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Jacques Leguerney: Première Sonate for piano and violin
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguer…
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Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95
23.53 €
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Violin and Piano
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Jacques Leguerney
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Jacques Leguerney: Première Sonate for piano and violin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachman…
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Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #3125333. Published by Nicole Elyse DiPaolo (A0.799602). This is my own arrangement of one of my favorite Rachmaninoff pieces, his Etude-Tableau in G minor from the op. 33 set (labeled no. 5 or no. 7 in the set, depending on whom you ask), written in 1911. Suitable for early advanced players, this arrangement is a great addition to your next recital program. The violin part contains numerous parallel sixths, making this a fruitful study in double-stopped 6ths for the high-school or college-age violinist. In addition, the piano accompaniment might also work well on the harp.Both the score and the violin part are included with your purchase. About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$6.95
6.3 €
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Violin and Piano
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Sergei Rachmaninoff
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Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Jacques Leguerney: String Quartet in D for two violins, viola and cello
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
35.32 €
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String Quartet: 2 violins, viola, cello
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Musik Fabrik Music Publishing
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SheetMusicPlus
Grand Duo, opus 151 (2012) full score
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.869204 Composed by Thomas Oboe Le…
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Piano,Violin - Level 4 - Digital Download SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Andante … 3. 2 pages. Thomas Oboe Lee #3901. Published by Thomas Oboe Lee (A0.869204). Program note: This is the third duo for violin and piano in my portfolio. The first one was written back when I was a student at the New England Conservatory of Music. It was my opus 3, The Sensuous Gargoyle (1975). My next one was a four-movement work entitled Tunesmith … An American Beauty Pageant (1993). It was commissioned by the Music Department at Lehigh University and premiered by two of its faculty members, Paul Chou and Paul Salerni. The violin has always been my favorite instrument. I have written twelve string quartets. For the violinist extraordinaire Irina Muresanu I wrote a big violin concerto in 2009, and a Partita for solo violin in 2011. I am slated to write another concerto, albeit a chamber one, for the Boston Classical Orchestra and violinist Sharon Roffman for a premiere in the fall of 2013. Last year I decided to write a third duo for violin and piano. I wanted to do something substantial and grandiose, hence the title Grand Duo, opus 151. Both Schubert and Lou Harrison have written works with the same title. So I thought, why not? The work is in five movements. 1. Misterioso … 2. Andante … 3. Allegro … Trio! 4. Largo … 5. Allegro … Enjoy! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/grand-duo-opus-151-2012Video link: https://youtu.be/xThob_BQkDE
$9.99
9.06 €
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Violin and Piano
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Thomas Oboe Lee
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Grand Duo, opus 151
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Thomas Oboe Lee
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SheetMusicPlus
Sonata for Fortepiano & Violin in E-flat (VB 161)
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.
$30.00
27.2 €
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Violin and Piano
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Joseph Martin Kraus
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Sonata for Fortepiano & Violin in E-flat
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Artaria Editions
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SheetMusicPlus
Witches' Dance, for two violins and piano
Violin and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.909620 Composed by Ernst Kullak. Arranged by Christopher A. Sforza. Halloween,Romantic Period,Standards. Score and parts. 5 pages. Christopher A. Sforza #6118221. Published by Christopher A. Sforza (A0.909620). A lovely little character piece originally written for piano by Ernst Kullak. This arrangement for two violins and piano can be performed a number of ways; solo with piano, duo with piano, or unaccompanied violin duet. Included are the piano and duet scores.
$2.25
2.04 €
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Violin and Piano
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Ernst Kullak
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Witches' Dance, for two violins and piano
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Christopher A. Sforza
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SheetMusicPlus
Go Tell Aunt Rhody, for two violins and piano
Violin and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.909593 Composed by Jean Jacques Rousseau. Arranged by Christopher A. Sforza. Contemporary,Folk,Standards. Score and parts. 4 pages. Christopher A. Sforza #4895895. Published by Christopher A. Sforza (A0.909593). Go Tell Aunt Rhody is a well-known folk tune which was adapted after music written by Jean-Jacques Rousseau in the 18th century. This arrangement for two violins and piano offers a unique twist on the classic with interesting harmonies and accompaniment. One could say that the tittle should be changed to Go Tell Tchaikovsky as the mood creates a ballet-like atmosphere. The piece can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included are the piano and violin duet scores.
