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27 sheet music found
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26
Haydn M: Marcia Turchese in C (Turkish March) MH601 - symphonic wind dectet/bass
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Classical
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M Haydn
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Ray Thompson
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Haydn M: Marcia Turchese in C
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.555862 Composed by M Haydn. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThomps...
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Large Ensemble - Level 4 - Digital Download SKU: A0.555862 Composed by M Haydn. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThompsonMusic #5954953. Published by RayThompsonMusic (A0.555862). Johann Michael Haydn, the younger brother of Joseph Haydn, was born in 1737 in the Austrian village of Rohrau. Following in his brother's footsteps he trained at the choir school of St. Stephen's Cathedral, Vienna where he was thought to be a brighter student than Joseph. After leaving the choir-school, he was first appointed as Kapellmeister at Nagyvárad in Romania and then, in 1762, at Salzburg where he stayed until his death in 1805, composing church and instrumental music.The Turkish March is scored for wind instruments and percussion. Mock Turkish music was very popular during the classical period, and was famously exploited by Mozart in his opera Die Entführung aus dem Serail. Haydn's work is typical of the genre having bright lively melodies given an exotic flavour through the addition of untuned percussion, particularly cymbals. (Originally scored for double wind quintet, two trumpets and percussion)My arrangement is scored for double wind quintet and bass.(no trumpets or percussion)All essential trumpet solos are covered by the other winds.Horn parts are in G as the original.I have written a bass part to add depth to the piece.
$14.95
Five Greek Folk Songs - Cinq Mèlodies Populaires Greques (Voice and String Orchestra)
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Maurice Ravel
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Alessandro Cadario
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Five Greek Folk Songs - Cinq M
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Alessandro Cadario
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1512277 Composed by Maurice Ravel. Arranged by Alessandro Cadario. 20th Century,Classical,Contempor...
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String Orchestra - Level 4 - Digital Download SKU: A0.1512277 Composed by Maurice Ravel. Arranged by Alessandro Cadario. 20th Century,Classical,Contemporary,Folk. 90 pages. Alessandro Cadario #1087330. Published by Alessandro Cadario (A0.1512277). This new score is an instrumental version for voice and strings of Cinq Mèlodies Populaires Greques in Ravel's harmonization with a colorful new original orchestration for String Orchestra by Alessandro Cadario. SCORE + PARTS.
$99.00
Pink Acetate Melodies
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Contemporary
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M Calvert
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Pink Acetate Melodies
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Martin Calvert
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.1022855 Composed by M Calvert. 20th Century. Score and parts....
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.1022855 Composed by M Calvert. 20th Century. Score and parts. 6 pages. Martin Calvert #3453143. Published by Martin Calvert (A0.1022855). This is a mixed genre piece. It has elements of jazz and dissonant modern sounds. A challenging piece for voice to express a number of emotions through the lyrics and technique.
$3.99
L'amour en hiver - une mélodie de Noël
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Sacred music
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Stewart J Wallace
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Stewart J Wallace
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L'amour en hiver - une mélodi
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Stewart J Wallace
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SheetMusicPlus
Instrumental Duet,Piano Cornet,Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1326976 By Stewart J Wallace. By Stewart J Wallace....
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Instrumental Duet,Piano Cornet,Euphonium,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1326976 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stewart J Wallace. Chamber,Christian,Christmas,Contest,Festival,Praise & Worship. 22 pages. Stewart J Wallace #915038. Published by Stewart J Wallace (A0.1326976). L'amour en hiver (Love in winter) is an original duet arranged for two brass instruments with piano accompaniment. It has a lilting quality, like gently falling snowflakes, and it starts with the instruments having a musical conversation before they both combine - the piano is also an intergral part of the conversation with its own solo section. Aim for an expressive, lyrical quality to your playing and it will help to evoke the peaceful spirit of Christmas and that love is always there in our world, even in the darkest of times.A piano score with individual parts is included, and you can try this in various combinations - 2 cornets, or 2 euphoniums, or 1 of each. Bass clef versions for euphonium are also included in the set. This would suit intermediate to advanced performers.
