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65 sheet music found
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51
Encore! Encore!
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Organ
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Fred Bock
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Encore! Encore!
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Fred Bock Music Company
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SheetMusicPlus
Organ SKU: HL.310635 Organ. By Fred Bock. Organ. Fred Bock Publications. Christmas, General Worship, Sacred. 64 pages. Fred Bock Music Company #BG...
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Organ SKU: HL.310635 Organ. By Fred Bock. Organ. Fred Bock Publications. Christmas, General Worship, Sacred. 64 pages. Fred Bock Music Company #BG0961. Published by Fred Bock Music Company (HL.310635). ISBN 9781934596265. UPC: 073999106350. 9.0x12.0x0.172 inches.This organ collection commemorates musical great Fred Bock. It is appropriately named not only for Fred's accomplishments and contributions to the sacred organ world, but also because Fred's own organ collection was named Encore. Featuring many of Fred's closest friends, this unprecedented memorial includes original organ compositions in tribute to Fred by Fred Swann, Diane Bish, Mark Thallender and many others, plus stories and personal remembrances.
Song List
: Great Is Thy Faithfulness (Wm. Runyan) At the River (Rbt. Lowry) Fantasy On Hyfrydol (Rowland Pichard) I Would Be True (Joseph Peek) Lift High the Cross (Sydney Nicholson) Nicaea (Holy, Holy, Holy) (John Dykes) Peace, Perfect Peace (Geo. Caldbeck) Spirit of God, Decend Upon My Heart (F Atkinson) Where All Is Peace (Arr: Kimo Smith) CROSS OF CHRIST, THE (ARR: JOYCE JONES)
$18.95
Le plus que lente
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Leon Roques
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Le plus que lente
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q52204 Valse. Composed by Claude Debussy. Edited by Wolfgang Birtel. Arrang...
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Violin and piano - intermediate to advanced - Digital Download SKU: S9.Q52204 Valse. Composed by Claude Debussy. Edited by Wolfgang Birtel. Arranged by Leon Roques. This edition: Sheet music. (c) 2019 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 11 pages. Schott Music - Digital #Q52204. Published by Schott Music - Digital (S9.Q52204). English • German • French.Digital publication of the piece found in the following print music collection: Concert Favourites - The Finest Concert and Encore Pieces for Violin and Piano.
$4.99
Plus Encore
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2 Guitars (duet)
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ADVANCED
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Dale K
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Plus Encore
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Dale K. Rodgers
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.1147082 Composed by Dale K. Rodgers. Contemporary,Contest,Festival,New Age,Wedding...
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Acoustic Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.1147082 Composed by Dale K. Rodgers. Contemporary,Contest,Festival,New Age,Wedding. 4 pages. Dale K. Rodgers #747280. Published by Dale K. Rodgers (A0.1147082). Lovely, romantic duet for classical or finger-style guitar. Drop D tuning for each guitar part. Advanced level. Very romantic, played at my son's wedding. Recorded the mp3 with my friend, the fine guitarist Maria Ferrara.
$9.99
Harmonica Encores
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Harmonica
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INTERMEDIATE/ADVANCED
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Instructional
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Jiayi He
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Harmonica Encores
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Harmonica (chromatic) - Intermediate-Advanced - Digital Download Composed by Jiayi He. Harmonica: Chromatic, Solos. Style. E-book and online audio. 8...
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Harmonica (chromatic) - Intermediate-Advanced - Digital Download Composed by Jiayi He. Harmonica: Chromatic, Solos. Style. E-book and online audio. 88 pages. Mel Bay Publications - Digital Sheet Music #30600MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117655.
Harmonica Encores presents famous concertos by Bach and Vivaldi plus other select classical works arranged by chromatic harmonica virtuoso Jiayi He. Includes Hungarian Rhapsody No. 2 by Franz Liszt, Romanian Rhapsody No. 1 by George Enescu, Spring Sonata by Ludwig van Beethoven, Waltz, Op. 64, No. 2 by Frederic Chopin, and more. As these solos require advanced technique, the author has included both standard notation and chromatic harmonica tablature with hole numbers, blow/draw instructions and slide positions. The authoras stellar performances of many of these works can be found on YouTube. Downloadable online audio tracks provide accompaniment for practice and performance. Includes access to online audio.
