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397 sheet music found
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376
Baroque Break (Wind Octet)
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Gary Friedman
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Baroque Break
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Gary Friedman
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SheetMusicPlus
Small Ensemble Bassoon,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889863 Composed by Gary Friedman. Baroque,Contemporary. Score and parts. 19 p...
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Small Ensemble Bassoon,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889863 Composed by Gary Friedman. Baroque,Contemporary. Score and parts. 19 pages. Gary Friedman #7569. Published by Gary Friedman (A0.889863). This is my third octet, lively in baroque style. A nice bassoon cadenza is included. The sound clip was performed by Janet Popesco Archibald and Robin May, oboes, Jose Gonzalez Granero and Joanne Eisler, clarinets, Larry Ragent and Alicia Telford at my 80th birthday party, March 8, 2014. If you play it, it's quite OK with me if you take it somewhat slower than these professional musicians did. My colleagues and I are not quite up to their speed! Duration: 6 minutes Year: 2008.
$12.00
Carson Cooman: Partita for solo baroque flute or recorder
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Carson Cooman
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Carson Cooman: Partita for sol
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Flute,Recorder - Level 4 - Digital Download SKU: A0.533209 Composed by Carson Cooman. Baroque,Concert,Contemporary,Standards. Score and pa...
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Small Ensemble Flute,Recorder - Level 4 - Digital Download SKU: A0.533209 Composed by Carson Cooman. Baroque,Concert,Contemporary,Standards. Score and parts. 3 pages. Musik Fabrik Music Publishing #1986199. Published by Musik Fabrik Music Publishing (A0.533209). Partita (2003) for solo baroque flute was written for and is dedicated to flutist Dolores Zdancewicz, who commissioned a piece specifically to take advantage of the baroque flute's unique sonic properties. This work may also be performed on the recorder. The first movement, Cantus (Song), is a simple lyrical piece exploring continuous transformation of the principal melodic ideas. The second movement, Ludus (Game), is in an ABA form. The movement explores the tone color contrast between different note combinations on the baroque flute -- the property that some notes have a more veiled sound color than other notes. It is a movement of humor and zest. Recorded by Stephen Schultz, baroque flute on Naxos American Classics CD Cooman: Symphonines II and III.
$8.00
Parting for Baroque Lute in D-minor
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Contemporary
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Dosia McKay
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Parting for Baroque Lute in D-
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Gavia Music
#
SheetMusicPlus
Instrumental Solo,Lute - Level 4 - Digital Download SKU: A0.876670 Composed by Dosia McKay. Contemporary. Individual part. 4 pages. Gavia Music #3099049....
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Instrumental Solo,Lute - Level 4 - Digital Download SKU: A0.876670 Composed by Dosia McKay. Contemporary. Individual part. 4 pages. Gavia Music #3099049. Published by Gavia Music (A0.876670). From the composer: I wrote Parting for Baroque lutenist Will Tocaben in the summer of 2013. At that time it seemed that everywhere I turned, I saw relationships falling apart and close and distant friends going through breakups. I wanted to write a reflective piece expressing the sense of being pulled back and forth, the feeling of loss and uncertainty, with the final release and acceptance. The piece is notated in treble clef for Baroque lute tuned in D-minor. Total duration 5'00''.
$25.00
Sudo-Baroque Trio for 2 Oboes and English Horn
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Contemporary
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Nancy J
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Sudo-Baroque Trio for 2 Oboes
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Nancy Brammer
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.945623 Composed by Nancy J. Brammery. Contemporary. 6 pages. Nancy Brammer #5998737....
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.945623 Composed by Nancy J. Brammery. Contemporary. 6 pages. Nancy Brammer #5998737. Published by Nancy Brammer (A0.945623). This Sudo-Baroque woodwind trio is a spoof on the Baroque style with two movements; Just Getting Started and Semi-Fugue. For 2 oboes and English Horn. I would consider it playable by high school students through adult musicians. As always, not super hard, but requiring some expertise to play well, especially the second movement. Another arrangement is for sale on Sheet Music Press for oboe, clarinet and bassoon. First oboe could also be flute in either arrangement.
$8.50
Dig It
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The Beatles
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test
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Dig It
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Nat+80
#
SheetMusicPlus
Xylophone Duet Xylophone - Level 4 - Digital Download SKU: A0.1486934 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starke...
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Xylophone Duet Xylophone - Level 4 - Digital Download SKU: A0.1486934 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by test. Advent,Barbershop,Baroque,Chamber,Contemporary. 1 pages. Nat+80 #1064008. Published by Nat+80 (A0.1486934). Test This is an arrangement
$4.99
Canon and Gigue in D Major - Johann Pachelbel - Special Arrangement for Harpsichord by Peyber Medina
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Peyber A
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Peyber A
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Canon and Gigue in D Major - J
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Peyber Medina
#
SheetMusicPlus
String Ensemble Cello,Violin - Level 4 - Digital Download SKU: A0.1497285 By Peyber A. Medina H. By Johann Pachelbel. Arranged by Peyber A. Medina H. Bar...