$4.99
L'amour en hiver - une mélodie de Noël
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Stewart J Wallace
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Stewart J Wallace
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L'amour en hiver - une mélodi
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Stewart J Wallace
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1329351 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stew...
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1329351 By Stewart J Wallace. By Stewart J Wallace. Arranged by Stewart J Wallace. Chamber,Christian,Christmas,Contest,Festival,Holiday. 22 pages. Stewart J Wallace #917331. Published by Stewart J Wallace (A0.1329351). L'amour en hiver (Love in winter) is an original duet for two violins with piano accompaniment. It has a lilting quality, like gently falling snowflakes, and it starts with the instruments having a musical conversation before they both combine - the piano is also an intergral part of the conversation with its own solo section.Aim for an expressive, lyrical quality to your playing and it will help to evoke the peaceful spirit of Christmas and that love is always there in our world, even in the darkest of times.A piano score with individual parts is included, and you can try this in various combinations - 2 violins, 2 violas, 2 'cellos, or 1 of each. This would suit intermediate to advanced performers.
$4.99
Conflusion - Suite - Woodwind Ensemble
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Classical
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Therese Brenet
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Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standar...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
To Boldly Go
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Contemporary
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Alexander Courage, Gene Rodden
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by S...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Score and parts. 40 pages. Sophia Transistor #6275113. Published by Sophia Transistor (A0.851130). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for trombone quartet (or any 4 voices notated in bass clef in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trombone t-bone brass players. Breething signs and spaces are included. Page changes are mainly during breaks.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as trombone in C on 5 pages in DIN-A4.2nd voice as trombone in C on 5 pages in DIN-A4.3rd voice as trombone in C on 5 pages in DIN-A4.4th voice as trombone or bass trombone in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/XP8sB87veKIGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Posaune notiert in C im Bassschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Posaune angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Wenn man umblättern muss, dann meistens an Stellen, wo man Pause hat.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Posaune in C auf 5 Seiten in DIN-A4.2. Stimme als Posaune in C auf 5 Seiten in DIN-A4.3. Stimme als Posaune in C auf 5 Seiten in DIN-A4.4. Stimme als Posaune oder Bassposaune in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c'' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Posaunen-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictrom.
$17.01
Mary Poppins: A Symphonic Fantasy
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Irwin Kostal, Richard M Sherma
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Luis Turina and Noname Musica
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Mary Poppins: A Symphonic Fant
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Nonamé Música
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1081259 Composed by Irwin Kostal, Richard M Sherman, and Robert B She...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1081259 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by Luis Turina and Noname Musica. 20th Century,Broadway,Children,Film/TV,Musical/Show,Wedding. Score and parts. 23 pages. Nonamé Música #685401. Published by Nonamé Música (A0.1081259). (Spanish below) Based on the suite A Symphonic Fantasy, we did a conversion with three of the most remembered melodies from Mary Poppins. You have an intro with chim-chim-cheree, followed by feed the birds, but they don't fully develop. After that, A Spoon of Sugar, with the birds part made by the first violin and the second and viola enkoying. The next part is, now complete, Chim-Chim-Cheree, with the melody starting in the cello, and then passing by the rest of instruments from lower to higher. When the second plays the melody, the first plays a counter-theme a little bit tricky. And, in the end, now complete, Feed the Birds, with constant dialogs between the violins. Tested and approved arrangement. Bass part is optional. All Nonamé arrangements are prepared to avoid page turns if you print the covers properly. Basándonos en la suite A Symphonic Fantasy, hicimos una conversión con tres de las melodÃas más recordadas de Mary Poppins. Tienes una introducción con chim-chim-cheree, seguida de Pan para los pájaros, pero no se desarrollan por completo. Después, Con un Poco de Azúcar, con la parte de los pájaros hecha por el primer violÃn y el segundo y la viola disfrutando. La siguiente parte es, ya completa, Chim-Chim-Cheree, con la melodÃa comenzando en el violoncello, y luego pasando por el resto de instrumentos de más grave a más agudo. Cuando el segundo toca la melodÃa, el primero tiene un contratema un poco complicado. Y, al final, ya completo, Pan Para los Pájaros, con diálogos constantes entre los violines. ¡Arreglo probado y aprobado! La parte de contrabajo es opcional. Todos los arreglos de Nonamé están preparados para evitar el paso de página si imprimes las portadas correctamente.
