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A Bach Thought
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26
Heidenröslein: Variations on a Theme by Franz Schubert
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
18.44 €
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on a Theme by Franz Schubert
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Kayla Roth
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SheetMusicPlus
Partita No. 3 in A Minor, BWV 827
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1397731 …
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1397731 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 64 pages. Songburd Music #981022. Published by Songburd Music (A0.1397731). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 3 in A Minor (BWV 827) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 3 is comprised of movements based on Renaissance dance forms— allemande, corrente, sarabande, and gigue—each influenced by the step-pattern of that specific dance.  These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99
55.31 €
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Johann Sebastian Bach
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Partita No. 3 in A Minor, BWV 827
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Songburd Music
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SheetMusicPlus
Away in a Manger
Choral (Flute) - Digital Download SKU: H1.C5650DP Composed by Away In A Manger. Arr…
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Choral (Flute) - Digital Download SKU: H1.C5650DP Composed by Away In A Manger. Arranged by Away In A Manger. I play the notes as they are written, but it is God who makes the music. -J. S. Bach. Hymntune, Christmas, Devotion. Octavo. 12 pages. Hope Publishing - Digital #C5650DP. Published by Hope Publishing - Digital (H1.C5650DP). Away In A Manger.Christmas anthem With simple elegance and sincerity, this straightforward Christmas anthem pairs Away in a Manger with the hymn tune BEACH SPRING, providing a fresh approach to this familiar carol. Moving, yet easily-learned, the piece opens with an opportunity for a female soloist on the opening verse and builds through the second and third verses to a rich and thoughtful finale. The optional, reproducible flute part is included.
$2.95
2.72 €
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Away In A Manger
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Away in a Manger
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Hope Publishing - Digital
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SheetMusicPlus
Two Irish Songs
Bassoon, piano, voice - Digital Download SKU: IZ.PDP039 Composed by Novie Greene. S…
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Bassoon, piano, voice - Digital Download SKU: IZ.PDP039 Composed by Novie Greene. Score and Parts. 19 pages. Imagine Music - Digital #PDP039. Published by Imagine Music - Digital (IZ.PDP039). 9 x 12 in inches.The Two Irish Songs were arranged in 1983 at my suggestion. Mycousin, Ed Searl, was studying voice with Novie Greene at the time, and it was through him that I made her acquaintance. The three of us thought that it would be nice to have something which we could all perform together, and so Novie began working on these charming settings. We premiered these pieces at a Bach's Lunch Concert at the Cathedral Church of St. Luke in Orlando on 28 April 1983. I have performed them since then as a set and also done St. Patrick's Breastplate several times for church services. The hymn is frequently used during confirmation or baptis1n ceremonies. The text is a translation of a Gaelic prayer done in 1889 by Cecil Frances Alexander (1818-1895), the wife of the Anglican Bishop of Derry and Raphoe. She also wrote the text for the hymn All Things Bright and Beautiful. The tune chosen by Novie Greene, sometimes known as St. Patrick, is by the Irish composer Sir Charles Villiers Stanford (1852-1924), who wrote it in 1902. Stanford is best remembered today for his work as a professor of composition at the Royal College of Music. His students there included Frank Bridge, Samuel Coleridge-Taylor, Thomas Dunhill, Gustav Holst, Herbert Howells, Willian1 Yeates Hurlstone, and Ralph Vaughan Williams. ~Bruce Gbur.
$20.00
18.44 €
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Novie Greene
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Two Irish Songs
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Imagine Music - Digital
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SheetMusicPlus
Luther: Out of the Depths for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Martin Luther
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piano
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Luther: Out of the Depths for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Contrabassoon & Piano
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 C…
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Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Martin Luther
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Luther: Out of the Depths for Contrabassoon & Piano
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jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Martin Luther
#
piano
#
Luther: Out of the Depths for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Piano Trio
Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by …
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Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
39.6 €
#
Martin Luther
#
Luther: Out of the Depths for Piano Trio
#
jmsgu3
#
SheetMusicPlus
Luther: Out of the Depths for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23 €
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Martin Luther
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Luther: Out of the Depths for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Prelude BWV 1006 (for 2 guitars)
Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A…
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Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1126834 Composed by Johann Sebastian Bach. Arranged by Aleksander Wilgos. Baroque,Classical. Score and parts. 19 pages. Aleksander Wilgos #727476. Published by Aleksander Wilgos (A0.1126834). Prelude in E major BWV 1006 is a very popular piece. But not many people know, that Bach himself has made an orchestral arrangement of the piece, called Sinfonia BWV 29 (as a part of Cantata 'Wir danken dir, Gott, wir danken dir'). And I have made a transcription of it for a guitar duo. The tonality is different (as in Bach's orchestral version), but you can change it easily by applying a capo on 2nd fret. Also, it is possible to perform prelude in arrangement of your choice and add a second guitar with a capo. It will fit perfectly! If you thought Prelude BWV 1006 is fun, try this version out, cause this is really fun!