$2.25
2.04 €
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Violin and Piano
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Jean Jacques Rousseau
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Go Tell Aunt Rhody, for two violins and piano
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Christopher A. Sforza
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SheetMusicPlus
Turkish March by Beethoven for Violin and Piano
Violin and Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.1239662 Composed by Ludwig van Be…
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Piano,Violin - Level 2 - Digital Download SKU: A0.1239662 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 3 pages. Woods Only, Arrangements #835053. Published by Woods Only, Arrangements (A0.1239662). This arrangement adapted for violin and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.8 €
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Violin and Piano
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Ludwig van Beethoven
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Turkish March by Beethoven for Violin and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Flausino Vale: 28 preludes for solo violin (28 prelúdios para violino só): complete scores edited by Dr Zoltan Paulinyi in English and Portuguese (partituras editadas integralmente, em inglês e português).
Violin and Piano
Composed by Flausino Vale (and Zoltan Paulinyi). 20th Century, Romantic Period, Meth…
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Composed by Flausino Vale (and Zoltan Paulinyi). 20th Century, Romantic Period, Method, South American, Recital. Set of Parts, Solo Part. 80 pages. Published by Zoltan Paulinyi
Flausino Vale (Barbacena, 1894; Belo Horizonte, 1954), known as the "Brazilian Paganini" by Villa-Lobos, wrote a set of characteristic and concertante preludes for solo violin. These short pieces show the Brazilian musical landscape and explore important violin techniques rarely shown on a basic level. This book presents a bigger set of scores including missing pieces in previous catalogues and alternate versions for 3 preludes, which the composer intended to publish. There is a suggestion for studying the preludes in a progressive order. This edition aims to print original bowings, fingerings and instructions which retain precious teachings of this remarkable teacher. Editor’s suggestions and explanations are written in Portuguese and English. As a homage to Flausino Vale, there are two Flausinian preludes composed by Dr Zoltan Paulinyi for violin, along with their transcriptions for viola.<br> <br> =====<br> <br> Em Português. Flausino Vale (Barbacena, 1894; Belo Horizonte, 1954), chamado de "Paganini Brasileiro" por Villa-Lobos, escreveu um conjunto de prelúdios característicos e concertantes para violino só, valiosos pela exuberância do estilo musical brasileiro e pela exploração de importantes técnicas violinísticas raramente encontradas no ensino fundamental.Esta edição reúne um conjunto ampliado de partituras com obras ausentes em catalogações anteriores e versões alternativas para 3 prelúdios, que o próprio compositor desejava publicar. Este livro traz uma sugestão de ordem progressiva aos estudos desta coleção. Preservam-se arcadas, dedilhados e instruções originais visando guardar preciosos ensinamentos deste notável professor. Consolidações e sugestões do editor estão anotadas em português e inglês.Como homenagem a Flausino Vale, adicionam-se dois prelúdios flausinianos de Dr. Zoltan Paulinyi para violino, com respectivas transcrições para viola.
