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Uniformity
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Uniformity
Drums
Drum Set,Drums - Level 4 - Digital Download SKU: A0.1383908 By Dark Tranquillity. B…
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Drum Set,Drums - Level 4 - Digital Download SKU: A0.1383908 By Dark Tranquillity. By Anders Jivarp, Martin Brandstrom, Martin Henriksson, Mikael Bengt Stanne, and Niklas Sundin. Arranged by Evan Aria Serenity. Pop,Rock. Score. 3 pages. Jaslow Drum Sheets #968267. Published by Jaslow Drum Sheets (A0.1383908). Drum sheet music transcription for Uniformity by Dark Tranquillity, from the album Construct (2013). Drums by Anders Jivarp. Melodic death metal, difficulty 4/5.jdrumsheets.com
$4.99
4.6 €
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Drums
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Dark Tranquillity
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Uniformity
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Jaslow Drum Sheets
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SheetMusicPlus
When I Had a Uniform On
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775153 Composed by Cole Porter. …
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Brass Quintet - Level 2 - Digital Download SKU: A0.775153 Composed by Cole Porter. Arranged by Bill Wilson. Broadway,Musical/Show. 19 pages. Alexander Wilson #3529613. Published by Alexander Wilson (A0.775153). Master Broadway composer Cole Porter's When I Had a Uniform On is a cute patriotic song, with Cole Porter taking a wistful yet very tongue-in-cheek look backward to the extra status that wearing a service uniform conveyed. Our arrangement primarily splits melody responsibilities between first trumpet, French horn, and trombone. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 3:00. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.69 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Cole Porter
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When I Had a Uniform On
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Alexander Wilson
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SheetMusicPlus
Women In Uniform
Bass guitar
Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1491715 By Skyhooks. By Greg M…
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Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1491715 By Skyhooks. By Greg Macainsh. Arranged by Rhys Lett. Pop,Rock. Score. 4 pages. Eastern Suburbs School of Music #1068388. Published by Eastern Suburbs School of Music (A0.1491715). Women In Uniform by Skyhooks bass tab transcription from the album Guilty Until Proven Insane.
$6.00
5.53 €
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Bass guitar
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Skyhooks
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Women In Uniform
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Eastern Suburbs School of Music
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SheetMusicPlus
Zauber der Montur (Magic of the Uniform), March from the Operetta "Die Landstreicher" (The Tramps) o
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1497124 Composed by Carl Michael …
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Concert Band - Level 4 - Digital Download SKU: A0.1497124 Composed by Carl Michael Ziehrer. Arranged by Albert Schwarzmann. 19th Century,March,Romantic Period. 92 pages. Edition Schwalbe #1073545. Published by Edition Schwalbe (A0.1497124). The operetta Die Landstreicher (The Tramps) successfully premiered in 1899 in Vienna. The march Zauber der Montur (Magic of the Uniform) was not part of the operetts in exactly that form as it appeared as single issue. The composer formed it out of a duet and a further melody of his operetta. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2019 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/klang-der-donaumonarchie/ or https://www.jpc.de/jpcng/classic/detail/-/art/klang-der-donaumonarchie/hnum/10428726?iampartner=303&subid=umr19&ref=partner.jpc.de .
