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African Traditional
Sheetmusic to print
300 sheet music found
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African Songs and Rhythms for Children
Voice and Orff-instruments - Digital Download SKU: S9.Q25930 A Selection from Gh…
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Voice and Orff-instruments - Digital Download SKU: S9.Q25930 A Selection from Ghana. This edition: score for voice and/or instruments. Carl Orff - cultures - Countries - Songs - repertoire pieces - lyrics. Orff-Schulwerk. Downloadable, Vocal and performing score. Schott Music - Digital #Q25930. Published by Schott Music - Digital (S9.Q25930). English.Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils. Discover the Orff-Schulwerk in the African tradition, a selection from Ghana by W. K. Amoaku. Based entirely on African material.
$9.99
9.19 €
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African Songs and Rhythms for Children
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Schott Music - Digital
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SheetMusicPlus
Danse Nègre from African Suite. Op. 35 for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.1157493 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,World. Brass Band. 124 pages. Charles Decker Music Press #757828. Published by Charles Decker Music Press (A0.1157493). This brilliant brass band arrangement captures the brilliance and excitement of the Coleridge-Taylor's orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for a traditional British Brass Band of soprano E-flat cornet, B-flat cornets, flugelhorn, 3 E-flat alto horns, 2 baritone horns, euphonium, and E-flat and B-flat bass. A complete set of substitute parts are include for common band brass instruments being F horn substitutes for E-flat alto horns and all low brass instruments set in the bass clef. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$34.95
32.16 €
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Samuel Coleridge-Taylor
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Danse Nègre from African Suite. Op. 35 for Brass Band
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Charles Decker Music Press
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SheetMusicPlus
African Psalm
Choir Sacred Opt. Flute (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU…
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Choir Sacred Opt. Flute (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-16025 Incorporating a Traditional Kenyan Folk Song. Composed by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Ascension; Christ the King; Easter; Folk; Multicultural; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-16025. Published by Jubilate Music Group - Digital (JX.00-16025). English. Exodus 15:1-2, Psalm 96, Psalm 98, Psalm 100, Isaiah 12, John 1:1-14.Freely adapted Kenyan folk song with a joyous new text by the composer taken from the Psalms. Independent voice writing alternates with layered voices in the tradition of African music making. Vivid dynamic contrasts and lively yet regular syncopation. Flute part and suggestions for improvised percussion included in the publication.
$2.25
2.07 €
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Patrick M
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Choral Octavo
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African Psalm
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Jubilate Music Group - Digital
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SheetMusicPlus
African Psalm
Choir Sacred Opt. Flute (2-Part choir) - Grade 2 - Digital Download SKU: JX.00-16026
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Choir Sacred Opt. Flute (2-Part choir) - Grade 2 - Digital Download SKU: JX.00-16026 Incorporating a Traditional Kenyan Folk Song. Composed by Patrick M. Liebergen. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Ascension; Christ the King; Easter; Folk; Multicultural; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-16026. Published by Jubilate Music Group - Digital (JX.00-16026). English. Exodus 15:1-2, Psalm 96, Psalm 98, Psalm 100, Isaiah 12, John 1:1-14.Freely adapted Kenyan folk song with a joyous new text by the composer taken from the Psalms. Independent voice writing alternates with layered voices in the tradition of African music making. Vivid dynamic contrasts and lively yet regular syncopation. Flute part and suggestions for improvised percussion included in the publication.
$2.25
2.07 €
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Patrick M
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Choral Octavo
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African Psalm
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Jubilate Music Group - Digital
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SheetMusicPlus
African Noel
Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.759151 Composed …
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Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.759151 Composed by Traditional. Arranged by Tim Olt. Christmas,Folk,Multicultural,World. Score and parts. 7 pages. Olt Music #5031233. Published by Olt Music (A0.759151). This work is a setting of an African holiday folk song for tuba quartet. Repeats may be added if desired.