$20.99
Sullivan: The Lost Chord for Baritone Horn & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for B
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP...
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Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Sullivan: The Lost Chord for Oboe d'Amore & Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, A...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Judas's Coins Of Silver
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Mark G
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Judas's Coins Of Silver
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M.G.Turner
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SheetMusicPlus
Large Ensemble Bass Clarinet,Bass Drum,Cello,Flute,Piano,Timpani,Viola,Violin - Level 4 - Digital Download SKU: A0.938562 Composed by Mark G. Turner. 20t...
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Large Ensemble Bass Clarinet,Bass Drum,Cello,Flute,Piano,Timpani,Viola,Violin - Level 4 - Digital Download SKU: A0.938562 Composed by Mark G. Turner. 20th Century,Contemporary,Sacred. Score and parts. 22 pages. M.G.Turner #2081515. Published by M.G.Turner (A0.938562). This ensemble composition features an atmosphere creating introduction in the lower registers of bass clarinet, piano, cello and viola with an under-stated artistry. It seeks to capture the devious character of Judas, the betrayer, as a false disciple who used to rob from the ministry funds (John 12:6). It then moves into the Lord Jesus' recognition of him as His betrayer and Judas's evil deal with the Pharisees. The work culminates in 30 treble piano notes which represent the 30 pieces of silver which Judas received for betraying Jesus. The final cadence represents Judas's suicide as the son of perdition. As performers you will enjoy: (1.) creating the atmosphere, (2.) the subtle nuances in the dynamics and phraseology, (3.) the understated and yet dramatic bass clarinet, flute and violin melodies, (4.) the use of harmonics in the violin and the poignant closing section within which the piano melody grips the listener.
$1.99
Twilight, Goodbye, Peace
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Contemporary
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Stanley M
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the total duration is 6:41
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Twilight, Goodbye, Peace
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stanleymhoffman.com
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SheetMusicPlus
Small Ensemble Alto Flute,Bass Flute,Low Voice,Piano - Level 4 - Digital Download SKU: A0.924872 Composed by Stanley M. Hoffman. 20th Century,Concert,Con...
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Small Ensemble Alto Flute,Bass Flute,Low Voice,Piano - Level 4 - Digital Download SKU: A0.924872 Composed by Stanley M. Hoffman. 20th Century,Concert,Contemporary. Score and parts. 20 pages. Stanleymhoffman.com #4326273. Published by stanleymhoffman.com (A0.924872). Twilight, Goodbye, Peace is dedicated to low flutes virtuoso Peter Sheridan. It was begun in 2013 and completed in 2016; the total duration is 6:41. The texts by Solomon Ibn Gabriol, Samuel L. Clemens (aka Mark Twain), and one attributed to Fra Giovanni Giocondo but probably written by Earnest Temple Hargrove, take the listener on a journey from grief/death to hope/heaven. Themusical language is unapologetically chromatic. Other than perhaps the most academic of composers these days, chromaticism has largely fallen into disuse. Although the vast majority of my music written since around 1998 is either tonal or more often modal, I occasionally return to a chromatically saturated musical language to express certain emotions through sounds that are alien to thosemusical languages. I did so in the present title with the intent of painting the three texts more poignantly. While most passages feature familiar-sounding triads and octaves, the melodies, harmonies and cadences sound unfamiliar. It is to be hoped that the listener will find the music both moving and engaging, challenging one to listen to these three songs in new ways.-Stanley M. Hoffman, 9/11/2016, fifteen years after 9/11.
