Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Side effects
PDF/Flash
Not classified
23
Piano & keyboards
Piano solo
7
Piano, Vocal and Guitar
2
Easy Piano
2
Guitars
Voice
Choral SATB
6
Choral 2-part
3
Vocal duet
1
Choral Unison
1
Alto voice, Piano
1
Choral SSAA
1
Choral TTBB
1
+ 2 instrumentations
-
Retract
Woodwind
Flute and Piano
3
Clarinet Ensemble
2
Flute ensemble
2
Saxophone Quartet: 4 saxophones
1
Flute
1
Woodbrass
Brass Quartet: 2 trumpets, horn, trombone
3
Trumpet, Trombone (duet)
2
Brass Quintet: 2 trumpets, horn, trombone, tuba
1
Bass Trombone
1
Tuba
1
Strings
String Trio: violin, viola, cello
6
String Quartet: 2 violins, viola, cello
4
Harp
3
Violin and Piano
2
Cello
1
Double Bass
1
Violin, Cello (duet)
1
Violin, Viola (duet)
1
+ 3 instrumentations
-
Retract
Orchestra & Percussion
Concert band
8
Brass ensemble
1
Drums
1
Percussion Ensemble
1
Jazz Ensemble
1
Handbells
1
Orchestra
1
+ 2 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
35
Digital Sheet Music
98
Sheet Music Books
119
Music Equipment
857
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Side effects
PDF
Sheetmusic to print
98 sheet music found
<
1
26
51
76
Side effects
#
Jazz Ensemble
#
Jazz
#
Chris Abelen
#
Side effects
#
Chris Abelen Music Productions
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.1014115 Composed by Chris Abelen. Jazz. Score and parts. 4 pages. Chris Abelen Music Productions #...
(+)
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.1014115 Composed by Chris Abelen. Jazz. Score and parts. 4 pages. Chris Abelen Music Productions #6562173. Published by Chris Abelen Music Productions (A0.1014115). From the album Dance of the Penguins Side effects. Side effects is written for a jazz quintet [trombone, tenor saxophone, electric guitar, bass & drums]. Side effects can be heard on Chris Abelen - Dance of the penguins [CAMP 001]. More info at www.chrisabelen.com
$4.99
Side Effects
#
Pop music
#
The Chainsmokers Featuring Emi
#
Megan Easton
#
Side Effects
#
Megan Easton
#
SheetMusicPlus
Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.485907 By The Chainsmokers Featuring Emi...
(+)
Choral Alto Voice,Baritone Horn TC,Bass Voice,Soprano voice,Tenor Voice - Level 5 - Interactive Download SKU: A0.485907 By The Chainsmokers Featuring Emily Warren. By The Chainsmokers. Arranged by Megan Easton. This edition: Interactive Download. Pop. Octavo. Duration 165. Megan Easton #1rKArqvnzbmi71vdpAHKjZ. Published by Megan Easton (A0.485907). Key: C minor.6-part (SMATBB) + solo and harmony a cappella arrangement of Side Effects, originally performed by The Chainsmokers featuring Emily Warren.
$3.99
Side Effects
#
Drums
#
INTERMEDIATE
#
Pop music
#
The Chainsmokers Featuring Emi
#
Cyril Mayer
#
Side Effects
#
Cyril Mayer
#
SheetMusicPlus
Drums - Level 3 - Digital Download SKU: A0.1151459 By The Chainsmokers Featuring Emily Warren. By The Chainsmokers. Arranged by Cyril Mayer. Pop. Score. ...
(+)
Drums - Level 3 - Digital Download SKU: A0.1151459 By The Chainsmokers Featuring Emily Warren. By The Chainsmokers. Arranged by Cyril Mayer. Pop. Score. 2 pages. Cyril Mayer #751648. Published by Cyril Mayer (A0.1151459). Side Effects - The Chainsmokers - Drum Transcript + lyrics.
$5.29
Side Effects
#
Piano solo
#
EASY
#
Pop music
#
Woosung
#
Eskander Aceval
#
Side Effects
#
Eskander Aceval
#
SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1152563 By Woosung. By Antonio Cuna, Ian Jeffrey Thomas, Molly Moore, Sactica Nhem, and Woo Sung Kim. Arr...
