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You've selected:
A Celebration Miniature!
Sheetmusic to print
6 sheet music found
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1
Concert and Contest Collection for Trombone
Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. …
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Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002521). UPC: 884088111168. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471790)• Piano Accompaniment Book (HL04471800)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002522)Contents: Allegro Vivace from Concerto for Trombone (Rimsky-Korsakov) • Après un Rêve (After a Dream) (Faure) • Canzonetta (Mozart) • Concerto in F Minor (Lauga) • Concerto Miniature (Ostransky) • Crépuscule (Twilight) (Faure) • Love Thoughts (Pryor) • Morceau de Concours (Missa) • Prelude and Fanfaronade (Koepke) • Sarabande and Vivace (Handel) • Solo de Concert (Dubois) • Thème de Concours (Clérisse) • Two Spanish Dances (Ostransky) • Valse Sentimentale (Tchaikovsky).
Song List: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$9.95
9.16 €
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Concert and Contest Collection for Trombone
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Rubank Publications
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 33. Tirsi e Clori
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download…
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.767368 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 77 pages. Lyons Music Services #3557567. Published by Lyons Music Services (A0.767368). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.This section of the 7th book is really a miniature scena (although Monteverdi describes it as a ballet), telling the story of Tirsi and Clori (Thyrsis and Chloris) two lovers from ancient greek myths. This piece is the final section of Tirsi e Clori, which Monteverdi describes as the Ballo (Dance) where all the characters in the story provide a spectacle of celebration at the end of the performance. There is a short (12 measure) section forming an introduction at a slow tempo, followed by a 1-in-a-bar dance, a change occurs at measure 113 to simple duple time before returning to a rousing reprise of the lively 3/2 music. The whole is brought to a rousing conclusion with a long cadence in what is rapidly approaching the Baroque style.The instruments are divided between two 'choirs' a 5-part one, representing the singers (Cantus,Quintus, Alto, Tenor and Bass) and a four part accompanying group representing the continuo. There is also an optional percussion part, as the original would have been so accompanied, even though it was not notated in the score.At just over 8 minutes in length, this is a great finisher for a concert - or, in the right circumstances, a starter - especially as Monteverdi has made the ending very loud and full.The seventh book has been a challenge. The much more intricate music, showing Monteverdi's development towards a true operatic technique requires a really careful study of his orchestrations. It has been a great pleasure to set this music and I hope lots of ensembles will 'give it a go'!
$12.99
11.96 €
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Claudio Monteverdi
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Westerly for flute, violin and string orchestra (mp3)
Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Ma…
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Strings Flute,Violin - Level 4 - Digital Download SKU: A0.1256762 By Alec Keith, Matt Weiss, Octava Chamber Orchestra. By David Warin Solomons. 20th Century,21st Century. Full Performance. Duration 628. David Warin Solomons #850134. Published by David Warin Solomons (A0.1256762). Performed here by Alec Keith (flute), Matt Weiss (violin) and the Octava Chamber Orchestra under guest conductor Ian AlvarezWesterly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk songIt is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF]In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme).The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$6.50
5.99 €
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Alec Keith, Matt Weiss, Octava Chamber Orchestra
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Westerly for flute, violin and string orchestra
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David Warin Solomons
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SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE and PARTS)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Co…
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576980 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 64 pages. David Warin Solomons #566725. Published by David Warin Solomons (A0.576980). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. Â The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music. The pdf file contains score and parts.
$17.00
15.65 €
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David Warin Solomons
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Westerly for flute, violin and string orchestra
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David Warin Solomons
#
SheetMusicPlus
Westerly for flute, violin and string orchestra (SCORE only)
Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Co…
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00
9.21 €
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David Warin Solomons
#
Westerly for flute, violin and string orchestra
#
David Warin Solomons
#
SheetMusicPlus
Ode on St. Cecilia's Day 1692 Z 328
Soli: SAATBB – Chor: SSAATB – 2Blfl.B-Fl.2.0.0. – 0.2.0.0. – P…
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Soli: SAATBB – Chor: SSAATB – 2Blfl.B-Fl.2.0.0. – 0.2.0.0. – Pk – Str – Bc mixed choir (SATB/SATB), soloists (SATB) and orchestra - Digital Download SKU: S9.Q7080 Hail! Bright Cecilia. Composed by Henry Purcell. This edition: study score. Choral music - ernst eulenburg - score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 60 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q7080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q7080). German • English • French.An annual London celebration of the patron saint of music, in the form of a banquet plus the performance of an ode, was instituted on St. Cecilia’s Day, 22 November 1683. The occasion proved so popular that it continued for some 30 years after. A newspaper account of the first performance of the 1692 Ode informs us that 'the Ode was admirably set to music by Mr. Henry Purcell, and perform’d twice with universal applause'. The popularity of Purcell’s setting is apparent from the many sources that survived from the period and from printed extracts which appeared almost immediately after its first performance. The editor, Christopher Hogwood, is the founder-director of the Academy of Ancient Music with whom he has made over 200 recordings. He is Honorary Professor of Music at the University of Cambridge and Visiting Professor at the Royal Academy of Music, London.Un compte rendu de la première représentation nous informe que l'ode était admirablement mise en musique par Mr Henry Purcell (...) et qu'elle fut exécutée deux fois sous les plus grands applaudissements. La popularité de la composition de Purcell ressort des nombreuses sources qui nous sont parvenues et des critiques parues après la première.
$47.99
44.19 €
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Henry Purcell
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Ode on St. Cecilia's Day 1692 Z 328
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
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