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Ev'ry Baby Needs A Da-da-daddy
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.924048 Composed by Allan Rob…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.924048 Composed by Allan Roberts and Lester Lee. Arranged by Dominic McGonigal. Contemporary. 28 pages. C8 Music #4278143. Published by C8 Music (A0.924048). A wonderful song from 1948, sung appropriately by Marilyn Monroe. Ev'ry baby needs a da da Daddy - could my da Daddy be you? This arrangement for 9 recorders is a rare chance for a recorder ensemble to swing, with a close harmony big band style. There are even optional choreographic directions, such as putting the bells up like trumpets. .
$12.99
12.01 €
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Allan Roberts and Lester Lee
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Ev'ry Baby Needs A Da-da-daddy
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C8 Music
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SheetMusicPlus
Ev'ry Baby Needs A Da-da-daddy
Horn,Piano,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1341879 Composed b…
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Horn,Piano,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1341879 Composed by Allan Roberts and Lester Lee. Arranged by Dominic McGonigal. Contemporary,Standards. 16 pages. C8 Music #894944. Published by C8 Music (A0.1341879). A little known classic! With a sultry tune, a walking bass and a great vibe.Scored for trumpet, horn, trombone and piano.More at www.dominicmcgonigal.com.
$12.99
12.01 €
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Allan Roberts and Lester Lee
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Ev'ry Baby Needs A Da-da-daddy
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C8 Music
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SheetMusicPlus
Desenvolvendo a coordenação
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313760 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 10 pages. Sérgio Matias da Cunha #902473. Published by Sérgio Matias da Cunha (A0.1313760). Partituras com informações relacionadas à coordenação motora, buscando desenvolver a independência da mão esquerda e da mão direita através de estratégias psicomotoras apresentadas entre as cinco músicas cifradas e com dedilhado, e duas atividades estrategicamente elaboradas, capazes de oferecer uma base eficaz, eficiente e efetiva a esse respeito. Conta-se ainda com diversas outra informações teóricas e atividades paralelas. Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.61 €
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Sérgio Matias da Cunha
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Desenvolvendo a coordenação
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Sérgio Matias da Cunha
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SheetMusicPlus
A bela canção da cantora careca, Opus 17
Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.999381…
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Instrumental Duet Guitar,High Voice,Instrumental Duet - Digital Download SKU: A0.999381 Composed by Janilson fialho. Contemporary,Standards. Score and parts. 3 pages. Janilson Fialho #6479357. Published by Janilson Fialho (A0.999381). O Teatro do absurdo foi a designação criada em 1961 pelo crÃtico húngaro radicado na Inglaterra, Martin Esslin (1918-2002), tentando sintetizar uma definição que agrupasse as obras de dramaturgos de diversos paÃses, as quais, apesar de serem completamente diferentes em suas formas, tinham como ponto central o tratamento inusitado de aspectos inesperados da vida humana. Essas obras estavam focadas em questões existencialistas e tentavam expressar o que acontece quando a existência humana é tida como sem sentido ou sem propósito, resultando na dissolução das comunicações. (Wikipédia) A Cantora Careca, de Eugêne Ionesco(1909 - 1994), é Comédia em um único ato, escrita em 1949 foi o primeiro texto do dramaturgo francês. A Cantora Careca, foi criada a partir de um livro-texto para o ensino da lÃngua inglesa, onde mostrava um casal conversando diálogos absurdos. Altamente irônico, o texto conservou também o absurdo nos diálogos, marcados por clichês e futilidades. Os absurdos nas conversas levam os seis personagens, à completa incomunicabilidade, através do diálogo ininteligÃvel. O foco central da peça é a linguagem, fazendo uma referência a um tenebroso futuro para as relações humanas, e consequentemente da comunicação: a impossibilidade de diálogo entre as pessoas. Aqui o violão não é só um simples acompanhante, existe uma conversa entre essas duas sonoridades sem a presença de palavras, talvez seja esse o dialogo absurdo que vc não vai entender, aliás, acho interessante que essa canção não vai ofender ninguém.
