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24 sheet music found
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1
Gossec: Gavotte from Opera "Rosine" RH318 - symphonic wind/bass
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Francois-Joseph Gossec
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Ray Thompson
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Gossec: Gavotte from Opera "Ro
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553892 Composed by Francois-Joseph Gossec. Arranged by R...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553892 Composed by Francois-Joseph Gossec. Arranged by Ray Thompson. Classical,Standards. Score and parts. 17 pages. RayThompsonMusic #6035641. Published by RayThompsonMusic (A0.553892). From Gossec´s opera Rosine.Gossec's Gavotte remains familiar in popular culture because Carl Stalling and Charles M. Jones used arrangements of it in several Warner Brothers cartoons. Arguably the most notable of these is Porky Pig’s dance to an uncredited version of Gossec’s Gavotte in Jones’ ‘’Porky’s Cafe’’ (1942)Arranged double wind quintet and bass.Clarinets in A, but alternative Bb parts are provided.
$14.95
Brothers and Sisters (Brüderlein und Schwestern “Du und Du”), Die Fledermaus
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Classical
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Johann Strauss Jr
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Scott S
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Brothers and Sisters
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Scott S. Stewart
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1300417 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic...
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Level 4 - Digital Download SKU: A0.1300417 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic Period,Standards. 9 pages. Scott S. Stewart #890148. Published by Scott S. Stewart (A0.1300417). “Brothers and Sisters†(Brüderlein und Schwestern “Du und Duâ€) is an arrangement for a 4-part SATB solo quartet with piano accompaniment from the Act II finale of Strauss’ operetta, Die Fledermaus.  Here the ensemble drinks a sentimental toast to love and brotherhood.  This arrangement is perfect for community engagement programs, outdoor performances, beer hall celebrations, etc., settings that need a popular, romantic, drinking song.  The new English lyrics, and style of arrangement will promote that spirit.  Performance time: 3:15+.
$25.00
King Priam
Opera
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Opera
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duratio...
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Digital Download SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baro...
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroq...
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Hallelujah Chorus from Handel's Messiah
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Classical
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George Frideric Handel
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C Blankenship
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Hallelujah Chorus from Handel'
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C Blankenship
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SheetMusicPlus
Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts....
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Large Ensemble Choir - Level 5 - Digital Download SKU: A0.899601 Composed by George Frideric Handel. Arranged by C Blankenship. Baroque. Score and parts. 81 pages. C Blankenship #4984983. Published by C Blankenship (A0.899601). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Handel wrote Messiah for modest vocal and instrumental forces, with optional settings for many of the individual numbers. In the years after his death, the work was adapted for performance on a much larger scale, with giant orchestras and choirs. In other efforts to update it, its orchestration was revised and amplified by (among others) Mozart. In the late 20th and early 21st centuries the trend has been towards reproducing a greater fidelity to Handel's original intentions, although big Messiah productions continue to be mounted. (Notes provided are from the WindRep Project & Wikipedia)
$50.00
Messiah's Allelujah
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Classical
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George Frideric Handel
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Javier MartÃnez Maya
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Messiah's Allelujah
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Arte Nova Music Lab
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SheetMusicPlus
Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert...
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Brass Ensemble Piano - Level 4 - Digital Download SKU: A0.742366 Composed by George Frideric Handel. Arranged by Javier MartÃnez Maya. Baroque,Concert,Standards. Score and parts. 29 pages. Arte Nova Music Lab #2119829. Published by Arte Nova Music Lab (A0.742366). Messiah (HWV 56)[1] is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.[n 1] Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; Messiah was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus Christ as Messiah. The text begins in Part I with prophecies by Isaiah and others, and moves to the annunciation to the shepherds, the only scene taken from the Gospels. In Part II, Handel concentrates on the Passion and ends with the Hallelujah chorus. In Part III he covers the resurrection of the dead and Christ's glorification in heaven. Taken from https://en.wikipedia.org/wiki/Messiah_(Handel).
