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Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331…
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - Digital Download SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00
13.69 €
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Poltrie
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Novel Soundtrax
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
High voice
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.19 €
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High voice
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Beati II: Pro alios curantibus (For those that care for others) (Downloadable)
Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU:…
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Soprano solo, SSA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0022-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 44 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0022-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0022-E). Latin. Luke 10:33; Isaiah 66:13.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSA voices, cello, organ, and synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This is piece is a Latin setting of Luke 10:33 (“A certain Samaritan being on his journey came near himâ€) and Isaiah 66:13 (“As one whom the mother caresses, I will comfort youâ€). Quick, florid, and leaping passages begin in the solo voice as the chorus comments and then repeats those passages. After that the piece is basically a duet structure with only two measures where the sopranos divide. Duration 4:44Instrumentalists play from the choral score.
$3.15
2.87 €
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Howard Goodall
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Isaiah 66:13
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Beati II: Pro alios curantibus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.2 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Taught by Their Mothers
Choral 2-part
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.824276 By sealark music.…
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.824276 By sealark music. By Cassie Clarke Lee, Erin Owens Clarke. Children,Praise & Worship,Sacred. Octavo. 5 pages. Sealark music #431109. Published by sealark music (A0.824276). LDS solo or choral piece for children, focusing on the stripling warriors and their mothers. With this song, we honor all women who mother a younger generation. To all mothers, grandmothers, step-mothers, sisters, aunts, teachers and friends who have helped us along our paths, you may not know today of the good that you do, but the foundation laid will carry us through..
$3.99
3.64 €
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Choral 2-part
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sealark music
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Taught by Their Mothers
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sealark music
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SheetMusicPlus
Toasting Mother Earth
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
31.94 €
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Piano, Voice
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
The Mother's Cry
Small Ensemble Harpsichord,High Voice,Piano - Level 3 - Digital Download SKU: A0.942061…
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Small Ensemble Harpsichord,High Voice,Piano - Level 3 - Digital Download SKU: A0.942061 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Holiday,World. Score and parts. 9 pages. Silver Sickle Publications #4744621. Published by Silver Sickle Publications (A0.942061). The Mother's CrySong for Mezzo Soprano and Harpsichord or Piano. Text in Greek, authentic traditional folk songs.Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$6.99
6.38 €
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Apostolos Paraskevas
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The Mother's Cry
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Silver Sickle Publications
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SheetMusicPlus
THE GODMOTHER
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vi…
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String Orchestra - Level 3 - Digital Download SKU: A0.835543 Composed by Vincent Vitale. Contemporary. Score and parts. 11 pages. Vincent Vitale #3125251. Published by Vincent Vitale (A0.835543). Being of Italian heritage I especially thought it would be fun to compose The Godmother which contains very small hints of the theme from The Godfather throughout.  See if you can pick them out. Thinking back into my past I visualized all my Italian relatives in the family and the life style we led which helped give the composition that Italian flair. I truly believe you, your students and your audience will enjoy this piece. Written for the Intermediate level the composition includes full score and parts for Violin 1, Violin 2, Viola, Cello and St. Bass. If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. Thank you very much for your consideration and I wish you and your students much musical success.
$24.00
21.9 €
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String Orchestra
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Vincent Vitale
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THE GODMOTHER
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Vincent Vitale
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SheetMusicPlus
They Who Decide Fate
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99
82.13 €
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Flute, Oboe, Clarinet, Bassoon
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Brandon Nelson
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They Who Decide Fate
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Brandon Nelson
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SheetMusicPlus
Now Praise We Christ, The Holy One - sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1080353 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1080353 Composed by Kevin G. Pace (ASCAP), Martin Luther. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #684580. Published by Kevin G. Pace (A0.1080353). A bold, dramatic, sacred hymn. Music composed by Kevin G. Pace. Text written in the 1500s by Martin Luther. Text: 1 Now praise we Christ, the Holy One, The blessed virgin Mary's Son. From east to west, from shore to shore Let earth its Lord and King adore. 2 He who himself all things did make A servant's form agreed to take, That he as man mankind might win And save his creatures from their sin. 3 The grace and pow'r of God the Lord Upon the mother was outpoured; A virgin pure and undefiled In wondrous way conceived a child. 4 The noble mother bore a Son -- For so did Gabriel's promise run -- Whom John confessed and leaped with joy Before the mother knew her boy. 5 Upon a manger filled with hay In poverty content he lay; With milk was fed the Lord of all, Who feeds the ravens when they call. 6 The heav'nly choirs rejoice and raise Their voice to God in songs of praise. To humble shepherds is proclaimed The Shepherd who the world has framed. 7 All honor unto Christ the Lord, Eternal and incarnate Word, With Father and with Holy Ghost, Till time in endless time be lost.