$4.99
4.61 €
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Janilson fialho
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A bela canção da cantora careca, Opus 17
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Janilson Fialho
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SheetMusicPlus
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99
12.01 €
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Leonardo Leo
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Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento
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Guido Menestrina
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SheetMusicPlus
25 temas didáticos - seção (a)
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313765 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 27 pages. Sérgio Matias da Cunha #902478. Published by Sérgio Matias da Cunha (A0.1313765). Antecedendo aos “25 temas didáticos - seção(b)â€, e aos “10 estudos progressivosâ€, nesta primeira etapa encontram-se 25 temas com marcações de dedilhado, cuidadosamente elaborados somente sobre as notas naturais do teclado (notas brancas), baseados na disposição dos pentacórdios, nas notas de referência da clave de FA e da clave de SOL, nos movimentos paralelo, contrário e oblÃquo entre as duas mãos, bem como, disposição de acordes, arpejos e progressões sobre os graus tonais da tonalidade de DO maior. Conta-se ainda com diversas informações teóricas junto à s respectivas partituras.  Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$9.99
9.24 €
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Sérgio Matias da Cunha
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25 temas didáticos - seção
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Sérgio Matias da Cunha
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SheetMusicPlus
Da Full Rigged Ship / Da New Rigged Ship - Flute, Violin, Double Bass by James Scott
Small Ensemble Double Bass,Flute,Violin - Digital Download SKU: A0.892523 Composed …
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Small Ensemble Double Bass,Flute,Violin - Digital Download SKU: A0.892523 Composed by Traditional Scottish. Arranged by James Scott. Celtic,Folk,Holiday,World. Score and parts. 24 pages. Mesa Music Publishing #6235247. Published by Mesa Music Publishing (A0.892523). Two high energy tunes from the Shetland Islands. Da Full Rigged Ship is a three part jig and Da New Rigged Ship is a three part reel. Both tunes often change mode for a charming effect. This piece belongs in any concert of Scottish or Irish music. Great music for a Hogmanay (Scottish new year) or Burns night concert.
$8.00
7.4 €
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Traditional Scottish
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Da Full Rigged Ship / Da New Rigged Ship - Flute, Violin, Double Bass by James Scott
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Mesa Music Publishing
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SheetMusicPlus
Over The Rainbow / What A Wonderful World
String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1251644
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String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1251644 By Israel Iz Kamakawiwo'ole. By E.Y. Yip Harburg, George David Weiss, Harold Arlen, and Robert Thiele. Arranged by Sérgio Matias da Cunha. Film/TV,Multicultural,Pop,Reggae,Wedding,World. 10 pages. Sérgio Matias da Cunha #845903. Published by Sérgio Matias da Cunha (A0.1251644). Arranjo da música Over the rainbow (versão: Israel Kamakawiwo'ole) trabalhado na distribuição polifônica dos acordes nos instrumentos de corda acompanhando o fio melódico, valorizando-o e mantendo o movimento dentro do estilo reggae. Destaque para o balanço ritmado do violoncelo, que sustenta o caráter vivo e expressivo dos instrumentos, remetendo à uma atmosfera de sonho, alegria e interação com a natureza. Conta com uma partitura completa e também partes individuais para cada instrumento e partitura vocal com letra e cifra para violão, num total de dez páginas. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$12.99
12.01 €
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Israel Iz Kamakawiwo'ole
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Over The Rainbow / What A Wonderful World
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Sérgio Matias da Cunha
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SheetMusicPlus
Chorale St. Anthony from Variations on a theme by Haydn
Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931261 Composed by Johanne…