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1152563 By Woosung. By Antonio Cuna, Ian Jeffrey Thomas, Molly Moore, Sactica Nhem, and Woo Sung Kim. Arranged by Eskander Aceval. Pop. Score. 3 pages. Eskander Aceval #752790. Published by Eskander Aceval (A0.1152563). Woosung - Side Effects chords piano.
$4.99
Spring Spring (I Love Spring) Children's song solo and piano with sound effects
#
Alto voice, Piano
#
BEGINNER
#
Children
#
Connie Boss
#
Spring Spring
#
Connie Boss
#
SheetMusicPlus
Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1168673 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 108. Connie Boss #7690...
(+)
Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1168673 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 108. Connie Boss #769013. Published by Connie Boss (A0.1168673). Everyone loves the signs of Spring......This cute song is for kids and has piano accompaniment. You can purchase this on https://www.sheetmusicdirect.com/en-U... and on https://www.sheetmusicplus.com/title/....You can view this song with cute photos and sound effects on the YouTube link attachedQuestions or requests email cdboss@cvalley.net The lyrics are below: Spring, spring what a wonderful thing The grass is now changing from brown into green Spring, spring what a beautiful scene The flowers are blooming – hear the birds sing I love Spring…….I love Spring……..I love Spring Now it’s time To ride a bike To fly a kite To play outside In the sunlight Spring rains make The flowers grow The rivers flow The colors glow In a rainbow.
$1.99
There Is Life Outside Your Apartment - Score Only
#
Concert band
#
INTERMEDIATE
#
Jeff Marx and Robert Lopez
#
Cal Rustad
#
There Is Life Outside Your Apa
#
Rustad Publishing
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.546619 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Mu...
(+)
Concert Band - Level 3 - Digital Download SKU: A0.546619 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 20 pages. Rustad Publishing (Digital) #156605. Published by Rustad Publishing (Digital) (A0.546619). 8.5x11 SCORE ONLY Avenue Q is a musical comedy featuring puppets and human actors with music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty. The show won Best Musical, Book, and Score at the 2004 Tony Awards. The musical premiered Off-Broadway in 2003 at the Vineyard Theatre, co-produced by the Vineyard Theatre and The New Group. In July of that same year, the show moved to the John Golden Theatre on Broadway, where it ran until 2009, playing for over 2,500 performances. “There is Life Outside Your Apartment†is a fan favorite song from the second act of the musical, and it has been re-orchestrated for full concert band while still preserving the playful style and authentic musicality from the original. With the use of an Acme Mouth Siren and a large titanium panel (or sheet metal that can be whacked by a mallet), percussionists can recreate the “city†sound effects that were featured in the original musical production and the use of alternative playing techniques and mutes in the brass contributes to the playful atmosphere. This makes a great addition to a community or high school band pops concert! Instrumentation: Piccolo Flute (1,2) Oboe Bassoon Clarinet (1,2,3) Bass Clarinet Alto Sax (1,2) Tenor Sax Baritone Sax Trumpet (1,2,3) Horn (1,2) Trombone (1,2) Euphonium Tuba Timpani Mallets Percussion 1(snare, sus. cym, bass drum) Percussion 2 (hi-hat, woodblocks, mouth siren, triangle, ride cym, titanium panel).
$9.99
There Is Life Outside Your Apartment
#
Concert band
#
INTERMEDIATE
#
Jeff Marx and Robert Lopez
#
Cal Rustad
#
There Is Life Outside Your Apa
#
Rustad Publishing
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.546507 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Mu...
(+)
Concert Band - Level 3 - Digital Download SKU: A0.546507 Composed by Jeff Marx and Robert Lopez. Arranged by Cal Rustad. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score and parts. 104 pages. Rustad Publishing (Digital) #156522. Published by Rustad Publishing (Digital) (A0.546507). Avenue Q is a musical comedy featuring puppets and human actors with music and lyrics by Robert Lopez and Jeff Marx and book by Jeff Whitty. The show won Best Musical, Book, and Score at the 2004 Tony Awards. The musical premiered Off-Broadway in 2003 at the Vineyard Theatre, co-produced by the Vineyard Theatre and The New Group. In July of that same year, the show moved to the John Golden Theatre on Broadway, where it ran until 2009, playing for over 2,500 performances. “There is Life Outside Your Apartment†is a fan favorite song from the second act of the musical, and it has been re-orchestrated for full concert band while still preserving the playful style and authentic musicality from the original. With the use of an Acme Mouth Siren and a large titanium panel (or sheet metal that can be whacked by a mallet), percussionists can recreate the “city†sound effects that were featured in the original musical production and the use of alternative playing techniques and mutes in the brass contributes to the playful atmosphere. This makes a great addition to a community or high school band pops concert! Instrumentation: Piccolo Flute (1,2) Oboe Bassoon Clarinet (1,2,3) Bass Clarinet Alto Sax (1,2) Tenor Sax Baritone Sax Trumpet (1,2,3) Horn (1,2) Trombone (1,2) Euphonium Tuba Timpani Mallets Percussion 1(snare, sus. cym, bass drum) Percussion 2 (hi-hat, woodblocks, mouth siren, triangle, ride cym, titanium panel).