$1.99
1.82 €
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Choral SATB
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Kevin G
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Now Praise We Christ, The Holy One - sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Ts…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455). The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (Мила Родино [miɫɐ rɔdino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.There are alternative versions for Symphony & Brass Quintet in my stores.It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (Шуми Марица); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, Българийо мила, земя на герои); in the brief period between these two, it was the march Republiko nasha, zdravey (Републико наша, здравей!).Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “Горда Стара планина” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. Contact Publisher.
$39.99
36.5 €
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Orchestra
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Keith Terrett
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Brass Quintet in my stores
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Bulgarian National Anthem
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Keith Terrett
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SheetMusicPlus
Åland Islands National Song (Song of the Ålander - Ålänningens sång) for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746678 Co…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746678 Composed by Johan Fridolf Hagfors. Arranged by Music for all Occasions. Patriotic,World. 9 pages. Keith Terrett #2613291. Published by Keith Terrett (A0.746678). An arrangement of the Åland Islands National Song (Song of the Ålander - Ålänningens sång) for Brass Quintet.Ålänningens sång (English: Song of the Ålander; Finnish: Ahvenanmaalaisten laulu), is the official anthem of the Åland Islands, an autonomous Swedish-speaking province of Finland. Adopted in 1922, the anthem's words are by John Grandell and the music was composed by Johan Fridolf Hagfors. The song was first performed during the song festival in Mariehamn 1922. In Åland the song is mostly sung on Midsummer's Eve and on the National day of Åland in June 9th. The song originally had four verses, but the third verse is omitted for a long time when the song is sung and often when it appears in print.Johan Fridolf Hagfors (11 March 1857–18 August 1931) was a Swedish newspaper publisher, music critic and composer, most known for having composed the two songs Modersmålets sång (The mother tongue's song) and Ålänningens sång (Song of the Ålender).Born in Orimattila, he got a Cand.phil degree in 1881. In 1883 he became publicist of the small Åbo paper Turun Lehti which was published in Finnish but at the same time Svecoman; it became the only newspaper with that combination to reach a wide readership. He also worked as a teacher in Åbo.He composed several songs for male quartets. Modersmålets sång was first performed in 1989 and is today considered an unofficial hymn for the Swedish-speaking population of Finland. Ålänningens sång, for which he composed the melody, was first performed during the song festival in Mariehamn in 1922 and is today the regional hymn for the Åland islands.In 1912 he became a member of the Royal Swedish Academy of Music.Due to stiff competition, Turun Lehti ceased publication in 1919. Hagfors subsequently moved to Stockholm and obtained Swedish citizenship. He died in 1931. Fellow composer Erik August Hagfors was his half-brother.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$8.99
8.2 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Johan Fridolf Hagfors
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Åland Islands National Song
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Keith Terrett
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SheetMusicPlus
My Motherland
Guitar notes and tablatures
Guitar - Level 3 - Digital Download SKU: A0.964303 Composed by Yu Qiao and Zhi Liu.…
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Guitar - Level 3 - Digital Download SKU: A0.964303 Composed by Yu Qiao and Zhi Liu. Arranged by Evans, Jack. Contemporary. Guitar Tab. 2 pages. Jack Stanley Evans #5899573. Published by Jack Stanley Evans (A0.964303). My MotherlandOriginally written for the film Battle on Shanggangling Mountain, this song’s popularity has since outgrown and outlived that of the movie. Although the film is about the Korean war, the lyrics of this song do not make any explicit reference to it, which allows the song to be relatable not only to soldiers, but to anyone who is far from home and missing their motherland.There are two distinct sections in this piece, and the difference between them should be clearly expressed to give the music its full effect. When performed vocally, the gentle and mournful verse is sung by a solo singer, who is then joined by a large choir for the faster, more bombastic chorus. Carefully observe all of the expression markings to give this gorgeous melody its full character.