$20.00
Fanfare Prelude to Libusa Overture for Brass Band
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Classical
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Bedrich Smetana
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Charles Decker
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Fanfare Prelude to Libusa Over
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.817135 Composed by Bedrich Smetana. Arranged by Charles Decker. Contest,Festival,Multicultural,Opera,Romantic Period,World. Brass Band. 47 pages. Charles Decker Music Press #3594099. Published by Charles Decker Music Press (A0.817135). Originally for orchestral brass, now scored for traditional British Brass Band instrumentation, this elegant and powerful fanfare served as the prelude to Smetana's 1881 opera Libusa. It can be a feature as well for the brass section of a concert band using the included set of alternate parts for standard wind band brass instruments (B-flat cornet for soprano cornet in E-flat, F horns for E-flat alto horns, and all low brass parts in bass clef) in substitution for British Brass Band instrumentation. The audio file is an actual brass ensemble performance and not a computer playback of the score.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$23.95
Carmilla
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Trevor P
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Carmilla
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Trevor P. Bourland
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1518199 Composed by Trevor P. Bourland. 21st Century,Broadway,Chamber,Musical/Show,Opera. Score. 1...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1518199 Composed by Trevor P. Bourland. 21st Century,Broadway,Chamber,Musical/Show,Opera. Score. 133 pages. Trevor P. Bourland #1092326. Published by Trevor P. Bourland (A0.1518199). Complete first edition score of the new musical Carmilla. Based on the 1872 novel by J. Sheridan Le Fanu, Carmilla follows Laura, a lonely young woman living in a remote castle in Austria with only her father and the help when one day, a mysterious stranger appears at their doorstep in need of help. As Laura grows closer to the stranger, strange things begin to occur around the castle.Vocal breakdown:Laura, sopranoCarmilla, alto/mezzoFather, contralto/tenorMadame & Others, mezzoScored for piano and violaPurchase of this score does not constitute performance rights. For performance rights/inquiries, contact trevorpbourland@gmail.com.
$50.00
Habanera (from Carmen) by Georges Bizet - Arranged for Brass Quintet or Ensemble
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Alexandre CARLIN
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Alexandre CARLIN
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Habanera
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Alexandre CARLIN
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1431162 By Alexandre CARLIN. By Georges Bizet. Arrang...
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Brass Quintet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1431162 By Alexandre CARLIN. By Georges Bizet. Arranged by Alexandre CARLIN. 19th Century,Chamber,Classical,Opera,Romantic Period. 23 pages. Alexandre CARLIN #1011627. Published by Alexandre CARLIN (A0.1431162). This arrangement of Bizet's Habanera from Carmen is written for brass quintet. All parts provided. 12 pages score, 11 pages parts. Bb Trumpets 1&2, Horn in F, Trombone, Tuba (Bb Euphonium part substitute for Trombone, Bb & Eb Bass parts substitute for Tuba). Suitable for students.Duration : 3:35Check out my other arrangements for brass ensemble :H0.725655-393120 - Imagine by John LennonH0.296431-782780 - Stayin' alive by the Bee GeesH0.300139-953350 - YMCA by Village PeopleH0.303987-85500 - Blowin' in the wind by Bob DylanH0.718773-558700 - Moon river by Henry ManciniH0.295365-494880 - Louie Louie by Richard BerryH0.187547-447228 - Knocking on heaven's door by Bob DylanS0.731065 - Nkosi Sikelel iAfrika (Trad. African)H0.732619-SC001236655 - Inspecteur Clouseau Theme by Henry ManciniS0.787513 - Marche religieuse (from Alceste) by GluckH0.797689-SC001283113 - I got you (I feel good) by James Brown387343 - Tango by Isaac Albenizand many others to come ...My publisher page https://www.sheetmusicplus.com/publishers/alexandre-carlin/3119My Youtube channel https://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQwww.alexandrecarlin.com.
$8.99
Tannhäuser und der Sängerkrieg auf Wartburg
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Classical
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Richard Wagner
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Tannhäuser und der Sängerkri
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Soloists, choir and orchestra - Digital Download SKU: S9.Q17851 Scenario in 3 acts. Composed by Richard Wagner. This edition: study score. Choral ...
