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13523
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7521
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3455
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3304
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1917
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1313
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426
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230
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114
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109
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101
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97
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66
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30
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9
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1248
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733
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231
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227
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165
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137
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84
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57
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39
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35
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34
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28
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25
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24
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15
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9
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6
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4
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4
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3
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2
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1
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1
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Choral SATB
2843
Choral 3-part
909
Choral TTBB
698
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565
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500
Choral Unison
496
Choral Instrumental Pak
365
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201
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84
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57
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50
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48
Alto voice, Piano
32
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25
Choral
23
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19
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17
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13
Choral SSAATTBB
10
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6
Soprano voice, Orchestra
5
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5
Tenor voice
5
Choral SSAB a cappella
4
Choral SSATTB
4
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3
Choral SSAB, Piano
3
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2
Choral SAATB A Cappella
2
Soli, Mixted choir and accompaniment
2
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1
Voice, Guitar
1
Baritone voice
1
Choral SSAATB
1
Choral SATBB
1
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1269
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961
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772
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770
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641
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629
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581
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578
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566
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566
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539
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517
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496
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435
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403
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394
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357
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355
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347
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315
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290
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283
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266
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239
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224
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219
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211
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182
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181
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180
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177
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168
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159
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153
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133
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133
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123
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119
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116
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114
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113
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112
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97
2 Recorders (duet)
95
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93
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93
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87
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77
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76
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68
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67
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62
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58
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56
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55
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50
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43
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43
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43
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41
Baritone Saxophone
40
Flute, Oboe (duet)
39
2 Flutes, Piano
38
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36
Treble (Alto) Recorder
34
Flute, Oboe, Clarinet (trio)
34
Oboe and viola (duet)
33
Recorder Quartet
32
Oboe, Violin (duet)
30
English Horn
28
Flute, Violin, Piano
28
Treble (Alto) Recorder, Piano
28
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27
Harmonica
25
Piccolo, Piano
25
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19
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19
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19
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17
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17
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14
Clarinet, Tuba
14
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14
Flute, Trombone (duet)
13
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12
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12
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12
2 Clarinets, Piano
11
5 Recorders
11
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11
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10
3 Oboes
10
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9
Flute, Clarinet, Horn and Bassoon (Quartet)
9
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9
4 Oboes
8
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8
Pennywhistle
8
Flute, Oboe, Piano (trio)
8
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7
Oboe, Violin, Viola and Violoncello (Quartet)
6
Flute and Strings Trio
5
Saxophone and Organ
5
Flute, Viola and Piano
4
Oboe, Bassoon and Piano
4
Clarinet Quartet: Clarinet, Violin, Viola, Cello
4
2 English horns and Pianoforte
4
Clarinet, Cello, Piano (trio)
4
Clarinette, Viola and Piano (trio)
3
2 Flutes, 2 Clarinets (Quartet)
3
Oboe, Clarinet and Piano (Trio)
3
Bass Clarinet
3
Wind ensemble
3
Piccolo
3
Clarinet, Harp (duet)
2
Clarinet, Bassoon, Piano (trio)
2
Clarinet Quintet: Clarinet, String Quartet
2
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2
Flute, Organ (duet)
2
2 Clarinets, Bassoon
2
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2
2 Flutes and Guitar
2
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1
Flute, Orchestra
1
Bagpipe
1
Flute, French horn (duet)
1
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1
Saxophone, Bassoon (duet)
1
Flute, Violin, Violoncello and Piano
1
Flute, harp and violin
1
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1
Oboe ensemble
1
2 Oboes, Piano
1
English Horn, Guitar (duet)
1
Clarinet, Orchestra
1
Pan Flute
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Oboe and Orchestra
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Treble (Alto) Recorder, Basso continuo
1
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Brass Quintet: 2 trumpets, horn, trombone, tuba
960
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523
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507
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426
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367
French Horn and Piano
347
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328
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314
Trumpet, Saxophone (duet)
303
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271
French horn
257
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243
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236
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228
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211
Trumpet (band part)
207
Trombone (band part)
169
Tuba
158
Brass Quartet
141
Euphonium, Piano (duet)
121
English horn, Piano
116
2 French horns (duet)
105
Brass Quartet: 4 trombones
103
Horn Ensemble
93
2 Tubas (duet)
49
French horn (band part)
49
Trombone ensemble
48
Trumpet ensemble
47