$4.99
4.55 €
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Guitar notes and tablatures
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Yu Qiao and Zhi Liu
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My Motherland
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Jack Stanley Evans
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SheetMusicPlus
Lights of the Western Sky [SSA, Percussion, and Bluegrass Ensemble]
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.891215 Composed by Traditio…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.891215 Composed by Traditional. Arranged by Laurie Betts Hughes. Children,Contemporary,Country,Folk. Octavo. 34 pages. Dandelion Music Press #3256941. Published by Dandelion Music Press (A0.891215). Lights of the Western Sky is a compilation of 3 celestial American folk songs collected by Ruth Crawford Seeger, commissioned by Casper Children's Chorale to celebrate the 2017 total solar eclipse visible in Casper, Wyoming in honor of Mick McMurray. The pieces are connected not only by the folk style and the star subject, but also by tracing the course of a day, and by focusing on the connection of the outer world to the inner soul.I. Bright Morning Stars-- An additive processional on the ultimate theme of children singing. Though the traditional verses state that the fathers are down in the valley a-prayin''' and the mothers have gone to heaven a-shoutin' (or vice versa), the lyrics have been freely adapted in the folk tradition of floating verses (adapting lyrics to personal experience) to describe the children's experience. The opening percussion motif is intended to evoke Aaron Copland's Fanfare for the Common Man.II. Oh, Watch the Stars-- Oh, Watch the Stars and Great Big Stars, combined in unique ways. The two songs used, Oh, Watch the Stars and Great Big Stars, are distinct in their own right. They have been fused together in this movement, borrowing the text from one and using the tune from the other, and modifying one to partner with the other when presented simultaneously. A fusion of two styles, this movement opens solemnly and culminates in a hoedown showdown.Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$10.00
9.13 €
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Choral 3-part
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Traditional
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Lights of the Western Sky [SSA, Percussion, and Bluegrass Ensemble]
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Dandelion Music Press
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SheetMusicPlus
Turn From Them, Willie, or, The Mother's Appeal
Choral SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4054 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.4054 Composed by J. B. Salisbury. Mothers & children, Fear, Vice, Advice, Love, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4054). Turn From Them, Willie, or, The Mother's Appeal. Words & Music by J.B. Salisbury. Published 1869 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Mothers & children, Fear, Vice, Advice, Love, Distress. First line reads You have wander'd afar from the sweet paths of virtue, afar my own erring son.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Choral SATB
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J
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Turn From Them, Willie, or, The Mother's Appeal
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The family meetin
Piano, Voice
Voice and piano - Digital Download SKU: LV.85 Composed by Miss Augusta Browne. Arra…
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Voice and piano - Digital Download SKU: LV.85 Composed by Miss Augusta Browne. Arranged by Miss Augusta Browne. Women, Clothing & dress, Parties. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.85). The family meetin. Poetry by Charles Sprague, Esq.; Composed and arranged by Miss Augusta Browne, Professor of the theory and practice of Music, Brooklyn, L.I. Published 1842 by Firth & Hall, No. 1 Franklin Square in New York. Composition of two-part strophic; The Authoress is indebted for a part of this Melody to an English Composer. with voice and piano instrumentation. Subject headings for this piece include Women, Clothing & dress, Parties Call number. First line reads We are all here, Father, Mother, Sister, Brother.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano, Voice
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Miss Augusta Browne
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The family meetin
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Rosary Sonatas: The Crucifixion
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ig…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
31.93 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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Rosary Sonatas: The Crucifixion
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JMJ Arrangements
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SheetMusicPlus
Rosary Sonatas: The Resurrection
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it. --Mark 16:1-11 (RSV-CE).
$39.99
36.5 €
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Orchestra
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Heinrich Ignaz Franz von Biber
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for it was very large
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Rosary Sonatas: The Resurrection
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JMJ Arrangements
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SheetMusicPlus
Angels, We Call Them Mothers Down Here
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996562 Composed by Bert Ka…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.996562 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324809. Published by Rebecca J. Wood (A0.996562). Hear 30 second clip beginning at measure 1. Arrangement about 1 min 30 secs performance time. I love this little child/mother song. If one keeps the title Angels, the surprise ending will be kept to the end. Lovely harmonies and emotions, with the climax at m 52 followed by the surprise ending.Milk this little song for all it's worth. My heart swells just for going through it in my head!! Feedback would be appreciated. After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
$12.99
11.86 €
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Choral SSAA
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Bert Kalmar and Harry Ruby
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Angels, We Call Them Mothers Down Here
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Rebecca J. Wood
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SheetMusicPlus
Angels, We Call Them Mothers Down Here
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.996561 Composed by Bert …
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324813. Published by Rebecca J. Wood (A0.996561). Hear 30 second clip, beginning at measure 1. Arrangement about 1 min 30 secs performance time. This arrangement has a surprise ending, so the title needs to be just Angels. The chords bring wonderful emotions which climax at m 52, followed by the surprise ending, the heart-swell. Could be done by YWIH, high school age girls or Women's Choruses. Use for shows, but not for Competition. Some churches might allow it for Mother's Day services. Feedback would be appreciated. After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song. After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here. Such a tear-jerker, I think!!