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Brass Ensemble Horn - Level 1 - Digital Download SKU: A0.931261 Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Instructional,Romantic Period,Standards. Score and parts. 10 pages. Music Macri Editions #5801363. Published by Music Macri Editions (A0.931261). Johannes Brahms – Variazioni su un tema di Haydn op.56Le Variazioni op.56 sono un momento fondamentale nell’evoluzione creativa di Johannes Brahms come compositore sinfonico, lo proiettano infatti verso la prima sinfonia; di questa, il primo movimento era già pronto da qualche anno ma si trovava relegato in un cassetto a causa del timore reverenziale nell’affrontare quel modello classico.Le Variazioni sul tema di Haydn, scritte nella duplice versione per due pianoforti e per orchestra, appaiono espressioni di un unico momento creativo dato il breve lasso di tempo intercorrente tra l’una e l’altra; la versione per due pianoforti, inserita in catalogo dallo stesso autore come Opus 56b, viene eseguita a settembre del 1873 con Clara Schumann, quella per orchestra il 2 novembre 1873, con Brahms alla direzione della Filarmonica di Vienna. La versione orchestrale è quella oggi più conosciuta e molto più spesso eseguita.L'arrangimento, si basa sul Corale di Sant’Antonio, composizione per ensemble di fiati, all’epoca attribuita erroneamente a Franz Joseph Haydn ed ancora oggi di origine incerta; i fiati e il pizzicato degli archi esaltano il suo carattere corale. Il tema è impostato su due periodi asimmetrici, entrambi con ripetizioni segnate da ritornelli: il primo periodo presenta due frasi di cinque battute ciascuna, il secondo è costituito da uno sviluppo in otto battute, una ripresa di quattro battute e un finale di sette. Il tema è chiuso da un accordo ripetuto.
$7.00
6.47 €
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Johannes Brahms
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Chorale St. Anthony from Variations on a theme by Haydn
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Music Macri Editions
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SheetMusicPlus
Ob-la-di, Ob-la-da
Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1092419 By The B…
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Brass Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1092419 By The Beatles. By John Lennon and Paul McCartney. Arranged by Harry Salotti. 20th Century,Children,Contemporary,Pop,Rock. Score and parts. 8 pages. Harry Salotti #696504. Published by Harry Salotti (A0.1092419). Ob-la-di, Ob-la-da for Tuba/Euphonium Quartet is fun to play and will be a great hit with your audiences. The range of the Euphonium parts do not go past G above middle C. The 1st Tuba part can be played on an F, Eb or C tuba. The 2nd Tuba part can be played on a Bb or C Tuba. The length of the arrangement is about 2:40. The Euphoniums and the 1st Tuba all get an equal share of playing the melody. The bass line is divided between the Tubas so the 2nd player gets a fair amount of rests. Have a look at the score and listen to the audio file (pages 3 and 4 of the score, 30 secs.). Ob-la-di, Ob-la-da is a piece you will perform on a regular basis. If you are going to program one song by the Beatles, this is it.
$12.99
12.01 €
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The Beatles
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Ob-la-di, Ob-la-da
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Harry Salotti
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SheetMusicPlus
Entardecer em Nazaré da Mata
Trombone - Level 4 - Digital Download SKU: A0.1181059 By Jonas Hocherman. By Jonas …
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Trombone - Level 4 - Digital Download SKU: A0.1181059 By Jonas Hocherman. By Jonas Hocherman. Arranged by Jonas Hocherman. Chamber,Contemporary,Latin,Multicultural,Traditional,World. 28 pages. Jonas Hocherman #780890. Published by Jonas Hocherman (A0.1181059). The piece Entardecer in Nazaré da Mata for trombone octet, is a dreamlike journey about the richness of colors of Pernambuco music in carnival. Although much of the piece is based on the rhythm of maracatu de baque virado, this piece was composed from the memories on the day I went to Nazaré da Mata in Pernambuco in the northeast of Brazil to see the arrival of caboclos of the rural maracatu and later, upon arriving in Recife on the same night listen to several other rhythms such as Afoxé,  Coconut, Frevo, Caboclinho, Forró.   This piece has very melodic moments sounding like a beautiful trombone choir and has some very rhythmic moments. Maracatú is a traditional rhythm of Pernambuco and is characterized by being very rhythmic. Despite being traditionally in compass 4/4, this song was written in the 3/4 compass, being a kind of style stylization. The difficulty of this rhythm is that it needs to be very precise, can not leave the music behind, the breaks of semicolcheias has to be very in time.