$80.00
73.75 €
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Concert band
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Carl Michael Ziehrer
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Zauber der Montur
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Edition Schwalbe
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SheetMusicPlus
Have You Seen My Sweetheart in His Uniform of Blue
Piano, Voice
Piano and voice - Digital Download SKU: LV.6943 Composed by Cobb & Edwards. Portrai…
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Piano and voice - Digital Download SKU: LV.6943 Composed by Cobb & Edwards. Portraits, Couples, Soldiers, Victory celebrations, Military parades & ceremonies, Homecomings, War casualties, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6943). Have You Seen My Sweetheart in His Uniform of Blue. by Cobb and Edwards. Published 1902 by F.A. Mills, 48 West 29th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Soldiers, Victory celebrations, Military parades & ceremonies, Homecomings, War casualties, Courtship, Love. First line reads We were coming home again, from the transport and the train.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Cobb & Edwards
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Have You Seen My Sweetheart in His Uniform of Blue
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I'm Crazy About My Daddy in a Uniform
Piano, Voice
Piano and voice - Digital Download SKU: LV.23810 Composed by Charles R. McCarron & …
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Piano and voice - Digital Download SKU: LV.23810 Composed by Charles R. McCarron & Carey Morgan. Portraits, Military parades & ceremonies, World War I, Soldiers, Courtship, Love, Weddings, Pride, Patriotism. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23810). I'm Crazy About My Daddy in a Uniform. By Chas. R. McCarron and Carey Morgan. Published 1918 by Jos. W. Stern & Co., 102-104 W. 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Military parades & ceremonies, World War I, Soldiers, Courtship, Love, Weddings, Pride, Patriotism. First line reads I've been trav'ling 'round with the wildest boy in town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Chas
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Charles R
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I'm Crazy About My Daddy in a Uniform
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Blue Tango: (wp) 4th Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH4 (wp) 4th Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH4 (wp) 4th Horn in E-flat. Composed by Leroy Anderson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001937_wpEH4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001937_WPEH4). UPC: 029156071801.At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His compositions, more than 50 in number, virtually define the sound of the contemporary American pops orchestra. Blue Tango was a #1 hit in 1951, juxtaposing the charismatic melody over a traditional tango pulse. The work captured the spirit of an era. This new edition was originally arranged by the composer for concert band and has been freshly re-engraved with a full score for the first time, permitting a uniformity of articulation throughout the work. This title is available in SmartMusic.
$3.00
2.77 €
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Concert band
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Leroy Anderson
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Blue Tango:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Blue Tango: (wp) 2nd Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH2 (wp) 2nd Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH2 (wp) 2nd Horn in E-flat. Composed by Leroy Anderson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001937_wpEH2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001937_WPEH2). UPC: 029156071801.At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His compositions, more than 50 in number, virtually define the sound of the contemporary American pops orchestra. Blue Tango was a #1 hit in 1951, juxtaposing the charismatic melody over a traditional tango pulse. The work captured the spirit of an era. This new edition was originally arranged by the composer for concert band and has been freshly re-engraved with a full score for the first time, permitting a uniformity of articulation throughout the work. This title is available in SmartMusic.
$3.00
2.77 €
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Concert band
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Leroy Anderson
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Blue Tango:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Blue Tango: (wp) 3rd Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH3 (wp) 3rd Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH3 (wp) 3rd Horn in E-flat. Composed by Leroy Anderson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001937_wpEH3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001937_WPEH3). UPC: 029156071801.At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His compositions, more than 50 in number, virtually define the sound of the contemporary American pops orchestra. Blue Tango was a #1 hit in 1951, juxtaposing the charismatic melody over a traditional tango pulse. The work captured the spirit of an era. This new edition was originally arranged by the composer for concert band and has been freshly re-engraved with a full score for the first time, permitting a uniformity of articulation throughout the work. This title is available in SmartMusic.
$3.00
2.77 €
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Concert band
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Leroy Anderson
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Blue Tango:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Blue Tango: (wp) 1st Horn in E-flat
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH1 (wp) 1st Horn in E-f…
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Concert Band - Digital Download SKU: AX.00-PC-0001937_WPEH1 (wp) 1st Horn in E-flat. Composed by Leroy Anderson. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001937_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001937_WPEH1). UPC: 029156071801.At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His compositions, more than 50 in number, virtually define the sound of the contemporary American pops orchestra. Blue Tango was a #1 hit in 1951, juxtaposing the charismatic melody over a traditional tango pulse. The work captured the spirit of an era. This new edition was originally arranged by the composer for concert band and has been freshly re-engraved with a full score for the first time, permitting a uniformity of articulation throughout the work. This title is available in SmartMusic.
$3.00
2.77 €
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Concert band
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Leroy Anderson
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Blue Tango:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Blue Tango: (wp) 1st B-flat Trombone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0001937_WPTN1BC (wp) 1st B-flat Tr…
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Concert Band - Digital Download SKU: AX.00-PC-0001937_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Leroy Anderson. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001937_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001937_WPTN1BC). UPC: 029156071801.At the height of his career in the mid-1930s, Leroy Anderson began arranging for Arthur Fiedler's Boston Pops Orchestra. Later, Fiedler encouraged him to write his own tunes for the Pops. His compositions, more than 50 in number, virtually define the sound of the contemporary American pops orchestra. Blue Tango was a #1 hit in 1951, juxtaposing the charismatic melody over a traditional tango pulse. The work captured the spirit of an era. This new edition was originally arranged by the composer for concert band and has been freshly re-engraved with a full score for the first time, permitting a uniformity of articulation throughout the work. This title is available in SmartMusic.