Trumpet, Tuba (duet)
37
2 Euphoniums and 2 Tubas
33
Trumpet, Horn (duert)
30
Tuba (band part)
28
English Horn
28
Brass Trio
26
3 Trombones (trio)
25
Euphonium, Tuba (duet)
22
Euphonium
22
Trombone, Violin (duet)
20
3 Trumpets (trio)
19
Trombone, Tuba (duet)
17
2 Euphoniums (duet)
16
Bass Trombone and Piano
16
4 Tubas
11
Brass Quartet: 4 trumpets
11
Trombone, Horn (duet)
10
Horn, Tuba (duet)
10
Bb Instruments
9
Tuba and Organ
9
Bass Clef Instruments
7
Trumpet, Cello, Piano
6
Horn and Orchestra
5
Trumpet, Trombone, Piano
5
Brass Quartet: 2 trumpets, 2 trombones
5
Trumpet, Bassoon (duet)
4
3 French horns (trio)
4
4 Euphoniums
4
2 English horns and Pianoforte
4
2 Trumpets, Keyboard (piano or organ)
4
Brass Quintet: 2 trumpets, horn, 2 trombones
4
Trumpet, violin (duet)
3
Bass Trombone
3
3 Tubas (trio)
3
3 Euphoniums
2
Tuba ensemble
2
Trombone, Organ
2
Trumpet, Cello (duet)
2
Horn, Cello (duet)
2
Horn and Organ
1
Trumpet, Orchestra
1
Clarinet, Horn (duet)
1
English Horn, Guitar (duet)
1
Trombone and Orchestra
1
Trumpet and Guitar
1
Tuba or Euphonium or Saxhorn
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
2346
Violin and Piano
1090
Violin
892
Cello, Piano
844
Violin, Cello (duet)
707
Viola, Piano
619
String Trio: violin, viola, cello
541
Cello
533
2 Violins (duet)
450
2 Cellos (duet)
391
Harp
348
Violin, Viola (duet)
343
2 Violas (duet)
331
Viola
317
String Quintet: 2 violins, viola, cello, bass
307
Double bass, Piano (duet)
262
Double Bass
176
String Trio: 2 violins, cello
95
Violin (band part)
87
Viola (band part)
84
Viola, Cello (duet)
81
Doublebass (band part)
66
4 Cellos
47
2 Harps (duet)
46
String Trio: 3 violins
42
Violin, Bassoon (duet)
40
2 Double basses (duet)
40
Violin, Guitar (duet)
36
String Trio: 3 cellos
35
Cello (band part)
29
String Trio: 3 violas
27
Piano Trio: Violin, Viola, Piano
25
String Trio: 2 violins, viola
23
Violin, Tuba (duet)
22
Cello, String Bass (duet)
22
String quartet: 4 violins
22
Cello, Guitar (duet)
21
String Quartet : 4 violas
20
Harp, Flute (duet)
13
Cello, Orchestra
13
Viola, Guitar (duet)
11
Harp (band part)
10
String Quintet: 2 violins, 2 violas, cello
10
Violin, Clarinet, Piano (trio)
8
Harp, Voice
7
Viola ensemble
7
Cello Ensemble
6
Violin ensemble
6
Harp, Violin (duet)
6
Cello, Organ
5
Flute, Doublebass (duet)
5
2 Cellos, Piano
5
String trio
4
Harp and mandolin
4
Harp, String quartet
3
3 double basses
3
Violin, Organ
3
Viola, Organ
3
Harp, Violin, Violoncello
2
2 Violins, Piano
2
Viola and Bassoon
2
Harp and Piano
2
4 Double Basses
2
Autoharp
2
2 Violas, Piano
1
Harp, Trombone (duet)
1
Viola and Harp
1
Violin, Basso continuo
1
String Quintet: 2 violins, viola, 2 cellos
1
Violin, Cello, Clarinet
1
4 Harps
1
Violoncello, Basso continuo
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
2435
Orchestra
1232
Jazz Ensemble
851
String Orchestra
803
Handbells
716
Brass ensemble
401
Chamber Orchestra
262
Jazz combo
258
Drums
232
Marching band
198
Percussion Ensemble
137
Marimba
47
Percussion (band part)
46
Vibraphone
39
Piano and Orchestra
38
Xylophone, Piano
30
Drum (band part)
27
Xylophone
22
Orchestra, Violin
19
Percussion
13
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
10
Big band
8
Timpani (band part)
7
School Ensemble
6
Flexible Instrumentation
4
Brass Quintet: other combinaisons
4
Snare drums
3
Marimba, Piano (duet)
2
3 Marimbas
2
2 Xylophones
2
2 Marimbas
1
Marimba and Organ
1
2 Percussions
1
Drums-Marching band
1
Marimba or Xylophone and Piano
1
Voice and Orchestra
1
Timpani
1
Vibraphone and Marimba
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
137
Music Theory
2
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9976
More Than Amazing (21-Piece Digital Pack)
Choral Instrumental Pak
Digital Download SKU: HX.193556 Composed by Lincoln Brewster and Mia Fieldes. Arran…
(+)
Digital Download SKU: HX.193556 Composed by Lincoln Brewster and Mia Fieldes. Arranged by Richard Kingsmore. Christian,Concert,Contemporary,Praise & Worship,Sacred. Choral Instrumental Pak. 4 pages. Duration 310. Hal Leonard - Digital #212282. Published by Hal Leonard - Digital (HX.193556).
Digital Pack includes
:
More Than Amazing - Full Score
More Than Amazing - Flute 1 & 2
More Than Amazing - Oboe
More Than Amazing - Clarinet 1 & 2
More Than Amazing - Bb Trumpet 1
More Than Amazing - Bb Trumpet 2,3
More Than Amazing - F Horn
More Than Amazing - Trombone 1 & 2
More Than Amazing - Trombone 3/Tuba
More Than Amazing - Percussion
More Than Amazing - Harp
More Than Amazing - Drums
More Than Amazing - Rhythm
More Than Amazing - Violin 1, 2
More Than Amazing - Viola
More Than Amazing - Cello
More Than Amazing - Double Bass
More Than Amazing - Alto Sax (sub. Horn)
More Than Amazing - Tenor Sax (sub. Tbn 2)
More Than Amazing - Bass Clarinet (sub. Tuba)
More Than Amazing - Keyboard String Reduction
$75.00
69.02 €
#
Choral Instrumental Pak
#
Lincoln Brewster and Mia Fieldes
#
More Than Amazing
#
Hal Leonard - Digital
#
SheetMusicPlus
Days of Elijah (arr. Richard Kingsmore) (22-Piece Digital Pack)
Choral Instrumental Pak
Choir - Digital Download SKU: HX.477704 Arranged by Richard Kingsmore. This edition…
(+)
Choir - Digital Download SKU: HX.477704 Arranged by Richard Kingsmore. This edition: scorch. Praise & Worship. Choral Instrumental Pak. 5 pages. Hal Leonard - Digital #54297. Published by Hal Leonard - Digital (HX.477704).