$50.00
46.24 €
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Jonas Hocherman
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Entardecer em Nazaré da Mata
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Jonas Hocherman
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SheetMusicPlus
Ob-la-di, Ob-la-da
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trumpet,Viola,Violin - Digital Downloa…
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trumpet,Viola,Violin - Digital Download SKU: A0.497180 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 14 pages. Published by Fab Forward Entertainment (A0.497180). The Beatles - Ob-La-Di, Ob-La-Da (For Three Piece Horn Section &/or String Trio to accompany a Rock Band) This arrangement of The Beatles classic Ob-La-Di, Ob-La-Da for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was originally recorded. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
12.01 €
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The Beatles
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Ob-la-di, Ob-la-da
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Fab Forward Entertainment
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SheetMusicPlus
Ob-la-di, Ob-la-da
Guitar - Level 2 - Digital Download SKU: A0.1278576 By The Beatles. By John Lennon …
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Guitar - Level 2 - Digital Download SKU: A0.1278576 By The Beatles. By John Lennon and Paul McCartney. Arranged by Derek Hasted. Pop. 27 pages. Derek Hasted #870257. Published by Derek Hasted (A0.1278576). OB-LA-DI, OB-LA-DA (The Beatles) - 4 GUITARS/LARGE ENSEMBLEPrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a piece that’s well-known to audiences and easy to play too...Ideal for School Concerts or as a bit of mischief in an adult concert.My version of Ob-La-Di, Ob-La-Da contains some of the countermelodies of the original, but all the while being manageable by Early Intermediate players, with the parts increasing only slightly in complexity as we move to the top voices.Guitar 4 requires the bottom string tuned down to D to make the best of the pitch range, but it’s also supplied in bass clef where the deeper pitch means there’s no need to re-tune.Guitar 3 is accompanied by chord names for those who wish to strum.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.61 €
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The Beatles
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Ob-la-di, Ob-la-da
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Derek Hasted
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SheetMusicPlus
Hino da Proclamação da República do Brasil (Hymn to the Proclamation of the Republic of Brazil)
Recorder - Digital Download SKU: A0.814593 Composed by Leopoldo Miguez. Arranged by…
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Recorder - Digital Download SKU: A0.814593 Composed by Leopoldo Miguez. Arranged by Orlan Charles. 20th Century,Multicultural,Patriotic,Standards,World. Recorder Ensemble. 10 pages. ORLAN CHARLES MARCHIORI PRADO #3904035. Published by ORLAN CHARLES MARCHIORI PRADO (A0.814593). Hino da Proclamação da República do Brasil (Hymn to the Proclamation of the Republic of Brazil).Composed by Leopoldo Miguez (1890)Arranged for Recorder Quintet (Sn,S,A,T,B) by Orlan CharlesI played this arragement in this video:https://www.youtube.com/watch?v=bxDFM7tZc6AIf you want to see other arrangements like this, look for my channel, Orlan Charles on Youtube, or follow my social networks below:Email: orlandagaita@gmail.comInstagram: @orlancharlesFacebook: https://www.facebook.com/orlancharlespage/
$9.99
9.24 €
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Leopoldo Miguez
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Hino da Proclamação da República do Brasil
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ORLAN CHARLES MARCHIORI PRADO
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SheetMusicPlus
Francesco da Milano Ricercars and Fantasias Volume 1 For Baritone Ukulele and Other Four Course In
Small Ensemble Ukulele - Level 2 - Digital Download SKU: A0.810022 Composed by Fran…
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Small Ensemble Ukulele - Level 2 - Digital Download SKU: A0.810022 Composed by Francesco Da Milano. Arranged by Michael P. Walker. Renaissance. Score. 140 pages. Michael P Walker #6037507. Published by Michael P Walker (A0.810022). Who would have thought you could play classical music on a ukulele? But you can! Here are 25 Ricercars and Fantasias by Francesco da Milano for lute transcribed for the baritone ukulele in tablature and modern notation. These pieces have been transcribed for the baritone ukulele, the four-course Renaissance guitar, or low G ukulele – (just use the tablature but substitute G-C-E-A for D-G-B-E where indicated). Most are also playable on the soprano and tenor ukulele and, of course, for the guitar. Have fun!