$49.99
The Greedy Man Considers Nuclear War for alto voice and guitar
#
Vocal duet
#
INTERMEDIATE
#
Contemporary
#
David Warin Solomons
#
The Greedy Man Considers Nucle
#
David Warin Solomons
#
SheetMusicPlus
Voice Duet Voice - Level 3 - Digital Download SKU: A0.577736 Composed by David Warin Solomons. 20th Century,Contemporary. 4 pages. David Warin Solomons #...
(+)
Voice Duet Voice - Level 3 - Digital Download SKU: A0.577736 Composed by David Warin Solomons. 20th Century,Contemporary. 4 pages. David Warin Solomons #2858893. Published by David Warin Solomons (A0.577736). Setting of Gavin Ewart's satirical poem in which he considers the effects of nuclear war from the point of view of a person who only thinks of food.
$10.00
Side Effects (featuring Emily Warren)
#
Piano, Vocal and Guitar
#
Emily Warren and The Chainsmok
#
Side Effects
#
Hal Leonard Europe
#
SheetMusicPlus
Guitar,Piano,Vocal - Interactive Download SKU: HX.420619 By Emily Warren and The Chainsmokers. This edition: Interactive Download,scorch. Dance,Pop. Scor...
(+)
Guitar,Piano,Vocal - Interactive Download SKU: HX.420619 By Emily Warren and The Chainsmokers. This edition: Interactive Download,scorch. Dance,Pop. Score. 5 pages. Published by Hal Leonard Europe (HX.420619).
$4.99
St. Luke's (From 'Side Effects')
#
Piano solo
#
Thomas Newman
#
St. Luke's
#
Hal Leonard Europe
#
SheetMusicPlus
Digital Download SKU: HX.339693 By Thomas Newman. Classical,Film/TV. Piano Solo. 2 pages. Published by Hal Leonard Europe (HX.339693). ...
(+)
Digital Download SKU: HX.339693 By Thomas Newman. Classical,Film/TV. Piano Solo. 2 pages. Published by Hal Leonard Europe (HX.339693).
$4.99
Side Effects
#
Easy Piano
#
ADVANCED
#
Contemporary
#
The Chainsmokers Featuring Emi
#
Jan Zajc
#
Side Effects
#
Jan Zajc
#
SheetMusicPlus
Easy Piano - Level 5 - Digital Download SKU: A0.887998 By The Chainsmokers Featuring Emily Warren. By The Chainsmokers. Arranged by Jan Zajc. Contemporar...
(+)
Easy Piano - Level 5 - Digital Download SKU: A0.887998 By The Chainsmokers Featuring Emily Warren. By The Chainsmokers. Arranged by Jan Zajc. Contemporary. Score. 5 pages. Jan Zajc #4890051. Published by Jan Zajc (A0.887998).
$4.99
Christmas Time Is Here
#
Jazz
#
Vince Guaraldi
#
Mark W
#
Christmas Time Is Here
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808436 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts...
(+)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808436 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 4 pages. Mark Wayne Music, LLC #3688823. Published by Mark Wayne Music, LLC (A0.808436). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses
$6.99
Christmas Time Is Here
#
Jazz
#
Vince Guaraldi
#
Mark W
#
Christmas Time Is Here
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808437 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts...
(+)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808437 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 7 pages. Mark Wayne Music, LLC #3688827. Published by Mark Wayne Music, LLC (A0.808437). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db,     Enharmonics- Cb, Fb     Violin III included Cello: 2 measures extended first position (repeated).     Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.
