love for Piano solo (Advanced Intermediate)
Piano solo
Piano Solo - Advanced Intermediate - Digital Download By Queen, Freddie Mercury. Ar…
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Piano Solo - Advanced Intermediate - Digital Download By Queen, Freddie Mercury. Arranged by Valeriya Klimukhina. Individual Part, Solo Part. 7 pages. Published by Valeriya Klimukhina
Somebody To Love (by Freddie Mercury) - version for Piano solo. This version will be great for Advanced Intermediate pianists!<br> >> Check out Lite version for Early intermediate pianists in the catalog of arrangements issued by Valeriya Klimukhina.
$8.90
8.15 €
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Piano solo
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Queen, Freddie Mercury
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QUEEN - Somebody To Love for Piano solo
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SheetMusicPlus
Wellspring of Repertoire, Volume 3, Early Intermediate to Early Advanced Piano
Easy Piano
Composed by Dennis Frayne. Arranged by Dennis Frayne. Etudes and Exercises, Repertoi…
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Composed by Dennis Frayne. Arranged by Dennis Frayne. Etudes and Exercises, Repertoire, Technique Training, Folk, Children's Music. Sheet Music Single. 166 pages. Published by Dennis Frayne
Wellspring of Repertoire, an Original and Bountiful Source of Piano Music, for Beginning and Returning Students, Volume 3, Early Intermediate to Early Advanced, by Dennis Frayne, contains 120 Folk Songs, Children's Songs, Spirituals, Nursery Rhymes, Parlor Songs, Lullabies, Scales, Chords, and Technical Exercises for Piano, all in a Classical Style.<br> <br> Perfect for teachers of early students who prefer not to use method books, for students returning to play after a long time away from the piano, for sight reading practice, to practice singing while playing the piano (includes lyrics and solfege syllables on most songs and exercises), for recitals and performances, and for fun in learning good, old-fashioned, time-honored folk songs, children’s songs, and more!
$13.99
12.82 €
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Easy Piano
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Dennis Frayne
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Wellspring of Repertoire, Volume 3, Early Intermediate to Early Advanced Piano
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Dennis Frayne
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SheetMusicPlus
Advanced Recorder Technique
Treble (Alto) Recorder
Treble recorder - intermediate to advanced - Digital Download Finger and Tongue Techn…
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Treble recorder - intermediate to advanced - Digital Download Finger and Tongue Technique. This edition: method. Alt- Blockflote, Blockflote, Blockflotenschule, Sopran- Blockflote. Downloadable. Op. Vol. 1. Schott Music - Digital #Q52809. Published by Schott Music - Digital
English.<br> <br> This technical volume is addressed to advanced treble recorder players looking for repertoire that is suited for consistent work on the foundations of their instrumental and musical abilities. In accordance with the original literature for the treble recorder, the exercises are mainly tailored to this instrument. Some technical chapters can be practised on both the treble and descant recorder (with transposed fingering). The term 'technical' must not be misunderstood here: ultimately, the exercises aim at artistic expression, emotion, and tonal interpretation.
$17.99
16.48 €
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Treble (Alto) Recorder
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Advanced Recorder Technique
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Schott Music - Digital
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SheetMusicPlus
D.C. Dounis The Technique Of Double Stop - Selected Exercises from Op. 12 and 29 - Arranged for Viola by Szczepan Pytel
Viola
Viola - Advanced - Digital Download Composed by Demetrius Constantine Dounis. Arranged …
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Viola - Advanced - Digital Download Composed by Demetrius Constantine Dounis. Arranged by Szczepan Pytel. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual Part. 10 pages. Published by Szczepan Pyte
D.C. Dounis The Technique Of Double Stop - Selected Exercises from Op. 12 and 29 - Arranged for Viola by Szczepan Pytel
10 Pages including:
- thirds, fourths, sixths, octaves, tenths, and 10 additional exercises:
1. Broken Thirds
2. 3. Octaves
4. Finger independence
5. Chords of three notes
6. - 10. Chromatic Double Stops
$5.30
4.86 €
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Viola
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Demetrius Constantine Dounis
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D.C. Dounis The Technique Of Double Stop - Selected Exercises from Op. 12 and 29 - Arranged for Viola by Szczepan Pytel
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Szczepan Pyte
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SheetMusicPlus
456 Advanced Accent-Tap // [DRUMLINE EXERCISE]
Marching band
Marching Band - Level 4 - Digital Download SKU: A0.1013118 Composed by Justin Bowe.…
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Marching Band - Level 4 - Digital Download SKU: A0.1013118 Composed by Justin Bowe. Instructional. Score and parts. 2 pages. Bowe Percussion #5996875. Published by Bowe Percussion (A0.1013118). 456 Advanced Accent-Tap is an exercise that you can introduce as early as 6th grade and can follow your students all the way to college-level battery, because as students progress, they can play it faster and faster. For beginner students, this serves as a stick-control exercise, but as they move up through your program, it begins to function as a rudimental exercise for the tap-based rudiments. The 4 section works paradiddles, the 5 section works tap-fives, and the 6 section works paradiddle-diddles and double paradiddles. Your students will find value in this exercise for years to come!INCLUDED:pdf score (landscape)FREE AUDIO RESOURCES AVAILABLE:master audio files of the exercise, looped 3 times at 100, 115, 130, 145, 160, 175, 190, 205, 220, 235, and 250bpm for personal practice.email bowe.justin@gmail.com to receive audio.Listen to the entire piece here:soundcloud.com/justin-bowe/456advancedat
$4.99
4.57 €
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Marching band
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Justin Bowe
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456 Advanced Accent-Tap // [DRUMLINE EXERCISE]
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Bowe Percussion
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SheetMusicPlus
92 progressive Exercises
Cello
Cello (cello 2 ad libitum) - very easy to easy - Digital Download Accompaniment by a …
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Cello (cello 2 ad libitum) - very easy to easy - Digital Download Accompaniment by a second Violoncello. Composed by Friedrich August Kummer (1797-1879). This edition: Sheet music. Etudes, exercises, study works. Essential Exercises. Downloadable. Op. 60, Op. 1 (Nr. 1-57). Schott Music - Digital #Q46514. Published by Schott Music - Digital
The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty.<br> <br> The studies originally come from the appendix to Kummer's Celloschule fur den ersten Unterricht Op. 60. In this new edition, they are for the first time published completely in two volumes as 92 progressive studies. The present edition is based on the first edition published in 1839 (Verlag Friedrich Hofmeister, Leipzig) and has essentially adopted the original fingerings and bowing indications. For better readability, the number of fingerings has been slightly reduced.<br> <br> Volume 1 (ED 22371) is intended for beginner and intermediate lessons. Volume 2 (ED 22372) focusses on the musical performance of the advanced pupil.<br> <br> Friedrich August Kummer (1797-1879) was a pupil of Friedrich Dotzauer and Bernhard Romberg and later trained famous cellists like Julius Goltermann or Bernhard Cossmann.
$13.99
12.82 €
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Cello
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Friedrich August Kummer (1797-1879)
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92 progressive Exercises
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Schott Music - Digital
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.16 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
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