Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
848
Digital
Sheet Music
30,196
Sheet Music
Books
4,507
Music
Equipment
6
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
PDF/Flash
Not classified
3466
PIANO & KEYBOARDS
Piano solo
2752
Piano, Voice
1303
Easy Piano
1170
Organ
240
C Instruments
125
Piano Trio: piano, violin, cello
99
Piano, Vocal and Guitar
90
1 Piano, 4 hands
88
Piano Accompaniment
75
2 Pianos, 4 hands
55
Piano Quartet: piano, violin, viola, cello
37
Piano Quintet: piano, 2 violins, viola, cello
15
Keyboard
12
1 Piano, 6 hands
12
Accordion
9
Piano Quartet: piano, 2 violins, cello
5
Organ, Piano (duet)
4
Accordion ensemble
4
Big Note Piano
3
Organ, Trumpet (duet)
2
2 Pianos, 8 hands
2
Harpsichord
1
Piano (band part)
1
2 Accordions
1
Organ and Orchestra
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
230
Guitar notes and tablatures
176
2 Guitars (duet)
74
Ukulele
45
Melody line, (Lyrics) and Chords
34
Piano, Guitar (duet)
20
Bass guitar
19
3 Guitars (trio)
14
4 Guitars (Quartet)
12
Guitar, Violin, Cello (trio)
10
Guitar Ensemble
7
Mandolin
7
Dulcimer
3
Baritone Ukulele
3
Lap Steel Guitar
2
Guitar (band part)
2
Guitar, Flute, Clarinet
1
2 Ukuleles
1
Banjo
1
Lyrics and Chords
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
259
Choral 3-part
130
Choral 2-part
64
Choral TTBB
51
Choral SSAA
29
Vocal duet, Piano
24
Tenor voice, Piano
24
Choral Unison
23
Soprano voice, Piano
18
Baritone voice, Piano
16
Low voice, Piano
14
High voice
13
Vocal duet
13
Alto voice, Piano
9
Medium voice, Piano
6
Voice, Guitar
3
Low voice
3
Voice solo
3
Tenor voice
3
Choral
2
Soprano voice
1
Choral SSAATTBB
1
Soli, Mixted choir and accompaniment
1
Choral SSATTB
1
Instrumentations suivantes
Retracter
WOODWIND
Flute and Piano
750
Clarinet and Piano
553
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
462
Saxophone Quartet: 4 saxophones
452
Oboe, Piano (duet)
412
Alto Saxophone and Piano
364
Clarinet Quartet: 4 clarinets
307
Flute, Oboe, Clarinet, Bassoon
305
2 Saxophones (duet)
284
Clarinet
250
Tenor Saxophone and Piano
219
Soprano Saxophone and Piano
213
Flute
207
Saxophone Quintet: 5 Saxophones
189
2 Flutes (duet)
177
Flute Quartet: 4 flutes
169
Alto Saxophone
159
2 Clarinets (duet)
134
3 Saxophones (trio)
115
Oboe (band part)
113
Baritone Saxophone, Piano
95
English horn, Piano
94
Tenor Saxophone
90
Clarinet Ensemble
76
2 Oboes (duet)
74
Saxophone ensemble
73
Flute, Clarinet (duet)
66
3 Clarinets (trio)
65
2 Recorders (duet)
64
Oboe
62
Saxophone (band part)
62
Flute ensemble
60
Flute Trio: 3 flutes
59
Clarinet Quintet: 5 clarinets
56
Bass Clarinet, Piano
51
Flute and Guitar
46
Descant (Soprano) Recorder
43
Clarinet, Guitar (duet)
40
Recorder Quartet
37
Oboe, Bassoon (duet)
35
Oboe, Clarinet (duet)
34
Soprano Saxophone
33
Baritone Saxophone
31
Clarinet, Bassoon (duet)
31
Treble (Alto) Recorder
28
Recorder
27
5 Recorders
26
Clarinet, Violin (duet)
26
English Horn
24
Flute Quintet : 5 flutes
24
Flute, Violin, Piano
23
Flute, Oboe, Clarinet (trio)
23
Flute, Clarinet and Bassoon.