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String Ensemble Cello,Violin - Level 4 - Digital Download SKU: A0.1497285 By Peyber A. Medina H. By Johann Pachelbel. Arranged by Peyber A. Medina H. Baroque,Chamber,Classical,Spiritual,Wedding. 79 pages. Peyber Medina #1073699. Published by Peyber Medina (A0.1497285). Discover an exquisite arrangement of Johann Pachelbel's Canon and Gigue in D Major, meticulously crafted for the harpsichord by Peyber A. Medina H. This edition brings a fresh perspective to Pachelbel's timeless masterpiece, blending historical authenticity with modern sensibilities. Perfect for both professional performances and educational purposes, this arrangement highlights the unique qualities of the harpsichord, making it an essential addition to any classical musician's repertoire.This edition includes: Full score and individual parts for all instruments. Additional parts combine all three violins into a single score, making it easier for ensemble coordination. A dedicated harpsichord part that excludes the violin guide, allowing for solo harpsichord performance. Whether you're a seasoned harpsichordist or a student eager to explore Baroque music, this edition offers a challenging yet rewarding experience. It includes detailed performance notes and historically informed practice tips to help you achieve an authentic interpretation. Key Features: Special arrangement of Canon and Gigue in D Major by Johann Pachelbel. Tailored specifically for the harpsichord (also suitable for cembalo). Includes full score, individual parts, and additional combined violin parts. Separate harpsichord part for solo performance without violin guide. Ideal for recitals, concerts, and advanced study. Includes comprehensive performance notes and historical context. Perfect for Baroque music enthusiasts and harpsichord players of all levels. Enhance your musical library with this unique edition and experience Pachelbel's genius in a new light. Available exclusively at SheetMusicPlus. Pachelbel, Canon in D, Gigue in D, Harpsichord, Cembalo, Baroque Music, Classical Music, Sheet Music, Arrangement, Peyber A. Medina H., Keyboard Music, Instrumental Music, Music for Recital, Professional Performance, Historical Performance Practice, Baroque Repertoire, Violin Score, Harpsichord Solo, Ensemble Music.
$18.99
Corant - trio- violin/oboe/cello
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/oboe/cel
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Phil Beaman
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SheetMusicPlus
Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standar...
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Cello,Oboe,Violin - Level 4 - Digital Download SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.
$7.99
Corant - trio- flute/clarinet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- flute/clarinet/
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructio...
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Bass Trombone,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977597. Published by Phil Beaman (A0.1394137). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â Ab to high F above staffClarinet - bottom space F# to high C above staffTrombone - low C below staff to high F above staff.
$7.99
Corant - trio- flute/clarinet/bass clarinet
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- flute/clarinet/
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Bea...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977700. Published by Phil Beaman (A0.1394226). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â second space A to high A above staffClarinet - second line G# to high D above staffBass Clarinet - low E below staff to high E above staff.
$7.99
Corant - trio- violin/clarinet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/clarinet
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructi...
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Bass Trombone,Clarinet,Violin - Level 4 - Digital Download SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977651. Published by Phil Beaman (A0.1394166). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffClarinet - bottom line E# to high B above staffTrombone - low C below staff to high E above staffrecording is of Violin/Trumpet/Trombone, clarinet would substitute for the trumpet part.
$7.99
Corant - trio- violin/trumpet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/trumpet/
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructio...
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Bass Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.
$7.99
Cara e Dolce-Scarlatti-Woodwind Trio 4
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - Digital Download SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969595. Published by Phil Beaman (A0.844886). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Trio 3
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed T
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Phil Beaman
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - Digital Download SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Ope...
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Small Ensemble Bassoon,Clarinet,Violin - Level 4 - Digital Download SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969615. Published by Phil Beaman (A0.844889). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed C
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Phil Beaman
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SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,S...
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Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969527. Published by Phil Beaman (A0.844884). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Corant - Trio-Violin-Oboe-Bassoon
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Jean Loeillet
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Phil Beaman
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Corant - Trio-Violin-Oboe-Bass
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Phil Beaman
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SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844426 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instru...
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Small Ensemble Bassoon,Oboe,Violin - Level 4 - Digital Download SKU: A0.844426 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260019. Published by Phil Beaman (A0.844426). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. I wrote a highly ornamented continuo for each part when not playing melody. In true Baroque style I have created a tight interplay between parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
Corant - Trio-Flute-Oboe-Cello
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Jean Loeillet
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Phil Beaman
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Corant - Trio-Flute-Oboe-Cello
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Phil Beaman
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SheetMusicPlus
Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844429 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructi...