$15.00
13.6 €
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Violin and Piano
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Flausino Vale (and Zoltan Paulinyi)
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Flausino Vale: 28 preludes for solo violin
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Zoltan Paulinyi
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SheetMusicPlus
La Campanella - Franz Liszt - Piano Solo
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.790156 Composed by Franz Liszt. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.790156 Composed by Franz Liszt. Arranged by Diamond S Music. Classical,Concert,Romantic Period. Score. 19 pages. Diamond S Music #5745053. Published by Diamond S Music (A0.790156). La Campanella - Franz Liszt - Piano Solo.La Campanella (The Little Bell) , The third Grande Etude of Paganini in G# minor, S.141. by Franz Liszt. Its melody comes from the final movement of Niccolò Paganini's Violin Concerto No. 2 in B minor, where the tune was reinforced metaphorically by a 'little handbell'. The étude is famous for being one of the most difficult pieces ever written for piano. It is played at a brisk allegretto tempo and features right hand jumps between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$6.99
6.34 €
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Piano solo
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Franz Liszt
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La Campanella - Franz Liszt - Piano Solo
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Diamond S Music
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SheetMusicPlus
3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
Oboe, Piano (duet)
Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann…
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Oboe,Piano - Level 5 - Digital Download SKU: A0.1276462 Composed by Robert Schumann. Arranged by Zellev. 19th Century,Christmas,Classical,Romantic Period,Wedding. Score and part. 22 pages. Zellev Music #868187. Published by Zellev Music (A0.1276462). The Three Romances for Oboe and Piano, Op. 94 (German: Drei Romanzen) is a composition by Robert Schumann, his only composition for oboe. It was composed in December 1849. The work consists of three short pieces in A-B-A form, and it was written during what was speculated to be one of Schumann's manic episodes.An average full performance lasts roughly 12 minutes.The Romances were written in December 1849, one of the most productive years of Schumann's entire career. Previously that year, Schumann had written two other works for wind instruments and piano: the Adagio and Allegro, op. 70, for French Horn and piano, and the Fantasy Pieces for Clarinet and Piano, op. 73. According to Schumann himself, the pieces were written on December 7, 11, and 12th in Dresden., Unlike many other oboes, works at the time, the pieces were not the result of a commission by a prominent soloist of the day. Schumann gave the pieces to his wife Clara Schumann, whom he once described as his own right hand, as a Christmas present, calling them his hundredth opusculum. Schumann's mental health was quickly deteriorating during the time of the pieces' writing; shortly afterward, he moved from Dresden to Düsseldorf, where he was admitted to and eventually died in an asylum.On November 2, 1850, the pieces were first performed privately as a piano and violin piece with Clara Schumann on piano and François Schubert on violin. The works were first performed several years after Schumann's death, in 1863; the performances took place on January 24 and February 14 in the Gewandhaus, featuring Emilius Lund on oboe and Carl Reinecke on piano.The piece was dedicated to Wilhelm Joseph von Wasielewski. The original edition was published by N. Simrock. The publication date is unknown, but it is estimated to have been anywhere from December 1850 to February 1851. Nikolaus Simrock wrote a letter to Schumann on November 19, 1850, asking whether or not Schumann would agree if we were to print on the title page: 'for oboe and pianoforte' and on this with a violin 'for violin and pianoforte' and on the third 'for clarinet and pianoforte,' since it is not looked upon with favor when several instruments appear on the title page. However, Schumann denied the request, replying, If I had originally written the work for violin or clarinet, it would have become a completely different piece. I regret not being able to comply with your wishes, but I can do no other. Two copies of the original printing exist Schumann's copy and Wasielewski's dedication copy (both either in museums or private collections).Disobeying Schumann's wishes, Simrock published alternate violin and oboe parts in the first edition. In her compilation of Robert's works post-mortem, Clara only included the violin transcription, possibly due to her only playing the piece with violinists. There have been several recordings of the music, including a recent one along with other Schumann oboe works by Oboe Classics. The romances are now a standard part of the oboe repertoire and often considered the best piece of romantic repertoire for the oboe.