22
2 Flutes, Piano
20
Flute, Oboe (duet)
20
Flute, Violoncello
19
Flute, Oboe, Piano (trio)
19
Flute, Clarinet, Piano (trio)
18
Flute, Oboe, Bassoon
17
Flute, Violin
17
Saxophone, Clarinet (duet)
17
Oboe, Clarinet, Bassoon (trio)
16
2 Clarinets, Piano
15
Clarinet, Cello (duet)
15
Oboe, Cello
14
3 Recorders (trio)
13
Clarinet, Cello, Piano (trio)
13
Piccolo
10
Piccolo, Piano
9
Flute, Cello, Piano (trio)
9
Oboe, Flute
8
Recorder, Piano
8
Flute, Clarinet, Horn and Bassoon (Quartet)
8
Flute, Viola (duet)
8
Clarinet and Viola
8
Clarinet, Trumpet (duet)
8
Flute, trombone and piano
7
Flute, Saxophone (duet)
7
Tenor Recorder
6
Bass Clarinet
6
Treble (Alto) Recorder, Piano
6
Oboe, Guitar (duet)
6
Clarinet, Harp (duet)
6
Flute, Viola and Piano
6
Recorder, Guitar (duet)
6
Clarinet, trumpet and piano
5
Flute, Violin, Violoncello and Piano
5
2 Saxophones, Piano
5
Flute, Bassoon, and Piano
5
Flute, Trumpet (duet)
5
Recorder Ensemble
4
Flute, Violin and Violoncello
4
Oboe, Violin (duet)
4
Saxophone and Guitar
3
Saxophone and Piano
3
Clarinet Quintet: Clarinet, String Quartet
3
Flute, Violin, Guitar
3
Clarinet, Bassoon, Piano (trio)
3
Oboe and viola (duet)
3
Oboe ensemble
3
Descent (Soprano) Recorder, Piano
3
Oboe, Harp
3
Saxophone and Organ
3
Saxophone and Harp
3
Flute (band part)
3
Clarinet, Trombone (duet)
3
2 Clarinets, Bassoon
3
Flute, Organ (duet)
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
3
Ocarina
3
Flute, Trombone (duet)
2
Flute, Cello, Guitar
2
Clarinet, Organ
2
2 Oboes and English horn
2
Wind ensemble
2
Flute and Strings Trio
2
Oboe, Violin, Viola and Violoncello (Quartet)
1
Harmonica, Piano
1
Pennywhistle
1
Clarinette, Viola and Piano (trio)
1
Pan Flute
1
Saxophone
1
2 Recorders, Piano
1
Oboe, Organ
1
Harmonica
1
4 Oboes
1
2 Oboes, Piano
1
Flute, Viola and harp
1
Flute, harp and violin
1
Flute and String Quartet
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
423
Trombone and Piano
352
Trumpet, Piano
344
French Horn and Piano
284
Trumpet
246
Brass quartet : 2 trumpets, trombone, tuba
211
French horn
181
Tuba and Piano
169
Trombone
160
Tuba
143
Brass Quartet: 4 horns
115
Brass Quartet: 2 trumpets, horn, trombone
103
English horn, Piano
94
Euphonium, Piano (duet)
85
2 Trumpets (duet)
80
2 Trombones (duet)
76
2 French horns (duet)
64
Brass Quartet: 4 trombones
56
Trombone ensemble
50
Trumpet, Trombone (duet)
48
Brass Quartet
45
Brass Quartet: 4 trumpets
31
Horn Ensemble
29
Trumpet, Horn (duert)
26
English Horn
24
2 Tubas (duet)
23
Trumpet ensemble
20
3 Trombones (trio)
18
Tuba and Organ
16
Trombone, Horn (duet)
15
Euphonium
14
Bass Trombone
12
Bass Trombone and Piano
12
4 Tubas
11
Brass Trio
10
2 Euphoniums and 2 Tubas
10
3 Tubas (trio)
10
Horn, Cello (duet)
10
Trumpet (band part)
9
Trombone (band part)
9
Trumpet, Saxophone (duet)
9
Trumpet, Cello (duet)
8
3 Trumpets (trio)
8
3 French horns (trio)
8
French horn and Basson (duet)
7
Trumpet, Bassoon (duet)
6
Trumpet and Guitar
5
Horn, Tuba (duet)
4
Trombone, Organ
4
Trumpet, Trombone, Piano
4
2 Trumpets, Keyboard (piano or organ)
4
French Horn and Harp
3
Trombone, Tuba (duet)
3
Euphonium, Tuba (duet)
3
Trombone and Orchestra
3
Trumpet, Cello, Piano
3
2 Euphoniums (duet)
2
Horn and Organ
2
Trumpet, Tuba (duet)
2
Trumpet, Euphonium (duet)
1
Tuba ensemble
1
Tuba (band part)
1
Cornet and Orchestra
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Orchestra
1
Trumpet, Harp
1
Horn, Cello and Piano
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
1100
Violin and Piano
799
Cello, Piano
569
Viola, Piano
491
Violin
301
Cello
223
Violin, Cello (duet)
194
Viola
170
String Trio: violin, viola, cello
157
2 Violins (duet)
155
Double bass, Piano (duet)
134
Double Bass
121
2 Cellos (duet)
117
Harp
114
String Quintet: 2 violins, viola, cello, bass
98
Violin, Viola (duet)
92
2 Violas (duet)
86
Violin, Guitar (duet)
72
Viola, Cello (duet)
52
4 Cellos
47
String Trio: 2 violins, cello
45
Cello, Guitar (duet)
43
Viola (band part)
41
String Trio: 3 violins
38
2 Harps (duet)
35
String quartet: 4 violins
33
Piano Trio: Violin, Viola, Piano
32
Viola, Guitar (duet)
32
String Trio: 3 cellos
29
String Quartet : 4 violas
25