$5.00
Handel: Sonata No. 1 for Baritone Horn Duo
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Classical
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George Frideric Handel
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James M
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Handel: Sonata No. 1 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552874 Composed by George Frideric Handel. Arranged b...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552874 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 25 pages. Jmsgu3 #6345077. Published by jmsgu3 (A0.552874). Sonata No. 1, K. 555I. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 2 for Baritone Horn Duo
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Classical
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George Frideric Handel
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James M
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Handel: Sonata No. 2 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552875 Composed by George Frideric Handel. Arranged b...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552875 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 28 pages. Jmsgu3 #6349019. Published by jmsgu3 (A0.552875). Sonata No. 2, K. 555I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 3 for Baritone Horn Duo
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Classical
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George Frideric Handel
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James M
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Handel: Sonata No. 3 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552876 Composed by George Frideric Handel. Arranged b...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552876 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 27 pages. Jmsgu3 #6353539. Published by jmsgu3 (A0.552876). Sonata No. 3, K. 555I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 4 for Baritone Horn Duo
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Classical
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George Frideric Handel
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James M
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Handel: Sonata No. 4 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552877 Composed by George Frideric Handel. Arranged b...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552877 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 26 pages. Jmsgu3 #6355379. Published by jmsgu3 (A0.552877). Sonata No. 4 I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 PagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 5 for Baritone Horn Duo
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Classical
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George Frideric Handel
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James M
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Handel: Sonata No. 5 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552878 Composed by George Frideric Handel. Arranged b...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552878 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 25 pages. Jmsgu3 #6358177. Published by jmsgu3 (A0.552878). Sonata No. 5I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12George Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Sonata No. 6 for Baritone Horn Duo
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Classical
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George Frideric Handel
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James M
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Handel: Sonata No. 6 for Barit
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552879 Composed by George Frideric Handel. Arranged b...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552879 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 25 pages. Jmsgu3 #6361859. Published by jmsgu3 (A0.552879). Sonata No. 6I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period.Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$27.95
Handel: Six Sonatas Complete for Baritone Horn Duo
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Classical
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George Frideric Handel
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James M
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Handel: Six Sonatas Complete f
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552880 Composed by George Frideric Handel. Arranged b...
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Instrumental Duet Baritone Horn TC/Euphonium,Instrumental Duet - Level 4 - Digital Download SKU: A0.552880 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 156 pages. Jmsgu3 #6362473. Published by jmsgu3 (A0.552880). G. F. Handel: Six Sonatas Complete (K. 555) Sonata No. II. LarghettoII. AllegroIII. AndanteIV. AllegroDuration: 9', Score: 13 pages Sonata No. II I. AffettuosoII. AllegroIII. DolceIV. VivaceDuration: 8:20' Score: 16 pages Sonata No. III I. AndanteII. PrestoIII. GraziosoIV. AllegroDuration: 8:50' Score: 15 pages Sonata No. IV I. AdagioII. AllegroIII. AmorosoIV. VivaceDuration: 9:15 Score: 14 Pages Sonata No. V I. LargoII. AllegroIII. SoaveIV. AllegroScore: 13 Pages, Duration: 11:12 Sonata No. VI I. AdagioII. AllegroIII. AndanteIV. VivaceDuration: 9:30 Score: 13 pagesGeorge Frideric Handel is one of the most celebrated composers of the Baroque era. He composed many genres of music, but he is best known for his large-scale choral works, including operas, oratorios, and cantatas. He was also highly respected for his chamber music and sonatas. Handel's chamber music was composed for small groups of instruments and was often used for private performances. His sonatas were written for a single instrument and often included a keyboard instrument. Handel was renowned for his ability to blend melodic ideas and inventive harmonies into his compositions, creating a unique and personal style. His works continue to be performed today, and his chamber music and sonatas are some of the most beloved pieces of music from the Baroque period. Handel's duet output was particularly noteworthy, and he wrote some of the most iconic and beloved duets in music history. His duets were often set in a homophonic texture, allowing the two voices to move together in harmony and melody. Handel also employed polyphonic techniques in his duets, using complex counterpoint and rhythmic devices to create rich, textured works. His duets often featured ornate melodies and rich harmonies, creating a full sound that was both beautiful and moving. Handel's duets are still some of the most popular works in classical music today, and they continue to be performed and enjoyed by audiences around the world.
$59.95
BACH: Trio Sonata No. 1 BWV 525 for Double Reed Trio
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Classical
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Stan...
