Download Digital Sheet Music of Adjustment

Adjustment

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 43. George Kaplan #2BWqBfGRvuUa7JVZpWXsgL. Published by George Kaplan (A0.1081131). Key: C major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.

#Adjustment

Theme & Variations for Bass Clarinet

Bass Clarinet Solo - Level 4 - Digital Download SKU: A0.1294033 Composed by Janna W…(+)

Bass Clarinet Solo - Level 4 - Digital Download SKU: A0.1294033 Composed by Janna Willard. 20th Century. Individual part. 8 pages. Janna Hoskin #884515. Published by Janna Hoskin (A0.1294033). â€œTheme & Variations for Bass Clarinetâ€ is an experiment in using a matrix to create the inversions, retrogrades, and retrograde inversions used for each statement within the theme. I also used a separate matrix for note values and yet another for dynamics.Your mission, should you choose to accept it, is to find the musical (and perhaps the emotional) centre of the piece, and then convey it to your audience. To this end, please consider the stated tempo as a suggestion and not a hard and fast rule to follow. If a particular section feels like it should be slower, make that adjustment; if another feels like it should be faster, make that adjustment also.Please let me know if you perform this piece. I am interested in learning how different performers interpret the music on the page!
$2.99 2.74 € #Janna Willard #Theme & Variations for Bass Clarinet #Janna Hoskin #SheetMusicPlus

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 63. George Kaplan #7Iri8FTj5liweYDJZtdWVT. Published by George Kaplan (A0.1081005). Key: B major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.

HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute & strings

Small Ensemble Cello,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811685…(+)

Small Ensemble Cello,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.811685 Composed by Franz Joseph Haydn. Arranged by Edited by Pat Spence. Classical,Concert. Score and parts. 32 pages. Piper Publications #3662763. Published by Piper Publications (A0.811685). The second of Haydn's opus 5 quartets for flute, violin, viola and cello published by Hummel in 1767. Unlike the first quartet, the cello part is figured though this piece, like the first, does not need a keyboard. The figuring may have been an after thought and would have enabled the amateur players for whom the published edition was intended to play it with the resources available.There are 4 movements, Presto assai, Minuet & Trio, Adagio & Presto assai. The quartet will be enjoyed by good amateur and professional players and makes a good companion piece in a concert with any of the Mozart flute quartets written 20 years later. The quartet has been lightly edited: obvious mistakes have been corrected without comment. Dynamics added in parenthesis ( ), slurs in dashed lines, staccato dots have been continued throughout passages where only the first part of a section or the first player has the phrasing indicated. The final chords of both sections of the final movement in the original Hummel edition were given different note lengths: the cello a quaver/8th note, viola and violin crotchet/quarter note and the flute a dotted crotchet/quarter note. In both instances all parts play a crotchet/quarter note. The reason for this is unclear; it may have been a Haydn joke comment on the idiosyncrasies of the players or possibly an adjustment for the acoustics of the room in which the piece was played. It seems to have been deliberate because it appears only at the final cadence of both sections.
$25.00 22.93 € #Franz Joseph Haydn #Trio, Adagio & #HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute & strings #Piper Publications #SheetMusicPlus

Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1â€“3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartetsâ€™ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4â€“7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1â€“3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4â€“7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the workâ€™s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10â€“13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second sectionâ€™s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33â€“84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40â€“41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85â€“113 and is followed by a coda at mm.114â€“131.

Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 134. George Kaplan #3twZIB0zYvsynuaepMfK1d. Published by George Kaplan (A0.1081182). Key: F# major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.

Tenor Saxophone - Grade 3-4 SKU: HL.4002515 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002515). UPC: 884088111106. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (performance/accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471710)• Piano Accompaniment Book (HL04471720)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002516)Contents: Adagio and Allegro (from Sonata No. 6 – Handel) • Allegretto (Arensky) • Contradance (Mozart) • First Concertino (Guilhaud) • Gigue (from Partita III – Bach) • Menuetto and Presto (from Trio V – Haydn) • Novelette (Sporck) • The Old Castle (from Pictures at an Exhibition – Mussorgsky) • Pièce in G Minor (Pierné) • Prelude and Allegro (Ostransky) • Première Étude de Concours (Petit) • Sinfonia (Arioso) (from Cantata No. 156 – Bach) • Two Little Tales (Desportes) • Valse Nouvelle (from Album for the Young – Tchaikovsky).
Song List: Old Castle, The (Mussorgsky) Sinfonia (Arioso-Cantata 156) Bach First Concertino (Guilhaud) Allegretto (Arensky) Contradance (Mozart) Gigue (Partita Iii) Bach Menuetto & Presto (Trio V) (Haydn) Novelette (Sporck) Piece In G Min. (Pierne) Prem. Etude De Concours(Petit) Two Little Tales (Desportes) Valse Nouvelle (Tchaikovsky) Prelude And Allegro

Concert and Contest Collection for French Horn

French Horn - Grade 3-4 SKU: HL.4002519 Accompaniment CD. Edited by H. Voxma…(+)