2 Double basses (duet)
21
String Trio: 3 violas
19
Violin, Bassoon (duet)
15
Violin (band part)
14
Harp, Violin (duet)
14
Harp, Flute (duet)
13
Viola and Bassoon
10
String Trio: 2 violins, viola
7
Flute, Doublebass (duet)
6
Cello, String Bass (duet)
5
Violin ensemble
5
Cello, Orchestra
5
Cello (band part)
4
Viola ensemble
4
Doublebass (band part)
4
Harp, Trombone (duet)
4
Cello Ensemble
4
Cello, Organ
4
Violin, Organ
3
Violin, Clarinet, Piano (trio)
3
Viola, Organ
3
2 Violins, Piano
3
4 Double Basses
3
String trio
3
Harp, Orchestra
2
2 Cellos, Piano
2
String Quintet: 2 violins, 2 violas, cello
2
String Quintet: 2 violins, viola, 2 cellos
2
Harp, Cello (duet)
2
Harp and Piano
1
Violin, Cello, Clarinet
1
Viola and Harp
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
404
String Orchestra
336
Orchestra
251
Brass ensemble
138
Chamber Orchestra
127
Jazz Ensemble
45
Handbells
20
Marimba
16
Xylophone, Piano
14
Marching band
13
Percussion Ensemble
13
Xylophone
12
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
10
Woodwind Quartet: any 4 woodwinds
5
Flexible Instrumentation
5
Woodwind Quintet
4
Brass Quintet: other combinaisons
4
Jazz combo
3
Drums
2
School Ensemble
2
Orchestra, Violin
2
Piano and Orchestra
1
Drum (band part)
1
Percussion (band part)
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
Music of Romantic
PDF
Sheetmusic to print
30,196 sheet music found
<
1
26
51
....
9976
10 Easy Romantic Pieces - for Flute and Piano
Flute and Piano
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, …
(+)
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820315. Published by Glissato Edizioni Musicali
This collection of 10 easy pieces from the Romantic Period arranged for Flute and Piano is the perfect resource for students of the first courses in music. Not only is it ideal for essay writing and concerts, but it also provides an excellent introduction to the music of the Romantic Period. With pieces from composers such as Beethoven, Schumann, Brahms, Tchaikovsky, Mussorgsky, Rubinstein, Paganini and Dvorak, this collection offers an exciting and accessible way to explore the music of the Romantic Period. The pieces are easy enough for students of the first courses to play, but still provide enough challenge to keep them engaged. With this collection, students will be able to develop their skills and knowledge of the music of the Romantic Period, making it invaluable for any beginner musician.Complete parts for Flute and Piano.<br> Easy keys and range for Flute<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák <br> Theme from "Le Streghe" - N. Paganini <br> Melody in F – A. Rubinstein <br> Soldier March – R. Schumann <br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
13.71 €
#
Flute and Piano
#
Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann
#
10 Easy Romantic Pieces - for Flute and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Music of Romantic
Flute I/II - Digital Download SKU: S9.Q2661 This edition: separate part. Orchestra …
(+)
Flute I/II - Digital Download SKU: S9.Q2661 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2661. Published by Schott Music - Digital (S9.Q2661).
$5.99
5.48 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Violin (band part)
Violin II - Digital Download SKU: S9.Q22718 This edition: separate part. Orchestra …
(+)
Violin II - Digital Download SKU: S9.Q22718 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22718. Published by Schott Music - Digital (S9.Q22718).
$5.99
5.48 €
#
Violin (band part)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Trumpet I/II - Digital Download SKU: S9.Q2665 This edition: separate part. Orchestr…
(+)
Trumpet I/II - Digital Download SKU: S9.Q2665 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2665. Published by Schott Music - Digital (S9.Q2665).
$5.99
5.48 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Clarinet I/II - Digital Download SKU: S9.Q2663 This edition: separate part. Orchest…
(+)
Clarinet I/II - Digital Download SKU: S9.Q2663 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2663. Published by Schott Music - Digital (S9.Q2663).