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Soloists, choir and orchestra - Digital Download SKU: S9.Q17851 Scenario in 3 acts. Composed by Richard Wagner. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 185' 0. Ernst Eulenburg & Co. GmbH - Digital #Q17851. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17851). German.Numerous revisions and adaptations are entangled in the complex history of the work 'Tannhäuser'. After the world premiere in Dresden in 1845 had failed to be well received by the audience, Wagner revised large parts of the opera several times in the following decades. The most comprehensive changes were made for the Paris performance in March 1861, but even after that he made further revisions which superseded some of the previous changes and were performed in Vienna in 1875 among others. The study score is based on the version of 1875 which has misleadingly been published as the 'Paris version' until today and has actually to be referred to as 'Viennese version'. The musical text is identical to that of the critical edition within the Wagner Complete Edition, with the errata discovered since then having been corrected.3 (3. auch Picc.) · 2 · 2 · Bassklar. · 2 - 2 Ventilhr. · 2 Waldhr. · 3 · 3 · 1 - P. S. (Trgl. · Beck. · Schellentr. · gr. Tr. · Kast.) (2 Spieler) - Hfe. - Str. Auf der Bühne: Picc. · 2 · 2 · Engl. Hr. · 3 · 0 - 4 · 12 Waldhr. · 12 · 0 · 0 - S. (Trgl. · Beck. · Schellentr.) - Hfe.
$71.99
Creation
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J
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Creation
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.911574 By ... Arranged by J. Randolph Hall. This edition: Interactive ...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.911574 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Opera,Praise & Worship,Standards,World. Score and parts. 7 pages. Duration 116. J. Randolph Hall #67NlV8a9MzPEL0w8WX7B5c. Published by J. Randolph Hall (A0.911574). Key: Ab major.Austrian Classical composer Haydn composed an oratorio called The Creation from which this excerpt is derived. Others would later barrow the tune for other hymns. The second repeat has a deceptive cadence.
$4.00
Wolf-Gang
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adding cor anglais and soprano
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Steve Martland
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Wolf-Gang
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Schott Music - Digital
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SheetMusicPlus
2ob(ca).2cl(ssax, bcl).2bsn-2hn wind octet - Digital Download SKU: S9.Q47312 Six Mozart opera arias arranged by Steve Martland. Composed by Steve ...
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2ob(ca).2cl(ssax, bcl).2bsn-2hn wind octet - Digital Download SKU: S9.Q47312 Six Mozart opera arias arranged by Steve Martland. Composed by Steve Martland. This edition: score. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q47312. Published by Schott Music - Digital (S9.Q47312). With Wolf-Gang, the British composer Steve Martland, ironizingly, follows the 18-century tradition of wind music ensembles with which underpaid musicians made some money on the side. Martland arranged six arias from Don Giovanni, The Magic Flute and Le Nozze di Figaro for wind octet, adapting them to today‘s possible playing techniques. By adding cor anglais and soprano saxophone, it was possible to have each aria played by a different combination of instruments so that each aria stands out against the others with regard to the sound. While rearranging the instrumentation, Martland left the musical material of Mozart untouched.
$22.99
Wolf-Gang
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adding cor anglais and soprano
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Steve Martland
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Wolf-Gang
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Schott Music - Digital
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SheetMusicPlus
2ob(ca).2cl(ssax, bcl).2bsn-2hn wind octet - Digital Download SKU: S9.Q47317 Six Mozart opera arias arranged by Steve Martland. Composed by Steve ...
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2ob(ca).2cl(ssax, bcl).2bsn-2hn wind octet - Digital Download SKU: S9.Q47317 Six Mozart opera arias arranged by Steve Martland. Composed by Steve Martland. This edition: set of parts. Downloadable, Set of parts. Duration 15 minutes. Schott Music - Digital #Q47317. Published by Schott Music - Digital (S9.Q47317). With Wolf-Gang, the British composer Steve Martland, ironizingly, follows the 18-century tradition of wind music ensembles with which underpaid musicians made some money on the side. Martland arranged six arias from Don Giovanni, The Magic Flute and Le Nozze di Figaro for wind octet, adapting them to today‘s possible playing techniques. By adding cor anglais and soprano saxophone, it was possible to have each aria played by a different combination of instruments so that each aria stands out against the others with regard to the sound. While rearranging the instrumentation, Martland left the musical material of Mozart untouched.