$1.99
1.82 €
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Bert Kalmar and Harry Ruby
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Angels, We Call Them Mothers Down Here
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Rebecca J. Wood
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SheetMusicPlus
Prayer to the Motherworld
Choir,Piano,Voice - Digital Download SKU: A0.1071038 Composed by William P. Gorton.…
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Choir,Piano,Voice - Digital Download SKU: A0.1071038 Composed by William P. Gorton. 20th Century,Contemporary,Sacred,Spiritual. Full Performance. Duration 167. William P. Gorton #6118889. Published by William P. Gorton (A0.1071038). Prayer to the Motherworld, with text by Gerard Manley Hopkins, is a mystical supplication that invokes a divine essence that brings a sense of unity, peace, and security. Allusions to the world of nature tie the spiritual and natural worlds together in a lovely supplication. This haunting anthem, with a beautiful, arpeggiated accompaniment leading to a colorful climax would be appropriate for any good high school choir through more advanced choirs. Appropriate for either concert or church use. Can also be used as a solo.
$1.99
1.82 €
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William P
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Prayer to the Motherworld
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William P. Gorton
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SheetMusicPlus
Prayer to the Motherworld
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999884 Composed by William…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.999884 Composed by William P. Gorton. 20th Century,Sacred,Spiritual. Octavo. 8 pages. William P. Gorton #6116587. Published by William P. Gorton (A0.999884). Prayer to the Motherworld, with text by Gerard Manley Hopkins, is a mystical supplication that invokes a divine essence that brings a sense of unity, peace, and security. Allusions to the world of nature tie the spiritual and natural worlds together in a lovely supplication. This haunting anthem, with a beautiful, arpeggiated accompaniment leading to a colorful climax would be appropriate for any good high school choir through more advanced choirs. Appropriate for either concert or church use. Can also be used as a solo.
$2.95
2.69 €
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Choral SATB
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William P
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Prayer to the Motherworld
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William P. Gorton
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SheetMusicPlus
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by A…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
$19.99
18.24 €
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Piano, Vocal and Guitar
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An-lun Huang
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Ballet, “THE LITTLE MATCH GIRL”, Op.24,
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DoReMi Edition
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SheetMusicPlus
Another Day
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
$4.95
4.52 €
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Alto voice, Piano
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Sydney Stevens
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Another Day
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Sydney Stevens, Water Music
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SheetMusicPlus
O Dulcis Virgo Mater (anthem for Holy Week) — SATB voices
Choral SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1215082 Composed by Edward…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1215082 Composed by Edward Fitzhugh. Arranged by Todd Marchand. Christian,Lent,Sacred. Octavo. 4 pages. Con Spirito Music #811946. Published by Con Spirito Music (A0.1215082). O dulcis Virgo Mater (O sweet Virgin mother) is a petition to Mary, the mother of Jesus, that we might know her pain as witness to the passion of her son and thereby understand his pain, his sacrifice, and his love for us. Especially fitting for Holy Week, the text by Rev. Fr. Edward Fitzhugh, an Anglican priest in the Episcopal Diocese of Fort Worth, Texas (ACNA) pleads:O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. (O sweet Virgin Mother, Mary most holy: help us to feel your pain.) Through your tears we will know his pain; through your woe we will know his love. Adiuva! Adiuva! Adiuva nos sciamus. (Help us know.)O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. For a mother to see her son betrayed, scourged, and hung— Adiuva! Adiuva! Adiuva! Adiuva nos sciamus.O dulcis Virgo Mater, Maria sanctissima: Adiuva nos ad dolorem tuum sentire. To know your boundless sorrow is to truly know our Savior. Adiuva! Adiuva! Adiuva nos sciamus. Adiuva! Adiuva! Adiuva nos sciamus. Amen.The tune, also by Fitzhugh, is arranged for unaccompanied SATB voices by Todd Marchand.Text and tune ©2023 Edward Fitzhugh. This arrangement ©2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved by the respective copyright holders. For more original, sacred, patriotic, and folk music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.83 €
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Choral SATB
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Edward Fitzhugh
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O Dulcis Virgo Mater
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Con Spirito Music
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SheetMusicPlus
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