$6.99
Christmas Time Is Here
#
Jazz
#
Vince Guaraldi
#
Mark W
#
Christmas Time Is Here
#
Mark Wayne Music, LLC
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808435 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts...
(+)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.808435 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 11 pages. Mark Wayne Music, LLC #3688811. Published by Mark Wayne Music, LLC (A0.808435). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses
$12.99
Christmas Time Is Here
#
Violin, Viola (duet)
#
INTERMEDIATE
#
Jazz
#
Vince Guaraldi
#
Mark W
#
Christmas Time Is Here
#
Mark Wayne Music, LLC
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.808440 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jaz...
(+)
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.808440 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Score and parts. 2 pages. Mark Wayne Music, LLC #3688833. Published by Mark Wayne Music, LLC (A0.808440). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.
$4.99
Christmas Time Is Here
#
Double Bass
#
INTERMEDIATE
#
Jazz
#
Vince Guaraldi
#
Mark W
#
Christmas Time Is Here
#
Mark Wayne Music, LLC
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.808442 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Individual part. ...
(+)
Double Bass,String Bass Solo - Level 3 - Digital Download SKU: A0.808442 Composed by Vince Guaraldi. Arranged by Mark W. Huxhold. Jazz. Individual part. 1 pages. Mark Wayne Music, LLC #3688839. Published by Mark Wayne Music, LLC (A0.808442). 2018 Holiday Contest Entry Performance Considerations This arrangement retains the same form and key as the original soundtrack recording and is very flexible. On an ad hoc basis, choir, jazz piano, and/or snare with brushes can easily be added. A lead sheet is also included in the set of parts and is available separately from Mark Wayne Music Educational Considerations 1. Minimum Proficiency/Curricular Assumption - The student has studied the key of F, but the key of Bb may be currently under study. Fingerings that are unique to the key of Bb are provided as listed by instrument below. Positions are indicated for cello and bass 2. Harmony and Enharmonics - This piece provides an excellent opportunity to discuss how the oddly spelled note illustrates its’ function within the chord. Notes that may be new to the student or enharmonic spellings the player will encounter are listed below. Chord symbols are indicated in the score as an aid. Violin: L4 on D string, new note Ab Viola: L4 on G string, new note Db, Enharmonics- Cb, Fb Violin III included Cello: 2 measures extended first position (repeated). Second position on D string Bass: New notes: Eb on D string, Db on A string, Ab on E string, Enharmonic- Gb Jazz Pizzicato (optional) - Place the inside of the right hand on the string and pluck with the entire side of the index finger, letting it come to rest on the lower string. This has two effects, more sustain, and a more resonant tone. The technique works great for a single bass but may cause an ensemble problem with multiple basses.
$4.99
Pharmacopoeia: One (for solo bassoon and bassoon quartet)
#
Brandon Nelson
#
Pharmacopoeia: One
#
Brandon Nelson
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Double Reed Quintet - Level 5 - Digital Download SKU: A0.1201729 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Con...
(+)
Woodwind Ensemble Bassoon,Double Reed Quintet - Level 5 - Digital Download SKU: A0.1201729 Composed by Brandon Nelson. 20th Century,Chamber,Classical,Contemporary,Contest,Festival. 38 pages. Brandon Nelson #800345. Published by Brandon Nelson (A0.1201729). In this piece (the first of an open-ended series of pieces), I explore four pharmaceutical agents, imagining how their effects on one’s body might be translated into sounds.The work opens with a prelude, which exhibits the primary melodic materials the rest of the piece is built upon.Ciprofloxacin is one of the most commonly prescribed antibiotics. I envision a “battle†between the drug and the offending bacterium, much as it occurs in the course of treating respiratory tract infections and urinary infections.In Albuterol, I begin the movement with rather “breathless†figures that gradually calm and end in wide open respite. Albuterol is best known for treating exacerbations of asthma, which relaxes bronchi that have become inflamed.When blood pressure becomes too high, this can cause a number of life-threatening conditions. One drug commonly used to bring blood pressure under control is Metoprolol, which acts on a number of bodily systems to “slow things down.†In this movement, I depict this gradual releasing of tension both in rhythmic figuration and in tempo.The final movement presents Modafinil, part of a relatively new class of drugs known as eugeroics. Essentially a stimulant, modafinil promotes wakefulness and is claimed by some to increase energy level and mental clarity. In this closing movement, I depict one of the less pleasant side effects of this stimulation: the jitters.