$20.00
18.13 €
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Oboe, Piano (duet)
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Robert Schumann
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3 Romances, Op. 94 for Oboe and Piano - Robert Schumann
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Zellev Music
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SheetMusicPlus
AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO (WITH BONUS EASY VIOLIN PART)
Violin and Piano
Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James.…
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Piano Accompaniment, Violin - Advanced Intermediate - Digital Download By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 12 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=8SYROYYYOc8<br> <br> <br> ‘At Last’ was composed by Mack Gordon and Harry Warren for the musical ‘Sun Valley Serenade’ in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.<br> <br> Why chose my arrangement?<br> <br> This is a song from my gig repertoire, and as such I have spent a long time on the piano part to make sure that it lies under the fingers. I have assigned the opening to the piano as it is tricky, even for very experienced violin players, and I shortened the introduction to make it more appropriate for concerts, wedding venues and pub gigs. I have also made the piano notation slightly smaller so that it falls onto two pages. It’s very important for a live performance to be able to see it easily. And unlike some sheet music that you can buy, I make sure the treble and bass clefs are easy to read….very few horrible ledger lines!<br> <br> The violin part has difficult rhythms but I enclose a midi version to help you. (Watch the video) Having said that, although the pianist needs to hold a steady pulse, the violin part can be extremely varied and you can play around with the tune as much as you like. I have included a cadenza that my daughter sings in live performances, but feel free to change it, or miss it out altogether.<br> <br> I have also included an Easy Violin version for your pupils, or as a way in to working on the more difficult version.<br> <br> My tips for the performance.<br> <br> The first piano chord is tricky, but works if you do a glissando in the left hand, and land on the A on the first beat of the bar. I tried many different spacings of the chord but this is the one that sounded best. I have largely written a quaver accompaniment throughout the song, but sometimes I hint at it rather than playing it literally. There are some fingerings that I have found helpful, but feel free to change them, of course! The same goes for my bowing. Take as many bows as you need to feel comfortable.
$10.00
9.07 €
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Violin and Piano
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Etta James
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AT LAST - ETTA JAMES - FOR VIOLIN AND PIANO
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Helen Marple- Horvat
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SheetMusicPlus
Fauré: Romance Op. 28 for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.551766 Composed by Gabri…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.551766 Composed by Gabriel Faure. Arranged by James Guthrie, ASCAP. 20th Century,Holiday,Romantic Period,Standards. Score and part. 30 pages. Jmsgu3 #5711883. Published by jmsgu3 (A0.551766). Gabriel Fauré Romance Op. 28. A Mademoisèlle ARMA HARKNESSDuration ca. 4:15, Score: 17 pages. Andantino molto moderato più mossoGabriel Fauré's Romance Op. 28 is a piece for violin and piano, composed in 1877 when Fauré was 31-32 years old. It is known for its decorative style, which is akin to the languid curlicues of Art Nouveau. The piece is relatively short, with a duration of approximately 6 minutes. Fauré was a French composer, organist, pianist, and teacher and one of the foremost French composers of his generation. The Romance was initially written for violin and piano but has also been transcribed for other instruments, such as the harp. The story behind Gabriel Fauré's Romance Op. 28 is not explicitly documented. However, the piece is known for its romantic and expressive nature and is believed to have been inspired by the mountains.
$32.95
29.88 €
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Clarinet and Piano
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Gabriel Faure
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Fauré: Romance Op. 28 for Clarinet & Piano
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jmsgu3
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SheetMusicPlus
2 Sonatas for Fortepiano
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1485608 Composed by Joseph Martin K…
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Piano Solo - Level 3 - Digital Download SKU: A0.1485608 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. Score. 52 pages. Artaria Editions #1062673. Published by Artaria Editions (A0.1485608). The dates of the two sonatas is not known, although it is clear stylistically that the E major is a much more advanced work compositionally than the E-flat major. The latter also exists in a version as a sonata for violin and keyboard, which can be dated to Kraus's grand tour, having been written in Paris in 1785 and subsequently distributed by the Viennese publisher Johann Traeg. Since there are substantive differences in the two versions, it is impossible to say which came first, and Hans Eppstein has suggested that their may even have been a third, now lost original for fortepiano, since the extant solo keyboard version clearly represents a more advanced version. This cannot be proven, but it seems clear that the version presented here can be considered Kraus's last word in this tortuous compositional trail, probably receiving its final form for publication as part of the Due Sonata per il Forte Piano that hlstrm published about 1788 as one of the first editions stemming from his new privilege. Given that the E major work is one of considerable complexity and virtuosity, it is probable that this sonata at least was composed especially for the publication. In any case, hlstrm's edition is the earliest source of the works; a number of additional copies dating from about 1795 and later all can be traced back to it. That the composer himself was involved intimately with the edition can be seen by the unusual number of clear and precise markings and articulations.These have been accepted without comment or alteration. Occasional obvious wrong notes, the result of overlooked proof reading, have been tacitly corrected, and some of the slurrings have been regularized according to parallel passages where such do not appear to have been deliberately varied. It is the suggestion of the editor that the Adagio of the E majot sonata should be performed la C.P.E.Bach in a fantasia manner with considerable flexibility in terms of tempo and relative rhythm; to play it in a strict fashion obliviates the flow of the movement. Bertil van Boer.
