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Air in D Minor - Oboe and Piano
Sheetmusic to print
14 sheet music found
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1
Concert and Contest Collection for Bb Clarinet
Book with Online Media Bb Clarinet; Clarinet - Grade 3-4 SKU: HL.4002511 Solo Bo…
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Book with Online Media Bb Clarinet; Clarinet - Grade 3-4 SKU: HL.4002511 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 32 pages. Published by Rubank Publications (HL.4002511). ISBN 9781423477181. UPC: 884088111069. 9.0x12.0x0.114 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment - download and print only what you need • PLAYBACK+ A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Adagio from Clarinet Concerto, K. 622 (Mozart) • Allegretto Fantasia (Miskow) • Allegretto Grazioso (from Sonata in F Minor - Brahms) • Aria and Scherzo (Gabucci) • Ballade (Gade) • Canzonetta, Op. 19 (Pierné) • Chanson, Op. 35 No. 3 (Gliere) • Fantasy-Piece, Op. 73 No. 1 (Schumann) • Menuet from Divertimento in D, K. 334 (Mozart) • Nocturne (Bassi) • Nocturne (Verhey) • Promenade (Delmos) • Romance (Becker) • Scene and Air (Bergson) • Scherzo in C Minor (Koepke) Also available: • Solo Book only (HL04471630) • Piano Accompaniment Book (HL04471640).
Song List: Allegretto Fantasia (Miskow) Allegretto Grazioso (Brahms) Ballade,Op.43,No.3 (Gade) Canzonetta,Op.19 (Pierne) Chanson,Op.35,No.3 (Gliere) Menuet(Div.In D K334) Mozart Nocturne (Bassi) Nocturne(Con. In G Min)-Verhey Promenade (Delmas) Romance, Op.3 (Becker) Scene & Air(Luisa Di M.)bergson Aria & Scherzo Fantasy-Piece, Op. 73, No. 1
$17.99
16.57 €
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Concert and Contest Collection for Bb Clarinet
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Rubank Publications
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SheetMusicPlus
Prelude In E Minor, Op. 28, No. 4
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - Digital Download SKU: A0.1436125 Composed by Frederic Chopin. Arranged by Jhavilah. 19th Century,Classical,Lent,Romantic Period,Soul. 4 pages. Jhavilah #1016277. Published by Jhavilah (A0.1436125). Frédéric Chopin's Prelude Op. 28, No. 4, is a masterpiece of brevity and emotional depth. Often referred to as the Suffocation Prelude, it is a short yet intensely expressive piece, reflecting Chopin's unparalleled ability to convey profound emotions in a compact form.Composed in 1839, this prelude is written in E minor and features a slow, mournful melody over a repetitive left-hand accompaniment. The piece begins with a simple, descending chromatic pattern in the right hand, which is then echoed by the left hand. This pattern repeats throughout the piece, creating a sense of relentless, suffocating despair.Despite its brevity, Chopin's Prelude Op. 28, No. 4, is rich in emotion and musical depth. The melancholic melody, combined with the hypnotic accompaniment, creates a hauntingly beautiful piece that leaves a lasting impression on the listener. It is a testament to Chopin's genius that he was able to evoke such intense emotion in just over two minutes of music.The piece is often interpreted as a reflection of Chopin's own struggles with illness and mortality, as well as his experiences of exile from his native Poland. Whatever the inspiration behind it, Prelude Op. 28, No. 4, remains one of Chopin's most beloved and enduring works, continuing to captivate and move audiences more than 180 years after it was written.
$5.99
5.52 €
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Frederic Chopin
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Prelude In E Minor, Op. 28, No. 4
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Jhavilah
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SheetMusicPlus
Ange Flégier: Le Manoir for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533424 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533424 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913661. Published by Musik Fabrik Music Publishing (A0.533424). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In d minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!
$11.95
11 €
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Ange Flégier
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Ange Flégier: Le Manoir for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
What do they matter? (for medium-high voice and harp)
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by N…
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
5.52 €
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Pachelbel: Canon in D for Piano Quintet
Piano Quintet,String Ensemble - Level 3 - Digital Download SKU: A0.552061 Composed …
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Piano Quintet,String Ensemble - Level 3 - Digital Download SKU: A0.552061 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 17 pages. Jmsgu3 #6104307. Published by jmsgu3 (A0.552061). Score: 9 pagesDuration: 2:45. The famous Pachelbel Canon arranged for Piano Quintet. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$52.95
48.76 €
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Johann Pachelbel
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Pachelbel: Canon in D for Piano Quintet
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jmsgu3
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SheetMusicPlus
Ange Flégier: Au crépuscule for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Composed by Ange Flégier. Concert,Romantic Period,Standards. 9 pages. Musik Fabrik Music Publishing #2913373. Published by Musik Fabrik Music Publishing (A0.533410). A setting of a poem by Jean Richepin. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In e minor. Duration: aprox. 4 minutesAnge Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.Dans le silenceLe bateau dortEt bord sur bordIl se balance.Seul à l’avantUn petit mousseD’une voix douceSiffle le vent.Au couchant pâleEt violetFlotte un refletDernier d’opale.Les flots déteintsOnt sous la briseLa couleur griseDes vieux étains.Alors la veuveAux noirs cheveuxSe dit: «Je veuxFaire l’épreuveDe mes écrinsDans cette glace.»Et la Nuit placeParmi ses crins,Sous ses longs voilesAux plis dormants,Les diamantsDe ses étoiles.