$9.99
9.21 €
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Johann Sebastian Bach
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Prelude BWV 1006
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Aleksander Wilgos
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SheetMusicPlus
Blithe Bells
2 pianos (4 hands) - Digital Download SKU: S9.Q6352 A free ramble on J. S. Bach'…
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2 pianos (4 hands) - Digital Download SKU: S9.Q6352 A free ramble on J. S. Bach's aria Sheep may Graze in Safety. Composed by George Percy Aldridge Grainger. This edition: Sheet music. Downloadable. Duration 3:30. Schott Music - Digital #Q6352. Published by Schott Music - Digital (S9.Q6352). A free ramble by Percy Grainger on Bach's aria Sheep may graze in safety when a goodly shepherd watches o'er them (from the Secular Cantata Was mir behagt, ist nur die muntre Jagd). The ramble is coloured by the thought that Bach, in writing the melody in thirds that opens and closes the number, may have aimed at giving a hint of the sound of sheep bells.
$6.99
6.44 €
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George Percy Aldridge Grainger
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Blithe Bells
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Schott Music - Digital
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SheetMusicPlus
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
10.09 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Bist du bei mir (Medium-High Voice and Keyboard with Optional Instruments)
Medium-High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1076365 By Jubal'…
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Medium-High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1076365 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680519. Published by Jubal's Lyre Music Publishers (A0.1076365). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Medium-High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
4.6 €
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Jubal's Lyre Music
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Bist du bei mir (Low Voice and Keyboard with Optional Instruments)
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1076240 By Jubal's Lyre M…
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1076240 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680391. Published by Jubal's Lyre Music Publishers (A0.1076240). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Low Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb Major), Medium-High Voice (D major), Medium Voice (C major), and Medium-Low Voice (Bb major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
4.6 €
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Jubal's Lyre Music
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Divertimento in G Major H 642
Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - Digital Dow…
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Small Ensemble Bassoon,Cello,Flute,Guitar,Harpsichord,Viola,Violin - Level 5 - Digital Download SKU: A0.851555 Composed by Bach, C P E. Arranged by Brett Thompson (Four and Twenty Music). Baroque. Score and parts. 32 pages. Brett Thompson #6794389. Published by Brett Thompson (A0.851555). Four and Twenty Music is very proud to present this new edition. The Divertimento in G H642 (a Flute Quartet with Basso Continuo) is hitherto unpublished. Its archive in Berlin was hidden during the Second World War to protect it from allied bombing, sequestered by USSR forces in 1945, and was long thought to have been lost or destroyed.The archive was discovered in Kyiv, Ukraine in 1999, returned to Berlin in 2001, and deposited in the Staatsbibliothek.This edition has remained faithful to Bach’s manuscript with a few minor alterations for inconsistencies with articulations and dynamics. A realisation for the Basso has been included for keyboard and also guitar.
$34.95
32.22 €
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Bach, C P E
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Divertimento in G Major H 642
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Brett Thompson
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SheetMusicPlus
Bist du bei mir (Instrumental Edition in Bb Major with Keyboard)
Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Vi…
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Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.1076137 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Instructional,Sacred,Standards. 17 pages. Jubal's Lyre Music Publishers #680307. Published by Jubal's Lyre Music Publishers (A0.1076137). Beginning, intermediate, and advanced players will enjoy playing the beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook. This aria is offered here in a special 300th Anniversary Instrumental Edition in Bb Major with parts for various solo instruments. Two keyboard parts are provided along with parts for Instruments in C, Instruments in Bb, Instruments in Eb, Instruments in F, Viola, Cello/Bassoon, and Bass Clarinet. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. There is another Instrumental Edition in C Major as well as five editions for voice including the Medium-Low Voice edition which is also in Bb major. For more music and information, visit www.jubalslyre.com/music.