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Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844429 Composed by Jean Loeillet. Arranged by Phil Beaman. Baroque,Concert,Instructional,Standards. Score and parts. 12 pages. Phil Beaman #3260035. Published by Phil Beaman (A0.844429). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4. with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. I wrote a highly ornamented continuo for each part when not playing melody. In true Baroque style I have created a tight interplay between the parts. Each part also has a rather wide range. (6 pages score, 2 pages @ part)Although in a Minor Key, this piece is very bright and uplifting. It is very accessible and thus a concert crowd pleaser. Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Most of all, this piece is just Pure Fun!
$7.99
Cara e Dolce-Scarlatti-Woodwind Trio 2
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - Digital Download SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman....
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - Digital Download SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969589. Published by Phil Beaman (A0.844885). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 3
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil B...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969543. Published by Phil Beaman (A0.844882). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed C
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Phil Beaman
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SheetMusicPlus
Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Stan...
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Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969519. Published by Phil Beaman (A0.844883). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Bach: Brandenburg Concerto No. 3 for Saxophone Choir - Score Only
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Classical
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Johann Sebastian Bach
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James M
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Bach: Brandenburg Concerto No.
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1401651 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Contest,Festival,Historic,Standards,Traditional. 70 pages. Jmsgu3 #984834. Published by jmsgu3 (A0.1401651). Bach's Brandenburg Concerto No. 3 is significant for its composition and structure. It features nine solo strings divided into three groups of violins, violas, and cellos, showcasing a colorful instrumentation and demanding performance requirements. The concerto opens majestically with distinct groupings of soloists by instrument, maintaining these divisions throughout the movement with moments of independence for each soloist. The closing movement, a vigorous allegro, follows a similar pattern with the nine players divided by instrument. Additionally, the concerto includes a two-note adagio cadence where musicians were intended to improvise a link between the outer movements. This concerto is a prime example of the Baroque concerto style. It demonstrates Bach's mastery in creating intricate and harmonious compositions that challenge performers while showcasing the beauty of different instruments working together harmoniously.The historical context of Bach's Brandenburg Concertos is rooted in the Baroque era and Bach's circumstances. Composed around 1711-1720 and dedicated in 1721 to Christian Ludwig, the Margrave of Brandenburg, these concertos were a collection of six concerti grossi that showcased a balance between various groups of soloists and a small orchestra. Bach's decision to compile these concertos was influenced by his need for employment and his encounter with Christian Ludwig, who commissioned several works after being impressed by his performance in Berlin around 1719. Despite Bach's hopes for a position at the Brandenburg court, the Margrave did not pay for the work, possibly because the pieces were revisions of earlier compositions rather than new creations specifically for him. Moreover, the Brandenburg Concertos exemplify the concerto grosso genre popular during the Baroque era, featuring a more significant number of soloists than usual and expansive music that showcases a variety of instruments in different combinations. Bach's innovative use of instruments like trumpets, recorders, French horns, oboes, flutes, violino piccolo, violas da gamba, and harpsichord in these concertos highlights his creativity and mastery in composing intricate and diverse musical pieces. The historical significance lies in Bach's ability to blend different musical styles and forms while creating a set of concertos that music lovers cherish today.
$49.95
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #8...
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Cello,Cembalo,Violin - Level 4 - Digital Download SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
Allegro (from "Sonata for Trumpet") (Bb) (Violin Octet)
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble Violin - Level 4 - Digital Download SKU: A0.813644 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Concert,Instructional,S...
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String Ensemble Violin - Level 4 - Digital Download SKU: A0.813644 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 13 pages. Regis Bookshar #6434419. Published by Regis Bookshar (A0.813644). Violin Octet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Violin Octet, consisting of 8 Violins, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
Allegro (from "Sonata for Trumpet") (Bb) (Violin Sextet)
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble Violin - Level 4 - Digital Download SKU: A0.813648 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Concert,Instructional,S...
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String Ensemble Violin - Level 4 - Digital Download SKU: A0.813648 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 10 pages. Regis Bookshar #6434437. Published by Regis Bookshar (A0.813648). Violin Sextet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (10 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Violin Sextet, consisting of 6 Violins, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$12.00
Allegro (from "Sonata for Trumpet") (Bb) (Euphonium Sextet - Bass Clef)
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 4 - Digital Download SKU: A0.813586 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicu...
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Brass Ensemble Euphonium - Level 4 - Digital Download SKU: A0.813586 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 10 pages. Regis Bookshar #6429795. Published by Regis Bookshar (A0.813586). Euphonium Sextet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (10 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Euphonium Sextet, consisting of 6 Euphoniums, reading in Bass Clef, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles, including a version for 6 Euphoniums reading in Treble Clef, if you prefer. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$12.00
Allegro (from "Sonata for Trumpet") (Bb) (Flute Sextet)
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813590 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicul...
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.813590 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 10 pages. Regis Bookshar #6429841. Published by Regis Bookshar (A0.813590). Flute Sextet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (10 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Flute Sextet, consisting of 6 Flutes, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$12.00
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