$17.99
Nana Mouskouri: Encore plus près de toi
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Piano, Vocal and Guitar
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French Songs
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Nana Mouskouri
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Encore plus près de toi
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Quickpartitions
4.99€
Arrangements for 4 guitars
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4 Guitars (Quartet)
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Fernando Sor
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Eddie Healy
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Arrangements for 4 guitars
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar quartet - Digital Download SKU: ZZ.DZ-4322 Composed by Fernando Sor. Arranged by Eddie Healy. Score and parts. 49 pages. Les Productions d'OZ - Di...
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Guitar quartet - Digital Download SKU: ZZ.DZ-4322 Composed by Fernando Sor. Arranged by Eddie Healy. Score and parts. 49 pages. Les Productions d'OZ - Digital #DZ 4322. Published by Les Productions d'OZ - Digital (ZZ.DZ-4322). When I undertook my arranging project, Fernando Sor: Beneath the Surface, I had not yet conceived of another. Yet, Sor’s works are so charming and rich that I felt compelled to delve deeper. Again, I have taken a number of his works for solo guitar and expanded them here. This has enabled me to furnish each voice, those composed by Sor and those I’ve added, with a degree of independence that enables them to simultaneously behave independently of the others and to interact with and react to them more freely.I hope that this will inspire guitar students and more seasoned players alike to examine the structural underpinnings of his works when crafting their interpretations much as I have in producing these arrangements.Lorsque j’ai entrepris mon projet d’arrangement, Fernando Sor : Beneath the Surface, je n’avais pas encore imaginé d’autre projet. Pourtant, les œuvres de Sor sont si charmantes et riches que je me suis senti obligé d’aller plus en profondeur. Là encore, j’ai repris un certain nombre de ses œuvres pour guitare seule et les ai développées ici. Cela m’a permis de doter chaque voix, celles composées par Sor et celles que j’ai ajoutées, d’un degré d’indépendance qui leur permet de se comporter simultanément indépendamment des autres et d’interagir et de réagir plus librement avec elles.J’espère que cela inspirera les étudiants en guitare et les guitaristes plus expérimentés à examiner les fondements structurels de ses œuvres lors de l’élaboration de leurs interprétations, tout comme je l’ai fait pour produire ces arrangements.1. Minuet, Op. 11, No. 52. Etude, Op. 35, No. 23. Etude, Op. 44, No. 164. Etude, Op. 35, No. 145. Leçon III, Op. 31.
$14.95
Jacques Dussouil: "La nuit s’étend sur la terre" from Quatre Noëls for SATB mixed chorus
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Choral SATB
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INTERMEDIATE
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Christmas
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Jacques Dussouil
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Jacques Dussouil: "La nuit sâ€
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535405 Composed by Jacques Dussouil. Christmas,Sacred. Octavo. 6 pages. Musik Fabrik Music Publi...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.535405 Composed by Jacques Dussouil. Christmas,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4283611. Published by Musik Fabrik Music Publishing (A0.535405). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.1. La nuit s’étend sur la terre1. La nuit s’étend sur la terre, Il fait si-lence au dehorsAbandon-nous nos misères àqui bon souffrir encore?Toi qui pleures, et te lamentes, Prends espoir et te réveille.Ne res-te plus dans l’attente, viens voir l’en-fant qui sommeille.2. Oubliez peines et larmes, Et si vous souffrez encoreSoyez émus par les charmesDe cet enfant qui s’endortNoël enlève nos doutes,Joies passées, joies espérées,Létoile éclaire ma routeoù m’aide ce nouveau-né3. Oubliez ce qui nous blesseQue cesent nos trahisons!Que Noël soit jour de liesse,Qu’un enfant soit notre union.Que tous ceux qui se rassemblentVoyant nos cœurs rejouir.Nous aides àbâtir ensembleUn monde qui nous unit.