$19.95
18.45 €
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Francesco Da Milano
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Francesco da Milano Ricercars and Fantasias Volume 1 For Baritone Ukulele and Other Four Course In
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Michael P Walker
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SheetMusicPlus
"El Zorzal" Concierto homenaje a Carlos Gardel - OBERTURA
Accordion,Arco Bass,Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.13793…
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Accordion,Arco Bass,Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1379386 By Carlos Gardel. By Carlos Gardel. Arranged by Alexis Galfre. Multicultural,World. 25 pages. Alexis Galfre #964068. Published by Alexis Galfre (A0.1379386). This arrangement opens the concert composed entirely of works by Gardel. Collage that goes through the most recognized melodies of the Zorzal and gives rise to the songs that are later presented (with a singer) in the concert.Este arreglo da apertura al concierto compuesto completamente con obras de Gardel. Collage que recorre las melodÃas más reconocidas del Zorzal y da pie a las canciones que después se presentan (con cantante) en el concierto.Questo arrangiamento apre il concerto composto interamente da opere di Gardel. Collage che attraversa le melodie più riconosciute dello Zorzal e dà origine alle canzoni che vengono poi presentate (con cantante) nel concerto.
$9.90
9.15 €
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Carlos Gardel
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"El Zorzal" Concierto homenaje a Carlos Gardel - OBERTURA
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Alexis Galfre
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SheetMusicPlus
Monologue and Minuet (for Bass Viol / Viola da Gamba)
Viola da gamba - Level 5 - Digital Download SKU: A0.787394 Composed by Michael Thom…
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Viola da gamba - Level 5 - Digital Download SKU: A0.787394 Composed by Michael Thomas Andrews. Contemporary. Score. 7 pages. Michael Thomas Andrews #3258841. Published by Michael Thomas Andrews (A0.787394). This contemporary-classical piece for viola da by gamba was written for Liam Byrne and was originally performed at the Handel and Hendrix Museum in central London in August 2013. Â The piece was inspired by Samuel Pepys' diary entries. A video of Liam playing this piece at the Cross-Linx Festival (Muziekgebouw Eindhoven) in the Netherlands can be viewed here: https://youtu.be/Fj7BkCWlRQE?t=3m.
$15.00
13.87 €
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Michael Thomas Andrews
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Monologue and Minuet
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Michael Thomas Andrews
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SheetMusicPlus
n' Da Scene for Brass Band - Original Composition and Arrangement by Anderson Quevedo
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1283530 By Anderson Quevedo. By Anderson Quevedo. Arranged by Anderson Quevedo. Contest,Festival,Funk,Instructional,Jazz. Brass Band. 30 pages. The Sheet Music Library #874718. Published by The Sheet Music Library (A0.1283530). N' Da Scene for Brass Band - Original Composition and Arrangement by Anderson Quevedon' Da Scene is a funky-jazz tune for Brass Band (Alto, Tenor, Baritone Saxophone, Trumpet in Bb, Trombone, Tuba & Drums)Score & Parts.