$37.00
33.55 €
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Piano solo
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Joseph Martin Kraus
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2 Sonatas for Fortepiano
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Artaria Editions
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SheetMusicPlus
Beach Spring (for Flute and Violin Duet with Piano Accompaniment)
Flute, Violin, Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.565917 By Sharon Wilson. By Benjamin White and Traditional. Arranged by Sharon Wilson. Children,Easter,Folk,Holiday,Sacred. Score and parts. 14 pages. Sharon Wilson #6575327. Published by Sharon Wilson (A0.565917). Here is an easy instrumental trio arrangement (for FLUTE and VIOLIN duet with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune composed by Benjamin F. White including Come, All Christians, Be Committed and God of Day and God of Darkness. Both the FLUTE and the VIOLIN get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the FLUTE on melody and the VIOLIN on harmony. The song concludes with the VIOLIN on melody and the FLUTE on harmony. This cheerful and uplifting instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 2:00Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS. The range for each part is as follows: Part 1 (FLUTE) – F4 to A5; Part 2 (VIOLIN) – A3 to E5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (1 page each) and PIANO (3 pages)3. a combined FLUTE and VIOLIN score (2 pages)Cover Image Credit: captured by the arranger’s son while living on the Micronesia island of Yap
$5.99
5.43 €
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Flute, Violin, Piano
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Sharon Wilson
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Beach Spring
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Sharon Wilson
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SheetMusicPlus
Nocturne #84 by: Ronald J. Karle for Piano and Violin
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.907281 Composed by Ronald James K…
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Piano,Violin - Level 3 - Digital Download SKU: A0.907281 Composed by Ronald James Karle. Concert,Contemporary,Instructional,Romantic Period,Standards. 9 pages. Ronald J Karle #2347471. Published by Ronald J Karle (A0.907281). If you would like something written for a special occasion please contact me. You may contact me at www.ronaldkarlemusic.com or Facebook https://www.facebook.com/pages/RJ-Karle-in-tune-music-page/455876364491259?ref=hl Member of ASCAP. You tube Channel https://www.youtube.com/channel/UCXDMhWUZYYyREQRFtGo3qPg
$1.99
1.8 €
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Violin and Piano
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Ronald James Karle
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Nocturne #84 by: Ronald J. Karle for Piano and Violin
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Ronald J Karle
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SheetMusicPlus
An Elegy for Hopes and Dreams
Piano Trio: piano, violin, cello
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed…
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
25.38 €
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Piano Trio: piano, violin, cello
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Lest We Forget for Bb Clar., Violin and Piano
Violin, Clarinet, Piano (trio)
Small Ensemble Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755024 Co…
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Small Ensemble Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755024 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 66 pages. Sy Brandon #3244207. Published by Sy Brandon (A0.755024). Lest We Forget, written for the Zodiac Trio, was inspired by the approach of Memorial Day 2006 but has evolved into a composition with a more encompassing vision. The work was originally conceived to depict the horrors of war and to pay tribute to those who served and gave their lives so that freedom can endure. The conception expanded to include the horrors of natural disasters, the destruction of lives and property, and ability of humans to endure and rebound from the depths of despair. In essence, the piece is about the fragility of human life and the triumph of the spirit. The composition is in three movements. I. Fury - Strong rhythmic and contrapuntal lines depict outbursts of anger or the power of nature. The quieter sections represented a seething that builds to the violent outbursts. II. Devastation - This movement is filled with musical representations of screams, anger, laments, and hopelessness as one faces the aftermath of destruction. Long melodic lines in minor are interspersed with short motifs throughout the movement. III. Triumph of the Spirit - The movement begins quietly and slowly as if wandering among the desolation. Two thematic ideas appear during the slow section, one a prayer-like melody in the violin and the other an imitative development of the prayer idea that later representing taking initiative. These ideas transition into a faster tempo where a new theme is introduced that represents determination. The three thematic ideas alternate and development as the movement builds to a climax showing the power of the human spirit to survive catastrophe. This piece is recorded by The Zodiac Trio on their CD The Zodiac Trio.