$5.99
5.48 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Bassoon (band part)
Bassoon I/II - Digital Download SKU: S9.Q2664 This edition: separate part. Orchestr…
(+)
Bassoon I/II - Digital Download SKU: S9.Q2664 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2664. Published by Schott Music - Digital (S9.Q2664).
$5.99
5.48 €
#
Bassoon (band part)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Horn I/II - Digital Download SKU: S9.Q10826 This edition: separate part. Orchestra …
(+)
Horn I/II - Digital Download SKU: S9.Q10826 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10826. Published by Schott Music - Digital (S9.Q10826).
$5.99
5.48 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Violin (band part)
Violin I - Digital Download SKU: S9.Q50424 This edition: separate part. Orchestra p…
(+)
Violin I - Digital Download SKU: S9.Q50424 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q50424. Published by Schott Music - Digital (S9.Q50424).
$5.99
5.48 €
#
Violin (band part)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Oboe I/II - Digital Download SKU: S9.Q2662 This edition: separate part. Orchestra p…
(+)
Oboe I/II - Digital Download SKU: S9.Q2662 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2662. Published by Schott Music - Digital (S9.Q2662).
$5.99
5.48 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Various options for instrumentation - Digital Download SKU: S9.Q2660 This edition: …
(+)
Various options for instrumentation - Digital Download SKU: S9.Q2660 This edition: score. Orchestra pieces for schools. Downloadable, Score. Schott Music - Digital #Q2660. Published by Schott Music - Digital (S9.Q2660).
$21.99
20.12 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Cello/Double Bass - Digital Download SKU: S9.Q10814 This edition: separate part. Or…
(+)
Cello/Double Bass - Digital Download SKU: S9.Q10814 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10814. Published by Schott Music - Digital (S9.Q10814).
$5.99
5.48 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Viola (band part)
Viola - Digital Download SKU: S9.Q22719 This edition: separate part. Orchestra piec…
(+)
Viola - Digital Download SKU: S9.Q22719 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22719. Published by Schott Music - Digital (S9.Q22719).
$5.99
5.48 €
#
Viola (band part)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Ten Romantics for Sax
Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middl…
(+)
Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middleton. Romantic pieces for alto saxophone and piano. Score and Part. 49 pages. Forton Music - Digital #FM627. Published by Forton Music - Digital (F2.FM627). ISBN 9790570485260.From Chopin to Schumann, Ten Romantics for Sax is an exciting collection of pieces for alto sax with piano accompaniment, arranged by Andrew Middleton. All of the pieces are from the Romantic Period (1820 to 1910), exploring the music of both famous and lesser known composers of the time, as well as a range of styles from the period including: lieder, preludes and even music from ballet! Ideal for the intermediate student, each piece has been carefully selected and arranged to help develop good playing techniques as well as introduce the player to a range of styles of music.
$17.95
16.42 €
#
Andrew Middleton
#
Ten Romantics for Sax
#
Forton Music - Digital
#
SheetMusicPlus
10 Easy Romantic Pieces for Bb Saxophone and Piano
Tenor Saxophone and Piano
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, J…
(+)
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820362. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for either Bb Tenor or Soprano Saxophone and Piano, making it an excellent resource for beginner and intermediate level players. The piano accompaniments are specifically designed to complement the saxophone parts, creating a harmonious and beautiful sound.<br> Whether you are a student or a beginner saxophonist looking to improve your skills, or an intermediate level player who wants to explore the music of the Romantic period, this collection is a great starting point. It is also useful for essays and performances, as it offers an accessible and enjoyable repertoire that can be performed in various settings.<br> Easy keys and range for Saxophone<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák <br> Theme from "Le Streghe" - N. Paganini <br> Melody in F – A. Rubinstein <br> Soldier March – R. Schumann <br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
13.71 €
#
Tenor Saxophone and Piano
#
Various
#
10 Easy Romantic Pieces for Bb Saxophone and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
10 Easy Romantic Pieces - for Oboe and Piano
Oboe, Piano (duet)
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethov…
(+)
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820359. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for Oboe and Piano. It is a highly valuable resource for students in their first courses, as it provides excellent material for essays and performances. Whether you are looking to improve your skills in playing the oboe or studying the music of the Romantic period, this collection is a great starting point. The included piano accompaniments are designed to complement the oboe parts, creating a beautiful and harmonious sound.<br> Titles:<br> 1. Largo from “New World Symphony” – A. Dvorák <br> 2. Theme from "Le Streghe" - N. Paganini <br> 3. Melody in F – A. Rubinstein <br> 4. Soldier March – R. Schumann <br> 5. The Great Gate of Kiev - M. Mussorgsky <br> 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> 10.Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
13.71 €
#
Oboe, Piano (duet)
#
Various
#
10 Easy Romantic Pieces - for Oboe and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
<
1
26
51
....
9976
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version