$42.99
39.75 €
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Anderson Quevedo
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Drums)
Score &
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n' Da Scene for Brass Band - Original Composition and Arrangement by Anderson Quevedo
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The Sheet Music Library
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SheetMusicPlus
Canoni a due in tutte le tonalità
Small Ensemble - Digital Download SKU: A0.1011051 Composed by Carlo Corba Colombo. …
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Small Ensemble - Digital Download SKU: A0.1011051 Composed by Carlo Corba Colombo. Contemporary. Score and parts. 24 pages. Pubblicato da 3C.EM #2968743. Published by Pubblicato da 3C.EM (A0.1011051). Canoni in Tutte Le Tonalità (maggiori e minori) da utilizzare Anche venire Esercizio di Trasporto
$16.00
14.8 €
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Carlo Corba Colombo
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Canoni a due in tutte le tonalità
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Pubblicato da 3C.EM
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SheetMusicPlus
A MALVA ROSE
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Piet…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99
1.84 €
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Lars Ek
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A MALVA ROSE
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Ob-la-di, Ob-la-da
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.515893 By The Beat…
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String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.515893 By The Beatles. By John Lennon and Paul McCartney. Arranged by Eve C. Mailly. Folk,Pop,Rock,Standards. Score and parts. 18 pages. Zene Strings #6101051. Published by Zene Strings (A0.515893). Ob La Di, Ob La Da by John Lennon, Paul Mccartney of The Beatles has been used in movies, TV shows, and on social media. It is a classic favorite, and arranged here for string trio.  This arrangement can be played either by two violins and a cello, or a violin, viola and cello. The middle part is included in both alto and treble clef, for greater performance flexibility.  From your friends at Zene Strings!To see our other great arrangements visit: Zene Strings Questions or comments?  Email us at Music@ZeneSheetMusic.com. We're here to.
$12.99
12.01 €
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The Beatles
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Ob-la-di, Ob-la-da
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Zene Strings
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SheetMusicPlus
Agitata da due venti (For Sop. and Strings)
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.796…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.796981 Composed by A.Vivaldi. Arranged by Han-Ki Kim. Baroque,Instructional,Opera,Traditional. Score and parts. 18 pages. Han-Ki Kim #404162. Published by Han-Ki Kim (A0.796981). 'Agitata da due venti' is an aria from Act 2, Scene 2 of Vivaldi's opera 'Griselda' (Venezia, 1735). , This song is sung by Costanza, who is in love trouble, comparing her fate to a ship floating in a stormy sea. This music is arranged for soprano and String ensemble.
$5.90
5.46 €
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A
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Agitata da due venti
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Han-Ki Kim
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SheetMusicPlus
Trio #2 for two recorders and viola da gamba
Small Ensemble Alto Recorder,Baritone Recorder,Cello,Flute - Digital Download SKU: A0.1…
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Small Ensemble Alto Recorder,Baritone Recorder,Cello,Flute - Digital Download SKU: A0.1024319 Composed by K. A. Stetson. 20th Century. Score and parts. 17 pages. K. A. Stetson #2957063. Published by K. A. Stetson (A0.1024319). Trio for two alto recorders (or flutes) and viola da gamba (or cello) in C. Contact kastetson@holofringe.com for transposition for other instruments.
$4.00
3.7 €
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K
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Contact kastetson@holofringe
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Trio #2 for two recorders and viola da gamba
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K. A. Stetson
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SheetMusicPlus
Ob-la-di, Ob-la-da
Large Ensemble - Level 3 - Digital Download SKU: A0.837242 By The Beatles. By John …
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Large Ensemble - Level 3 - Digital Download SKU: A0.837242 By The Beatles. By John Lennon and Paul McCartney. Arranged by Daniel S. Augustine. Multicultural,World. Score and parts. 36 pages. Daniel S. Augustine #6077397. Published by Daniel S. Augustine (A0.837242). Lennon & McCartney travel to Texas for a south-of-the-border polka (‘banda’ style), with echoes of Bobby Vinton, in this arrangement of Ob-La-Di, Ob-La-Da for a small German (or Pep) Band. Flexible instrumentation for 2 Clarinets, Alto Sax, 2 Trumpets, Eb Alto/Tenor Horn (plus Horn in F), Trombone, Euphonium (both bass and treble clef; plus double for Tenor Sax), Tuba (plus String Bass), Accordion (or Piano), Drums. Intermediate level. Duration: about 1’40.
$25.00
23.12 €
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The Beatles
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Ob-la-di, Ob-la-da
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Daniel S. Augustine
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SheetMusicPlus
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