$5.99
5.52 €
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Jubal's Lyre Music
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Bist du bei mir (Instrumental Edition in C Major with Keyboard)
Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Vi…
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Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - Digital Download SKU: A0.918934 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Instructional,Sacred,Standards. 17 pages. Jubal's Lyre Music Publishers #6655627. Published by Jubal's Lyre Music Publishers (A0.918934). Beginning, intermediate, and advanced players will enjoy playing the beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook. This aria is offered here in a special 300th Anniversary Instrumental Edition in C Major with parts for various solo instruments. Two keyboard parts are provided along with parts for Instruments in C, Instruments in Bb, Instruments in Eb, Instruments in F, Viola, Cello/Bassoon, and Bass Clarinet. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. There is another Instrumental Edition in Bb Major as well as five editions for voice including the Medium Voice edition which is also in C major. For more music and information, visit www.jubalslyre.com/music.
$5.99
5.52 €
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Jubal's Lyre Music
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Capriccio No. 2, Op. 76 (Clarinet Nonet + Contrabassoon)
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet - Digit…
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet - Digital Download SKU: A0.830859 Composed by Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. 63 pages. Richard Byrnes #6866967. Published by Richard Byrnes (A0.830859). Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works.  Capriccio’s in general are thought not to adhere specific compositional rules, yet here Brahms allows himself to find order within the form. It’s whimsical, quirky, and completely delightful. This is an arrangement by Richard Byrnes for E-flat Clarinet, 6 B-flat Clarinets, Bass Clarinet, Contralto Clarinet, & Contrabassoon.  In addition to many works by Brahms, we offer works by Bach, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$34.99
32.26 €
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Johannes Brahms
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Contrabassoon
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Capriccio No. 2, Op. 76
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Richard Byrnes
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SheetMusicPlus
Capriccio No. 2, Op. 76 (Double Reed Choir)
Woodwind Ensemble Bassoon,English Horn,Oboe - Digital Download SKU: A0.830861 Compo…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Digital Download SKU: A0.830861 Composed by Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. 63 pages. Richard Byrnes #6868767. Published by Richard Byrnes (A0.830861).  Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works. Capriccio’s in general are thought not to adhere specific compositional rules, yet here Brahms allows himself to find order within the form. It’s whimsical, quirky, and completely delightful. This is an arrangement by Richard Byrnes for 4 Oboes, 2 English Horns, 3 Bassoons, & Contrabassoon.  In addition to many works by Brahms, we offer works by Bach, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$35.99
33.18 €
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Johannes Brahms
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Contrabassoon
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Capriccio No. 2, Op. 76
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Richard Byrnes
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SheetMusicPlus
Capriccio No. 2, Op. 76 (Woodwind Choir)
Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe - Digital Download SKU: A0.830864
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Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe - Digital Download SKU: A0.830864 Composed by Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. 63 pages. Richard Byrnes #6872019. Published by Richard Byrnes (A0.830864). Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works.  Capriccio’s in general are thought not to adhere specific compositional rules, yet here Brahms allows himself to find order within the form. It’s whimsical, quirky, and completely delightful.  This is an arrangement by Richard Byrnes for 2 Flutes, 2 Oboes, 3 Clarinets, 2 Bassoons, & Contrabassoon.  In addition to many works by Brahms, we offer works by Bach, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.