$14.99
13.59 €
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Violin, Clarinet, Piano (trio)
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Sy Brandon
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Lest We Forget for Bb Clar., Violin and Piano
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Sy Brandon
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SheetMusicPlus
Prelude in C minor for Piano and Violin (after BWV 999)
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1161254 Composed by Dirk Schneide…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1161254 Composed by Dirk Schneiderheinze and Johann Sebastian Bach. Arranged by Dirk Schneiderheinze. Baroque,Chamber,Classical. 5 pages. Dirk Schneiderheinze #761591. Published by Dirk Schneiderheinze (A0.1161254). This is an adaption of J.S. Bach's Prelude in C Minor (BWV 999) arranged for piano and violin which includes an original melody over the original work.After Bach's death this prelude (originally written for lute) was adopted as No. 3 in the keyboard collection Twelve Little Preludes.
$4.99
4.52 €
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Violin and Piano
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Dirk Schneiderheinze and Johann Sebastian Bach
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Prelude in C minor for Piano and Violin
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Dirk Schneiderheinze
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.66 €
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Orchestra
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by Vikíngur Olafsson)
Piano Accompaniment
Cello,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.1243786…
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Cello,Piano Accompaniment,Viola,Violin - Level 4 - Digital Download SKU: A0.1243786 By Sigvaldi Kaldalóns, VÃkingur Ólafsson and Flavio Regis Cunha. By Sigvaldi Kaldalóns. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Sacred,Wedding. 21 pages. Flavio Regis Cunha #838757. Published by Flavio Regis Cunha (A0.1243786). Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by VÃkingur Ólafsson).This is a beautiful melody by the composer Sigvaldi Kaldalóns. This is a catchy, melancholy and very sentimental melody. Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment (as played by VÃkingur Ólafsson). This is a beautiful melody by the composer Sigvaldi Kaldalóns. This is a catchy, melancholy and very sentimental melody. Sigvaldi Kaldalóns (Stefánsson) (13 January 1881 - 28 July 1946) was an Icelandic composer and doctor. Unlike the avant-garde composers of his day, he wrote in a traditional romantic style and composed many of Iceland's most famous and widely performed songs, many of which are now wrongly assumed to be folk songs. His particular skill was in capturing the spirit of poems in his melodies, making him Iceland's foremost lyric composer.The arrangement written here for string quartet is based on VÃkingur Ólafsson's beautiful interpretation. Now your quartet can play it in a variety of settings, from weddings to religious services to recitals. This wonderful piece by Kaldalóns is a must-have in your quartet's repertoire, and you will be enchanted by the beauty of the music and the intense emotions it can evoke. I hope you enjoy the arrangement, designed exclusively for string quartet. The Piano is based exactly on VÃkingur Ólafsson's interpretation.Advanced Intermediate level.Format: Concert, 9 x 12 inches21 pages.Kaldalóns: Ave Maria für Streichquartett und Klavierbegleitung (gespielt von VÃkingur Ólafsson).Dies ist eine schöne Melodie des KomponistenDies ist eine eingängige, melancholische und sehr gefühlvolle Melodie. Sigvaldi Kaldalóns (Stefánsson) (13. Januar 1881 - 28. Juli 1946) war ein isländischer Komponist und Arzt. Im Gegensatz zu den Avantgarde-Komponisten seiner Zeit schrieb er in einem traditionellen romantischen Stil und komponierte viele der berühmtesten und meistgespielten isländischen Lieder, von denen viele heute fälschlicherweise für Volkslieder gehalten werden. Seine besondere Fähigkeit bestand darin, den Geist von Gedichten in seinen Melodien einzufangen, was ihn zu Islands führendem lyrischen Komponisten machte.Das hier vorliegende Arrangement für Streichquartett basiert auf der wunderschönen Interpretation von VÃkingur Ólafsson. Jetzt kann Ihr Quartett das Stück in einer Vielzahl von Situationen spielen, von Hochzeiten über Gottesdienste bis hin zu Konzerten. Dieses wunderbare Stück von Kaldalons ist ein Muss im Repertoire Ihres Quartetts, und Sie werden von der Schönheit der Musik und den intensiven Gefühlen, die sie hervorrufen kann, verzaubert sein. Ich wünsche Ihnen viel Spaß mit dem Arrangement, das ausschließlich für Streichquartett geschrieben wurde. Das Klavier basiert genau auf der Interpretation von VÃkingur Ólafsson.