Digital Pack includes
:
Days of Elijah (arr. Richard Kingsmore) - Full Score
Days of Elijah (arr. Richard Kingsmore) - Flute 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Oboe
Days of Elijah (arr. Richard Kingsmore) - Clarinet 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Horn 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Trumpet 1
Days of Elijah (arr. Richard Kingsmore) - Trombone 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Alto Sax 1 & 2 (Sub. Horn)
Days of Elijah (arr. Richard Kingsmore) - Trombone 3/Tuba
Days of Elijah (arr. Richard Kingsmore) - Trumpet 2 & 3
Days of Elijah (arr. Richard Kingsmore) - Bb Tenor Sax/Bar. TC (Trb 1,2)
Days of Elijah (arr. Richard Kingsmore) - Percussion 1 & 2
Days of Elijah (arr. Richard Kingsmore) - Drum Set
Days of Elijah (arr. Richard Kingsmore) - Harp
Days of Elijah (arr. Richard Kingsmore) - Viola
Days of Elijah (arr. Richard Kingsmore) - Rhythm
Days of Elijah (arr. Richard Kingsmore) - Clarinet 3 (Sub. Viola)
Days of Elijah (arr. Richard Kingsmore) - Cello/Bassoon
Days of Elijah (arr. Richard Kingsmore) - Violin I & II
Days of Elijah (arr. Richard Kingsmore) - Bass Clarinet (Sub. Cello)
Days of Elijah (arr. Richard Kingsmore) - String Bass
Days of Elijah (arr. Richard Kingsmore) - Keyboard String Reduction
$75.00
69.02 €
#
Choral Instrumental Pak
#
Days of Elijah
#
Hal Leonard - Digital
#
SheetMusicPlus
Jesus (arr. Richard Kingsmore) (9-Piece Digital Pack)
Choral Instrumental Pak
Digital Download SKU: HX.385978 By Chris Tomlin. Arranged by Richard Kingsmore. Thi…
(+)
Digital Download SKU: HX.385978 By Chris Tomlin. Arranged by Richard Kingsmore. This edition: scorch. Christian,Sacred. Choral Instrumental Pak. 4 pages. Hal Leonard - Digital #276457. Published by Hal Leonard - Digital (HX.385978).
Digital Pack includes
:
Jesus (arr. Richard Kingsmore) - Full Score
Jesus (arr. Richard Kingsmore) - Percussion
Jesus (arr. Richard Kingsmore) - Drums
Jesus (arr. Richard Kingsmore) - Rhythm
Jesus (arr. Richard Kingsmore) - Violin 1
Jesus (arr. Richard Kingsmore) - Violin 2
Jesus (arr. Richard Kingsmore) - Viola
Jesus (arr. Richard Kingsmore) - Cello
Jesus (arr. Richard Kingsmore) - Keyboard String Reduction
$40.00
36.81 €
#
Choral Instrumental Pak
#
Chris Tomlin
#
Jesus
#
Hal Leonard - Digital
#
SheetMusicPlus
Mendelssohn: Wedding March for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
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22.96 €
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Felix Bartholdy Mendelssohn
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Gitanos andaluces for oboe d'amore
Oboe
Oboe, Viola, Oboe d'amore - Advanced - Digital Download By Paco de Lucia. Arranged by M.…
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Oboe, Viola, Oboe d'amore - Advanced - Digital Download By Paco de Lucia. Arranged by M. Contreras. Individual Part, Solo Part. 4 pages. Published by M. Contreras
Transcription of the flamenco tune for oboe d'amore.
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Oboe
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Paco de Lucia
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Gitanos andaluces for oboe d'amore
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M. Contreras
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SheetMusicPlus
Luther: Out of the Depths for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
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Martin Luther
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Luther: Out of the Depths for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
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30.32 €
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J
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549360 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.32 €
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Bach-Gounod
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Piano - S0
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Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
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30.32 €
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Antonin Dvorak
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dynamic control
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DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.96 €
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Johann Sebastian Bach
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
One More Night
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1292147 By Phil Collins. By Phil …
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C Instrument - Level 2 - Digital Download SKU: A0.1292147 By Phil Collins. By Phil Collins. Arranged by Amorel. 20th Century,Pop,Rock. Lead Sheet / Fake Book. 2 pages. Amorel #882745. Published by Amorel (A0.1292147). One More Night was Phil Collins' second number one single in the US and his fourth top 10 single in the UK.
$3.99
3.67 €
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C Instruments
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Phil Collins
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One More Night
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Amorel
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SheetMusicPlus
Not The Same Anymore
Easy Piano
Easy Piano - Level 3 - Digital Download SKU: A0.888643 By The Strokes. By Albert Jr…
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Easy Piano - Level 3 - Digital Download SKU: A0.888643 By The Strokes. By Albert Jr Hammond, Fabrizio Moretti, Julian Casablancas, Nick Valensi, and Nikolai Fraiture. Arranged by Jason Wheeler. Contemporary. Score. 7 pages. Wheelers Music #6356889. Published by Wheelers Music (A0.888643). Not The Same Anymore by The Strokes 6 pages. Published by Wheelers MusicA instrumental piano piece of 'Not The Same Anymore'. A fun and easy to play arrangement of a great song.