$1.99
Ange Flégier: La Poésie for baritone voice and piano
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Baritone voice, Piano
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INTERMEDIATE
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Ange Flégier
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Ange Flégier: La Poésie for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533426 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. M...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533426 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913673. Published by Musik Fabrik Music Publishing (A0.533426). A setting of a poem by Édouard Pailleron. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C major Duration: aprox. 6 minutes 30 secondsLorsque le premier homme àsa première aurore,Au sein du monde immense et vierge comme lui,Promenait vaguement, pensif et seul encore,La curiosité de son divin ennui,Les mots venaient éclore àsa lèvre étonnéeÀ chaque enchantement du spectacle infini,Comme vient la chanson éclore au bord du nid:À l’heure qu’il naissait la parole était née.Mais, lorsque s’éveillant de son autre sommeil,Il vit, plus belle encore que l’aurore première,Eve nue et debout dans la grande lumière,Comme un astre vivant, adorable et vermeil;Il étendit les bras vers sa maîtresse blonde,Et, jusqu’àson désir inclinant sa beauté,Sachant bien que l’amour lui coûterait le monde,Du remords éternel il fit la volupté;Et dans le doux transport dont l’âme était saisie,Et dans le dur sanglot qui s’y venait briser,Tu naquis àton tour, ô jeune poésie,De la première larme et du premier baiser!
$10.30
Ange Flégier: La Poésie for bass voice and piano
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Low voice, Piano
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INTERMEDIATE
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Ange Flégier
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Ange Flégier: La Poésie for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533427 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik ...
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533427 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913681. Published by Musik Fabrik Music Publishing (A0.533427). A setting of a poem by Édouard Pailleron. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Ab major Duration: aprox. 6 minutes 30 secondsLorsque le premier homme àsa première aurore,Au sein du monde immense et vierge comme lui,Promenait vaguement, pensif et seul encore,La curiosité de son divin ennui,Les mots venaient éclore àsa lèvre étonnéeÀ chaque enchantement du spectacle infini,Comme vient la chanson éclore au bord du nid:À l’heure qu’il naissait la parole était née.Mais, lorsque s’éveillant de son autre sommeil,Il vit, plus belle encore que l’aurore première,Eve nue et debout dans la grande lumière,Comme un astre vivant, adorable et vermeil;Il étendit les bras vers sa maîtresse blonde,Et, jusqu’àson désir inclinant sa beauté,Sachant bien que l’amour lui coûterait le monde,Du remords éternel il fit la volupté;Et dans le doux transport dont l’âme était saisie,Et dans le dur sanglot qui s’y venait briser,Tu naquis àton tour, ô jeune poésie,De la première larme et du premier baiser!
$10.35
Bluesette
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String Trio: 3 violins
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ADVANCED
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Jazz
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Sarah Vaughn
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AZSAP MUSiC
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Bluesette
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AZSAP MUSiC
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SheetMusicPlus
String Trio Violin - Level 5 - Digital Download SKU: A0.1237495 By Sarah Vaughn. By Jean Thielemans and Norman Gimbel. Arranged by AZSAP MUSiC. Jazz. 14 ...
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String Trio Violin - Level 5 - Digital Download SKU: A0.1237495 By Sarah Vaughn. By Jean Thielemans and Norman Gimbel. Arranged by AZSAP MUSiC. Jazz. 14 pages. AZSAP MUSiC #833009. Published by AZSAP MUSiC (A0.1237495). Unleash the soulful charm and sophistication of Bluesette by Jean Thielemans with our meticulously crafted violin trio arrangement. Designed for college-level and professional musicians, this arrangement is perfect for elevating your performances at music festivals, studio concerts, or any event where musical excellence shines. Plus, it's an ideal choice for a concert finisher or encore piece.Key Features:1. **High-Caliber Arrangement:** Crafted for the discerning musician, our Bluesette violin trio arrangement showcases intricate harmonies and melodies that challenge and delight college and professional-level players.2. **Jean Thielemans' Timeless Classic:** Bluesette is a timeless masterpiece by the harmonica virtuoso Jean Thielemans, and our arrangement pays homage to the original composition's depth and beauty, ensuring your performance resonates with audiences.3. **Versatile Performance:** Whether you're planning a captivating recital, showcasing your trio's prowess at a music festival, or gracing a studio concert, this arrangement provides a versatile and polished addition to your repertoire.4. **Ideal for Ensemble Showcases:** Bluesette is perfect for highlighting the synergy among your violin trio members, demonstrating your collective musical prowess and sophistication.5. **Performance-Ready Notation:** Our professionally notated sheet music ensures a seamless and expressive performance. Each violin part has been carefully composed to create a harmonious ensemble experience.6. **A Celebration of Musical Excellence:** With its rich, emotional depth and intricate harmonies, Bluesette allows you to captivate audiences and reveal the depth of your musical artistry.7. **Instant Access:** Skip the wait for physical sheet music. Our digital format allows for instant download, providing convenient access for practice and performance preparation.Elevate your ensemble's repertoire and enchant your audience with the mesmerizing allure of Bluesette. This arrangement is a tribute to the virtuosity of Jean Thielemans and a testament to the excellence of college-level and professional musicians. Make your mark at music festivals, studio concerts, and beyond with this captivating trio arrangement, perfect for a concert finisher or an encore. Order now and embark on a musical journey that showcases the depth of your artistry and the timeless beauty of this classic composition.
