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5 sheet music found
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1
Spring Time (Flute - Duet | Backing Track)
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Chris VandenBerg
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Spring Time
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Chris-VandenBerg
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SheetMusicPlus
Flute - Level 4 - Digital Download SKU: A0.1498698 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #10...
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Flute - Level 4 - Digital Download SKU: A0.1498698 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #1074962. Published by Chris-VandenBerg (A0.1498698). Music students love to play duets. Especially when they are accompanied by rousing backing tracks. That's why Chris VandenBerg has created a wealth of wonderful new duets to inspire music schools and music associations. These songs are ideal for musical auditions. Whether as instrumental solos, duets, with or without accompanying backing track.Sheet Musik is available for this Backing Track. Please search for:Spring Time - Chris VandenBerg - Flute DuetMusikschüler lieben es im Duett zu spielen. Vor allem wenn sie von mitreißenden Playbacks begleitet werden. Deshalb gibt es von Chris VandenBerg eine Fülle wunderschöner, neuer Duette, die im Unterricht an Musikschulen und in Musikvereinen für Begeisterung sorgen. Diese Songs eignen sich hervorragend für musikalische Vorspiele. Ob als Instrumentalsolo, im Duett, mit oder ohne Begleitplayback.Für dieses Playback sind Noten verfügbar. Bitte suchen Sie nach:Spring Time - Chris VandenBerg - Flute Duethttps://www.chris-vandenberg.de
$5.99
Spring Time (Clarinet - Duet | Backing Track)
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Chris VandenBerg
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Spring Time
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Chris-VandenBerg
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SheetMusicPlus
B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1498362 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-Vand...
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B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1498362 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #1074702. Published by Chris-VandenBerg (A0.1498362). Music students love to play duets. Especially when they are accompanied by rousing backing tracks. That's why Chris VandenBerg has created a wealth of wonderful new duets to inspire music schools and music associations. These songs are ideal for musical auditions. Whether as instrumental solos, duets, with or without accompanying backing track.Sheet Musik is available for this Backing Track. Please search for:Spring Time - Chris VandenBerg - Clarinet DuetMusikschüler lieben es im Duett zu spielen. Vor allem wenn sie von mitreißenden Playbacks begleitet werden. Deshalb gibt es von Chris VandenBerg eine Fülle wunderschöner, neuer Duette, die im Unterricht an Musikschulen und in Musikvereinen für Begeisterung sorgen. Diese Songs eignen sich hervorragend für musikalische Vorspiele. Ob als Instrumentalsolo, im Duett, mit oder ohne Begleitplayback.Für dieses Playback sind Noten verfügbar. Bitte suchen Sie nach:Spring Time - Chris VandenBerg - Clarinet Duethttps://www.chris-vandenberg.de
$5.99
Spring Time (Alto Saxophone - Duet | Backing Track)
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Chris VandenBerg
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Spring Time
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Chris-VandenBerg
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SheetMusicPlus
Alto Saxophone - Level 4 - Digital Download SKU: A0.1498041 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-Vande...
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Alto Saxophone - Level 4 - Digital Download SKU: A0.1498041 Composed by Chris VandenBerg. 21st Century,Jazz,Pop. Accompaniment. Duration 134. Chris-VandenBerg #1074382. Published by Chris-VandenBerg (A0.1498041). Music students love to play duets. Especially when they are accompanied by rousing backing tracks. That's why Chris VandenBerg has created a wealth of wonderful new duets to inspire music schools and music associations. These songs are ideal for musical auditions. Whether as instrumental solos, duets, with or without accompanying backing track.Sheet Musik is available for this Backing Track. Please search for:Spring Time - Chris VandenBerg - Alto Sax DuetMusikschüler lieben es im Duett zu spielen. Vor allem wenn sie von mitreißenden Playbacks begleitet werden. Deshalb gibt es von Chris VandenBerg eine Fülle wunderschöner, neuer Duette, die im Unterricht an Musikschulen und in Musikvereinen für Begeisterung sorgen. Diese Songs eignen sich hervorragend für musikalische Vorspiele. Ob als Instrumentalsolo, im Duett, mit oder ohne Begleitplayback.Für dieses Playback sind Noten verfügbar. Bitte suchen Sie nach:Spring Time - Chris VandenBerg - Alto Sax Duethttps://www.chris-vandenberg.de
$5.99
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Therese Brenet
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Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standar...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
Conflusion - Suite - Woodwind Ensemble
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Classical
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
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