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4.59 €
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Easy Piano
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The Strokes
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6 pages
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Not The Same Anymore
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Wheelers Music
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SheetMusicPlus
No More
Tenor Saxophone
Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1419702 By Elvis Presley.…
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Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.1419702 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Amorel #1001127. Published by Amorel (A0.1419702). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
4.59 €
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Tenor Saxophone
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Elvis Presley
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No More
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Amorel
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SheetMusicPlus
No More
Flute
Flute Solo - Level 2 - Digital Download SKU: A0.1419698 By Elvis Presley. By Don Ro…
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Flute Solo - Level 2 - Digital Download SKU: A0.1419698 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Amorel #1001122. Published by Amorel (A0.1419698). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
4.59 €
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Flute
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Elvis Presley
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No More
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Amorel
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SheetMusicPlus
No More
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1419682 By Elvis Presley. By Don …
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C Instrument - Level 2 - Digital Download SKU: A0.1419682 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Lead Sheet / Fake Book. 2 pages. Amorel #1001100. Published by Amorel (A0.1419682). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
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4.59 €
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C Instruments
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Elvis Presley
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No More
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Amorel
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SheetMusicPlus
No More
Violin
Violin Solo - Level 2 - Digital Download SKU: A0.1419700 By Elvis Presley. By Don R…
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Violin Solo - Level 2 - Digital Download SKU: A0.1419700 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. 2 pages. Amorel #1001125. Published by Amorel (A0.1419700). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
4.59 €
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Violin
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Elvis Presley
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No More
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Amorel
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SheetMusicPlus
No More
Trumpet
B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419707 By Elvis Presley. …
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B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1419707 By Elvis Presley. By Don Robertson and Hal Blair. Arranged by LF. Pop,Rock. Individual part. 2 pages. Amorel #1001128. Published by Amorel (A0.1419707). 1961 song from the 'Blue Hawaii' soundtrack. The song reached # 1 in some European countries.
$4.99
4.59 €
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Trumpet
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Elvis Presley
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No More
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Amorel
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SheetMusicPlus
Humoreske
Piano solo
Piano and Keyboard - Early Advanced - Digital Download SKU: 2S.4251133760934 Poc…
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Piano and Keyboard - Early Advanced - Digital Download SKU: 2S.4251133760934 Poco lento e grazioso, Ges-Dur. Composed by Antonin Dvorak. Classical. Score. 5 pages. Soundnotation #4251133760934. Published by Soundnotation (2S.4251133760934). This edition contains the original scores for the famous - Humoreske - (Poco lento e grazioso, Ges major) by Antonin Dvorak for piano. From the piano cycle Humoresques op. 101 this is number 7.
$3.95
3.64 €
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Piano solo
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Antonin Dvorak
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Humoreske
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Soundnotation
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SheetMusicPlus
Morenica (Shecharchoret)
Accordion
Accordion - Level 1 - Digital Download SKU: A0.1099941 By Assi Rose. By Traditional…
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Accordion - Level 1 - Digital Download SKU: A0.1099941 By Assi Rose. By Traditional. Arranged by Assi Rose. Multicultural,Renaissance,Romantic Period,Standards,Traditional,World. Score. 4 pages. Assi Rose Methods #703817. Published by Assi Rose Methods (A0.1099941). Morenica - A Sephardic composition from around 1500 (About 500 years ago!) , is named after a dark haired and dark eyed girl from the Moren tribe. They were invaders from north Africa. The Moren girl nick name is Morenica. This songs is also called: Shecarchoret - from the Hebrew language, it means the girl with the black hair.