$12.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio LuÃs de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio LuÃs de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première Å“uvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses Å“uvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là , certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des Å“uvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses Å“uvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'Å“uvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Paul Wehage - L'Aube Spirituelle
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Contemporary
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Paul Wehage
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Paul Wehage - L'Aube Spirituel
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Mus...
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Small Ensemble Cello,Flute,Viola,Violin - Level 5 - Digital Download SKU: A0.532769 Composed by Paul Wehage. Contemporary. Score and parts. 75 pages. Musik Fabrik Music Publishing #6131. Published by Musik Fabrik Music Publishing (A0.532769). This quartet for flute and string trio was commissioned by and dedicated to the Hélios Ensemble of Paris. Freely inspired by the poem of the same name by Charles Baudelaire, this quartet in three movements is derived essentially from the slow motif which begins the works, which generates most of the musical material which follows. The style is more linear than harmonic. The four-part invention which opens the work is followed by the second section (played without interruption) which is a kind of long suspended melody. The third movement is a quick scherzo with a final evocation of the opening motif before a brief coda. L’AUBE SPIRITUELLE (Les Fleurs du Mal) Quand chez les débauchés l’aube blanche et vermeille Entre en société de l’Idéal rongeur, Par l’opération d’un mystère vengeur Dans la brute assoupie un Ange se réveille. Des Cieux Spirituels l’inaccessible azur, Pour l’homme terrassé qui rêve encore et souffre, S’ouvre et s’enfonce avec l’attirance du gouffre. Ainsi, chère Déesse, Être lucide et pur, Sur les débris fumeux des stupides orgies Ton souvenir plus clair, plus rose, plus charmant, À mes yeux agrandis voltige incessamment. Le soleil a noirci la flamme des bougies ; Ainsi, toujours vainqueur, ton fantôme est pareil, Âme resplendissante, àl’immortel Soleil !
$25.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à -dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
The Hobby-Horse (Chamber Orchestra)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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The Hobby-Horse
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1411210 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classi...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1411210 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Period. 34 pages. Christopher Kalstad #993539. Published by Christopher Kalstad (A0.1411210). The Hobby-Horse from Tchaikovsky's Album for the Young is now arranged for chamber orchestra. Tchaikovsky's musical charm is on full display in this kinetic scherzo-like piece - perfect as a chamber orchestra encore or as a pairing with Kalstad's other orchestrations of Tchaikovsky's enduring piano gems. Marches of the Wooden Soldiers (Chamber Orchestra) by Peter Ilyich Tchaikovsky - Chamber Orchestra - Digital Sheet Music | Sheet Music PlusMorning Prayer (Chamber Orchestra) by Peter Ilyich Tchaikovsky - Chamber Orchestra - Digital Sheet Music | Sheet Music Plus
$11.99
The Centipede - der Hundertfüssler - le Cent-pattes - for two voices
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Choral SATB
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EASY
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David Warin Solomons
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The Centipede - der Hundertfü
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. ...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.575717 Composed by David Warin Solomons. 20th Century,Children,Contemporary. Octavo. 12 pages. David Warin Solomons #2027153. Published by David Warin Solomons (A0.575717). Duet based on the anonymous English poem about a centipede - the creature was quite happy with its hundred legs until a frog asked it to think about which leg comes after which... it then lay distracted in a ditch considering how to run... The sound sample is the English version, sung in B flat It can be sung by two solo voices or by a two part choir of any kind. Versions are available in English (B flat major and D major) German (F major and D major) and in French (F major and D major) the pdf file contains all of these versions. A video of the English original (in B flat) can be seen here: https://www.youtube.com/watch?v=Jo25CSSE5eU These are the words of my French version of the song Un cent-pattes était bien content Mais la grenouille l'interroge «Comment sais-tu quelle patte va avant C'est la gauche ou droite ou quoi?» ça lui fait penser, mais beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. Il commence un pas, s'arrête encore, Des pat-tes gauches se lèvent Il bouge ses droites en octuors Et trébuche comme dans un rêve oui ça fait penser, et beaucoup trop l'immobilise tout en chaos il ne peut plus marcher droit. These are the words of my German version of the song Einem Hundertfüßler ging's ganz wohl Bis ein Frosch ihn schlau befragte Weisst du welcher Fuss nach vorne geht? Singen wir: rechts links links rechts! Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n Er versucht 'nen Tritt und blieb da steh'n Alle fünfzig linke Beine Kamen aufwärts und er stolperte Und die rechten folgten nicht Dann besann er sich und dachte nach Seine Beine wirbelten hundertfach Und er konnte nicht mehr geh'n.
$2.99
Tango for Glenn
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Greg Woodward
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Tango for Glenn
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Greg Woodward
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1458779 Comp...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1458779 Composed by Greg Woodward. 21st Century,Baroque,Celtic,Classical,Irish,Jazz. 14 pages. Greg Woodward #1037714. Published by Greg Woodward (A0.1458779). Tango for Glenn is a tribute to Glenn Gould, whose particular way of playing Bach on piano was so influential in its day. However, it's very much a joyful romp through a range of styles. (The original piece was for piano; this arrangement was made for the local Xyris Saxophone quartet, whose excellent performance is linked below. The original piano piece is also available for sale at Sheet Music Plus).The main theme is in 5/4 and it moves through a range of - mostly - irregular time-signatures, but uses a harmonic and melodic vocabluary strongly influenced by Bach, with lashings of some more jazzy language. There is a brief (two beat long) quote of Paul McCartney's song Blackbird used as thematic material in the second episode, the guitar part of which was also based on a piece by Bach.This would make a fun concert or encore piece.Visit my YouTube page for more performances, arrangements and compositions.
$40.00
Transfigured Life - Still Life
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Violin and Piano
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ADVANCED
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #...
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément àcette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise àattirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce àune ligne de piano simple qui laisse beaucoup d'espace àla partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement àla couleur et au rythme atmosphériques ; c'est àl'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence àdes lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
Marches of the Wooden Soldiers (Chamber Orchestra)
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Classical
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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Marches of the Wooden Soldiers
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Christopher Kalstad
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SheetMusicPlus
Strings B-Flat Clarinet,B-Flat Trumpet,Bassoon,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1419795 Composed by Peter Ilyich Tchaikovsky. Arran...
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Strings B-Flat Clarinet,B-Flat Trumpet,Bassoon,Horn,Oboe,Piccolo - Level 3 - Digital Download SKU: A0.1419795 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Period. Full Performance. Duration 50. Christopher Kalstad #1001219. Published by Christopher Kalstad (A0.1419795). Marches of the Wooden Soldiers from Tchaikovsky's piano work Album for the Young is now arranged for chamber orchestra. Tchaikovsky's melodic gift and musical charm are fully on display in this attractive light piece - perfect as a chamber orchestra encore!Score and parts available at:Marches of the Wooden Soldiers (Chamber Orchestra) by Peter Ilyich Tchaikovsky - Chamber Orchestra - Digital Sheet Music | Sheet Music PlusMP3 is a computer realization.
$1.99
Le coup de soleil
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Cédric Hermand
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Cédric Hermand
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Le coup de soleil
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ArtIA
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SheetMusicPlus
Digital Download SKU: A0.1415585 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,St...