$37.99
Bess, You Is My Woman
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Dorothy Heyward, Du Bose Heywa
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Uwe Roessler Rössler Rassle
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Bess, You Is My Woman
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1110273 Composed by Dorothy Heyward, Du Bose Heyward, Geor...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1110273 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Opera. Score and parts. 20 pages. Uwe Roessler #712609. Published by Uwe Roessler (A0.1110273). This is a romantic, very effective arrangement of one of Gershwin´s greatest songs: “Bess, You Is My Woman Now†from “Porgy And Bessâ€. Very well known as it is, it is rarely played. If that would be due to a lack of professional arrangements for piano trio/quartet/quintet – that need should now have been put right ;-) Inspired by the wonderful version with Anne-Sophie Mutter and the great André Previn (hence the video). Piano voice is written out. However, there are also chord symbols for your pianist´s own voicings. Duration: approx. 5.00 min. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass included! Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$20.00
Can Can - for adaptable wind trio (SAB)
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Jaques Offenbach
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John McAllister
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Can Can - for adaptable wind t
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John McAllister
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SheetMusicPlus
Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level ...
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Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1143719 Composed by Jaques Offenbach. Arranged by John McAllister. 19th Century,Classical,Historic,Instructional,Opera. 39 pages. John McAllister #744042. Published by John McAllister (A0.1143719). This is an arrangement of the famous Can Can by Offenbach. It is for adaptable trio and can be played with varying instrumentation that includes a soprano, alto, and bass voice. Some options might include: brass trio (trumpet, horn, trombone or tuba), saxophone trio (alto sax, tenor sax, Bari sax), clarinet trio (two Bb clarinets and a bass), mixed woodwind trio (flute, clarinet, bass clarinet or Bari sax). There are many possibilities allowing max-compatibility for performing musicians. This trio and others might be good in specific settings: solo & ensemble festivals, street musicians and buskers, gigs at events and dinners (as background OR foreground music), small groups on concerts, pre-concert chamber music. Music educators and band directors might find these particularly useful when developing a chamber ensembles program. Because of the adaptable nature, various combinations can be utilized. They can also be taught to the full ensemble, then individuals can perform in small groups.
$5.00
Dora PejaÄević: "Chanson sans parole (op. 5)" Arrangement for 3 flutes and alto flute by Yuki Hase
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: "Chanso
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Edition les bons concerts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 2 - Digital Download SKU: A0.1033843 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. ...
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 2 - Digital Download SKU: A0.1033843 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Concert,Romantic Period,Standards. 13 pages. Edition les bons concerts #6663691. Published by Edition les bons concerts (A0.1033843). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century (This early work is still quite simple).The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)
$8.75
Dora PejaÄević "Sieben Lieder (op. 23)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević "Sieben
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Edition les bons concerts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 4 - Digital Download SKU: A0.1033844 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. ...
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 4 - Digital Download SKU: A0.1033844 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Concert,Romantic Period,Standards. 64 pages. Edition les bons concerts #6664631. Published by Edition les bons concerts (A0.1033844). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century.The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.
$28.70
Molly-House
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Michael Finnissy
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Molly-House
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Oxford University Press Digital
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SheetMusicPlus
Digital Download SKU: OX.9780193202597 Composed by Michael Finnissy. Score. 76 pages. Oxford University Press Digital #9780193202597. Published by Oxford...
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Digital Download SKU: OX.9780193202597 Composed by Michael Finnissy. Score. 76 pages. Oxford University Press Digital #9780193202597. Published by Oxford University Press Digital (OX.9780193202597). ISBN 9780193202597.For unspecified instrumentation. Molly-House contains two parallel streams of music. One consists of pages, some in conventional notation, others intentionally lacking determinacy with respect to durations and pitch. The other consists of 17 conventionally notated arias: transcriptions, partial and with alterations and varying degrees of distortion, from four operas by Handel.
$61.50
Evening Prayer (Wind Sextet)
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Engelbert Humperdinck
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Paul Kajzar
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Evening Prayer
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Paul Kajzar, Gyllcott Music
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SheetMusicPlus
Woodwind Ensemble - Digital Download SKU: A0.1485816 Composed by Engelbert Humperdinck. Arranged by Paul Kajzar. Opera,Romantic Period. 9 pages. Paul Kaj...