$3.00
2.77 €
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Concert band
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Leroy Anderson
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Blue Tango:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concerto in D minor, BWV 974 (Arr. 2 Guitars)
2 Guitars (duet)
Instrumental Duet Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.540177
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Instrumental Duet Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.540177 Composed by Johann Sebastian Bach. Arranged by Pedro Nunes. Baroque. Score and parts. 7 pages. Pedro Nunes #150317. Published by Pedro Nunes (A0.540177). The earliest known surviving manuscript of Alessandro Marcello’s Oboe concerto in D minor exists not as a score from the composer’s own hand, but as an arrangement for solo keyboard by contemporary J.S. Bach. This arrangement, dating from 1713-1714, is part of a collection of works entitled 16 Konzerte nach verschiedenen Meistern, BWV 972–987 (16 concerts according to different masters). It is Bach’s arrangement on which this duo version for guitar is heavily based. Bach discovered this concerto and other works by Italian masters while under the employment of Duke Wilhelm Ernst in Weimar.. The musical library of the ducal court was rich with orchestral works by Vivaldi, Corelli, Torelli, Frescobaldi and of course Marcello (both Benedetto and Alessandro). Bach saw this as an opportunity to learn about the Italian style, and proceeded to arrange sixteen of these concerti for solo harpsichord. Texturally, Bach would mimic the alternating tutti and solo sections by assigning them to different manuals of the harpsichord. Twenty years later, Bach would compose his own “Italian Concerto†BWV 971, for solo keyboard, which remains as one of his most recognizable works. The Marcello concerto is in typical 3 movement form: Andante e spiccato, Adagio, and Presto. For this arrangement, single-string fingerings of melodic passages were favoured for the first movement, for the sake of articulation and uniformity of the line. Also, the melodic material is passed between both guitars to achieve a more concertante setting and to enhance passages with repeated material. The second movement maintains a soloist/accompanist setting throughout. Although it was tempting to use both guitars to fill out the harmony of the opening and closing sections, the performance proved to be more effective with one guitarist able to solely concentrate on the famous melody. The final movement, like the first, divides the melodic material between both guitars in order to give both players interesting material and to give the first guitar a bit of breathing room.
$4.19
3.86 €
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2 Guitars (duet)
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Johann Sebastian Bach
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Concerto in D minor, BWV 974
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Pedro Nunes
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SheetMusicPlus
When I First Put This Uniform On
Chorus - Digital Download SKU: AX.00-PO-0005788 Composed by Sir Arthur Seymour Sull…
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Chorus - Digital Download SKU: AX.00-PO-0005788 Composed by Sir Arthur Seymour Sullivan. Arranged by Lon Beery. Secular Choral. 8 pages. Alfred Music - Digital Sheet Music #00-PO-0005788. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0005788). UPC: 038081535678. W. S. Gilbert.
$2.05
1.89 €
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Sir Arthur Seymour Sullivan
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When I First Put This Uniform On
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Poeme Symphonique
100 metronoms - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition:…
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100 metronoms - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition: score. Downloadable. Duration 20 minutes. Schott Music - Digital #Q54926. Published by Schott Music - Digital
The formal thinking behind the piece is based on the interaction between individually determined periodic rhythms and a cumulative polyrhythmic overall structure. Although the overall rhythmic structure is on an indeterminate level intermediate - the result of adding individual periods of different length is at any given time random -, it is again determinate on the higher level of the temporal development of the overall from.<br> <br> This overall form consists of the three phases: uniformity - gradual structuring - and uniformity, whereby uniformity in the initial phase arises form the collective blur of the individual periods, and in the final phase is a results of the periodicity of the one remaining ticking metronome. There are no distinct divisions between the three phases: the rhythmical process leads smoothly and gradually from one phase into the next. This appears to be a continuous process but consists of individual, discontinuous moments as each metronome stop suddenly. In the sparsely instrumented final phase with only a few metronomes left ticking, this discontinuity becomes audible, most obviously when the last metronome stops.<br> <br> - Gyorgy Ligeti<br>
$13.99
12.9 €
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Gyorgy Ligeti (1923-2006)
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Poeme Symphonique
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Schott Music - Digital
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SheetMusicPlus
Tristan und Isolde
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 …
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - Digital Download SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
44.24 €
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.77 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Broad Black Brimmer
C Instruments
C Instrument - Level 1 - Digital Download SKU: A0.1512485 Composed by George Robert…
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C Instrument - Level 1 - Digital Download SKU: A0.1512485 Composed by George Roberts and Martin Williams. Arranged by Thomas Degan. 20th Century,Celtic,Folk,Historic,Irish,Patriotic. Lead Sheet / Fake Book. 2 pages. Thomas Degan #1087504. Published by Thomas Degan (A0.1512485). The Broad Black Brimmer is an Irish Republican folk song written by Art McMillen and first recorded in 1972.The song narrates the story of a boy whose father died before he was born, fighting in the Irish Republican Army (IRA). The narrator is asked by his mother to try on his father's old uniform and as he does so, she tells his father's story. The title refers to the wide brimmed hat worn by many IRA guerrillas in the 1920s Irish War of Independence and Irish Civil War. Also referenced are a Sam Browne belt, britches, a trench coat and a holster – items of equipment commonly associated with the IRA of that era.