$9.10
8.38 €
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Ange Flégier
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Ange Flégier: Au crépuscule for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
When Sunsets Fade Away - Alto Flute & Piano
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.573365 Composed by …
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.573365 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #5330437. Published by James M Stevens Music ASCAP (A0.573365). Written March 27, 2020, this is an original alto flute and piano composition in a relaxed and reflective style in the key of D minor. There is a separate alto flute part in the score and the piano part as seen can serve as a stand alone solo. The piano track as heard is available under When Sunsets Fade Away Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$6.99
6.44 €
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James Michael Stevens
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When Sunsets Fade Away - Alto Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Sacred Solitude - Alto Flute & Piano
Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572828 Composed by …
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Small Ensemble Flute,Piano - Level 3 - Digital Download SKU: A0.572828 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Multicultural,New Age,Sacred,World. Score and part. 8 pages. James M Stevens Music ASCAP #4337941. Published by James M Stevens Music ASCAP (A0.572828). This is an original composition for Alto Flute and Piano in a darkly reflective style in the key of D minor. There is a separate alto flute part in the score and piano can serve as a stand alone solo. The track as heard is available under Sacred Solitude Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College. https://www.youtube.com/watch?v=45fQxLuMZWo
$6.99
6.44 €
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James Michael Stevens
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Sacred Solitude - Alto Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Toccata et fugue en ré mineur (BWV 565)
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Compo…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
$7.99
7.36 €
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Johann Sebastian Bach
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Toccata et fugue en ré mineur
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Sam Bateman
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SheetMusicPlus
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
Small Ensemble Bassoon,Cello - Level 4 - Digital Download SKU: A0.796251 By Daniel …
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Small Ensemble Bassoon,Cello - Level 4 - Digital Download SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Traditional. Score and parts. 43 pages. Last Resort Music Publishing #403432. Published by Last Resort Music Publishing (A0.796251). Part 4 Cello or Bassoon - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) www.lastresortmusic.com.
$20.00
18.42 €
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Daniel Kelley
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Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
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Last Resort Music Publishing
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.59 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
"Pavane" from Mother Goose Suite
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886892
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.886892 Composed by Maurice Ravel. Arranged by Justin M. Ryan. 20th Century,Children,Contemporary. Score and parts. 3 pages. Justin M. Ryan #3015413. Published by Justin M. Ryan (A0.886892). Ma mère l'Oye (Mother Goose; Oye is correctly capitalized, being a proper name) is a musical work by French composer Maurice Ravel. The work has five movements: I. Pavane de la Belle au bois dormant Pavane of Sleeping BeautyLent II. Petit Poucet Little Tom Thumb / Hop o' My ThumbTrès modéré III. Laideronnette, impératrice des pagodes Little Ugly Girl, Empress of the PagodasMouvt de marche IV. Les entretiens de la belle et de la bête Conversation of Beauty and the BeastMouvt de valse très modéré V. Le jardin féerique The Fairy GardenLent et grave Now in the 21st century, this piece comes alive once again with new harmonies and an array of Tonal Colors. Arranged for 2 pianos, each piano is playing the same piece in 2 different keys simultaneously(A Minor and D Minor).
$2.99
2.75 €
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Maurice Ravel
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"Pavane" from Mother Goose Suite
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Justin M. Ryan
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SheetMusicPlus
An Air of Expectancy, for piano(s) and/or other instruments/voices - Score Only
Level 2 - Digital Download SKU: A0.1423141 Composed by Paul Burnell. 21st Century,C…
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Level 2 - Digital Download SKU: A0.1423141 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 4 pages. Paul Burnell #1004475. Published by Paul Burnell (A0.1423141). An Air of Expectancy, by Paul Burnell. Composed 2018 with minor revisions in 2023.For piano(s) and/or other instruments/voices.Duration if performed to the final bar: 4:45 approx.Each of the pause bars should have a duration of between five and ten seconds. The piece may end at any of the points marked with an asterisk (*)The performers may all finish at the same marked point together, or may each finish at a different point.Performers can choose to omit notes (several in sequence if desired) or make short breaks in the sound ad lib.Voices may perform by humming and may choose to perform a relatively small number of notes.Those players that have instruments without a pedal sustain function may adapt their playing style to reflect in some way the pedal indications.Optional - parts or all of the following text may be whispered or softly spoken at any point during the piece:- the silent snow- A crow floats past on level wings - White earth, and ruins- the snowy ground(Excerpts from `Winter-Lull` by D.H. Lawrence, 1885-1930)Programme note:The initial material used for the composition of this piece was a short selection from the DNA letter sequence that represents the human genome. The letters were transcribed into pitch note names, split into two separate overlapping sequences with a higher and lower range, then transposed and further modified to produce longer and shorter notes and rests.Performers can finish the piece at one of several marked places, which means that the duration of the piece will vary between forty seconds and five minutes.
$1.99
1.83 €
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Paul Burnell
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An Air of Expectancy, for piano(s) and/or other instruments/voices - Score Only
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Paul Burnell
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.83 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
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