$5.55
5.11 €
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Accordion
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Assi Rose
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Morenica
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Assi Rose Methods
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SheetMusicPlus
Fillmore Schottisch
Piano solo
Piano - Digital Download SKU: LV.12807 Composed by F. Southgate. Liberty--symbols, …
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Piano - Digital Download SKU: LV.12807 Composed by F. Southgate. Liberty--symbols, National Emblems, Clouds. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12807). Fillmore Schottisch. F. Southgate. Published 1856 by Henry McCaffrey in Baltimore. Composition of da capo with piano instrumentation. Subject headings for this piece include Liberty--symbols, National Emblems, Clouds. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
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5.51 €
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Piano solo
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F
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Fillmore Schottisch
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Humoreske - in G for flexible ensemble
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Cle…
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.1393979 Composed by Antonin Dvorak. Arranged by David Woodcock. Classical,Instructional. 69 pages. David Woodcock #977432. Published by David Woodcock (A0.1393979). This is an arrangement of the famous melody from Bizet's opera Carmen, scored for flexible ensemble in G. It is also available in C.This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination.Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts.Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director.If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$20.00
18.41 €
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Antonin Dvorak
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Humoreske - in G for flexible ensemble
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David Woodcock
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SheetMusicPlus
Humoreske - in C for flexible ensemble
Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Cle…
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Acoustic Guitar,Bass Clef Instrument,Bass Guitar,Drums,Electric Guitar,Keyboard,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.1393978 Composed by Antonin Dvorak. Arranged by David Woodcock. Classical,Instructional,Opera. 69 pages. David Woodcock #977431. Published by David Woodcock (A0.1393978). This is an arrangement of the famous melody by Dvorak, scored for flexible ensemble in C. It is also available in G.This series has been specifically designed to meet the requirements of the ever-changing ensemble combinations that primary and secondary schools and other instrumental ensembles face. Because certain instruments are more comfortable in playing in certain keys, each work will be offered in two keys. This should allow for the music director to choose the key most suitable for the instrumental combination.Each piece consists of five core instrumental parts: 2 treble, 1 alto, tenor and bass. All parts will have a number of transpositions suitable for the instruments that are capable of playing those parts, eg, Part 2 will have parts for violin, B flat clarinet and trumpet, and E flat alto sax.  This will save music directors' time in having to write out additional parts.Optional parts are included for tuned and untuned percussion, guitar (chords) and bass guitar (notation and TAB), a keyboard part appropriate to the difficulty level, and a rehearsal piano part which is a fuller realisation of the piece and could be played by a more advanced student or the music director.If the numbers of players on each part allows, the music director can feel free to 'solo' instruments and vary the orchestration, especially on repeats, to create variety in instrumental colour.
$20.00
18.41 €
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Antonin Dvorak
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Humoreske - in C for flexible ensemble
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David Woodcock
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SheetMusicPlus
Don't Get Around Much Anymore
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1499411 Composed b…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.1499411 Composed by Bob Russell and Duke Ellington. Arranged by Daryl McKenzie. Jazz,Standards. 18 pages. Daryl McKenzie #1075472. Published by Daryl McKenzie (A0.1499411). String Trio Arrangement of Don't Get Around Much AnymoreAdd a touch of swing to your string ensemble with this delightful arrangement of the jazz standard Don't Get Around Much Anymore, originally popularized by Duke Ellington. This arrangement is crafted for a string trio, featuring Violin, Viola, and Cello, with an optional 2nd Violin part to cover the Viola, making it versatile and adaptable for different group configurations.Instrumentation: Violin Viola (or optional 2nd Violin) Cello This swing arrangement captures the playful and sophisticated essence of the original tune, offering a fresh and elegant sound for string players. Perfect for jazz concerts, wedding receptions, or any event where you want to bring a classic jazz vibe, this arrangement is sure to be a crowd-pleaser.Key Features: Classic jazz standard with a swinging feel Flexible instrumentation for trio Perfect for live performances, rehearsals, or casual playing Whether you're performing in an intimate setting or adding a jazzy flair to your repertoire, this string trio arrangement of Don't Get Around Much Anymore will swing your audience right into the mood!Full audio demo (Sibelius Sounds): click hereAlso available as a String Quartet arrangement:
$19.99
18.4 €
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Bob Russell and Duke Ellington
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Don't Get Around Much Anymore
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Daryl McKenzie
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SheetMusicPlus
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