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 36 pages. Jmsgu3 #6491011. Published by jmsgu3 (A0.552647). Sonata No. 1 BWV 525, originally for organ, arranged for double reed trio: 1 Oboe, 1 English Horn, 1 Bassoon. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
BACH: Trio Sonata No. 1 BWV 525 for String Trio
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Classical
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 1 BWV 52
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standard...
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String Ensemble,String Trio - Level 4 - Digital Download SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6490989. Published by jmsgu3 (A0.552645). Sonata No. 1 BWV 525, originally for organ, arranged for string trio: 1 violin, 1 viola, 1 cello. Duration: 14:15, Score: 19 pages. In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
Flight of the Star Owls Harp Arrangement- Full score (F minor) - Score Only
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Laura Olson
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Laura Olson
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Flight of the Star Owls Harp A
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Blue Steer Studios
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 1...
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Level 4 - Digital Download SKU: A0.1212329 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Irish,Multicultural,New Age,World. 11 pages. Blue Steer Studios #809832. Published by Blue Steer Studios (A0.1212329). Dark and mysterious with 6/8 double jig Celtic energy, the mythical owls guide you to the edge of the forest.  Enjoy this first track from the orchestral album A Grimm-ly Lit Forest in a setting for 4 or more harps.  Great cinematic writing gives all harps interesting and challenging parts and builds a sense of drama, tension, and excitement.  You can listen to the original song that this arrangment is from at www.BlueSteerStudios.comMelodies are chord based with fast moving obligato parts in the background showcasing a breathtaking display of technique, energy, and artistry.  Wide dynamic range, highly rhythmic and engaging, this piece is destined to be a show stopper with opportunities for all players to shine!Available in the original key of F minor it is also available in E minor, a key more suitable for lever harps. Note range for E minor version is D1 through B6 and has a D# lever change.   Note range for F minor version is E1 through C6.  If necessary your ensemble may choose to alter the parts as needed to accommodate different harp size ranges without affecting the overall effect of the piece.Audio tracks are available for each part as well as the full arrangment so that you can hear how your part sounds.  Also available are music minus one tracks for each part so that you can play your part with the full ensemble for added fun and excitment or extra practice opportunities.*************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$3.99
Beethoven: Eleven Bagatelles Op. 119 String Trio - Score Only
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Eleven Bagatelles O
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jmsgu3
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SheetMusicPlus
String Trio - Level 4 - Digital Download SKU: A0.1231991 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Clas...
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String Trio - Level 4 - Digital Download SKU: A0.1231991 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. 20 pages. Jmsgu3 #827666. Published by jmsgu3 (A0.1231991). Beethoven’s Eleven Bagatelles Op. 119 are known for their expressive melodies and harmonies, and their innovative approach to form and tonality. The bagatelles were written during a period of time when Beethoven was undergoing a difficult phase in his life; he was struggling with hearing loss, family problems, and depression. Despite these challenges, he managed to produce a set of musical gems that are deeply moving and uplifting. The bagatelles show a remarkable range and depth of emotion, from playful and humorous to introspective and melancholic. These pieces serve as a testament to his resilience and creative genius in the face of personal adversity. More than two centuries after their composition, the bagatelles continue to inspire music enthusiasts around the world. The Bagatelles Op. 119 is a combination of old and new pieces that were not originally planned as a cycle.No. 1. Allegretto.No. 2. Andante con moto.No. 3. à l’ Allemande.No. 4. Andante cantabile.No. 5. Risoluto.No. 6. Andante – Allegretto.No. 7. Tranquillo.No. 8. Moderato cantabile.No. 9. Vivace moderato.No. 10. Allegramente.No. 11. Andante ma non troppo.
$49.95
Quintra for wind quartet
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Contemporary
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Budapest Scoring wind quartet
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Quintra for wind quartet
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122172 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporar...
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Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122172 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 199. David Warin Solomons #723322. Published by David Warin Solomons (A0.1122172). Quartet based on my old guitar composition (from 1974) using two main melodies and three-time and five-time ideas (hence the title quin-tra). Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.
$4.50
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