$14.99
13.59 €
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Piano Accompaniment
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Sigvaldi Kaldalóns, VÃkingur Ólafsson and Flavio Regis Cunha
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Kaldalóns: Ave Maria for String Quartet and Piano Accompaniment
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Flavio Regis Cunha
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SheetMusicPlus
Old MacDonald Had A Farm for piano and violin
Violin and Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.1159444 Composed by Thomas D'Urfe…
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Piano,Violin - Level 1 - Digital Download SKU: A0.1159444 Composed by Thomas D'Urfey. Arranged by JPS Edições Musicais. Comedy,Historic,Instructional,Multicultural,Traditional,World. 2 pages. Jps Arrangements #759719. Published by Jps Arrangements (A0.1159444). Old MacDonald Had a Farm was written
$3.99
3.62 €
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Violin and Piano
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Thomas D'Urfey
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Old MacDonald Had A Farm for piano and violin
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Jps Arrangements
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SheetMusicPlus
Old MacDonald Had A Farm for piano and violin
Violin and Piano
Piano,Violin - Level 1 - Digital Download SKU: A0.1159556 Composed by Thomas D'Urfe…
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Piano,Violin - Level 1 - Digital Download SKU: A0.1159556 Composed by Thomas D'Urfey. Arranged by JPS Edições Musicais. Comedy,Historic,Instructional,Multicultural,Traditional,World. 2 pages. Jps Arrangements #759818. Published by Jps Arrangements (A0.1159556). Old MacDonald Had a Farm was written
$3.99
3.62 €
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Violin and Piano
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Thomas D'Urfey
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Old MacDonald Had A Farm for piano and violin
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Jps Arrangements
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SheetMusicPlus
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
Piano Quintet: piano, 2 violins, viola, cello
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666…
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Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00
68 €
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Piano Quintet: piano, 2 violins, viola, cello
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Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton
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"Quincie", Quintet For Two Violins, Viola, Cello And Piano
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Geraldine
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SheetMusicPlus
The Old Rugged Cross (for Flute and Violin Duet with Piano Accompaniment)
Flute, Violin, Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 2 - Digital Download SKU: A0.565987 By Sharon Wilson. By George Bennard. Arranged by Sharon Wilson. 20th Century,Easter,Praise & Worship,Sacred,Standards. Score and parts. 24 pages. Sharon Wilson #6692485. Published by Sharon Wilson (A0.565987). Here is a reverently flowing instrumental trio arrangement (for FLUTE and VIOLIN duet with PIANO accompaniment) of the beloved Gospel hymn The Old Rugged Cross by George Bennard.All three instruments lead with the melody at times, even the PIANO. The first verse begins with each instrument playing a phrase independently followed by the FLUTE playing melody for the chorus and the VIOLIN on harmony. The PIANO leads with the melody for the second verse followed by a repeat of the chorus. This peacefully flowing instrumental arrangement is an ideal selection for a church setting and a valuable addition to your sacred repertoire. Duration 3:30.Though notated with FLUTE on part 1 and VIOLIN on part 2, the ranges are also accessible for other combinations of C instruments such as 2 VIOLINS. The range for each part is as follows: Part 1 (FLUTE) – G4 to B5; Part 2 (VIOLIN) – G3 to F5. For the violin on either part, all notes are playable in the first position making this piece an excellent choice for early intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (11 pages) with all parts on each page2. separate scores for the FLUTE and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined FLUTE and VIOLIN score (4 pages)Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.43 €
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Flute, Violin, Piano
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Sharon Wilson
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The Old Rugged Cross
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Sharon Wilson
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SheetMusicPlus
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