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Woodwind Ensemble - Digital Download SKU: A0.1485816 Composed by Engelbert Humperdinck. Arranged by Paul Kajzar. Opera,Romantic Period. 9 pages. Paul Kajzar, Gyllcott Music #1062866. Published by Paul Kajzar, Gyllcott Music (A0.1485816). An arrangement for wind sextet (flute, oboe, clarinet, bassoon and 2 horns) of the Evening Prayer (translates as Abendsegen in German) music from Engelbert Humperdinck's opera Hansel and Gretel. The opera, based on the Brothers Grimm fairy tale of the same name, was composed in 1891 and 1892, and this is the most well known item from it. The Evening Prayer scene takes place in Act 2, but Humperdinck also used the same music at the start of the opera's overture from which this arrangement has been made. The set comprises full score and parts. Difficulty level : Intermediate/Advanced.
$5.99
Sullivan: Cox and Box Overture - symphonic wind
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Sir Arthur Seymour Sullivan
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Ray Thompson
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Sullivan: Cox and Box Overture
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553820 Composed by Sir Arthur Seymour Sullivan. Arranged...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553820 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Contemporary,Opera. Score and parts. 29 pages. RayThompsonMusic #4798865. Published by RayThompsonMusic (A0.553820). Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan,.
$14.95
S.o.s.
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Jonas Brothers
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Amphibia Cultural Legacy
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S.o.s.
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Strings Acoustic Guitar,Double Bass,Flute,Guitar Accompaniment,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Piano Accompaniment,Piano and...
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Large Ensemble,Strings Acoustic Guitar,Double Bass,Flute,Guitar Accompaniment,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Piano Accompaniment,Piano and Keyboard,Tuba - Digital Download SKU: A0.1202767 By Jonas Brothers. By Nicholas Jonas. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Film/TV,Musical/Show,Opera,Spiritual. Score and parts. 4 pages. Amphibia Cultural Legacy #801531. Published by Amphibia Cultural Legacy (A0.1202767). Amphibia Cultural Legacy has recently released a new version of S.O.S. (Cover Songlet), originally written by the Jonas Brothers. Cimorelli played this part in a blooper from the I Knew You Were Trouble YouTube video. This remixed version of the song features an impressive orchestral arrangement, taking the already catchy tune to a whole new level of musicality.The opening notes clearly show that this remix is something special. The lush strings create a dramatic atmosphere that perfectly complements Cimorelli's soaring vocals. As the song progresses, other instruments join in. It all adds to a rich soundscape showcasing Amphibia Cultural Legacy's skill at arranging music for larger ensembles.
$20.00
The Moon
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Carl Orff
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The Moon
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Schott Music - Digital
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SheetMusicPlus
Soli, Speakers, Mixed Choir, Children's Choir and Orchestra - Digital Download SKU: S9.Q2755 A little Theatre of the World. Composed by Carl Orff....
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Soli, Speakers, Mixed Choir, Children's Choir and Orchestra - Digital Download SKU: S9.Q2755 A little Theatre of the World. Composed by Carl Orff. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 90 minutes. Schott Music - Digital #Q2755. Published by Schott Music - Digital (S9.Q2755). German • English.Carl Orff's Der Mond (or The Moon) is an opera in one act, based on a fairy tale written by The Brothers Grimm. This Vocal score contains a Piano reduction of the original Orchestral accompaniment.3 (auch 3 Picc.) · 3 (3. auch Engl. Hr.) · 3 (3. auch Bassklar.) · 2 (2. auch Kfg.) – 4 · 3 · 3 · 1 – P. S. (gr. Tr. · kl. Tr. · Rührtr. · Tamb. · Trgl. · Xyl. · Cymb. · versch. Beck. · gr. Tamt. · Ratsche · Rute · Schlittenschellen · Kast. · Uhrgl. · Röhrengl. · Gläsersp. · Glsp. · Met.) (5 Spieler) – Hfe. · Cel. · Klav. · Harm. · Akk. · Zither – Str. Bühnenmusik: gem. Chor – Wächterhr. (Tuba) – Org. – S. (Glocke · 3 Rührtr. · gr. Tr. · Beck. · Tamt. · Donnermasch. · Windmasch. · Blitz, Einschlag).
$37.99
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