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Digital Download SKU: A0.1415585 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,Standards,World. Full Performance. Duration 241. ArtIA #997303. Published by ArtIA (A0.1415585). Redécouvrez le classique Le Coup de Soleil, réimaginé avec passion et un talent inédit par Cédric. Cette version revisitée du clip apporte une nouvelle profondeur àla mélodie intemporelle de Richard Cocciante, grâce àune interprétation vocale àla fois fraîche et émouvante.Le clip débute sur l'image poétique d'un lever de soleil, métaphore parfaite de renouveau et d'espoir, avant de nous plonger dans l'univers personnel de Cédric. Sa voix, mêlant force et vulnérabilité, donne une nouvelle vie àl'histoire d'amour ardente et complexe au cœur de la chanson.À travers une série de scènes visuellement captivantes, le clip alterne entre des moments de performance intime de Cédric en studio et une narration visuelle des hauts et des bas d'une romance tumultueuse. Chaque note et chaque parole sont magnifiées par l'authenticité et la passion de son interprétation.La caméra capture des instants de bonheur pur et de désespoir profond, illustrant le voyage émotionnel des amants, tandis que la voix de Cédric guide l'auditeur àtravers leur histoire. Les défis et les réconciliations du couple sont dépeints avec une sensibilité qui touche directement le cœur.Le climax du clip est une célébration visuelle et musicale de l'amour retrouvé, où la puissance de la chanson et l'intensité de l'interprétation atteignent leur apogée. C'est une explosion d'émotions qui capture l'essence même du coup de soleil : brûlant, inoubliable, et transformateur.En conclusion, le clip se referme sur une note d'espoir, les premières lueurs de l'aube apportant la promesse d'un nouveau départ. C'est une fin qui laisse les spectateurs inspirés, contemplatifs, et impatients de voir où la voix unique de Cédric peut encore les emmener.Le Coup de Soleil par Cédric est plus qu'une simple reprise ; c'est une œuvre d'art àpart entière. Le clip, enrichi par sa voix captivante, invite àune expérience immersive qui résonne longtemps après la fin de la chanson.
$1.99
Unaccompanied Tuba Suite #1 in B-flat Major
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Tuba
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INTERMEDIATE
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Jason Allie
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Unaccompanied Tuba Suite #1 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC ...
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
Cantaloupe Island
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Trumpet, Piano
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BEGINNER
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Herbie Hancock
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Ivan Marini
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Cantaloupe Island
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www.dalsegno.eu
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1086037 By Herbie Hancock. By Herbie Hancock. Arranged by Ivan Marini. Contemporary,Instruction...
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1086037 By Herbie Hancock. By Herbie Hancock. Arranged by Ivan Marini. Contemporary,Instructional,Jazz,Pop,Standards. Score and part. 3 pages. Www.dalsegno.eu #690231. Published by www.dalsegno.eu (A0.1086037). One of the most important masterworks in modal Jazz Rock history, now for Solo and Piano.Easy, enjoyable and flexible arrangement of this classic theme.Really useful for instrumental classes, as a mild approach to improvisation, to build a repertoire, for concerts, recitals, even as attractive encore.Fits in almost every program, for smaller or larger venues.Drum set part, other transpositions or custom settings available at simply request.Duration: ad lib. (ca. 1 minute for the tune, plus improvisation), 3 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
Par Amour
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Easy Piano
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Contemporary
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Lara Fabian
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Jocelyn Forget
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Par Amour
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PianoMotifs
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SheetMusicPlus
Easy Piano - Digital Download SKU: A0.956324 By Lara Fabian. By Kelly Paige Watson, Lara Crokaert, Mo Denebi, Mohammad Denebi, Sharon Vaugh, and Sharon V...