$34.99
32.26 €
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Johannes Brahms
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Contrabassoon
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Capriccio No. 2, Op. 76
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Richard Byrnes
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SheetMusicPlus
Capriccio No. 2, Op. 76 (Saxophone Octet + Flute & Contrabassoon)
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Contrabassoon,Flute,Soprano Saxophone,…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Contrabassoon,Flute,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.830860 Composed by Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. 63 pages. Richard Byrnes #6870047. Published by Richard Byrnes (A0.830860).  Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works. This is an arrangement by Richard Byrnes for Flute, 3 Soprano Saxes, 3 Alto Saxes, Tenor Sax, Baritone Sax, & Contrabassoon. Capriccio’s in general are thought not to adhere specific compositional rules, yet here Brahms allows himself to find order within the form. It’s whimsical, quirky, and completely delightful.  This is an arrangement by Richard Byrnes for Flute, 3 Soprano Saxophones, 3 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, & Contrabassoon.  In addition to many works by Brahms, we offer works by Bach, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$34.99
32.26 €
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Johannes Brahms
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Contrabassoon
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Capriccio No. 2, Op. 76
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Richard Byrnes
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SheetMusicPlus
Pluto ... Lord of the Underworld (2005) for large orchestra
Small Ensemble - Level 4 - Digital Download SKU: A0.869210 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869210 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #2016283. Published by Thomas Oboe Lee (A0.869210). Instrumentation: 3333-4331-timp-2perc-cel-hp-strings Program Notes: When Charles Ansbacher, music director of the Boston Landmarks Orchestra, commissioned me to write Pluto as a grand finale for The Planets by Gustav Holst, I immediately thought of Pluto, the Disney character; but common sense took over when I sat down to work. So instead of Disney’s faithful dog, I gravitated to the Pluto of Roman mythology. After a long battle with the Titans, the three brothers, Zeus, Poseidon and Pluto, divided the world among themselves. Zeus had the sky; Poseidon, the sea; and Pluto, the Underworld. According to mythology, the spirits of the dead, whether good or bad, enter the Underworld. Cerberus, a vicious three-headed beast, stands guard at the entrance - preventing the living from entering the world of the dead. The movement begins with a fanfare: Cerberus at the gates of the Underworld. Then a grand waltz materializes in the bass: Pluto dances!! As the waltz fades away, a lyrical tune emerges: Persephone, the wife of Pluto, appears. The work ends with a reprise of the opening fanfare, slightly altered.
$9.99
9.21 €
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Thomas Oboe Lee
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Pluto ... Lord of the Underworld
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Thomas Oboe Lee
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SheetMusicPlus
This Guy's In Love With You
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1466013 By Herb Alpert. By Burt Bacharach and Hal David. Arranged by Clive Longhurst. 20th Century,Contemporary,Pop,Singer/Songwriter,Standards. Brass Band. 38 pages. Clive Longhurst #1044616. Published by Clive Longhurst (A0.1466013). This beautiful ballad, most notably performed by Herb Alpert, I thought would be well suited for a Flugel Horn lead. I hope I have done it justice as a brass band arrangement, and hope musicians all around the world enjoy performing it.If other instrumental parts are required, please do not hesitate to contact me at: clive.longhurst57@gmail.comAnd feedback is most certainly welcome on publishing sites.
$24.99
23.04 €
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Herb Alpert
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This Guy's In Love With You
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Clive Longhurst
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SheetMusicPlus
Partita No. 4 in D Major, BWV 828
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411059 …
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411059 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 89 pages. Songburd Music #993405. Published by Songburd Music (A0.1411059). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 4 in D Major (BWV 828) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue.Notably, Bach’s keyboard Partita No. 4 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$89.99
82.96 €
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Johann Sebastian Bach
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Partita No. 4 in D Major, BWV 828
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Songburd Music
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SheetMusicPlus
Partita No. 1 in B-Flat Major, BWV 825
Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411052 …
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Woodwind Ensemble Double Reed Quartet - Level 5 - Digital Download SKU: A0.1411052 Composed by Johann Sebastian Bach. Arranged by Lydia Consilvio. Baroque,Classical,Contemporary. 53 pages. Songburd Music #993398. Published by Songburd Music (A0.1411052). Dr. Lydia Consilvio’s arrangement of Johann Sebastian Bach’s keyboard Partita No. 1 in B-Flat Major (BWV 825) presents a fresh expression of Bach’s keyboard suite, giving listeners a new way to hear and appreciate this delightful work. Drawing upon the Bach-Gesellschaft edition, Consilvio’s reimagination for two oboes, English horn, and bassoon stays true to the original keyboard score and thoughtfully contributes to the double reed repertoire.  This adaptation for small wind ensemble naturally creates complementary and flexible dynamics that allow sonorities to emerge in a manner not possible on the harpsichord or piano—enhancing the phrasing and coloristic possibilities inherent in the music. Consilvio’s distribution of melodic material clearly highlights Bach’s use of voices (usually two or three within a single line) through a conversational woodwind dialogue. Notably, Bach’s keyboard Partita No. 1 is comprised of movements based on Renaissance dance forms—allemande, courante, sarabande, menuet and gigue—each influenced by the step-pattern of that specific dance. These Renaissance dances were typically accompanied by families of like instruments in small ensembles called “consorts;†fittingly, the instrumentation of this arrangement captures both the original medium for the dance sets, and the Baroque taste and style of Johann Sebastian Bach.
$59.99
55.31 €
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Johann Sebastian Bach
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Partita No. 1 in B-Flat Major, BWV 825
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Songburd Music
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SheetMusicPlus
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