French Horn - Grade 3-4 SKU: HL.4002519 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002519). UPC: 884088111144. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471770)• Piano Accompaniment Book (HL04471780)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002520)Contents: Allerseelen (R. Strauss) • Ballade (Ostransky) • Farewell Serenade (Herfurth) • La Chasse (Koepke) • Le Cor (The Horn) (Flégier) • Mélodie (Lenom) • Nocturne from A Midsummer Night's Dream (Mendelssohn) • Prelude from Act III of Hérodiade (Massenet) • Rêverie, Op. 24 (Glazunov) • Romance, Op. 36 (Saint-Saëns) • Romanza and Rondo from Concerto No. 4, K. 495 (Mozart) • Scherzo (Shelukov) • Two Outdoor Scenes (Ostransky) • Vocalise (Rachmaninoff).
Song List: Romance, Op. 36
$9.95 9.13 € #Concert and Contest Collection for French Horn #Rubank Publications #SheetMusicPlus

Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002521). UPC: 884088111168. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471790)• Piano Accompaniment Book (HL04471800)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002522)Contents: Allegro Vivace from Concerto for Trombone (Rimsky-Korsakov) • Après un Rêve (After a Dream) (Faure) • Canzonetta (Mozart) • Concerto in F Minor (Lauga) • Concerto Miniature (Ostransky) • Crépuscule (Twilight) (Faure) • Love Thoughts (Pryor) • Morceau de Concours (Missa) • Prelude and Fanfaronade (Koepke) • Sarabande and Vivace (Handel) • Solo de Concert (Dubois) • Thème de Concours (Clérisse) • Two Spanish Dances (Ostransky) • Valse Sentimentale (Tchaikovsky).
Song List: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) AprÃ¨s un rÃªve Apres Un Reve

A Clarinet,Accordion,Acoustic Guitar,B-Flat Clarinet,Bass Guitar,Voice - Level 2 - Digital Download SKU: A0.1101492 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Chamber,Film/TV,Instructional,Jazz,Musical/Show. 10 pages. Davi Rocha Campos #704858. Published by Davi Rocha Campos (A0.1101492). All the Things You Are for voice, Bb clarinet, A clarinet, guitar, accordion. Words & music by Oscar Hammerstein li and Jerome Kern. Como ler os acidentes na Partitura How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect.

Woodwind Ensemble,Woodwind Quartet Bassoon - Level 4 - Digital Download SKU: A0.1469326 Composed by Zachary C. Daniels. 21st Century,Chamber. 28 pages. NoteForge #1047347. Published by NoteForge (A0.1469326). Taking Flight by Zachary Daniels draws its inspiration from the daring and pioneering spirit of the Wright Brothers, whose historic achievements in aviation marked the beginning of human flight. This composition for bassoon quartet mirrors the blend of innovation and determination that powered their journey into the skies.Throughout the piece, listeners will experience the thrill of ascension, the steadiness of flight, and the inevitable descent, paralleling the stages of an early flight. The work opens with a sense of anticipation and buildup, reminiscent of the preparations and tension before takeoff. As the music takes flight, the themes become airy and expansive, capturing the awe and freedom of soaring above the earth.The interplay between the bassoons reflects the collaborative effort of the Wright Brothers, with each instrument playing a crucial role in the musical narrative, much like the components of the early flying machines. The harmonies are intricate and evolving, suggesting the constant adjustments and innovations that were essential to early aviation successes.

Prepare the Royal Highway

Instrumental Duet,Organ,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1409420(+)

Instrumental Duet,Organ,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1409420 Composed by Lynn L. Petersen and Swedish 17th century. Arranged by Lynn L. Petersen. Advent,Christian,Christmas,Praise & Worship,Sacred. 16 pages. Lynn L. Petersen #992048. Published by Lynn L. Petersen (A0.1409420). An arrangement of the Advent hymn â€œPrepare the Royal Highwayâ€ (BEREDEN VÃ„G FÃ–R HERRAN), for B-flat Tenor Saxophone and Organ. Â The solo instrument part includes an optional written cadenza, which may be played ad lib or omitted. Â Alternate instrumental parts are provided for E-flat Alto Saxophone and Flute, with adjustments for range. Â Soprano Sax may also be substituted for Tenor Sax, sounding an octave higher. Â Suitable for the Advent season as a prelude, voluntary, or postlude.
$7.99 7.33 € #Lynn L #Prepare the Royal Highway #Lynn L. Petersen #SheetMusicPlus

Parade of the Wooden Soldiers

Cello,Marimba - Level 3 - Digital Download SKU: A0.1408865 Composed by Leon Jessel.…(+)

Cello,Marimba - Level 3 - Digital Download SKU: A0.1408865 Composed by Leon Jessel. Arranged by Larry Stepler. Chamber. 13 pages. Larry Stepler #991464. Published by Larry Stepler (A0.1408865). This selection is arranged for two marimbas and cello. The marimba two part could be divided between two players to divide the 4-mallet part, making three marimba parts and resulting in an easy/intermediate difficulty level.Â A countermelody has been added in the cello part. The melody is passed around players. It is a very effective novelty piece. The cello part could also be played on marimba with octave adjustments likely needed near the end.
$9.99 9.16 € #Leon Jessel #Parade of the Wooden Soldiers #Larry Stepler #SheetMusicPlus