$12.99
Praise the Lord
#
Flute and Piano
#
EASY
#
Hoyong Lee
#
Hoyong Lee
#
Praise the Lord
#
Hoyong Lee
#
SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.1468445 By Hoyong Lee. By Hoyong Lee. Arranged by Hoyong Lee. Chamber,Praise & Worship,Religious. Full P...
(+)
Flute,Piano - Level 2 - Digital Download SKU: A0.1468445 By Hoyong Lee. By Hoyong Lee. Arranged by Hoyong Lee. Chamber,Praise & Worship,Religious. Full Performance. Duration 111. Hoyong Lee #1046764. Published by Hoyong Lee (A0.1468445). Praise the Lord Praise the Lord is CCM instrumental which was composed by Hoyong Lee. Based on the harmony of the piano, flute and pad, this chill instrumental represents the grace and everlasting love of Jesus with calm and mellow vibe. After having a hard time due to the side effects of the COVID-19 vaccine, everything in composer's life changed and it made him decide to express and share the grace and peace of the Holy Spirit. He truly hopes you're at peace in love of God, with this music.
$3.00
Praise the Lord
#
Flute and Piano
#
BEGINNER
#
Hoyong Lee
#
Hoyong Lee
#
Praise the Lord
#
Hoyong Lee
#
SheetMusicPlus
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1468385 By Hoyong Lee. By Hoyong Lee. Arranged by Hoyong Lee. Chamber,Praise & Worship,Religious...
(+)
Piano,Soprano Flute - Level 1 - Digital Download SKU: A0.1468385 By Hoyong Lee. By Hoyong Lee. Arranged by Hoyong Lee. Chamber,Praise & Worship,Religious. Score and part. 2 pages. Hoyong Lee #1046697. Published by Hoyong Lee (A0.1468385). Praise the Lord Praise the Lord is CCM instrumental which was composed by Hoyong Lee. Based on the harmony of the piano, flute and pad, this chill instrumental represents the grace and everlasting love of Jesus with calm and mellow vibe. After having a hard time due to the side effects of the COVID-19 vaccine, everything in composer's life changed and it made him decide to express and share the grace and peace of the Holy Spirit. He truly hopes you're at peace in love of God, with this music.
$3.95
Golden Helmet Of Cortez
#
Concert band
#
INTERMEDIATE
#
the end of 1520, he had won Me
#
Randy A
#
Golden Helmet Of Cortez
#
Randy A. Steinberg
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinbe...
(+)
Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Published by Randy A. Steinberg (A0.870372). Born in 1485, Hernando Cortez was a Spanish adventurer rewarded for his courage and skills in battle. In the spring of 1519 with 11 ships and 700 men, he landed on the newly discovered gulf coast of Mexico looking for gold that was rumored to be found there. To ensure that none of his men deserted him, he burned all except one of his fleet of ships. He quickly conquered the Aztec empire and its emperor Montezuma. There, he eventually killed Montezuma and seized the gold and treasure that had belonged to the Aztecs for centuries. By the end of 1520, he had won Mexico for Spain and put it under Spanish rule. As a reward, King Charles V of Spain made him governor and captain general of Mexico. He died in Seville, Spain in 1536. Although Cortez’ aims were for conquest and gold – many which resulted in suffering and misery for the Aztecs, there were interesting cultural side effects as Spain ruled Mexico. Ancient Indian folk tunes and ceremonial music were suddenly intermixed with the higher culture of the baroque and renaissance music from Spain. Much of what we now know of today in the way of Latin styles of music owes its roots to the invasion of Cortez and culture changes he inadvertently brought with him. The Golden Helmet Of Cortez musically commemorates the story of Cortez as he landed in Mexico on that spring day in 1519. The piece is a compilation of many Latin and Mexican musical styles. Some of these are light in style, others evoke the battles that took place. These are all brought together in an exciting programmatic style to be enjoyed by all. 2016 Arrangement New Release.
$24.99
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
#
Giovvanni Gabrieli
#
James M
#
3 tubas
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jm...
(+)
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCA...
(+)
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
#
Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
#
Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
(+)
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
#
Cello
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #346...
(+)
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
<
1
26
51
76
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