$3.99
3.68 €
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C Instruments
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George Roberts and Martin Williams
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Broad Black Brimmer
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Thomas Degan
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SheetMusicPlus
When the War is O'er. Sentimental Song & Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.21472 Composed by Bob Cole & Billy Johns…
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Piano and voice - Digital Download SKU: LV.21472 Composed by Bob Cole & Billy Johnson. Symbols--classical, Patriotism, Spanish-American War, Mothers & children, Soldiers, Death, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21472). When the War is O'er. Sentimental Song & Chorus. By Bob Cole and Billy Johnson. Published 1898 by Howley, Haviland & Co., 1260-1266 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Symbols--classical, Patriotism, Spanish-American War, Mothers & children, Soldiers, Death, Homecomings. First line reads A soldier stood in uniform one pleasant morn in May..
$5.99
5.52 €
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Piano, Voice
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Bob Cole and Billy Johnson
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Bob Cole & Billy Johnson
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When the War is O'er. Sentimental Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Stop This Train
Rhythm Section Voice (SATB) - Level 3 - Digital Download SKU: A0.1368930 By John Ma…
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Rhythm Section Voice (SATB) - Level 3 - Digital Download SKU: A0.1368930 By John Mayer. By John Mayer and Pino Palladino. Arranged by Lauren Bydalek. Contemporary,Pop,Singer/Songwriter. Vocal Jazz Ensemble. 46 pages. Lauren Bydalek #953272. Published by Lauren Bydalek (A0.1368930). John Mayer's Stop This Train is reimagined for a vocal jazz ensemble. This is a great arrangement to work on uniform ensemble blend and lyricism.Â
$50.00
46.1 €
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John Mayer
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Stop This Train
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Lauren Bydalek
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SheetMusicPlus
Peace for SAB Voices
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.956032 Composed by Teresa O…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.956032 Composed by Teresa O'Connell (BMI). A Cappella. Octavo. 15 pages. Teresa O'Connell (BMI) #5713345. Published by Teresa O'Connell (BMI) (A0.956032). Peace is an original choral piece with music by Teresa O'Connell (BMI) and lyrics by the incredible poet/writer, Sara Teasdale (1884-1933). The haunting melody and beautiful harmonies will greatly enhance the tone and blend of your choral ensemble. An a cappella section in the middle is not difficult, but will encourage listening, uniform vowels, and a free tone quality. Treat your choir to this lovely song. .
$2.50
2.3 €
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Choral 3-part
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Teresa O'Connell
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Peace for SAB Voices
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Teresa O'Connell
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SheetMusicPlus
Motherland
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1295492 By Yvonne Chaka Chaka. By Attie Van Wyk and Chicco Twala. Arranged by MUNASHE CHIKWEZVERO. Contemporary,Pop. Brass Band. 35 pages. Munashe Chikwezvero #885777. Published by Munashe Chikwezvero (A0.1295492). This exciting brass band piece comes as a welcome addition to the growing African Music repertoire by popular African artists of all time. Chaka Chaka's continuing legacy as Princess of Africa is a testament to her connection to everyday people as well as royalty. The music depicts Africa as Mama-Land, professing the undying love for Africa and encouraging unity. Â Although the music is fairly easy to play, its ostinato features require uniform treatment throughout. The Glockenspiel only adds sparkle to an already brilliant sound. As usual, dynamics and articulations can elevate a performance tremendously.