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Easy Piano - Digital Download SKU: A0.956324 By Lara Fabian. By Kelly Paige Watson, Lara Crokaert, Mo Denebi, Mohammad Denebi, Sharon Vaugh, and Sharon Vaughn. Arranged by Jocelyn Forget. Contemporary. Score. 6 pages. PianoMotifs (JFpiano) #6205363. Published by PianoMotifs (JFpiano) (A0.956324). Un arrangement pour Piano Solo (la main droite joue la mélodie), de la chanson Par Amour, popularisée par Lara Fabian, adaptée pour un niveau débutant-intermédiaire, qui fait suite àl'arrangement du même nom, adaptée pour niveau débutant 2, donc avec une main gauche qui bouge un peu plus. Qui permet aux pianistes qui en sont encore àleur premiers mois de pratique du piano de pouvoir jouée cette chanson.La mélodie est ici aussi assez fidèle àl'originale, àl'exception de quelques figures de notes qui y sont adaptées pour ce niveau.Vous pouvez m'écrire si vous voulez me suggérer des pièces àarranger ou si vous aimez ou non quelques aspects de cet arrangement que vous aimeriez dans vos prochaines partitions.mon courriel: jfpiano@hotmail.com
$4.99
Springtide (Alternative version in C)
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Bassoon, Piano (duet)
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EASY
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Robert A
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Springtide
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Robert A. Howard
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SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.998783 Composed by Robert A. Howard. 20th Century,Chamber,Classical,Contemporary,Lent. Score and part....
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.998783 Composed by Robert A. Howard. 20th Century,Chamber,Classical,Contemporary,Lent. Score and part. 5 pages. Robert A. Howard #5987539. Published by Robert A. Howard (A0.998783). This short character piece for bassoon and piano (in C major) explores a memorable main theme based on a simple 'rise and fall' motif. The work is in a clear ternary form, with a contrasting middle section in the relative minor key (A minor). The bassoon delivers the melodic material throughout, exploring a range of two and a half octaves, while the piano provides attractive accompaniment figures. The piece is highly accessible and is appropriate for early grade bassoonists and pianists, including students. The work can even be used as a carefree encore. The original version in Db major is also available via Sheet Music Plus. This document is the full score, and serves as the piano part too.
$3.49
Cantaloupe Island
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Drums
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BEGINNER
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Herbie Hancock
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Ivan Marini
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Cantaloupe Island
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www.dalsegno.eu
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SheetMusicPlus
Drum Set,Drums - Level 1 - Digital Download SKU: A0.1087152 By Herbie Hancock. By Herbie Hancock. Arranged by Ivan Marini. Contemporary,Instructional,Jaz...
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Drum Set,Drums - Level 1 - Digital Download SKU: A0.1087152 By Herbie Hancock. By Herbie Hancock. Arranged by Ivan Marini. Contemporary,Instructional,Jazz,Pop. Score. 2 pages. Www.dalsegno.eu #691353. Published by www.dalsegno.eu (A0.1087152). One of the most important masterworks in modal Jazz Rock history, now for drummers too: easy, enjoyable and flexible part for Drum Set, can be played with every arrangement available on this site by www.dalsegno.eu. Really useful for instrumental classes, to build a repertoire, for concerts, recitals, for the first improvisation attempts, even as attractive encore.Fits in almost every program, for smaller or larger venues.Other transpositions or custom settings available at simply request.Duration: ad lib. (ca. 1 minute for the tune, plus improvisation), 1 page. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
Nessun Dorma
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Choral SATB
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INTERMEDIATE
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Contemporary
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The Usaf Band
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Craig Garner
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Nessun Dorma
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Dorm 40 Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.740277 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.740277 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Octavo. 27 pages. Dorm 40 Music #4411085. Published by Dorm 40 Music (A0.740277). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Nessun dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and is one of the best-known arias in all of opera. Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece well beyond the world of opera with his many recordings and live performances. Nessun dorma became his signature aria. Nessun dorma also appeared on the best-selling classical album of all time, The Three Tenors in Concert. However, our favorite version will always be the soul-infused rendition by Aretha Franklin during the 1998 Grammy Awards, in which she sang in place of Pavarotti when he was unable to perform due to throat problems. This arrangement, for mixed choir (SATB), organ, brass quintet and timpani/suspended cymbal, includes the aria, as well as the final chorus of the opera. Brass and organ play the entirety of the aria, and choir begins to sing at the final chorus, to dramatic effect. This arrangement includes a full score, organ/vocal score with English text, percussion and brass parts (trumpet parts are provided for both B-flat and C; the percussion part is designed for one player). Vocal score may be freely copied for all members of the choir. Perfect for any concert, and it makes a great encore, as well! If you don’t have a choir, we’ve got you covered. Dorm 40 Music has a published a version for brass quintet, organ and percussion. And, it is available for sale on Sheet Music Plus. Performance time, 4:00. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
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