$10.00
9.2 €
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Traditional
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African Noel
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Olt Music
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SheetMusicPlus
Oh Glory! Five Traditional Spirituals For Piano Trio
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.749891 Composed by …
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.749891 Composed by Traditional. Arranged by Evelyn R. Larter, ASCAP. Sacred,Spiritual. Score and parts. 59 pages. Evelyn R Larter #6619171. Published by Evelyn R Larter (A0.749891). A collection of five of my settings of African American Spirituals, rearranged for piano trio. There are titles appropriate for different seasons in the church year, including Christmas, as well as for general concert use. The titles are  Go Down, Moses, Rise Up, Shepherd, Tell It On The Mountain, Calvary, Sinner, Please Don't Let This Harvest Pass and Oh Glory! For advanced intermediate to more advanced performers, the styles are influenced by Traditional, Jazz and Gospel interpretations. The violin and cello parts are appended to the full score; the audio sample is of Go Down, Moses.This is my second collection of sacred arrangements for piano trio - see also How Sweet The Sound! Hymn Arrangements For Piano Trio. For more information about my music please visit my website, www.evelynlartermusic.com, or my Facebook page for Evelyn Larter Music. Feedback always welcome!
$19.99
18.4 €
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Traditional
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Oh Glory! Five Traditional Spirituals For Piano Trio
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Evelyn R Larter
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SheetMusicPlus
Couldn't Hear Nobody Pray (African American Spiritual)
Small Ensemble - Digital Download SKU: A0.982641 Arranged by Michael Dryver, Arrang…
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Small Ensemble - Digital Download SKU: A0.982641 Arranged by Michael Dryver, Arranger. Contemporary. Score and parts. 9 pages. Contemporary Choral Series #4805175. Published by Contemporary Choral Series (A0.982641). Unaccompanied SSATB Traditional Concert Spiritual that has great appeal to audience and singers. Moderate difficulty.
$2.50
2.3 €
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Couldn't Hear Nobody Pray
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Contemporary Choral Series
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SheetMusicPlus
Siyahamba - for Flexible Duo (C, Eb, Bb & Bass Clef Instruments)
Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Vibraphone,Violin - Level 3 - Digital Download SKU: A0.875513 Composed by Traditional. Arranged by Scott Grimaldi. African,Sacred,Spiritual. Score and parts. 15 pages. Scott Grimaldi #3883017. Published by Scott Grimaldi (A0.875513). Siyahamba - for Flexible Duo (C, Eb, Bb & Bass Clef Instruments). Music by Traditional. Arranged by Scott Grimaldi. A South African Traditional Folk Song (a.k.a. We Are Marching In The Light Of God) performed during the Kwanzaa holiday, sacred and secular settings. Includes a title page, instrumentation page, score & set of parts. 15 pages. Duration: 2:12 min. This arrangement allows for various instrumental duo combinations. Create a musical duo by combining any instrument from Part 1 & any instrument from Part 2.
$7.00
6.44 €
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Traditional
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Bass Clef Instruments)
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Siyahamba - for Flexible Duo
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Scott Grimaldi
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SheetMusicPlus
Ten Traditional Spirituals for 8-note Bells and Boomwhackers® (with Black and White Notes)
Composed by Traditional Spiritual. Arranged by Sharon Wilson. Spiritual, Classroom, Folk, …
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Composed by Traditional Spiritual. Arranged by Sharon Wilson. Spiritual, Classroom, Folk, African, Children's Music. Score, Set of Parts. 80 pages. Published by Sharon Wilson (S0.345991). - Score,Set of Parts - Spiritual,Classroom,Folk,African,Children's Music - Sharon Wilson
$19.99
18.4 €
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Traditional Spiritual
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Ten Traditional Spirituals for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
LES ON DIT
Brass Quartet,Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1072643
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Brass Quartet,Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1072643 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERRE MESSELA. African,Folk,Musical/Show,World. Accompaniment. Duration 355. Simon Pierre Messela ( FIFI RIBANA) #4274815. Published by Simon Pierre Messela ( FIFI RIBANA) (A0.1072643). CAMEROONIAN RHYTHM TO DISCOVER FULL OF ENERGY AND AFRICAN TRADITIONAL SPIRITUALITY
$1.99
1.83 €
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SIMON PIERRE MESSELA
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LES ON DIT
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Simon Pierre Messela
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SheetMusicPlus
NON JE DIS NON
Brass Quartet,Percussion Ensemble,Woodwind Quartet Guitar,Voice - Digital Download SKU:…
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Brass Quartet,Percussion Ensemble,Woodwind Quartet Guitar,Voice - Digital Download SKU: A0.1072640 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERRE MESSELA. African,Folk,Musical/Show,World. Accompaniment. Duration 427. Simon Pierre Messela ( FIFI RIBANA) #4274807. Published by Simon Pierre Messela ( FIFI RIBANA) (A0.1072640). CAMEROONIAN RHYTHM TO DISCOVER FULL OF ENERGY AND AFRICAN TRADITIONAL SPIRITUALITY.