$40.00
36.88 €
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Yvonne Chaka Chaka
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Motherland
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Munashe Chikwezvero
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SheetMusicPlus
The Beatitudes
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.765699 Composed by …
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.765699 Composed by Michael Myrick. Easter,Sacred. Octavo. 13 pages. MICHAEL MYRICK #6612969. Published by MICHAEL MYRICK (A0.765699). This beautiful and dramatic setting of Jesus’ Sermon on the Mount (Matthew 5:1-12) voiced for SSAATTBB choir is an outstanding setting for the text known as The Beatitudes. Each line of text stands alone stating a Godly quality and the blessing associated with it. The opening of the piece begins with women’s choir and spoken dialog recounting the setting of the sermon. The listener is then taken smoothly through a range of musical moods from gentle to expressive, ancient to contemporary, simplistic to complex, and all woven expertly together into a unique and uniform piece. The piece ends celebrating the many blessings with the text: Rejoice and be glad, blessed are you, REJOICE! High quality part dominate tracks are also available for your choir or ensemble for learning purposes from SMP!
$2.20
2.03 €
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Choral SATB
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Michael Myrick
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The Beatitudes
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MICHAEL MYRICK
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SheetMusicPlus
All the Pretty Little Horsies
Choral Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.941565 Composed by Appal…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.941565 Composed by Appalachian Folk Song. Arranged by Andrea Gaudette. Children,Folk,Holiday. Octavo. 4 pages. Andrea Gaudette #4303637. Published by Andrea Gaudette (A0.941565). This gently moving Appalachian Lullaby for unison choir and piano provides choral students with opportunities to practice uniform tone, breath control and staggered breathing techniques. .
$2.15
1.98 €
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Choral Unison
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Appalachian Folk Song
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All the Pretty Little Horsies
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Andrea Gaudette
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SheetMusicPlus
Aquatic Hexagons for Horn and Piano. From 'Four Pieces Inspired by Rivers and Creeks'.
Instrumental Duet Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.934…
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Instrumental Duet Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.934843 Composed by Ben Mulholland. Contemporary. Score and parts. 6 pages. Benjamin D Mulholland #4885801. Published by Benjamin D Mulholland (A0.934843). Aquatic Hexagons is the first of four pieces inspired by Rivers and Creeks. Specifically inspired by bug shadows on the surface of a creek: Water striders, dragonflies, other, etc. Intermediate piece for Horn and Piano. Showcasing flexible slurs, long phrases, and a comfortable range for the Horn Player. For the Pianist, mostly uniform underlying rhythmic pattern for lower voicing and trading melody with the Horn part in upper voices.This duration of the piece is a little over 3 minutes.
$10.00
9.22 €
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Ben Mulholland
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Aquatic Hexagons for Horn and Piano. From 'Four Pieces Inspired by Rivers and Creeks'.
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Benjamin D Mulholland
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SheetMusicPlus
Who Can I Turn To (when Nobody Needs Me)
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1016470 Composed by Anthony…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1016470 Composed by Anthony Newley and Leslie Bricusse. Arranged by William J. Bullock. 20th Century,A Cappella,Broadway,Jazz,Musical/Show,Pop. Octavo. 4 pages. William Bullock #5770295. Published by William Bullock (A0.1016470). A Bullock Editions publication for SSA a cappella chorus: Who Can I Turn To-Chorus & Piano Reduction. Music & Lyrics: Leslie Bricusse & Anthony Newley. Arrangement: William J. Bullock. Duration: 2:00. Arranger’s Note: 4-bar intro, 32-bar song, 3-bar coda; 3-part harmony throughout; sections of voices in uniform rhythm contrast with sections of voices with diverse rhythms. Formats: Chorus & Piano Reduction (H0.797209-SC001291373). [Sounds on sample audio are computer-generated without text.]
$2.15
1.98 €
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Choral 3-part
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Anthony Newley and Leslie Bricusse
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Piano Reduction
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Who Can I Turn To
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William Bullock
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SheetMusicPlus
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