$1.99
1.83 €
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SIMON PIERRE MESSELA
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NON JE DIS NON
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Simon Pierre Messela
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SheetMusicPlus
AN NTY
Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1072642 Composed b…
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Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1072642 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERRE MESSELA. African,Folk,Musical/Show,World. Accompaniment. Duration 461. Simon Pierre Messela ( FIFI RIBANA) #4274813. Published by Simon Pierre Messela ( FIFI RIBANA) (A0.1072642). CAMEROONIAN RHYTHM TO DISCOVER FULL OF ENERGY AND AFRICAN TRADITIONAL SPIRITUALITY
$1.99
1.83 €
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SIMON PIERRE MESSELA
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AN NTY
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Simon Pierre Messela
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SheetMusicPlus
FRANCOISE
Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1072644 Composed b…
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Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1072644 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERRE MESSELA. African,Folk,Musical/Show,World. Accompaniment. Duration 352. Simon Pierre Messela ( FIFI RIBANA) #4274817. Published by Simon Pierre Messela ( FIFI RIBANA) (A0.1072644). CAMEROONIAN RHYTHM TO DISCOVER FULL OF ENERGY AND AFRICAN TRADITIONAL SPIRITUALITY
$1.99
1.83 €
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SIMON PIERRE MESSELA
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FRANCOISE
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Simon Pierre Messela
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SheetMusicPlus
MERE DE LA JAOUSIE
Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1090334 Composed b…
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Percussion Ensemble Bass Guitar,Voice - Digital Download SKU: A0.1090334 Composed by SIMON PIERRE MESSELA. Arranged by SIMON PIERRE MESSELA. African,Folk,World. Accompaniment. Duration 374. Simon Pierre Messela ( FIFI RIBANA) #4274819. Published by Simon Pierre Messela ( FIFI RIBANA) (A0.1090334). CAMEROONIAN RHYTHM TO DISCOVER FULL OF ENERGY AND AFRICAN TRADITIONAL SPIRITUALITY
$1.99
1.83 €
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SIMON PIERRE MESSELA
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MERE DE LA JAOUSIE
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Simon Pierre Messela
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SheetMusicPlus
Mwiche Khumufumie
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson…
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
11.03 €
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Just a Closer Walk with Thee
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1156334 Composed by Unknown. Arranged by Chris Gorman. 19th Century,Jazz,Praise & Worship,Traditional. Brass Band. 54 pages. Chris Gorman #756650. Published by Chris Gorman (A0.1156334). Just a Closer Walk with Thee is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, A Closer Walk is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, We walk by faith, not by sight and James 4:8, Come near to God and He will come near to you. The precise author of A Closer Walk is unknown. Circumstantial evidence strongly suggested it dated back to southern African-American churches of the nineteenth century, possibly even prior to the Civil War, as some personal African American histories recall slaves singing as they worked in the fields a song about walking by the Lord's side..
$30.00
27.61 €
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Unknown
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Just a Closer Walk with Thee
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Chris Gorman
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.8 €
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Antonin Dvorak
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.8 €
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Antonin Dvorak
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin D…
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
16.57 €
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Antonin Dvorak
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Largo
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Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by An…
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
13.8 €
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Antonin Dvorak
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
13.8 €
#
Antonin Dvorak
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Largo
#
Regis Bookshar
#
SheetMusicPlus
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